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"sizable" poems
I almost forgot about you today. A sizable spill of coffee shot me to my feet, holding up my mocha-soaked notebook like an unclaimed child. A dozen eyes found me at once---a security measure meant to bring shame to a klutz breaking his social contract. Attention for **** living. When the pain receded I stood in place and imagined you brushing your teeth.
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Mar 24, 2015
Mar 24, 2015 at 11:50 AM UTC
Progress
I Like lightning It strikes me Beautiful And a sizable Occurrence The current Courses through I like lightning It tears me through
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Sep 4, 2012
Sep 4, 2012 at 9:22 PM UTC
Lightning
My tummy rumbles rolling into bed with you, before a big test and when I think about my future. It twists at the thought of lazy summer days and time away from school and stress and sadness. With new years come new resolutions and new people in and out of my life. It comes with people pandering for weight loss, new jobs and fatter wallets. I sit and stare at the girl with a sizable waist line, bigger heart and even bigger brain. I stare at a girl who works hard for what she has and harder for the ones she cares about.
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Jan 15, 2015
Jan 15, 2015 at 1:37 AM UTC
Stomach Ache
***** stories make front pages, Massacres and killings, Mayhem and ****** , A mad man is dealing, This masked man antics Is masking the city , The mind behind the gore Is on 30th floor, In a dormitory with no door, Only a window, With which The nocturnal tenant tends to Look over. Watching The overnight onlookers Night walkers, Alley cats, Insomniacs, And boulevard hookers..." "....My eyes lay On a prominent, candidate For cannibalistic practices, My dominant traits Widows peak, Vampirical feats, Long, hollow teeth, With massive molars, Used to chewing meat, Which sit beside my Sharp Canines. But my sizable incisors Scissor inside the side of my Silent victim Select venom in him Bereft of vocalism Vocal cords torn I violently vanquish His speech. He’s paralyzed from his Neck to his feet I throw him over My shoulder, Escape the obscene scene Before I am seen..."
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Oct 1, 2010
Oct 1, 2010 at 12:19 AM UTC
The Cannibal
There is a never ending breed of bracteria livig in my bones It almost chews with the full intent of biting off but not quite, holds back just enough to leave me hanging my joints, nooses of collateral damage, they almost wiggle like worms but burn with less intensity than pain. There is a never ending wall of inter knotted muscle within my back I call these things frustration although alot of the time they feel like fury make my neck ache like guilts burden. I have ground my teeth to tiny sizable pellets and picked at my charred white skin, until there is no more youth in this body all you will see is five foot seven of sallow eyes pale faced bloated frustration corpse-like if corpses smiled. Untill my teeth are yellowed from coffee and cigarettes and the laugh lines around my mouth taunt me like the scars on my upper arm (if you are scarred just as painfully by laughter as a knife what is the point of it all) 12 inches of stitched back frustration that reads: you cannot undo what was done stitches I want i want to rip out in the company of polite normal people and smile at their disgusted faces have you ever as a child been so unhappy by what you put down on paper you would scrunch the whole thing up after crossing it out in the thickest black marker throw it in the bin and start over? This is what living feels like I am just a  canvas I can almost remember what it was like to laugh
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Sep 28, 2013
Sep 28, 2013 at 8:46 PM UTC
regret
dark leaps when there is the frothing light beaming a sizable aureole on your face this evening and its palpable brigade. dark is having your inwoven dress free from swaying pressed against raucous facelessness of things rogue and renegade. and when i have you not, shining the light and its intone, wind felt like stabs or i in attendance of a crazed vaudeville— trapeze is the hinge of the void afloat, upstream, space-hovering; a display of love and not so much is shown of the vertigo trapped in a square, a face impinged in the seamlessness of this fabulation when you've gone quickly fading out; light is my remember, o, dark my forgetling.
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Nov 3, 2015
Nov 3, 2015 at 7:15 AM UTC
Two Poems (Davao Blurs): (2) Contrasts
The Great Alone The greatest fear is to lose the one dearest to oneself the shadows even darken soulless darkness The day goes without sunlight even at noon day where does the brave contend while loss bends comfort No hiding place exist you understand the lifeless void love taken only obstruction lives in all starkness All is gone the tumblers of the safe are dissolved you can’t lock anything in safety nothing can oppose No desert ever formed looks and feels like this landscape baked to the point nothing recognizable Shade is filled with inner burning always turning thoughts are only heavy weights you must bare Where is the water once it held you with buoyancy now seek as you do none is found at all sizable Burnished sand this wayfarer knows its captivity well it is only like a tightening rope around the heart The still frightens because down its corridors the laughter of yesterday still quietly forcefully echo Avoid natural reflections those images the most painful hurts dwell you feel their presence can’t touch Embodiment longing that holds the greatest promise now a cross a twist on the crops of the god Peko What mocking to speak of harvest when there is only devastation your heart where not one plant grows He once walked where you walk his experiences reflect these very facts they are the human equivalent You have lost that which can’t be replaced you know pain and sorrow he lost most of those he created Then by love he came to rescue that which was lost he carried your pain by their action he is irrelevant In the soon clearing mist all eyes will dry dead hearts will be made a live with joy and what a gathering
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Jan 1, 2012
Jan 1, 2012 at 8:52 PM UTC
The Great Alone
The Great Alone The greatest fear is to lose the one dearest to oneself the shadows even darken soulless darkness The day goes without sunlight even at noon day where does the brave contend while loss bends comfort No hiding place exist you understand the lifeless void love taken only obstruction lives in all starkness All is gone the tumblers of the safe are dissolved you can’t lock anything in safety nothing can oppose No desert ever formed looks and feels like this landscape baked to the point nothing recognizable Shade is filled with inner burning always turning thoughts are only heavy weights you must bare Where is the water once it held you with buoyancy now seek as you do none is found at all sizable Burnished sand this wayfarer knows its captivity well it is only like a tightening rope around the heart The still frightens because down its corridors the laughter of yesterday still quietly forcefully echo Avoid natural reflections those images the most painful hurts dwell you feel their presence can’t touch Embodiment longing that holds the greatest promise now a cross a twist on the crops of the god Peko What mocking to speak of harvest when there is only devastation your heart where not one plant grows He once walked where you walk his experiences reflect these very facts they are the human equivalent You have lost that which can’t be replaced you know pain and sorrow he lost most of those he created Then by love he came to rescue that which was lost he carried your pain by their action he is irrelevant In the soon clearing mist all eyes will dry dead hearts will be made a live with joy and what a gathering
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17
Does it take you the entirety of a slow summer day to fall in love? Starting with sipping coffee in the company of the chickadees and ending with conversation sizable enough to fill the Big Dipper. Or does the feeling crash down on you like a tsunami? Not quite knowing the cause and not quite caring. You know, that inability to feel reality during an aftermath. Maybe you like to resist the inevitable instead. Pushing love away with bursts of gut air exploding through your teeth. Coming from the need to control all things, including every motion of your breath. But I don’t know. that’s your thing. My thing? See, I’ve been trying to figure that out. At times I crawl towards love like a starving alligator would towards a deer. Think about how they drink unsuspectingly from the river. I know it sounds impulsive. We’re all just trying to survive though. Like when my head is on your chest and your arms are wrapped around me. Sometimes I feel so close, yet so far away. It makes me want to dive into your brain-but then I think you might not like that. Then I slow down. And the love I’m feeling reminds me of a *** of water just before its boiling point. Bubbles full of compassion and trust and admiration coming up to join the little piece of the universe I’m blessed to be a part of. Like when we’re talking and the words just spew from my mouth. There’s not a negative feeling in the atmosphere and I feel on top of the world. Because I’m thankful to have found a friend within love. There are other times when my heart feels like it’s going to explode. The emotions are just sitting on the edge of my soul waiting to jump. You know when the only thing and the last thing you want to do is cry? Like when you wake up in the middle of the night and I feel you kiss my shoulder. That’s the feeling of wading in the ocean, and watching fireworks, and cuddling children all rolled into one. A feeling in-between desire and fear. Then, against my better judgment, I think, “maybe everything does happen for a reason.”
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Jan 27, 2014
Jan 27, 2014 at 4:51 PM UTC
love is ugly and love is beautiful. and love is kind and love is cruel.
Does it take you the entirety of a slow summer day to fall in love? Starting with sipping coffee in the company of the chickadees and ending with conversation sizable enough to fill the Big Dipper. Or does the feeling crash down on you like a tsunami? Not quite knowing the cause and not quite caring. You know, that inability to feel reality during an aftermath. Maybe you like to resist the inevitable instead. Pushing love away with bursts of gut air exploding through your teeth. Coming from the need to control all things, including every motion of your breath. But I don’t know. that’s your thing. My thing? See, I’ve been trying to figure that out. At times I crawl towards love like a starving alligator would towards a deer. Think about how they drink unsuspectingly from the river. I know it sounds impulsive. We’re all just trying to survive though. Like when my head is on your chest and your arms are wrapped around me. Sometimes I feel so close, yet so far away. It makes me want to dive into your brain-but then I think you might not like that. Then I slow down. And the love I’m feeling reminds me of a *** of water just before its boiling point. Bubbles full of compassion and trust and admiration coming up to join the little piece of the universe I’m blessed to be a part of. Like when we’re talking and the words just spew from my mouth. There’s not a negative feeling in the atmosphere and I feel on top of the world. Because I’m thankful to have found a friend within love. There are other times when my heart feels like it’s going to explode. The emotions are just sitting on the edge of my soul waiting to jump. You know when the only thing and the last thing you want to do is cry? Like when you wake up in the middle of the night and I feel you kiss my shoulder. That’s the feeling of wading in the ocean, and watching fireworks, and cuddling children all rolled into one. A feeling in-between desire and fear. Then, against my better judgment, I think, “maybe everything does happen for a reason.”
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31
With the Hebrew letters of MEM, VAV, LAMED and SHIN, one finds an inner meaning overlooked by most people; it also condemns those who are following Satan. Although its primary influence is a declaration of serenity and peace, souls may be shaken- as they learn about the prayer’s prophetic nature; its numeric and pictographic language contributes another, sizable spiritual layer to its foundational definition. At its core, it translates to: “Destroy all authority connected with any chaos and confusion.”
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Feb 25, 2017
Feb 25, 2017 at 1:10 PM UTC
Poem: Shalom
Carefully caressing your cheek Fretting fiercely over fig cake Greeting gracefully Gorging gloriously Happily humming hyms heroically While finishing fig cake ferociously Starting in p ending in y Plainly pointing the position The poppies placed with percision Deliciously devilishly delightful Boy! Fig cake filled me up... Sitting, satiating sizable crumbs Placed on the poppy plate Suddenly the slightest smell sinks my sore eyes I decided to rise to go to bed Ahhhhhh....
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Jun 6, 2016
Jun 6, 2016 at 1:56 AM UTC
Tonight
I still hear your voice in the dead of the night, I still feel your touch in the morning light. I see your face in a sizable crowd. I see your smile in a cottony cloud. You weigh on my mind, and you reside in my heart- even though we're worlds apart.
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Apr 15, 2010
Apr 15, 2010 at 10:12 PM UTC
Apart
for reasons unknown to me, the urgent need to commence this one with the words: Oh man, this is, this be, challenging, but these words were found on the drying rack in my abattoir, my nickname for my unending Draft Day filings and kept poking despite another overnight splash, the product pool is full of creativity's synaptic junctions, a wild night of up~writing, from god knows when, and here it is 7:18, there are obligations, needs that a demand a face to face meeting, tho the troops are in their boarded beds, gently snoring…                       so quick, to the sizable task at hand the search is perpetual, not eternal, for no one comes forward, willing to admit, they have been around since King David's time, practicing this verbal chicanery game of using words to guide the perplexed, unless, of course, unless someone you might know might be a big fat fibber right about now, you're exasperatingly seething, "where the heck is a poem gonna show its face?"      well, and now,      some struggle mightily, to ascertain      who and what is their uniqueness,      oft turned and twisted, caught between           competing entities, asking quests that            take lifetimes to resolute, and when            you look at the typewriter roll silently            choking the white cloud surrounding it,           you, you want to cry/pray out aloud, who, who shall I be, to make a completion between the person inside of me. the person I think                    I want to be, dream of be-coming, and yes it is too, eternal, for as long as humans can think dream, create and anticipate, we all will nonetheless perpetually search for the other someone, sometwo in us…
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Sep 23, 2025
Sep 23, 2025 at 3:46 PM UTC
the eternal search for the someone else inside, who me?
for reasons unknown to me, the urgent need to commence this one with the words: Oh man, this is, this be, challenging, but these words were found on the drying rack in my abattoir, my nickname for my unending Draft Day filings and kept poking despite another overnight splash, the product pool is full of creativity's synaptic junctions, a wild night of up~writing, from god knows when, and here it is 7:18, there are obligations, needs that a demand a face to face meeting, tho the troops are in their boarded beds, gently snoring…                       so quick, to the sizable task at hand the search is perpetual, not eternal, for no one comes forward, willing to admit, they have been around since King David's time, practicing this verbal chicanery game of using words to guide the perplexed, unless, of course, unless someone you might know might be a big fat fibber right about now, you're exasperatingly seething, "where the heck is a poem gonna show its face?"      well, and now,      some struggle mightily, to ascertain      who and what is their uniqueness,      oft turned and twisted, caught between           competing entities, asking quests that            take lifetimes to resolute, and when            you look at the typewriter roll silently            choking the white cloud surrounding it,           you, you want to cry/pray out aloud, who, who shall I be, to make a completion between the person inside of me. the person I think                    I want to be, dream of be-coming, and yes it is too, eternal, for as long as humans can think dream, create and anticipate, we all will nonetheless perpetually search for the other someone, sometwo in us…
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42
It was not long, a few days at most, before we hit the storm The first wave hits with ineffable force, knocking me off my feet A well placed bolt of lightning took out a sizable portion of the ship and her passengers The second wave carries them away, never to be seen again Thunder crashes and the foremast falls to the sea The third wave swallows it up The captain remains stoic, shouting orders to what little crew he has left The fourth wave strikes the starboard bow, some men are thrown from the edge I grab hold of the rail, my grip strengthened by some primal fear The fifth wave washes over me and I’m torn away I thrash and struggle up to the surface and fill my lungs with air The sixth wave takes me under again Again I make it to the surface and climb onto a passing piece of wreckage The seventh wave drags what remained of the ship to the ocean’s murky depths At least the sound of thunder and rain blocks out the screams of drowning men The eighth wave breaks I remember how the ship once stood tall and proud The ninth wave looms over me I take a breath
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Aug 14, 2017
Aug 14, 2017 at 8:19 PM UTC
The Ninth Wave
Yuch, I tasted Chrissy's canned food today. Though our tastes differ her personality is sizable. Her thinking faces and her dog winks make me think she is an old fuzzy lady. Peoples and their pets. Not a petty thing yet treated as such. This morning she crafted an omelette for me because I requested. I would have liked it but, as I said, yuch.
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Dec 24, 2013
Dec 24, 2013 at 8:32 AM UTC
Hill's Perscription Diet
Demode Dodo Dorothy doesn’t talk to me much about her feelings, she’s either happy as an elephant or angry like a needle being forced through skin. Dorothy doesn’t go by Dorothy. She was Dodo to everyone but her aunt who didn’t know who she was. Dorothy lived across the road in her sizable yellow house, with way too many windows, mum says. Her mother is a big business owner working in the man's world. Dodo’s father is her mother, we joke, always doing a woman's work. Dorothy has a little sister Iris. She looks like Dodo, but Iris doesn’t have the same bruises on her face as Dodo does. Iris must be quiet. Mum does not want me hanging out with Dorothy, she says, she doesn’t act like a lady. Dodo never crosses her legs, but why would she do that? She doesn’t even wear skirts. She doesn’t finish chewing before her words and spits of food fall out. Dorothy does what she wants. Iris doesn’t do that. Men remind Iris that she's a beautiful young lady as we walk down town. Dodo flips them off. Iris is quiet I don’t sit with Dorothy at school. She sits with the boys, and I’m not allowed to. Dorothy fits in with the boys. She has a voice of a lion roaring through the cafeteria. Iris sits with me instead but we don’t talk. We stay quiet. Dodo laughs too much, the girl with red ribbons in her hair says. Dodo is just asking for it, responds to the girl with blue barretts. She’s gonna get hurt if she doesn't shush her loudmouth red ribbons says. Dorothy doesn’t care what girls with ribbons think. Iris does. Iris stays quiet Sometimes I wish I was more like Dorothy. I could tell mum to mind her own business and to let me get my ears pierced. I’m old enough to face the needle. Dorothy likes her big hoops, but I would rather have studs like Iris. Those are quiet Dorothy is a bad liar. I know she didn’t fall and hit her head on the table. The yellow house with too many windows tells me Dorothy’s mum hurt her. No one does anything because we don’t know what to do with women who work in a man's world. We all stay quiet.
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Nov 21, 2020
Nov 21, 2020 at 1:19 PM UTC
Demode Dodo
Demode Dodo Dorothy doesn’t talk to me much about her feelings, she’s either happy as an elephant or angry like a needle being forced through skin. Dorothy doesn’t go by Dorothy. She was Dodo to everyone but her aunt who didn’t know who she was. Dorothy lived across the road in her sizable yellow house, with way too many windows, mum says. Her mother is a big business owner working in the man's world. Dodo’s father is her mother, we joke, always doing a woman's work. Dorothy has a little sister Iris. She looks like Dodo, but Iris doesn’t have the same bruises on her face as Dodo does. Iris must be quiet. Mum does not want me hanging out with Dorothy, she says, she doesn’t act like a lady. Dodo never crosses her legs, but why would she do that? She doesn’t even wear skirts. She doesn’t finish chewing before her words and spits of food fall out. Dorothy does what she wants. Iris doesn’t do that. Men remind Iris that she's a beautiful young lady as we walk down town. Dodo flips them off. Iris is quiet I don’t sit with Dorothy at school. She sits with the boys, and I’m not allowed to. Dorothy fits in with the boys. She has a voice of a lion roaring through the cafeteria. Iris sits with me instead but we don’t talk. We stay quiet. Dodo laughs too much, the girl with red ribbons in her hair says. Dodo is just asking for it, responds to the girl with blue barretts. She’s gonna get hurt if she doesn't shush her loudmouth red ribbons says. Dorothy doesn’t care what girls with ribbons think. Iris does. Iris stays quiet Sometimes I wish I was more like Dorothy. I could tell mum to mind her own business and to let me get my ears pierced. I’m old enough to face the needle. Dorothy likes her big hoops, but I would rather have studs like Iris. Those are quiet Dorothy is a bad liar. I know she didn’t fall and hit her head on the table. The yellow house with too many windows tells me Dorothy’s mum hurt her. No one does anything because we don’t know what to do with women who work in a man's world. We all stay quiet.
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12
Out on the track that fateful day I had just turned to train a mile When old man Finn, asked where I'd been could he tag along for awhile "Of course" I said, he turned his mare we set out for the quarter pole The leisured mile, we made in style a two forty clip was the goal Reaching the quarter then the half we were on track to make the grade Three quarters down, I turned around to see Finn looked a bit afraid His mare was at a full gallop bitten by a horse fly I thought Over the rail, with Finn in trail their fates tied to the lessons taught He'd been thrown over the withers came down hard on the limestone track Finn was old , but cut from the mold of men who go forward not back I pulled my horse up, turned around hoping to help him if I could He'd had a stroke, his hip was broke he lie gasping against the wood We then took up a collection to help the old man convalesce Each man knew, Finn's chances were few as this made of his life a mess Kind and charmed I knew him to be five handsome young sons to his name Sadly then, those who knew him when said life would never be the same I had saved a thousand dollars a sizable sum for a lad As I was young, my life unsung I had given them all I had My father threw a fit that night "I can't believe you sometimes son Hard as it is, in the horse biz how can I look past what you've done" Each of us knew the hardships then we shared part and parcel the same But as a boy, I took no joy in most truths of that deadly game I ran my horse four days later The Finn's drove in every race my mare in back, of the pack that night circled the field in place Each of them smiled as I rode by hell they might just as well have waved While each was as drunk, as a skunk yet they were all so well behaved From that night on they cared for me I laughed as I knew I'd been played Life was no chore, it gave back more I was proud of the friends I’d made Tate
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May 29, 2014
May 29, 2014 at 2:16 PM UTC
Old Man Finn
Out on the track that fateful day I had just turned to train a mile When old man Finn, asked where I'd been could he tag along for awhile "Of course" I said, he turned his mare we set out for the quarter pole The leisured mile, we made in style a two forty clip was the goal Reaching the quarter then the half we were on track to make the grade Three quarters down, I turned around to see Finn looked a bit afraid His mare was at a full gallop bitten by a horse fly I thought Over the rail, with Finn in trail their fates tied to the lessons taught He'd been thrown over the withers came down hard on the limestone track Finn was old , but cut from the mold of men who go forward not back I pulled my horse up, turned around hoping to help him if I could He'd had a stroke, his hip was broke he lie gasping against the wood We then took up a collection to help the old man convalesce Each man knew, Finn's chances were few as this made of his life a mess Kind and charmed I knew him to be five handsome young sons to his name Sadly then, those who knew him when said life would never be the same I had saved a thousand dollars a sizable sum for a lad As I was young, my life unsung I had given them all I had My father threw a fit that night "I can't believe you sometimes son Hard as it is, in the horse biz how can I look past what you've done" Each of us knew the hardships then we shared part and parcel the same But as a boy, I took no joy in most truths of that deadly game I ran my horse four days later The Finn's drove in every race my mare in back, of the pack that night circled the field in place Each of them smiled as I rode by hell they might just as well have waved While each was as drunk, as a skunk yet they were all so well behaved From that night on they cared for me I laughed as I knew I'd been played Life was no chore, it gave back more I was proud of the friends I’d made Tate
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57
There's a sizable difference between our lives and existence. But, we can cover the distance with an epic persistence. We should try out indifference without leaving our imprints and cast away our existence to the edge of fickle brilliance.
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Nov 8, 2010
Nov 8, 2010 at 7:45 AM UTC
Conductors of Caverns
We have a sizable job before us poets the serpent used a poem so sweet and subtle Eve's swoon was akin to Elvis' adolescent entourage lyrics that could talk you into wanting to know more about how to talk using lyrics that could talk you into wanting to know more about how to talk using more of a language that operates the mind, that speaks to will itself. and Adam, like the Junior High sympathetic, waiting by the phone wondering what she does when she's out of sight, finding them in the clearing smiling with casual familiarity only to say, 'Oh, hey, where have you been, care to meet my new friend?' and He, obliging since he already knows that what she likes, He ought to find well and good, enjoys a chat and a snack with this beguiling stranger who seems so learned and worldly. our duty to redeem the artifice, to turn the mechanics into a tool for what will come to be understood as good, the aesthetic that governs, where the dust in the creekbed shuffles similarly to a star devoured by gravity, light in the dewdrop with the fragrance off the petal, the song and the wing together in the tree, the telling of a tale in weight and measure, brushstroke and letter, the definable math, the falsely fathomable organic randomness, precisely ambiguous, colossally specific, superficially profound, is tasked with using the design, generating every nomenclature through metaphoric action, the most real thing, the underpinning, the scaffold, the Tao.
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Feb 5, 2013
Feb 5, 2013 at 1:23 PM UTC
[untitled]
Looking away from your eyes, I realize the size of the rising situation. In your eyes lie no lies that give rise to despise or desperation. I dare to compare anything unfair with that glaring stare you wear. Bright and full of wrong-less right, their bright white glassiness contrasts the night. Sincere fears rearing near tears by the mere peering on clearly seen "dears" of yesteryear. Eyes despising the realization of past situations. Be bold and unfold your reservation. Only good truths shall be told. No lies spoken. Old molds broken. Sympathy and empathy and things causing the heart to flee. Breathe. One...two...three, lift your lids and see. Hates once realized, words you once despised, glances once causing your very demise, shall not be recognized in my own eyes. If we again allow our eyes to close, and the world around us slows, and our instincts move us nose to nose, we shall realize a sizable rising situation just arose. by R. Craig David-Copyrighted 1998
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Oct 28, 2016
Oct 28, 2016 at 7:10 AM UTC
"A Sizable Rising Situation" by R. Craig David
If only it was so to grasp claim bottle delete What is so evasisive yet direct as those mesmorising swirls of memmory such a sizable spectrum shifting softly drematically caused by so simple a trigger Invading that grey ensareing A previously lost Sense.
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Feb 15, 2013
Feb 15, 2013 at 9:37 AM UTC
Smokey senses.
the chickens we are eating are pumped with antibiotics and hormones and those substances will finally be absorbed into our stomachs and bones due to us needing a feed we're also obtaining the odd few chemicals in our grain seed down the line we'll be in for a few ailments which have been bought on by these nasty derailments our food shouldn't be made unrecognizable so steer well clear of sprays and drugs which are so sizable the labeling on food packaging oft doesn't tell the entire story and if it did it maybe quite a disturbing story whence you sit down for a feed to-day ruminate for a while on what the food producers say we've fed the chickens a hormone which is safe for human consumption we've sprayed the wheat crops with a non toxic solution which is okay for your stomach's constitution the proof of the pudding is yet to be tested our food products are so grossly infested organic foods offer an alternative for they've not had any interference and for our stomachs and bones they have an uncontaminated clearance the time has arrived for us to be less like thoughtless hobs and watch what we're spooning into our gobs on Christmas day our turkey was fattened a little too quick for our tables at the poultry farm is his intake of hormones going to do us some harm
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Nov 23, 2013
Nov 23, 2013 at 4:41 AM UTC
Some Harm
The Great Alone The greatest fear is to lose the one dearest to oneself the shadows even darken soulless darkness The day goes without sunlight even at noon day where does the brave contend while loss bends comfort No hiding place exist you understand the lifeless void love taken only obstruction lives in all starkness All is gone the tumblers of the safe are dissolved you can’t lock anything in safety nothing can oppose No desert ever formed looks and feels like this landscape baked to the point nothing recognizable Shade is filled with inner burning always turning thoughts are only heavy weights you must bare Where is the water once it held you with buoyancy now seek as you do none is found at all sizable Burnished sand this wayfarer knows its captivity well it is only like a tightening rope around the heart The still frightens because down its corridors the laughter of yesterday still quietly forcefully echo Avoid natural reflections those images the most painful hurts dwell you feel their presence can’t touch Embodiment longing that holds the greatest promise now a cross a twist on the crops of the god Peko What mocking to speak of harvest when there is only devastation your heart where not one plant grows He once walked where you walk his experiences reflect these very facts they are the human equivalent You have lost that which can’t be replaced you know pain and sorrow he lost most of those he created Then by love he came to rescue that which was lost he carried your pain by their action he is irrelevant In the soon clearing mist all eyes will dry dead hearts will be made a live with joy and what a gathering
0
Nov 24, 2011
Nov 24, 2011 at 3:53 PM UTC
The Great Alone
The Great Alone The greatest fear is to lose the one dearest to oneself the shadows even darken soulless darkness The day goes without sunlight even at noon day where does the brave contend while loss bends comfort No hiding place exist you understand the lifeless void love taken only obstruction lives in all starkness All is gone the tumblers of the safe are dissolved you can’t lock anything in safety nothing can oppose No desert ever formed looks and feels like this landscape baked to the point nothing recognizable Shade is filled with inner burning always turning thoughts are only heavy weights you must bare Where is the water once it held you with buoyancy now seek as you do none is found at all sizable Burnished sand this wayfarer knows its captivity well it is only like a tightening rope around the heart The still frightens because down its corridors the laughter of yesterday still quietly forcefully echo Avoid natural reflections those images the most painful hurts dwell you feel their presence can’t touch Embodiment longing that holds the greatest promise now a cross a twist on the crops of the god Peko What mocking to speak of harvest when there is only devastation your heart where not one plant grows He once walked where you walk his experiences reflect these very facts they are the human equivalent You have lost that which can’t be replaced you know pain and sorrow he lost most of those he created Then by love he came to rescue that which was lost he carried your pain by their action he is irrelevant In the soon clearing mist all eyes will dry dead hearts will be made a live with joy and what a gathering
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17
when i think of the lines and scratches that scatter my hips and thighs i realize that each one is a release a small bliss of the sizable pain inside me
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Nov 9, 2015
Nov 9, 2015 at 7:04 PM UTC
scars on my hips