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Nigel Morgan Sep 2012
1
 
Grey sky greyer sea
a litter of rocks balance
coat bright hat blue mittens striped
as on these November steps
you collect the gifts of the ebb tide
 
2
Glint green this living tapestry echoes
Jilly’s field with tractor not Devon
but salt-flats rocky revetments moorland rising
a map crossed by a chiromatic line
our destiny marked out on this concrete wall?
 
3
Beached clinkered double-ender
a bay-courser sjekte strand-crunched
fit once for Viking raiders two abreast
now daubed with tin ends of patriotic paint
a sea-steed hobbled ******* the shore
 
4
Bow faced a sea helmet thrice rope strapped
slow moulded over the boat builder’s ribbanded jig
a spanglehelm of wood
curved sheer straked plank bilged a tuck stern
raising its proud head seaward
 
5
Viewed from the air a map rolls out
north to the tilted curve of the horizon’s rim
cloud scattered mountained red
betwixt seas sun chalked wine-stained a volcanic isthmus
provokes desert the western waste land of  a brooding city
 
6
Oh face of ropes knot eyed!
you blue cheeked wide smiler
wild wild your  head of hair
beachcombed and splayed
wrapped on the sternest post
 
7
She sewed sugar kelp on the sea shore
a sporophyte with sheltered frond​
strap-like stem stiff and smooth
of the species saccharina a spring-tide
stalk set among substrates shells and stones
 
8
I the camera turned and caressed
by her slight fingers (the pinky raised)
my viewfinder close to her blue grey eye / I
focus on this kelp-needled novelty feel her breath
wait for the thumb press the electronic click
 
9
Here is the beach walked in darkness
the fishermen shadows against the moonstruck ebb
fingers laced the sea’s breath in our ears
wave upon wave un-folding on the sand and  later
we unfold then draw back in love’s relentlessness
The artist Utamaro organised a day out at the seaside  for a group of poets. He gathered their poems together to accompany a collection of intricate paintings he published in a book called Gifts from the Ebb Tide. This can be seen in a beautiful on line presentation from the Fitzwilliam Museum, Cambridge. My poem sequence is written in the same spirit although transposed to the seashore of the North East of England.
Beatrice Oct 2020
For lived experience beyond the carnal;
Topknot explored an inner life.
Then with Slipknot who was his wife,
They embraced art rather than artisanal.
At first their dream fell flat in liminal
Where worm cast actors played the fife,
And whalers waved a flensing knife,
And stoic chic was seen as criminal.

A wall dive away from the stepped revetments
Of leggy fledgling skipped ropes of foam,
Where deep blocks slowed down coast erosion;
(Despite negative equity and mad investments
In sand-sunk rubble from a broken home)
They found a world beyond shallow explosion.
This is a sonnet.

— The End —