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"pantsuits" poems
The one-off bag is by Louis Vouitton The sheath dress by Dolce & Gabbana The low-top shoes by Christian Louboutin   The vaporisation is by Sukhoi Evening wear goes with biologicals Retro pantsuits with a casual bomb Alice Archer jeans for a weekend massacre Jonathan Simkhai swimwear for an ocean boil Ohhhhh, yeahhhhhhhh… She turns every head when she enters the room But The People’s Army delivers the BOOM
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Dec 17, 2018
Dec 17, 2018 at 2:54 PM UTC
Apocalyptic Clothing and the Goddess of Doom
The would-be King is angry, adamant that his silk suit trumps all the other suits and pantsuits vying for the throne. His head is in his ace hole. He thinks all the Queens are airheads, gropes them as if they are ****** to be replaced when one gets old and a prettier one comes along. He shuffles his Jacks, mere minions, all interchangeable, discards them, sluffs them off. His would-be subjects are treated like deuces and tres; the cards that do the hard work of making a winning hand, mostly with spades, are clubbed into submission. Though he values diamonds, his deck contains no hearts, they bleed too liberally for his ilk. With his hair pulled over his eyes like a dealer’s shade, he deals from a stacked deck, under the table, cards hidden up his sleeve. He can’t see himself for what he is, the fifty-third card in the deck, the joker.
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Oct 17, 2016
Oct 17, 2016 at 7:24 PM UTC
The Trump Card
Getting to a 4 After the dinner of rising losses, in the bedroom, where open finds shut, shut finds open, a sprawled business shirt crosses the flowered spread. Its armless sleeve in the rut between two pillow with matching bolsters. A sole cufflink, like a dignified mourner, ignored the calls of a telephonic pollster. Its brother is abandoned in the corner, by the shoe boxes arrayed in columns of flats, high heels and sneakers for the gym; sneakers worn down by her vow given solemnly: “If I lose weight, I won’t mind losing him.” In her closet, pantsuits size 8, size 6 size 4 And tiny cut-offs hanging from the door. Marc Tretin
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Mar 4, 2014
Mar 4, 2014 at 10:43 PM UTC
Getting To a 4
Emma Stone must have known she was a dead cert to take home the award for best actress — her gold Givenchy gown was calling out for accessorising with the gold statuette. Stone led the charge for shimmering metallic gowns at a ceremony that was underwhelming from a fashion perspective, bar a handful of stand-out stars. Those included Nicole Kidman, Jessica Biel, Halle Berry, Charlize Theron and fashion’s latest It girl Janelle Monae, who translated fashion chops from her musical background into acting with spectacular results, courtesy of designer Elie Saab. Fashion pushes a more casual agenda and elements of this are filtering onto the red carpet. Hair was more undone: loose waves for Kirsten Dunst, a half-up style from Felicity Jones and Alicia Vikander’s messy topknot. Berry’s wild curls deserved their own statuette. A mini-trend emerged with actresses wearing jewelled headpieces, including Ruth Negga, Salma Hayek and Monae. While things did get political in speeches at the event, embracing diversity in the arts, stars didn’t give in to the current feminist mood. There was a distinct lack of pantsuits, which had been increasingly common at recent awards. Meryl Streep almost went there, in a “drouser” ensemble of dress over trousers, but that was as close as it got. The lone political nod was an abundance of blue ribbons, supporting the American Civil Liberties Union’s action against the Trump administration’s immigration policies. Best supporting actress nominee Ruth Negga pinned one to her red Valentino gown, Karlie Kloss to her white Stella McCartney, while Moonlightdirector Barry Jenkins and best original song nominee Lin-Manuel Miranda added them to their tux jackets. “I think art is inherently political,” said Miranda.Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
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Feb 27, 2017
Feb 27, 2017 at 8:38 PM UTC
Oscar fashion: loose hair, blue ribbons and no pantsuits
Emma Stone must have known she was a dead cert to take home the award for best actress — her gold Givenchy gown was calling out for accessorising with the gold statuette. Stone led the charge for shimmering metallic gowns at a ceremony that was underwhelming from a fashion perspective, bar a handful of stand-out stars. Those included Nicole Kidman, Jessica Biel, Halle Berry, Charlize Theron and fashion’s latest It girl Janelle Monae, who translated fashion chops from her musical background into acting with spectacular results, courtesy of designer Elie Saab. Fashion pushes a more casual agenda and elements of this are filtering onto the red carpet. Hair was more undone: loose waves for Kirsten Dunst, a half-up style from Felicity Jones and Alicia Vikander’s messy topknot. Berry’s wild curls deserved their own statuette. A mini-trend emerged with actresses wearing jewelled headpieces, including Ruth Negga, Salma Hayek and Monae. While things did get political in speeches at the event, embracing diversity in the arts, stars didn’t give in to the current feminist mood. There was a distinct lack of pantsuits, which had been increasingly common at recent awards. Meryl Streep almost went there, in a “drouser” ensemble of dress over trousers, but that was as close as it got. The lone political nod was an abundance of blue ribbons, supporting the American Civil Liberties Union’s action against the Trump administration’s immigration policies. Best supporting actress nominee Ruth Negga pinned one to her red Valentino gown, Karlie Kloss to her white Stella McCartney, while Moonlightdirector Barry Jenkins and best original song nominee Lin-Manuel Miranda added them to their tux jackets. “I think art is inherently political,” said Miranda.Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
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7
. When dark clouds collide and thunder erupts on shaken stares, rains fall in unrelenting sorrows along bramble thorn threads, screaming leaves crash into a frozen ground of broken branches and disgraced smiles, as cardboard condos dot the litter strewn landscape and graffiti drips in tobacco stained puddles at the feet of those standing in an endless line for bits and scraps of the life they once knew, while sons and daughters face the monsters drugged by beliefs conjured on sand blasted battlefields and bibles of their own deciphering, bridging the elongated gaps between lies and promises by those disguised in designer pantsuits with fingers crossed behind their backs and children have secrets ****** upon them through filthy fingernails hiding under bed frames of rusted iron and disgusting touches, silenced by the horror of squeaking hinges and foot steps in the hall, crying for mothers who don’t believe, the tears of a poet will be revealed, bleeding through the page
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Aug 10, 2016
Aug 10, 2016 at 1:07 PM UTC
Revealed
I. The wretched house looked upon the sea, with sagging sashes and peeling skin, preserved in the shade of it’s brand new neighbors. II. Subatomic particles and Mother’s pantsuits were never quite understood; after the vexation they became necessary for no other reason save for they were simply interrupting existence and had to be accepted. III. Twin-pack printer ink is only distinguishable from the cat in the tree by one feature: one of them didn’t make the evening news
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May 2, 2014
May 2, 2014 at 8:58 AM UTC
Just a Position