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1.

Is it a will o' the wisp, or is dawn breaking,
That our horizon wears so strange a hue?
Is it but one more dream, or are we waking
To find at last that dreams are coming true?

2.

Far off and faint, a golden line is streaking
The cloudy night that shrouds the life of man;
It is the sun that dim eyes have been seeking,
Through all blind pathways, since the world began.

3.

The sign to weary heart and waiting nation
That day will come to bring them their release
That, late or soon, through storm and tribulation,
Or with slow change, the earth shall rest in peace.

4.

That One, invoked, with half- despairing passion.
Through years and years of wrong, will right us then;
Will take away, in rude or gentle fashion,
The curse that man has laid on brother- men.

5.

Ah, blessed One! our souls go out to meet thee,
At whose feet Hope will fold her tired wing;
And yet we know not how we ought to greet thee,
And take the gifts thy bounteous arms will bring.

6.

Come not, O friend! with vengeful weapons, borrowed
Of them that warred against thee — sword and flame;
For all alike have suffered and have sorrowed,
And all alike have sinned against thy name.

7.

Come thou to men who groan in sore affliction
A breathing spirit of new life and grace;
Come in thy robes of light and benediction,
That all may recognize thy perfect face.

8.

Yet, as thou must, come soon, for them than need thee —
And thou wilt come — Deliverer great and strong!
Brighten, O tender dawn, though few may heed thee,
And bring the day that we have sought so long!

9.

No class strife then, each man against his neighbour,
No waste, no want, to breed the plague of crime;
No insolent pomp, no hard and sordid labour,
No wars, no famines, in that happier time!

10.

But pleasant homes, and good days growing better;
Contented hearts throughout the tranquil land,
That keep the law, in spirit and in letter,
Which we have been so dull to understand.

11.

And fruitful work, instead of barren duty,
With fruitful rest and leisure interweaved;
And life made bright with plenty and with beauty,
And souls made strong with noble aims achieved.

12.

Great Art, no more the plaything of the idle,
But nurse and handmaid to all human needs;
Great Nature, curbed no more with bit and bridle,
Nor men's religion crushed in bitter creeds.

13.

Nor sacred Love a crime, a jest, an error,
To keep or lose, to give or to suppress,
A secret shame, an anguish and a terror,
A curse to them that it was meant to bless.

14.

All round our narrow lives the tide encroaches,
Distant and dim, but spreading far and fast.
O Liberty, thy longed- for reign approaches
That is to give man's birthright back at last!
vasts;

15.

And must we go, who see the new age dawning,
While yet we suffer in the pangs of birth,
Nor breathe one breath of the divinest morning
That yet has come to bless our waiting earth?

16.

Oh, must we go, just when the day is growing?
Oh, must we waste with vast and vain desires,
Like sparks put out when viewless winds are blowing,
We, lit and quickened with supernal fires

17.

Are we to read no more the wondrous pages
Of this great tale that evermore goes on?
Will suns and stars light up eternal ages
With happier worlds — and we alone be gone?

18.

Never to learn the moral of the story —
Why we have toiled for what we must not keep,
Why we have fought to win no crown of glory,
Why we have sown what unborn hands will reap.

19.

Never to learn wherefore our Maker sent us
With these immortal passions in our breast.
Ah me! Ah me! Wherewith can we content us
To know so much, and not to know the rest!
vircapio gale Sep 2015
slowly  carefully
as i might an ancient diary
still full of young dreams
and even  perhaps
the salt of young love

it hurts
to carry adolescent obstacles
given my age
and all those hateful skeptics
it hurts how they gleefully profane

yet settled dust is yet dust
i sit willing to love
amid my dust
i sit in ever deeper vasts of love
in existential sacrum wag
kindled crown and fullness breath of all the scents of varied forms of love

lighthouse toes inspire seas ancestors swam
lyric feet to message myth of travels won
my calves and shins  knees and thighs
  crawling climbing walking running jumping kicking at the start
physiologies of courage ****** ahead
as future unmade moulds invite
caress the bodied length intent provides

singing fingers scale my world in chords of gliding love
tips of arcing sensate dawns
diverse as nightsky suns

my palms divine an ever giving gift
no futures could unveil--
the toucher's touching touched
aligning novel insights  wordless as the womb of time:
perhaps a symbol flare could squint
and grant a vision of horizon's end--
another pleasure game
a bonsai love to soften age
another twisting meditation's emptiness in form
as motion stillness spaces words
to perfect pitches  tempos   sound
though all of which will never meet
and never meeting meet
as one
Alas, awakened to the glorious smell
Of grieving petrichor and lichen
Intoxicating scents of spells,
Has left my thoughts forsaken.
Aggrieved, unclean,
I wash myself in the river,
Alone again, once with my mind,
The cold water does bring a quiver.
Rushing gently across its bend,
Its current does drag along
A heartache inside a massive depth,
A misery that floods it anon.
It seeks to help wash stains of past,
Blood from mistakes without thought,
Caressing my hands as I dip them in,
It cleans at the souls I’ve wrought.
I’ve brought spite to all I’ve been,
I bathe in hatred and stigmata,
Correctional growth of paradigmatic folly,
Proves equality to tumultuous fodder.
-
There has been death here,
Drowning and sickness,
Villainous nature subjugated
To corruption and bleakness.
Disparaging remarks whispered of men,
Bring to light lost life and love,
Discouraging thoughts of mine herein,
Anticlimactic and soulless above.
The trees began to whisper,
Moving slightly in the breeze,
I thought I would move quicker,
But something that couldn’t trapped me.
-
Bringing about a fallout cloud
That kept my mind thus smoked,
It is hard to cherish anything
That the water itself could soak.
-
I wanted to leave,
But I was locked in the wood,
I began to need it,
Like any Stockholm would
The treasure trove in which I was kept,
Was something of a fairy-tale
It hid monsters, death,
And only one nightingale.
Its swansong allowed me to sleep,
Gorgeous at night, it cast in weep,
A story of one so scared, The fear of bleeding out
One day upon the growing creep.
Vines and lies surrounded me,
Its whole existence was false,
Nothing could be this natural,
And the dead forest scoffed.
-
Could there be someone else here?
Doubtful, I began my search,
Through vasts I spied, time again,
But nothing upon this earth.
The forest fell in love with my heart,
Its emotions curious to her,
She tortured me with affection,
My reality was blurred.
I found my way across her floor,
Trekking miles to a never-end.,
Purgatory does not know this pain,
Hopeless abandon, fell unto myself to fend.
A trip, a fall, unique and random,
I impaled myself with a sharp cry,
A sharp palisade jutting out, I then whispered
“What if I don’t want to die?”
vircapio gale Sep 2013
1)
this part sparkles -- like your smile
which sparks a grin in me
to heat the heart and ribbed
adore
the laughter waiting in the covers
from our wink and whisper
beds of personalities
spring and comfort, stain and dust
but love, sweet love to swoon away
and lust the anchorage of speaking
as we do each tone and syllable
a light, touch, tinge to waken flames
and dancing light
familiar of my origins
a conjured shape in what you single out
each focus frame of sentence what
to what we ought to do
what sunday shall we both approve?
in sync we dialogue
in mood of dire wrack of blah
in boon of happy overflow
our musing 'tra la la'
ideas, toys to turn and pirouette
or taunt the sun to match our beaming fun

2)
this part sparkles too,
but gives itself to me
so i might quench the burning
brightly lighting sultry flesh
i gaze, and overyearn
to tumble in the sheets
that billow layers--layer-winds of time
you tug and pull i toss and tear away
to open bare the inward soft
that peach-like drips from chin
in breathless constantly
voracious tonguing whim
an asterisk for starburst flick delight
salts deeply into savor sweet
the ****-surge powers me in your embrace
to deep, deep clenching ahh
our skin undone as with a solar flare
across the earth a flood of radiating us
lips and bones
coalescent sense
no match for 'bliss'
or moan moan moan
unending veins traverse to toetip axon
ancient crown of hugs from two to one

3)
this part Is the whole
unknown we meet again
again, again from words
to trusting vasts  poetic patience
chance to sound the voice of
yearning manifest from tips to core
and back again we plan on more
in hoping wonder possibles revised
the real of you too natural
to rebuke the care beyond
the searching for
to inhale sight of being there
to step from cab
and offer kindness
mystery of universe
transmuted into meeting once,
twice, every moment new
you bring an often baffling array
of sublime other than i knew
you reinvent me too
vircapio gale Oct 2015
projective geometry used to get me *****
all those positions

,palmately pink and ever green
breathing vasts of void my dark heart laughs in gulping wholes
moaning plenums, hooded over boundless venus-vim

now i'm tired of infinite lines
too many shapes to fit in
too wide, too tight, sharp or empty

,too many ways to come

this was meant to be a disclaimer before a collection of poems

,a way to unclutter
                angst of public  
                              lexicality,
years  after  ­ 'explaining'
                  Samir's 'polygonal me'
                                                to only-me-myself-i-was,
to then indulge this analogic soundlessness...
             
        as i disengage

i can't write without planning on it
i can't write about  writing  without feeling like a fool
                                                            ­                 (,Lear is the only one
that saves me now
                       as now i am the Fool,
                                                 dividing hearts along
in storm-***-love-like railway-*****
                                 steaming full of fiberoptic nooks,
chaining spectra-cogs of a good-will-spirit-****:
                                       concatenated hard-ons every word
each thought a pulsate vulval dream awake,
                                                redichotom­izing lives
                         of shining mons my Athene forehead
                                                      forging fountain thought,
                          urethral letting-beings-be...
freely, my chubby comes back to me
                                         prone before the prostate god)

,in other words
              the same,
                     i cannot write as other than a fool
for
why should i repeat the abject horror of the world?
isn't despair a bit.. overdone at this point?!
and why should i write just the happy!? i'm not in denial, am i?
or am i in denial
about insisting on being in denial absolutely?
--like mind-only schools...
(O the uselessness of words, dismissing patriarchal vigor with yet another wave, the 'brine-milk' ends unending,
forever Femen liberating us of words,
replaced with Fragilaria,
wasting diatomic seas and waterways,
depleted algae gone, extinct: metaphysiCalListo-craticality aborted on a broken Amazonic spear,
our bodies, bodied-hearts, finally won as ours, across Alternaqueeria, fully lucid human-species spanned
i blink my tears and blur my gaze at weeping Pleides

the plan was this: painful poem, pleasure poem, painful poem, happy poem... **** poem, sterile poem, carnal poem, priggish poem, punk poem, open poem, confessing poem, eros poem, **** poem, 'obscene-attractive' poem...
to cleanse inverted mainstreams of my steady-rhythmed pratitpaksha-bhavanams; not "poem, poem, poem, poem..."
but a taut poeming in and out of poems of poemed poiesis prosing poets free to **** again in Issa's snow, or *** on Chiera's cumaholic Shards.

pendulum left, pendulum right; then two pendulums, then none; then one that swings right and left at the same time; then one that spins all the way around, but only clockwise; then one counter-clockwise; then one both clockwise and counterclockwise; then one timeless, then one imaginary one... full of infinite little ones... to represent all the pendulata in the universe as experienced through minor parts of self.. itself as universal part-whole-parcel self-hood spanning star-births yet to come...
,
,
,but it's time to eat a 'square' meal
take off my job-search tie, my peddled lies
                   forget the sunrise vestibules we sipped from,
                                           sleeping by commoding cows

and pretend i'm not dicking myself over
                                                          by­ retreating
into cryptic spectionism-voids again
                                               all seagull-divert-adverts, play
of frozen youth abstrused,
                      self-referred referring loosed
                                          staggered worse than marginalia
no single species 'seagull' singing here
vircapio gale Oct 2015
pejorative memes remade unwise,
the natural artifice of slang;
and the mnemo-linguistic "advantages" of being called a ******...*

arbitrary signs..

chosen  reasoned    signs.

i don't remember history, living it as
predetermined amens sinking blind
profane in sacred incense dogmas polished
                 elemental airs of azure old allure
named aesthetics new and purely false
    unlike a snakeback break
    they realm of fear indulged--
placate artistries of loving touch to numb;
with medieval noose, blade;
          scald of iron pen and human metaphors for *******
    sent to human metaphors for hell before their deaths
to burn as scapegoats for immortal xenophobic herds
remade

this is a word's weight
  now,
  for all unhearing yet apologistic legend-churners earthling-bound:
one witchhunt grin and phrase
--legend or not, urban or pagan--
    will burn me here
    to face imaginal apotheosic
   dawn
   of bigotry complete
.
in long-yearned laughter, musics
     yet unleased to propagandist aims:
empty prayers undone as selfish grims
  i do without
  as any fairy might
        with dusty wave of hand
my wings are spillful everjoys
    of momentary vasts
          of ancient youths; of loves of
    glittered rainbow in the hush of sunfall snow--
escapes of real dismissed
   all
    real
       fiction-true truths
                                bearing living worlds of love
and labyrinthine strands? and twisted more, ripe!
      for shock and awe filled fuel
      sierra-cut at ranges incomplete as Tolkien Silmarils
                                i brace the let of leavings-be
sever severed links in inner chains of links
    to remake ****** moonbeam skirt
    of spectra cloud and starry breath
---the window opens maths of savor
        (apsaras! tulpas!)
        surveyed in the tones of healing buildings
        shaped of love

huddled shapes of perfect friends
                   all craning necks to common interstellar home

i could be clear and disagreement wright
but i am here to feel ineffables of ******* felt
fall  up    from anger
        into union's many-petaled rifting veils
and in a citrus spray of scattered mists unshared
a stillness swim of happily amused
    awake a zombie-language only Borges knew
        to burn a mark of joy on history's flesh
a hidden question-heart of sensuistic quest whose end is known
    and yet exclaimed unknown
    as glories only moving rainbows know
hang-glide words to shadow-stripe the eyes
                       and dash Mneumosyne another arching voice
"******; *****"

-NORTH AMERICAN informaloffensive
a male homosexual.

-early 20th century: perhaps from the obsolete sense of ***** ‘contemptible woman.’

-a bundle of sticks or twigs bound together as fuel.
a bundle of iron rods bound together for reheating, welding, and hammering into bars.

flamboyant

mnemotechnosophical pejoratives?

2.21.15
vircapio gale Oct 2015
it felt good to leave the tourists behind
---with their cast-iron grated stairs
and photo-flashing-falls,
question-comments cookie-cut---
embrace the woods:
soaking wet approach,
brinks of shivers in the dripping wind,
an old, broken filter
   slurping bubbles from a cardboard tired puddle;
whisperlite stove finally working,
the first cous-cous dinner warms our little white dog
   dreaming on my rising falling chest
   pressed by sleeping bag and snort and sigh;
we sleep our psoas sore--
unknowing we have just begun...
haven't yet begun!
yet bodied abject pain to shock our senseless raw
   with scoured glimmer-vasts of love beneath
a frozen fly on Frosty Mountain
zippered hail in midnight breath,
i *** in numbness gusts--
i bite my smile ice,
whoop the sleeting world for we are here at last.
Prabhu Iyer Jul 2013
I. Gray

In the dim light of the dusk
fading through the sky
an exhibit on a canvas:

a single strand of graying hair.

The arcane gallery housed
by the serpentine lake of memories.

What an awful lot of balderdash
shrieks an elderly gentleman ahead.

What a masterpiece, I think.
A masterstroke, in fact: just a strand

stuck like a line across the canvass,

this is it: time is catching up.
mortality comes calling
in pieces and strands.

II. Red

What embers, my dear, lie concealed
beneath those heaps of burned
logs deposited in your soul?

Waters healing were poured out
ages ago: was the love

too diluted, that even now the gale winds

of raging events bring those embers
burning from your depths?

I can see them burning in your eyes.

III. Black

Oh his gulf between you and me.
That you carry what is of me
before and hold what is
after I am of the ashes,
I know, in your oceanic vasts
bloom our fleeting island lives.

But what were you, before
you were of flesh? Did Aleph
bring you forth too? Tell me
friend, for this is my quest,
my mortal angst at finding you
nailed on the cross above: or
I must be a necromonger.

Are you the one who does not exist
as we know, or are you who also exists
as we can know: what are you?

That blood flows on this earth pondering
on this question.

In this is concealed the answer
to the question raised by that strand.

Tav is not the answer. Nor is it in the cross.
Mortality. The gray shades of love. The fluid spirit. This is our lot.

Aleph and Tav are the first and last letters of the Hebrew alphabet
Prabhu Iyer Nov 2016
There a dawn before the dawns
the first of the Gods that drunk of,
that we have a world
to cherish for:
light beyond all death,
hymn that hearkens to wisdom
a vast beyond the vasts:

oh our anchor past the
storms of lives,

this morning, Regina by love,
may we be of peace
drenched in Thy infinite
presence!
This will be a series of hymns to the Supreme as Goddess - I have found that the march of patriarchal religions has meant that there are very few hymns to address the feminine Divine, which to many seekers is the more natural expression of a Theistic apotheosis. Expect hymns and prayers for various occasions such as dawn, night, start of works, suffering, thanks giving...
EssEss Jan 7
The very mention of Portugal's Lisbon evokes an anticipation of enticement,
Replete with rich history and heritage, any visit is bound to be one of excitement,
Linked to the legendary Ulysses, it is the westernmost capital city in continental Europe,
It's historical prominence is due to it's beautiful natural harbor, that needs no lookup

Even for those who love city walking, the steep inclines of the streets could be a stretch,
A plethora of pleasing tiled architectural facades however, makes up for the arduous dretch,
The city is built in a succession of terraces up the slopes of a range of low rolling hills,
Elevation variations offer spectacular views of the river & cliffs, adding considerable frills

As a city built on seven hills, Lisbon's topography is a mix of enchanting contrasts,
Monumental buildings, elegant squares and broad avenues encompass large vasts,
Quick digression to hilly, narrow, winding, cramped streets is a common occurrence,
The ambience while strolling is pleasing & the transition in terrain is a nice experience

Lisbon's uniqueness is in it's hybridity of historical and modern cultures and lifestyles ,
Smart rooftop bars of hotels contrast to excellent inconspicuous restaurants in style,
The city boasts of an internationally acclaimed one-of-a-kind  architectural singularity,
That can be seen in scores of buildings where spectacular tiled facades are a specialty

Building facade tiles are characteristically ornamented with figures in blue-toned colors,
As seen in homes, public buildings, cafes, train stations, shops, churches and many others,
Called "Azulejos" in Portuguese, these unique tiles also serve to remove building dampness,
Innovative iterations have made tiles more vibrant, rendering greater degree of brightness

One of Lisbon's trademarks is the famed, oldest Portuguese paving on most streets,
Made of limestone cubes, shaped and placed by skilled craftsmen, never missing a beat,
The designs are geometric, figurative or specific depending on the final location,
Special atmosphere is created as it reflects all light falling on it, that begs causation

Lisbon's distinctive colored tram cars are iconic and, for visitors a must-have ride experience,
Hop on board to the sound of squeaky brakes and shrill bells, that have little consequence,
Navigating the steep hills, narrow streets and sharp turns, the journey is fun-filled & exciting,
The ability to lean out and touch perilously close building walls in narrow streets, is most defining

Baixa is Lisbon's central business and shopping district that is always bustling with activity,
It houses the most emblematic squares and streets with neoclassical buildings in the vicinity,
This touristy part of town is flanked by fascinating historical sights that are iconic, quite frankly ,
Fusion of it's history, traditional Portuguese culture and modern tourism, is depicted very aptly

Overlooking River Tejo is Praca do Comercio, a magnificent plaza and Lisbon's grandest square,
The surrounding arcaded buildings, equestrian statue and  Rua Augusta Arch all add to the flair,
Bustling Rossio Square with cafes is Baxia's principal square with it's wave-patterned pavement,
Adjacent Restauradores Square with much history has a standout obelisk - a landmark monument

Navigating around the hilly city is commonly by cab or metro as both are relatively inexpensive,
Other options include trams, funiculars, buses and ferries, that can be fun and equally effective,
When it comes to a tossup, Lisbon metro with four lines, is usually the fastest way to commute,
Providing a seamless experience for visitors, thanks to  a system that is designed to be astute

A visit to Lisbon is never complete without a day trip to  Sintra, perched atop a mountainous site,
Sintra's jewel in the crown is undoubtedly the famous Pena Palace - an UNESCO World Heritage Site,
The iconic twin conical chimneys and the lavish, whimsical interiors have an unique construction style,
The castle rooms with colorful, artistically painted emblematic ceilings are surely worthy of a besmile

Lisbon's charming tourist attractions and lifestyle are the prime reasons for it being a go-to location,
It has a welcoming and liberal allure with extensive history, that makes it a popular holiday destination,
One continues reminiscing the sloping streets, effusive warmth of locals and colorful architectural tiling,
At the end of it all, a visit to Lisbon always remains wistful, whilst at the same time, leaving one smiling!
SURETICE TONGUE Jan 2021
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IRRESPECTIVE OF ECHO

SAMUEL DAVID <believingvirtue@gmail.com>
Tue, Oct 20, 2020, 2:47 AM
to drmikemurdock

Hi in the existing pursuits,  beyond the reigning of induction

Galore triumphing in the dreaming unannounced  the altar  of praises- stepping

Ideologies its embark in the Presbyterian  floating by the hitherto  to flaring

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Cooking inches to  irrespective of echoes , paramount  so deeply  troops stirring

The potentiary eyebrows in the vigorously  pillar beyond  the quarrysflying

Took  the virtues by the arguably  uproaring zests /  uproaring  in the  parachronically  stardom  ofd subtly virtues so intellectual proofing  in the

Soiling clothings , paqttern the rejoining  into praying knees in  the

Blueprints ideal  cracking by the idioning  strawl pertches to presiding wealth

Of  weathering  stoodly vasts of flaring in the glories of orchard...’ in the over immovable  oneness  raqve injh the greatness of implementation  so fulcrum  of pointing  glory of galories…’ in the  wrist of eternitry  in the  unequalledled  of changing tide prophecy  of photostreaqm nof black inh the desk of knowledge

Al;tering in the sonship to eternity column…’

Triumphing in the  echo of  surmantable.



Your  conquering  absurd,



Samuel Churchill Omale

Wrist  Of Eternity Rejoining

www.hellopoetry.com/SPEAR­­_LEGACY

+2348131914240
Escape your nest tonight, quest shelter in the sight of

Coruscant furtherance unfurling evermore.
The stories petrified cast off, at length reborn.

Disarm your mind, let every instance feel invited.

Allow nocturnal air to slake coeval thirst,
And hear me out, before my fading voice is lost.


For I saw verity that peals the knell of slumber.

I saw you gazing down the verge of last beyond.
The labyrinthine vasts I fleetingly discerned,

Where paths are crossed, yet crossway splits no path asunder,

Where past dictates the fate to come in grand and least,
Where no beginnings, ends, nor even nows exist.


I watched you all gain the conclusion of your journey.

I watched you kneel before the main of sovereign naught,
As for another chance you earnestly besought

To nurture child within, to stay yourself. Tomorrow,

When dawn ignites, and you awake as young as ere –
Remember mercy in the eyes of dark out there.


Escape your nest tonight, quest shelter in the sight of

Coruscant furtherance unfurling evermore.
The stories petrified cast off, at length reborn.

Disarm your mind, let every instance feel invited.

Allow nocturnal air to slake coeval thirst,
And hear me out, before my fading voice is lost.

— The End —