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Westley Barnes Oct 2016
About 4 years into the friendship, or whatever it had by that stage become, during a chat on our Internet **** preferences
over badly-filtered Americanos
in the UCD student cafe, I said to her
" I think I enjoyed our friendship more when we used to get coffee and just laugh for twenty minutes. "
And after a half second of unusual silence from her, those pools
of ever-renewing blue eyes of hers almost incisions
into my consciousness, I added" That was pretty unique."
And then I laughed unbound, and she almost shrugged
and definitely smirked as if to say "this is where I am now, it took some time for me to realise but it's where I've always been."
Unapologetic, as only she could seem to be.

And it was, like any tryst, fling or abandoned half-romance is, utterly unique. Half on the way
to becoming something we were going to hang on to and definitely regret
and half-stopped, sulking out of a puddle,
dead damp weight created by the differences we made ourselves
for the other to behold and dismantle.
The immediate was meant for us, first the attraction, then the disgust, then the despair, then the cursing off, then round to the intrigue all over again.
She remained the great question mark of my undergraduate years. Heartaches after her were equally demeaning, but far more easily explained.

You know you've found someone irreplaceable when they tell things you really shouldn't know,
things shoved up in boxes for years, things too unformed to be really caught sounding out, in the moments after your first kiss.
And every clever undergraduate will tell you how negative all connotations of "irreplaceable" are.

And yet these are the backhanded good graces,
the immeasurable gifts that memory serves
I wear this like a wound I can find wry mirth at the very sight of,
I have learned all this from her without her ever intending
These memories are indented in a music box with an imitation sacred heart all mine
distempered by the candid lines of a girl who never wanted religion, divulged somewhere in our seat of learning.
Molly Oct 2013
Never really knew who I am, everyone
says something different. I am a thousand
things. Exceeding expectations,
constantly disappointing. My mother
is a hippy, a philosopher. London born;
Oxford made, and in love with
my father, Limerick man,
clawed his way up from the bottom, philosophy,
UCD. Are you beginning to see the pattern?
Spawned from thinkers and writers, I know that
every moment that passes is an opportunity
to ponder, to spill my guts to you strangers.
I live in the country by the beach, with a strange accent
neither London nor Irish. I am nothing
with no identity. I leave it with the farmboys
that continually excite me.
Night-time looking
over the Liffey,
slate grey artery,

flurry of merry music
like a band of castanets
still in our ears.

The cèilidh at Shannon’s,
man with a bodhrán
and a pint of tar

at his elbow,
girls in skirts
a blizzard of colours.

Róisín’s at UCD
but tonight, here,
the silky lilt

of English
pouring from her
emerald throat,

her hand in mine
as a crew of mangled gobshites
stumble home.

We swim in our jollity,
BYOC (bring your own craic)
in the city

where three times
in the 90’s we were kings
of the castle.

You say your father remembers ’62,
when I look in your eyes
you say coinnigh mé anois.

What’s that mean? I ask.
Hold me now.
And I do.

Your lips taste of Guinness,
my head foggy
with you.
NOTE: This is the last manuscript poem.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.

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