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"synth" poems
It's not just music, it's a vibe And when that bass drops, we come alive With the synth and the snare We are all transported there Our minds are in the DJ's hands Our bodies are slave to his beats demands This is our one true escape And it's entwined with his soul into a mixtape.
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Apr 21, 2016
Apr 21, 2016 at 1:26 PM UTC
Mixtape.
when the sweethearts left, we took off our token smiles and overly-kind eyes. my roommate grabbed a beer, quickly ****** it off, i put on "beat connection" by lcd, and the derailment of the night began with some synth and burps. i made a *** of coffee, went outside, the neighbors were having a party, making a stew, grilling chicken, drinking, drinking, drinking, and exhaling enough smoke to signal the natives. "are you drinkin' coffee muthafucka?" "hi, i'm josh, and yes." "the name's chase." "nice to meet you." ******* before i knew it chase, our neighbors, and about three people i didn't know were in my apartment. chase looked at a picture of lennon in our living room. asked me my favorite beatles album. "probably sgt.peppers." "you like that gay **** "if that's gay **** yes i like gay **** he grunted with rednecker royalty. "the white album is probably my second favorite," i offered. "man, the white album is the **** there is nothing else." someone said they had some fire, if anyone was interested. everyone was. there was a dark-skinned boy, with snow white teeth and a fake afro, rapping as i clumsily played an acoustic. there was a 26-year-old ***** and his 43-year-old wife smoking a bowl in my bedroom, there was my roommate vomiting on the carpet, there was everyone and there was me. there was everyone and there was me.
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Jun 13, 2010
Jun 13, 2010 at 3:33 PM UTC
"the white album is the ****
High synth notes Japanese thunder you amaze yourself Walk with headphones through grass patches and brightly lit streets heavy petroleum clouds nigerian gutter feast of trash and telephones prepaid cards litter homes floors in cardboard sandals shuffling past pubs London clenched ribs teeth breathe heart beats Kick old orchestras through instrumental mixes modernity insanity kinyopoetry.com
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Jun 27, 2013
Jun 27, 2013 at 11:55 AM UTC
Transient
Becky turns  on her  radio It’s 4’oclock you see Says she’s got a date with just me Her Keds dazzled in red With thoughts of Psychedelic Furs in her head Thomas headin home On the floor of ole truck lies his 80s comb Hasn’t seen old school in years The thought brings him to tears Michael’s on a break Wants to take time by the lake Thinkin about Sarah And that iconic leg warmer era When she hadn’t worn waterproof mascara Sarah walkin thru the old store Hears em say, vintage is a good score Records musty smell Makes her feel swell Polaroid on a shelf Drifts back to a time of her younger self Instant prints Memory hints Friends together In spring weather High school dance Parachute pants Puffy sleeve print Tubular and mint Neon color Teenage pustalar This much is true With a Converse shoe Glares, stares and dares Waves in their hair Synth-pop They bop First crush They blush Friendship pins Shy grins Floppy disks The unsaved risks Laughs enter In present time Fallen purse Fate or curse Hand holds out a dime Blank look Like a old good book Mumble jumble Who do you see lookin back at me In a flash It all goes past Familiar face Of time & place If you leave No one would believe Together again It was then When they remembered when
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Apr 3, 2019
Apr 3, 2019 at 10:20 PM UTC
If You Leave
there you stand on the bridge above rio grande— miles of rock hungry and unfulfilled, the spring snow chasing your name into my mouth, the synth of sunrise tucked behind moon-cut mountains. I pull off on the side and see this is how I will be without you, my bright girl
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Mar 29, 2018
Mar 29, 2018 at 9:17 AM UTC
a goodbye from taos
Whatever happened to the ambition The youthful enthusiasm of dancing in the wild As the synth rhythm guides each limb In accordance to the sentiment given by the DJ We were nothing more than broke kids There was something beautiful about the way our spirits Would float like wisps in the wind Freefalling past the worries that held us back From seeing the 5am sun
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Oct 20, 2021
Oct 20, 2021 at 3:18 AM UTC
The Nights We Remember
Wittled stuck One to Coyote Dingus wind talks money all day and night from all directions but am allowed only to listen Emotional cocooning addictive sweet synth sup as ready as can be Reshaping wounded amazons Is no easy task. Thank you. Now please pull your head out before we all starve to death from this confusing lack of true love a swan, perhaps? no, a turtle, one of nine i see
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Jul 3, 2013
Jul 3, 2013 at 1:34 PM UTC
Notice from Heart on Sleeve
I meekly rummage through my purse Looking for my tangled earpHones The sweet sounds of guitar and synth fill my ear As we pass Eglinton West I wait for the last minute of the song Where I maximize the volume Just to hear the faint bass in the ocean of noise Like my pastel jelly fish amongst navy blue Stinging my tearducts with poison Is your bass That romantic tune forever ringing in my ears Like your breathe down my back Like your eyelash on my cheek Like your fingers in my hair The same that pluck that bass Cascading ******** sound waves through my tired mind, romantic heart I put your bass away, back in my purse And walk the streets of my city Where I see you everywhere You can't be put away neatly in my subconscious You're their bassist, But most of all, You're my front man.
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Jan 22, 2013
Jan 22, 2013 at 3:12 AM UTC
The Bassist
My whiskey habit is complimented then insulted by the ever temperamental voice of Jim Morrison, I listen to Alabama Song by The Doors I throw my pen and page In an anger induced rage As my mind recites the wrong words To his poems and songs His voice plays on repeat All i can do is blame myself as the primitive synth dances it's oscillating tunes through one of my depleted senses. My hearing Mojo Rising's face crudely made into pop art painting by a fan, an idoliser's image Suddenly the fender telecaster takes over the smokey airways Hypnotising, mesmerising as it fills the space between the barely conscious being and the walls that surround The tempo of the snare, tom and high hat slows I now have time to gather my ever harsh and bitter thoughts Harsh like the whiskey, bitter like me
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Mar 18, 2014
Mar 18, 2014 at 9:33 AM UTC
Jim Morrison Is My Only Friend
jumping into a pool of yellow glowing liquid while rich, deep, full synth chords play. time has slowed down and i am in the middle of a cannonball and i can see bats flying over my head in the almost-darkness. friends surround me and are laughing in slow motion as i fly through the air. the sun has changed the whole scene to a tinted and washed dark orange and purple color. it’s like i put on a filter but it’s real life. the liquid is lukewarm, sort of like someone didn’t put a bowl of soup in the microwave long enough. there is no word in the human dictionary to describe this feeling. i’m done pretending that nothing matters all the time. i wish there was some way i could hook up my brain to a screen so you could see what i'm picturing right now. there’s no way that can happen though, so i will just continue trying to explain through words.
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May 22, 2015
May 22, 2015 at 8:19 PM UTC
RAISIN BRAN IS PROBABLY THE BEST CEREAL EVER
There is a note that lives between thought and slumber, That’s when I thought of you today A harmonica lay in my hand, the reeds looking at me silly, Play, I imagined it say, and imagined it was really there. In my mind we are still walking a dusty bluesy road, our jeans torn and worn In this midday dream the blues is red and wore a hat; I let out: This, is not the blues from which my hippie son was born. I sigh, at the sight of a synthesizer kissing a harmonica, the synth in your head, the harmonica pregnant with my heart. Our blues drove us to momentary madness, because Syd Barrett was always jealous Like fights that happened on Sundays and when we choose to mock, then cruelness. Come midnight someone awakes and someone is being wakened, And outside, nothing is lit, But she's not afraid, just letting you know she was waking. Your bedside was colored, certainly psychedelic, but was almost always red I lay there, like a pregnant harmonica making love to a trusty guitar, the guitar thrusting, the harmonica trusting. I confront salvation with a straight face, a cigarette now intruding No, I yell, the harmonica sounds the same, still on the key of C, But by a synthesizer you sat, the harmonica lay there, heavy with child, looking at me, And as I stare back, I've seen: indeed you have chosen the synth. A note creeps in between the high and dry of low, I insist that kismet needs a little shove Just a push, a new pair of eyes, another heart and a memory that knows only love, Spiralling in Syd's Milky Way, me drowning, me begging in exchange for you, I tried moaning a tune but the blues have discolored and turned simply blue. I face the devil now, I try to bargain, but he sings, 'the blues trusts no one, no longer.' The devil makes a face, sings to me then says, 'you've forgotten that I'll always remember.”
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Nov 30, 2010
Nov 30, 2010 at 10:10 PM UTC
Untitled 1 (when I'm supposed to be working...)
There is a note that lives between thought and slumber, That’s when I thought of you today A harmonica lay in my hand, the reeds looking at me silly, Play, I imagined it say, and imagined it was really there. In my mind we are still walking a dusty bluesy road, our jeans torn and worn In this midday dream the blues is red and wore a hat; I let out: This, is not the blues from which my hippie son was born. I sigh, at the sight of a synthesizer kissing a harmonica, the synth in your head, the harmonica pregnant with my heart. Our blues drove us to momentary madness, because Syd Barrett was always jealous Like fights that happened on Sundays and when we choose to mock, then cruelness. Come midnight someone awakes and someone is being wakened, And outside, nothing is lit, But she's not afraid, just letting you know she was waking. Your bedside was colored, certainly psychedelic, but was almost always red I lay there, like a pregnant harmonica making love to a trusty guitar, the guitar thrusting, the harmonica trusting. I confront salvation with a straight face, a cigarette now intruding No, I yell, the harmonica sounds the same, still on the key of C, But by a synthesizer you sat, the harmonica lay there, heavy with child, looking at me, And as I stare back, I've seen: indeed you have chosen the synth. A note creeps in between the high and dry of low, I insist that kismet needs a little shove Just a push, a new pair of eyes, another heart and a memory that knows only love, Spiralling in Syd's Milky Way, me drowning, me begging in exchange for you, I tried moaning a tune but the blues have discolored and turned simply blue. I face the devil now, I try to bargain, but he sings, 'the blues trusts no one, no longer.' The devil makes a face, sings to me then says, 'you've forgotten that I'll always remember.”
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Two Bodies caressing each other, Complimenting the skin tones, As they touch one another. Perfectly synchronised, The same but different. A song so perfect, It stays on repeat. A melody so divine, The dance is locked in your feet. Their voice adds a sultry bass to your ear, The rhythm of your heart, Skips a beat. The highs meet the lows, And the ears begin to ***** up, A love making duet you suppose. To taste the sound of sweetness to hear the emotion of love, To see the chords of heat To feel the harmonies of passion. Mixes and blends of the tongue-twisted music. The emotions profound, felt from tap and synth. An audience of two Hear the touch of rhythmic blues, As the piano keys play, And a guitar riff ensues.
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Mar 18, 2013
Mar 18, 2013 at 5:50 PM UTC
Harmonial Passion
A synth is all wires, metal and acrylic. Alone it sits upon a keyboard stand motionless. It is plugged into a valve amplifier, all valves and solder and metal. The synth is motionless. And the world it lives in is silent. The electricity dwells through the wires in the gyprock walls, through the voltage and the conduction. Two hundred and forty volts to be exact. Yet it is contained within the walls. Dark and unfamiliar. And the world it lives in is empty. A switch is switched. The electricity is conducted. In the blink of an eye it powers the synth and the amplifier. The synth springs to life. A melody filled with intervals, ascension and harmony blasts through the amplifier, with clarity, distorted grit and frequency. A beautiful sound fills the air. The synth and the electricity together at last. And the world that the two live in together is beautiful. JAW 29/01/11 For Marie.
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May 17, 2012
May 17, 2012 at 2:59 AM UTC
Like a synth
My classy *** ragtime notes Can pound yo dub step trippin’ beats any day. You’re techno, I’m folk. You gotta wear neon to be seen. Man, they can see me from the moon. You spend two hours getting dressed I roll out of bed and still look this fly. Your hat points in a different direction than your nose. Mine is the same one my grandfather wore. Your pants are falling off your *** Mine are held up with suspenders. You try so hard. I kind of feel bad for you. Girl, you a fraud. And I’m the real deal. You tried to hide you’re in love with my guy. I kind of wanted to **** you. You kind of did me a favor. He was just as bad as you. Thanks for showing me That I can do better than Dub Step.
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Jun 28, 2012
Jun 28, 2012 at 10:35 AM UTC
My Banjo Can Kick Your Synth Machine’s ***
the calm synth exhales. i close my eyes as the rumble of the wheels turn. palms face up on my lap, i pray. señor, cuídame en este viaje. estás conmigo. inhala; exhala. my stomach dips with the beat, the bass picks up & so do we, right on cue in perfect harmony. i’m not scared of flying. i found a peace in that moment where the song, the sky & my soul snapped into sync so smoothly that i sighed in serenity. i’m not scared of flying, but sometimes of where i’m going, & of what lies ahead. but let me have this moment, where daniel & kali soar through the clouds with me, where everything seems to click. let me breathe, despite the lack of oxygen outside. & save a seat for Him. ~ pilot of life, perfect attendant & guiding wind.
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Jul 10, 2019
Jul 10, 2019 at 1:58 PM UTC
untitled.
Stay away from that victory gin that causes rebel rouses, but no elections Go join the 99 percent and never graduate your fafsa dreams don’t intimidate me **** your mace brand justice and your senior citizen abuse. join the merchant sailors like the greats. be some one who can change, ******* it what we need right now is someone who can wright this right of passage. we need another Kerouac we need another Ginsberg cause all i ever did in Dallas was die all i ever did in Dallas was die. set me free from this pretentious tyranny of name brand sweaters, and lemon bars, your art house cinema fulhouse applause can’t match the street grit grime of my soul. too much vermouth with much rancid brine has made me a bitter soul of conquest. the tomorrow is wasted youth on main street on a wave of ***** and appletini ******** sugar sweet synth pop and black liquorice hip hop spewing out of every show off trendy water hole. the sixth street, fry street, main street, bourbon street of our fathers will swill down the drain to make room for the next for the next for the next......... after all we ever we wanted to do was last. where do we go from here?
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Aug 21, 2012
Aug 21, 2012 at 11:44 AM UTC
The next one
I stalk through the dark hallways Drifting through remnants of a sun. Spirals into vortexes, cascading shafts of light on Brief transits inward, where time falters. Forces push & pull and all around The tide of the cosmos envelopes me, Wading through the static sea Waves come in crashing- Laughter, screams And yet, no sound escapes the vacuum
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Jun 17, 2024
Jun 17, 2024 at 10:57 AM UTC
Dim Synth
unstill life with a peach pit. // i paint you in every colour before you leave my field of vision. i spit out words i don’t understand like i love you, i need you. you dance with me in my bedroom, spin me around until i’m blue in the face, you say you love my glow in the dark, i say but you shine brighter. maybe we could sip on the cyanide in our peach pit smoothies while i carefully contemplate? i don’t quite understand this but i dream anyway because there’s nothing better than our flashlights. i’ll make you a thousand mixtapes and we can dance to modern day synth pop and we’ll feel like we’re in the eighties. i’m a nineties baby i just made it there. syncopated words, and clever cacophony spill out of my mouth, you’ve got my lip gloss on the corner of yours. stay careful, i don’t know what any of this will mean in two weeks. but, we’ll go out singing, *baby, we’re golden, baby, i’m holding on to you. baby we’re golden, baby i’m holding on. baby, we’re golden baby, we are, we are, we are...*
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Mar 3, 2017
Mar 3, 2017 at 9:45 PM UTC
side a // unstill life with a peach pit
Playing to the heartbeat Tub thumping Drumbeat Overwhelming Synth wave Channelling the Bass slave Guitar jams, room shaking Screaming voices, larynx aching Cello in the background Violins make mellow sound The Snare an unholy snap A Tambourine a mighty slap The Cymbals crash A Tom Tom smash Chord change impending Middle eight unending Digital and analogue Recording in its final slog Final verse is looming With the Bass Drum booming The soloist’s precision Fulfils the final vision Aduain
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Nov 15, 2018
Nov 15, 2018 at 10:01 AM UTC
Studio
echoing in my head i am compelled my knee begins to pulse up and down my head weaves back and forth my shoulders they slide side to side the synth is the hot sand warming my feet compelling me to rest my face upon it like warm paper hot from the printer i lay my whole body in the sand the bass is an amtrak train from washington to new york flashing the swampy green and beautiful lakes across your eyes faster than a movie it is real the drums are a tiny room and i am a small red ball elated, uncontrollable i ricochet off every wall faster and faster the walls appear hard but are soft to the touch i close my eyes my hands are stretched out close to my sides, i see the world in four quadrants one is the beach... the sun now sets and an orange glow blinds me for a moment, through squinting eyes the majesty of the waves, rolling in orange, shocks me in a single orange beam straight through my heart and out into the other quadrants i turn my hips to reveal the second quadrant and i am suddenly on a train shooting through the air in front from metal tracks on the ground around me are trees climbing and sliding upwards their trunks rotating in slow circles the green grows and grows in moments it fills the world consuming my sight all is green for a moment and then the green shrinks forming corners as it disappears becoming a cube then the cube grows and in front of me grows a red door and it opens and again i am a bouncing red ball and for a moment i am fully present in bouncing then i fall, gravity ceasing and i am back standing with my hands to my sides and i see the fourth quadrant i see myself grinning and shaking swinging my whole body in random patterns in my chair, at my desk typing a poem on my computer
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Jan 27, 2015
Jan 27, 2015 at 10:50 PM UTC
Music
echoing in my head i am compelled my knee begins to pulse up and down my head weaves back and forth my shoulders they slide side to side the synth is the hot sand warming my feet compelling me to rest my face upon it like warm paper hot from the printer i lay my whole body in the sand the bass is an amtrak train from washington to new york flashing the swampy green and beautiful lakes across your eyes faster than a movie it is real the drums are a tiny room and i am a small red ball elated, uncontrollable i ricochet off every wall faster and faster the walls appear hard but are soft to the touch i close my eyes my hands are stretched out close to my sides, i see the world in four quadrants one is the beach... the sun now sets and an orange glow blinds me for a moment, through squinting eyes the majesty of the waves, rolling in orange, shocks me in a single orange beam straight through my heart and out into the other quadrants i turn my hips to reveal the second quadrant and i am suddenly on a train shooting through the air in front from metal tracks on the ground around me are trees climbing and sliding upwards their trunks rotating in slow circles the green grows and grows in moments it fills the world consuming my sight all is green for a moment and then the green shrinks forming corners as it disappears becoming a cube then the cube grows and in front of me grows a red door and it opens and again i am a bouncing red ball and for a moment i am fully present in bouncing then i fall, gravity ceasing and i am back standing with my hands to my sides and i see the fourth quadrant i see myself grinning and shaking swinging my whole body in random patterns in my chair, at my desk typing a poem on my computer
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Bein' out in lake Catchin' bass A piece of cake Don't take eyes Off the candy Randy Catchin' sucker'd Be dandy Sweet-tooth'd scaring night Rollin' hard High kite Lounging in floaty ecstatic Roll still Admire the galactic Traverse through waters I heard mutters Hashish-bier thoughts unclear In hand A welcome of dry land Pulsation of bass I hear Naked timid music Synth-like rave Mystical Acoustic Land so dry had drag'd me in With cold sweating fear She whisper'd 'trek 'r treat mm' dear'
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Dec 8, 2013
Dec 8, 2013 at 11:12 PM UTC
Hallow e'en Fishing
Create me. With your synth-organic rhythms and beats from the heart, make the body electronic. Sustain me. Keep the pace, pumping the force of life like a peacemaker in my chest. Enlighten me. Loops of cascading beats synthesizing blood music circulate through the passages of my soul, Filling every corner of what I am: Organic matter in symbiosis with undulating cadence.
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Nov 6, 2013
Nov 6, 2013 at 7:36 PM UTC
Groove Creation
She walks in starlight Coming of age In a riptide. Her lone synth chords Reminiscent of an Open mic motel. Burning multi-layered sound We don’t fear the dark now. There’s room enough for two And Technicolor in a Hot air balloon. I can taste the comfort On another world with you. Delicate piano dodging Missiles from the ground and Candy playing on the radio Can’t sing like we can hum And feel the undertow. © Ben Ditmars 2014
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Jul 17, 2014
Jul 17, 2014 at 5:58 PM UTC
Surface to Air
friday morning, we wake up hungover from last night's binge drinking, because even though we love our jobs, no one really wants to work for their entire lives, when so many things are unanswered, perverted, and misconstrued. hashtag all of those millennial catchphrases, to garner hearts from your friends who you haven't seen in years, friends who work in San Fran, Chicago, Greenwich Village. crank up your laptop speakers, as Neon Indian's Polish Girl plays that **** synth, and take a drag from a P-Funk, before your Grandma hits your shoulder with the newspaper daily— right after she speaks in Vietnamese, asking you what is your name, because she has Alzheimer’s. but in these social media days, isn't everything that is worth mentioning to your sister, everything that is worth fighting for, everything that is ****** in this world, on the internet (maybe, just Twitter tbh). screenshot the cat meme you like, save it, share it, move on. if only she wasn't allergic to cats, maybe it could have worked out. that was 7 years ago. *** ova it. Then, mix your red bull with your coffee, because the next 10 hours of your life, will be revolving around caring about people other than your ungrateful and ingratiating *** don't cry, when I say good-bye. stay for a while, under the shade of the rooftop where the deejay spins Frank Ocean and Frank Sinatra records, as everyone is drinking scotch, or Yuengling, and ashing over the veranda bansister, ; the bad boys try to open their souls to the good girls. and the bad girls, reveal too much to the good boys. we devoured those drugs, as though they were jelly beans from a convenience store, and then we broke into the store and ate some more. break the coals on top of the hookah, puff, puff, pass— inhale, exhale, fit the deformed piece back into the Dinosaur puzzle, and crawl back into bed, pull the covers over your trembling body, shut your eyes, and reflect, for the day is heavy with regret and unsaid things.
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Apr 4, 2017
Apr 4, 2017 at 2:43 PM UTC
unsaid_Things
friday morning, we wake up hungover from last night's binge drinking, because even though we love our jobs, no one really wants to work for their entire lives, when so many things are unanswered, perverted, and misconstrued. hashtag all of those millennial catchphrases, to garner hearts from your friends who you haven't seen in years, friends who work in San Fran, Chicago, Greenwich Village. crank up your laptop speakers, as Neon Indian's Polish Girl plays that **** synth, and take a drag from a P-Funk, before your Grandma hits your shoulder with the newspaper daily— right after she speaks in Vietnamese, asking you what is your name, because she has Alzheimer’s. but in these social media days, isn't everything that is worth mentioning to your sister, everything that is worth fighting for, everything that is ****** in this world, on the internet (maybe, just Twitter tbh). screenshot the cat meme you like, save it, share it, move on. if only she wasn't allergic to cats, maybe it could have worked out. that was 7 years ago. *** ova it. Then, mix your red bull with your coffee, because the next 10 hours of your life, will be revolving around caring about people other than your ungrateful and ingratiating *** don't cry, when I say good-bye. stay for a while, under the shade of the rooftop where the deejay spins Frank Ocean and Frank Sinatra records, as everyone is drinking scotch, or Yuengling, and ashing over the veranda bansister, ; the bad boys try to open their souls to the good girls. and the bad girls, reveal too much to the good boys. we devoured those drugs, as though they were jelly beans from a convenience store, and then we broke into the store and ate some more. break the coals on top of the hookah, puff, puff, pass— inhale, exhale, fit the deformed piece back into the Dinosaur puzzle, and crawl back into bed, pull the covers over your trembling body, shut your eyes, and reflect, for the day is heavy with regret and unsaid things.
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