I saw a dance today
That whirled and jumped and laughed on its feet.
An old folk dance
Kalidescopic roiling upon a cool breath
Of autumn’s excitement of being alive
A dance observed by a reflective summer
Gamboling leaves of red, orange, ambers and browns
Phrenetic leaping twirling jumping flipping
And landing with glee

I saw a dance today
Whose steely precision punctured the earth
An operatic ending
Piling blue-ice masses on frost annealed soil
Of winter’s excitement on being, of existence
Impervious to life, alive with death
Hard percusive articulation, blunt statement
Tap, tap, beat and pound
Thud and thrum with efficient punctuated finesse

I did a dance today
Tears and sorrow and sonorous wings flailing
Old and intimate
Terminus found rhythm stand still, now done
Of winter no more, and blindness onset, for the morrow
Moves stopped but not so its ripples
Wave celerity, an expanding profound smile
Leg, arm and head pause
While all effects and causes silently, strongly take wing
Take wing
A cacaophonic stirring, but quiet and motionless and brimming with void
Except in spirt where muscle and wings and winds alight anew.
I did a final dance today, spirit born and coda bent.

the vibrations of nature,
in which all are born and made in conformity with, and to;
it could be
an evanescent spiral of wind,       or
a tornado storm of thunder,         or
a firey warm cage of a campfire, or
a lightning bolt's string being plucked to a percusive slap.

they speak way more true than I.

I seriously can't help but lose this human form
in tune to the wind through my hair.
he, an escapist or a realist?
a good question, I often question,
is there a difference?

Leave it to Linklater films
to figure out what life is
we're rivers of blood seperated
forever from the greater ocean
we are constantly told we're
supposed to be a part of
and we walk around this
spinning ball of dust
and historically significant bones
wondering why we feel so
******* alone all the time.
On a sub-molecular level our
surface bends against the
surface of all other things
meaning, on a quantum level,
we never actually touch each other.
We sort of repel, in fact.
Maybe that's why we try so hard
to write ourselves into each other.
Can you feel me, in these words?
Do they stir in you the same
things I feel them move inside of me?
In this way, with text and grammar,
syntax and purpling context,
do you feel the bumps raise on
your flesh almost as if in
anticipation of the moment,
after the strings have swelled
and a valley of sweet percusive
harmonies have laid bare the
beating heart of the piece
you know a crash of cymbals must
be on the way?
Does hair stand on end on
the back of your neck when
you read, like a whisper in your
ear of late summer time regret
for feelings left unsaid or said
only in jest as the days grow shorter
and the time for action disappears,
at the words, in sequence, that
I've chosen to seranade you with?

Leave it to folk bands to figure
out what love is.
You and I are running at a sprint
against the wind toward the eternal
tomorrow and we've got no
idea how to engage the brakes.
We're on Barry's cosmic treadmill
without a clean understanding
of escape velocity that we need
to get off and go back.
Can we go back?
And inside our clothes
they will find only regret and
our time smoothed bones.
I'm workin' on it
I swear I am.
After walking through a lifetime
of doors it becomes hard to look
at how few are still open
and suicidal, in a sense,
to open many of them back up.
We're very near the top
in this endless climb.
This will not be a satisfying conclusion,
just a landing between flights of stairs.