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"pomo" poems
Death descends like the statement of a credit card; life goes on in eight columns, sometimes six, dropping out should have been an option, instead my world is turning pages while I am just sitting here listening to atrophy whisper through a megaphone: “It’s better to fade away than to burn out, let champagne supper turn to bile by breakfast, bark up a fake plastic lemon tree till she hurls pomo grenades at you.” The streetlife serenade is recklessly tempting, in the club the girls in ***** shirts come and go, talking of Felu, Neru, Derri… da, what inertia! Sitting in a club with so many fools(,) playing to rules, Hell is a blank generation with no vacancy, I’m doubting Thom: meeting people isn’t easy, Them clones in rubber souls from fab India try to impale me right next to the paintbox, In she walks, head going nowhere close to the oven, eyes me like a Pisces riding shotgun on a WAG, says growing older in the rain ought not be done all alone. Bring on the moonshine, dancing days are here again! Happiness was Scotch Mist, now it’s suddenly a goal, It’s past AM on a holiday, do I wanna know if this isn’t, like always, just un-certain platonish bromance? Or will she journey with me till the end of the night? Optimism is fleeting, afraid to commit, tends to elope, Pray that she lingers long enough: I need a feel-good poem. There’s a restaurant at the end of the universe, I’ve heard the well-done steak they serve is actually rare but their awesomesauce can make us live forever, we can make it there in time if we slide away right now, and if in the morning we don’t know what to do, I’ll toast the bread, I’ll make the bed, she can make my day.
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May 15, 2015
May 15, 2015 at 3:04 PM UTC
Club 27
Death descends like the statement of a credit card; life goes on in eight columns, sometimes six, dropping out should have been an option, instead my world is turning pages while I am just sitting here listening to atrophy whisper through a megaphone: “It’s better to fade away than to burn out, let champagne supper turn to bile by breakfast, bark up a fake plastic lemon tree till she hurls pomo grenades at you.” The streetlife serenade is recklessly tempting, in the club the girls in ***** shirts come and go, talking of Felu, Neru, Derri… da, what inertia! Sitting in a club with so many fools(,) playing to rules, Hell is a blank generation with no vacancy, I’m doubting Thom: meeting people isn’t easy, Them clones in rubber souls from fab India try to impale me right next to the paintbox, In she walks, head going nowhere close to the oven, eyes me like a Pisces riding shotgun on a WAG, says growing older in the rain ought not be done all alone. Bring on the moonshine, dancing days are here again! Happiness was Scotch Mist, now it’s suddenly a goal, It’s past AM on a holiday, do I wanna know if this isn’t, like always, just un-certain platonish bromance? Or will she journey with me till the end of the night? Optimism is fleeting, afraid to commit, tends to elope, Pray that she lingers long enough: I need a feel-good poem. There’s a restaurant at the end of the universe, I’ve heard the well-done steak they serve is actually rare but their awesomesauce can make us live forever, we can make it there in time if we slide away right now, and if in the morning we don’t know what to do, I’ll toast the bread, I’ll make the bed, she can make my day.
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32
The world’s smallest basket lies tucked away Inside a jar for field-trip wide open Eyes of wonder to chew on, settled in The drooling smiles of truant minds like most Sticky wads of gum that hang dried to the Undersides of every desk throughout the Pine Belt area of Free State County, And all that surrounds circled about one Solitary clandestine blade of grass Tucked & woven into antiquity By enchanted hands, & no doubt the work Of Ma Universe slippin’ her divine Fingers inside the dirt-caked skin she’d Herself sewn onto one of her very Own living/breathing marionettes, Borrowing the gloves of ancestors called on All the way to back to the first blade of grass Plucked, & the first dreams that woke young shaman Poets mad with visions streaming like Images from celestial antennas Into intricately knit blades of grass, Sharpened on dewdrops & the unforgiving Wilderness of frontiers, like a sea of Green knives crashing their piercing waves on prairie Shores while dull eyes attempt to draw blood with Sharpened pencils on a sketch of its beach. The towering sandcastles & woven Baskets & cosmic canons are canonized Eternal in that magnificent Fireworks show behind tempered glass, in that One simple blade of grass.
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May 15, 2013
May 15, 2013 at 9:37 PM UTC
Pomo Basket at Fifth & Seventh
Tick tock went the clock, echoing through monastery halls, synchronizing the actions of men, building up modernity’s walls. Creatively destructive, eternal yet fleeting, modernity was paradoxical, according to the Harvey reading. Art had expanded, abstraction arises, and Sigmund loves his mom, more than anyone realizes. Our friends the id, the ego and its super, tell us who we are, Freud has the world in a stupor. A catch-22 for dear Pablo, who will sleep with a **** but is terrified of syphilis, as is seen in his art. There was power and truth, and Foucault says we’re repressive, but suddenly things change, Postmodernity becomes quite impressive. PoMo cares not for beauty, or what pleases the public eye. It’s style for style’s sake, in the buildings stretching toward the sky. Uma dances with John, a young boy finds a severed ear, Joaquin loves his OS, PoMo film is, well, Queer. Yuppies love pastiche, their lofts were once a workplace, they’ve coated them with chrome, they’ve gentrified the space. Unlimited breadsticks have soiled the very Italian name, Baudrillard says it’s simulacrum, there is no truth, it’s all the same. We traipse through this postmodern world, not knowing postmodernity is where we are. We wear workboots to fashion shows, we worship that reality star. We think we’re special snowflakes, and skinny jeans make us cool, and media exposure’s made us cynics, quite impossible to fool. What we don’t realize is that we are not our own, we are pseudo individuals, through PoMo we have grown.
0
May 31, 2016
May 31, 2016 at 11:09 PM UTC
Postmonerdity
Tick tock went the clock, echoing through monastery halls, synchronizing the actions of men, building up modernity’s walls. Creatively destructive, eternal yet fleeting, modernity was paradoxical, according to the Harvey reading. Art had expanded, abstraction arises, and Sigmund loves his mom, more than anyone realizes. Our friends the id, the ego and its super, tell us who we are, Freud has the world in a stupor. A catch-22 for dear Pablo, who will sleep with a **** but is terrified of syphilis, as is seen in his art. There was power and truth, and Foucault says we’re repressive, but suddenly things change, Postmodernity becomes quite impressive. PoMo cares not for beauty, or what pleases the public eye. It’s style for style’s sake, in the buildings stretching toward the sky. Uma dances with John, a young boy finds a severed ear, Joaquin loves his OS, PoMo film is, well, Queer. Yuppies love pastiche, their lofts were once a workplace, they’ve coated them with chrome, they’ve gentrified the space. Unlimited breadsticks have soiled the very Italian name, Baudrillard says it’s simulacrum, there is no truth, it’s all the same. We traipse through this postmodern world, not knowing postmodernity is where we are. We wear workboots to fashion shows, we worship that reality star. We think we’re special snowflakes, and skinny jeans make us cool, and media exposure’s made us cynics, quite impossible to fool. What we don’t realize is that we are not our own, we are pseudo individuals, through PoMo we have grown.
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57
Ni sé para quién es esta amargura! Oh, Sol, llévala tú que estás muriendo, y cuelga, como un Cristo ensangrentado, mi bohemio dolor sobre su pecho. El valle es de oro amargo; y el viaje es triste, es largo. Oyes? Regaña una guitarra. Calla! Es tu raza, la pobre viejecita que al saber que eres huésped y que te odian, se hinca la faz con una roncha lila. El valle es de oro amargo, y el trago es largo... largo... Azulea el camino, ladra el río... Baja esa frente sudorosa y fría, fiera y deforme. Cae el pomo roto de una espada humanicida! Y en el mómico valle de oro santo, la brasa de sudor se apaga en llanto! Queda un olor de tiempo abonado de versos, para brotes de mármoles consagrados que hereden la aurífera canción de la alondra que se pudre en mi corazón!
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953
Oración del camino
Naranjo en maceta, ¡qué triste es tu suerte! Medrosas tiritan tus hojas menguadas. Naranjo en la corte, ¡qué pena da verte con tus naranjitas secas y arrugadas!       Pobre limonero de fruto amarillo cual pomo pulido de pálida cera, ¡qué pena mirarte, mísero arbolillo criado en mezquino tonel de madera!       De los claros bosques de la Andalucía, ¿quién os trajo a esta castellana tierra que barren los vientos de la adusta sierra, hijos de los campos de la tierra mía?       ¡Gloria de los huertos, árbol limonero, que enciendes los frutos de pálido oro, y alumbras del ***** cipresal austero las quietas plegarias erguidas en coro;       y fresco naranjo del patio querido, del campo risueño y el huerto soñado, siempre en mi recuerdo maduro o florido de frondas y aromas y frutos cargado!
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757
A un naranjo y a un limonero
En el naranjo está la estrella. ¡A ver quién puede cojerla! ¡Pronto, venid con las perlas, traed las redes de seda! En el tejado está la estrella. ¡A ver quién puede cojerla! ¡Oh, que olor a primavera su pomo de luz eterna! En los ojos esta la estrella. ¡A ver quién puede cojerla! ¡Por el aire, por la yerba, cuidado, que no se pierda! ¡En el amor está la estrella! ¡A ver quién puede cojerla!
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583
La estrella venida
Esta vez, arrastrando briosa sus pobrezas al sesgo de mi pompa delantera, coteja su coturno con mi traspié sin taco, la primavera exacta de picotón de buitre. La perdí en cuanto tela de mis despilfarros, juguéla en cuanto pomo de mi aplauso; el termómetro puesto, puesto el fin, puesto el gusano, contusa mi doblez del otro Tia, aguardéla al arrullo de un grillo fugitivo y despedía uñoso, somático, sufrido. Veces latentes de astro, ocasiones de ser gallina negra, entabló la bandida primavera con mi chusma de aprietos, con mis apocamientos en camisa, mi derecho soviético y mi gorra. Veces las del bocado lauríneo, con símbolos, tabaco, mundo y carne, deglusión translaticia bajo palio, al són de los testículos cantores; talentoso torrente el de mi suave suavidad, rebatible a pedradas, ganable con tan sólo suspirar... Flora de estilo, plena, citada en fangos de honor por rosas auditivas... Respingo, coz, patada sencilla, triquiñuela adorada... Cantan... Sudan...
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499
Primavera tuberosa
La banda de música le chasquea el lomo para que siga dando vueltas cloroformado bajo los antifaces con su olor a pomo y a sudor y su voz falsa y sus adioses de naufragio y su cabellera desgreñada de largas tiras de papel que los árboles le peinan al pasar junto al cordón de la vereda donde las gentes le tiran pequeños salvavidas de todos los colores mientras las chicas se sacan los senos de las batas para arrojárselos a las comparsas que espiritualizan en un suspiro de papel de seda su cansancio de querer ser feliz que apenas tiene fuerzas para llegar a la altura de las bombitas de luz eléctrica.
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360
Corso
¡Oh lino, madura, que quiero tejer Sábanas del lecho donde dormirá Mi amante, que pronto, pronto tornará! (Con la primavera tiene que volver).   ¡Oh rosa, tu prieto capullo despliega! Has de ser el pomo que arome su estancia. Concentra colores, recoge fragancia, Dilata tus poros, que mi amante llega.   Trabaré con grillo de oro sus piernas. Cadenas livianas del más limpio acero, Encargué con prisa, con prisa al herrero Amor, que las hace brillantes y eternas.   Y sembré amapolas en toda la huerta. ¡Que nunca recuerde caminos ni sendas! Fatiga: en sus nervios aprieta tus vendas. Molicie: sé el perro que guarde la puerta.
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333
La espera