780

The Truth—is stirless—
Other force—may be presumed to move—
This—then—is best for confidence—
When oldest Cedars swerve—

And Oaks untwist their fists—
And Mountains—feeble—lean—
How excellent a Body, that
Stands without a Bone—

How vigorous a Force
That holds without a Prop—
Truth stays Herself—and every man
That trusts Her—boldly up—

A little Indian temple in the Golden Age. Around it a garden;
around that the forest.  Anashuya, the young priestess, kneelinq
within the temple.
Anashuya. Send peace on all the lands and flickering
corn.  --
O, may tranquillity walk by his elbow
When wandering in the forest, if he love
No other.  -- Hear, and may the indolent flocks
Be plentiful.  -- And if he love another,
May panthers end him.  -- Hear, and load our king
With wisdom hour by hour.  -- May we two stand,
When we are dead, beyond the setting suns,
A little from the other shades apart,
With mingling hair, and play upon one lute.
Vijaya [entering and throwing a lily at her]. Hail! hail, my
Anashuya.
Anashuya. No:  be still.
I, priestess of this temple, offer up
prayers for the land.
Vijaya.  I will wait here, Amrita.
Anashuya. By mighty Brahma's ever-rustling robe,
Who is Amrita? Sorrow of all sorrows!
Another fills your mind.
Vijaya. My mother's name.
Anashuya [sings, coming out of the temple].
A sad, sad thought went by me slowly:
Sigh, O you little stars.! O sigh and shake your blue
apparel.!
The sad, sad thought has gone from me now wholly:
Sing, O you little stars.! O sing and raise your rapturous
carol
To mighty Brahma, be who made you many as the sands,
And laid you on the gates of evening with his quiet hands.
(Sits down on the steps of the temple.)
Vijaya, I have brought my evening rice;
The sun has laid his chin on the grey wood,
Weary, with all his poppies gathered round him.
Vijaya. The hour when Kama, full of sleepy laughter,
Rises, and showers abroad his fragrant arrows,
Piercing the twilight with their murmuring barbs.
Anashuya. See-how the sacred old flamingoes come.
Painting with shadow all the marble steps:
Aged and wise, they seek their wonted perches
Within the temple, devious walking, made
To wander by their melancholy minds.
Yon tall one eyes my supper; chase him away,
Far, far away.  I named him after you.
He is a famous fisher; hour by hour
He ruffles with his bill the minnowed streams.
Ah! there he snaps my rice.  I told you so.
Now cuff him off.  He's off! A kiss for you,
Because you saved my rice.  Have you no thanks?
Vijaya [sings].  Sing you of her, O first few stars,
Whom Brahma, touching with his finger, praises, for you
hold
The van of wandering quiet; ere you be too calm and old,
Sing, turning in your cars,
Sing, till you raise your hands and sigh, and from your car-
heads peer,
With all your whirling hair, and drop many an azure tear.
Anashuya. What know the pilots of the stars of tears?
Vijaya. Their faces are all worn, and in their eyes
Flashes the fire of sadness, for they see
The icicles that famish all the North,
Where men lie frozen in the glimmering snow;
And in the flaming forests cower the lion
And lioness, with all their whimpering cubs;
And, ever pacing on the verge of things,
The phantom, Beauty, in a mist of tears;
While we alone have round us woven woods,
And feel the softness of each other's hand,
Amrita, while -- -
Anashuya [going away from him].
Ah me! you love another,
[Bursting into tears.]
And may some sudden dreadful ill befall her!
Vijaya.  I loved another; now I love no other.
Among the mouldering of ancient woods
You live, and on the village border she,
With her old father the blind wood-cutter;
I saw her standing in her door but now.
Anashuya. Vijaya, swear to love her never more.
Vijaya. Ay, ay.
Anashuya. Swear by the parents of the gods,
Dread oath, who dwell on sacred Himalay,
On the far Golden peak; enormous shapes,
Who still were old when the great sea was young;
On their vast faces mystery and dreams;
Their hair along the mountains rolled and filled
From year to year by the unnumbered nests
Of aweless birds, and round their stirless feet
The joyous flocks of deer and antelope,
Who never hear the unforgiving hound.
Swear!
Vijaya. By the parents of the gods, I swear.
Anashuya [sings]. I have forgiven, O new star!
Maybe you have not heard of us, you have come forth so
newly,
You hunter of the fields afar!
Ah, you will know my loved one by his hunter's arrows
truly,
Shoot on him shafts of quietness, that he may ever keep
A lonely laughter, and may kiss his hands to me in sleep.
Farewell, Vijaya.  Nay, no word, no word;
I, priestess of this temple, offer up
Prayers for the land.
[Vijaya goes.]
O Brahma, guard in sleep
The merry lambs and the complacent kine,
The flies below the leaves, and the young mice
In the tree roots, and all the sacred flocks
Of red flamingoes; and my love, Vijaya;
And may no restless fay with fidget finger
Trouble his sleeping:  give him dreams of me.

272

I breathed enough to take the Trick—
And now, removed from Air—
I simulate the Breath, so well—
That One, to be quite sure—

The Lungs are stirless—must descend
Among the Cunning Cells—
And touch the Pantomine—Himself,
How numb, the Bellows feels!



Charles ate a Rocky Mountain
oyster shell from the spleuchen
of a bee resting on a bed plate,
but then fell asleep.


Glandular curvulas search for
the meaning of life;
to **** and be ****** by the nerve centre.


Clooties of the Yellowstone national park
make regretful decisions, that lead to excessive
crying, and dry/wet heaving for
MTV'S SPRING BREAK BLAST:
The ending is on pp.22 featuring beam rays
telltale sign of stirless beaches and nights irritating
my irritatory sun causing me
to
fumble




from the letter shape of my family tree.
Quintessentially, but not really, reptilians smiled
to eat sour investment of  telltale
signs of testicular cancer,
while sending SMS messages to
acquaintances blabbering
"Come over and watch a movie ;)"
and gloating of recently acquired masseuse skills.

I (fabrication)

Arthur Quincy folds his arms together
Sensing that interfering desire again!

Cant shake this fugue
Or forget the bad stuff he used to take/
Its a lingering presence/

The residual ash in his eyes blinking coffins & dazzling premonitions to the other smalltown poets writing in
Their kitchens to the sound of
Wheatgrass dancing outside in June and
A vacuum's warm considerate hum
From upstairs.

Post office on strike and
Cars being made with straw MAN he thinks
What happened here???
The day crossed out with faulty watches
And parkbench *** fantasies
& the crude laughing regular here
Sipping his tea
Wondering if he'll ever be as much a hit with the ladies as he was in the 1970s

Former beggarman Quincy lays himself out in an empty parking lot feeling invulnerable to the snow

As it collects over his shirt he whistles a happy tune from a date he went on before

The great sourness shelled him out of
Social fulfillment.

Now he keeps to himself
Making stories out of his bedroom and
Crying
crying for
His first love &
The laundry place shut down now wheres he gonna go/

Old Quincy used to smoke expensive tobacco but has since decided to save it for whenever he remarries. Or a brilliant morning where the neighbor sleeps in so he can sleep in too.

The view from his window is a continous rotation of wet crows who peer in and for a brief moment see the man's hands to his head making sure his hair hasn't fallen off yet..
House walls heavy with age
expose themselves occasionally
With an after image of past inhabitors,
The essence of their dry lips
Or olive cotton sweaters hanging from a rocking chair,
The enthusiasm of a corner lamp
Unappreciated by all
Past and present.

II (veteran romantic)

Arthur Quincy shelters his mind from strange ideas
Or conspiracy he hasn't "lost it" yet at least!

He has a hobby of painting the active society and
Expresses mood as colorful clouds
Floating out the skull of us to
Blend in an energy pollinating the
Deli and antique shop and yoga studio
V A P O R
to be swallowed by accident and catch the empathic disease of the
Depressed and jubilant simultaneous,
Makes easy living confusing and
Impossible to achieve in an absolute way!
He carries this belief
When interacting with others
Arthur Quincy understands
That balance is key to fulfillment
(so far as his life is concerned)

However, hardly anyone has seem him laugh and so assumes he doesn't have the ability to.
In reality he saves his joy and holds it to lift his lungs from despairing all day long to be released
Late afternoon in the comfort of home
As a display of feral bellows and supernatural ecstasy. This seems somewhat overromantic and exaggerated but someone has claimed to have had the rare pleasure of witnessing it!

Arthur calls the same address once a week, an anonymous voice speaks from the line opposite and while mysterious
It is clear he adores this voice. He adores the unacted subtlety and passion in this voice.
He smiles when he hears this voice which is simply enough.

Nearby those naive poets use Arthur as a muse sometimes too directly
Often referencing rumors of his hermetic life
Or retreating into his headspace
Unrealistically blowing his experiences into fable
And turning even his stirless sleep into a fabulous fruitbasket of language.

On the surface he appears forlorn and
Bitter with the winter gradually molding to his skin. Like anyone can tell you he has felt this before! Haven't you? But through all the stories and impossibilities of Arthur he is reserved in his
Knowing of important things. He is reserved in revealing that he not only knows how music sounds but where music comes from. He never reads the newspaper out of habit to feel in-the-know. He never lies about his feelings or his intentions.
Arthur exists in the
Glow of himself
And persists on breathing the glow of the street,
He is a wordless poet and veteran romantic.

III (funeral)

One day Arthur passed away a few weeks from Thanksgiving.
His name put on the paper he never read
And examined by a young girl
Who was only hearing of him now.

"Arthur C. Quincy/ 73/ passed away this Saturday. To be remembered as a quiet and misunderstood man envigored with the lightness only percieved by a rare and special few"

This description came as a surprise to those who knew Quincy as the claustrophic and uninteresting grump
Who's sidewalk idlings were unexplained and strangely hostile.

He saw the sky and its shifting canvas,
He saw the distant cats leaned on balconies impressed with the daytime ambiguity in firestations and libraries.
He would conjur a grin
From the passive conversation between a mother and her son.
He once saw two strangers fall for each other on the bus! A conjoined sun had bloomed between them.

Just a few attended the funeral. Upon inspection of his house following Arthur's death, someone found a will left for Helen Ashbury. A 55 year old woman who lived a three day drive away in Michigan..An identity to his weekly telephone fantasy!
It assumed all of his belongings to her, among them a military grade flashlight with his carved initials, a photograph of his time as a lumberer signed to "Peter! All the best in Costa Rica" and a copy of W.C Williams collected poems. Where folded on page 206 as part of the poem "Orchestra" was highlighted

"I love you. My heart is
innocent.
         And this is the first day of the world!"

Eventually Helen Ashbury received the news of Arthurs passing, as well as these things.
At the sight of the poem she wept,
the man she only knew through a voice after years of correspondence.
Upon being questioned she refused to explain their meeting in the first place. That was a special time, a time which the public would misinterpret or slander with rumor.
While Arthur wasn't widely loved in the town during his life, he was a popular topic from death on. As more information came out! Serving in world war II and his companionship with a parisian ***,
Who shared the wonder of the rooftop and spoke on the value of tea as a food replacement.
He once met a girl there at a dance and in a show electrified with lust they moved to Lucienne Boyer without the knowledge of who would win the war.
He had a son with her, Who resided in France most of his life as Quincy regrettably
Abandoned their situation to
Pursue other things, in his journal he admits his wish to have connected with him more, referring to his leaving as the worst mistake in his life.
All of this masked behind his firm neutrality. His walk lacking suggestion and his wrist without the delicacy of a painter (not that people knew he painted and so didn't pay attention to anything like that)

He was buried by noon. Some say his son was at the funeral. People gave their partings, and Helen wanted so badly to say goodbye to him. Instead left with his curios and his infinite voice.

IV (i'll be around)

The following year at a yard sale Helen came across a series of musty and used records. In the stack of them was a Cab Calloway compilation. Nestled in his desperate wailings and hi-de-** was the track "I'll Be Around" a slow and patient song that Arthur sang to her once. She recalled that night with ease, and felt her shoulders sink at the thought.
The album was $4, on the drive home she watched the trees shake with the wind, their leaves transluscently pale at the angle she was going. She could feel a weight there in her chest. The weight of him, of his heart supposing itself onto hers magnetically. She rolled down the windows and let the wind surround her, blowing her blonde hair back and forcing her to squint a little.

"I love you. My heart is innocent"

she recalled the poem he left for her. Of course not written by him but it felt as deeply personal as if he had.

"-and this is the first day of the world!"

Helen lifted a cigarette out from her purse. The drag extinguishing immediately as it's trail left the car. A bewilderment slowly consumed her.

Your poems. your words.
They shiver me, my spine weakens.
Your details, your roughness.
My mouth waters. My hands contract.
Your sentences content no fuss.
You're writing truth. You're killing me.
My eyes conclude. My lips unlock.

How I'd love us to use eachother,
feed our ego's with the taste of skin
take advantage of these stirless bodies,
but your words are all I know.

I am the unknown bug in the bed creeping up your sleeping body.  Only in your dreams can you brush me from your leg.

You are noiseless, stirless. I'll feel you with feelers, rip you apart with them until your soul splits into my light and guide.

It beckons me upward until I clumsily climb into that dark, mysterious end.  I am an alien in your black cavern of truth.

I want there to be hope in there, to be light. Where are the cut-paper shadows and leaves that show us what is real?  Only you can sense the white-filmy substance. Tell me about how it sparkles like reality. Tell me how to find a cave of my own.

Spread open and let in the silver moon of the night. I'll tear the program down.  We can re-do it together. And then you'll say "You can't deconstruct what you can't construct."

I come back to you when the sun puts his harsh face over the edge,

In the cold, sunken bed I eagerly await the moment that long, defeated look hits your morning face. You stretch, scratch your body, and wonder who is taking your life.

out here you can be in the land.

The snow is gracefully
in the cool churned
and dark sky.

(you can breathe)

here where
only the smallness
of yourself
can be heard.

your hands will go into the soil.

there will,
over them,
come frost.

and a flower will brace
against chilled winds
its caving stem.

you can be here
and see the toil
of the earth in every
turning of its pail *******.

you can cup to your mouth
the ember of your breath
and pass into the frozen
limb of dead spring
the **** warmth of your lungs.

you are made here,
in the land,
where you can be.

and the toiling of your breast
will pass into livid creations
of quickly eaten, hot.

you will be made and unmade alike.

you will dream of the bodies of girls.

and you will sleep between
the snow of their thighs--
pocked of rose husk
and shattered frond.

you will limp
between the
clean pillars
of their hips,
and your hands
will find within
their riven dirt
the striving root
of life.

(you can be here in the land
cold something
stirring its
magnificent hair
shaking off
the sheath
of stirless
snow...  )

And your hands will become numb.
And your lips will become numb.

and you will fumble between
their dumbness.

and the whole of you will become numbness,

(stumbling)

into the bubbling
heat of
Spring's
arched

HEAP.