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judy smith Jan 2016
It's about fashion, fabric and one of the most fantastic days in a couple's life.

For the fifth year, the MTSU Department of Human Sciences and Oaklands Mansion are partners in presenting "Wedding Dresses through the Decades." The exhibit is slated for Sunday, Jan. 10, through Sunday, March 6, at the mansion, 900 N. Maney Ave. in Murfreesboro.

"We are building a tradition that links generations," said Deborah Belcher, chair of the human sciences department. "The historic details and family stories are exquisite, heartwarming and engaging."

A broad diversity of styles in the exhibit represents the changing tastes and mores of American society.

"The Textiles, Merchandising and Design program at MTSU maintains a 750-plus piece collection of historic garments, and we'll have four of our wedding gowns on display," said Teresa King, a professor in the human sciences department.

Those four gowns are from the years 1860, 1891, 1900 and 1912. Overall, the display includes wedding dresses from 1947 through today, including the 2008 gown of WSMV-TV anchor/reporter Demetria Kalodimos, an original design by Rosie Woodruff of Textile Fabrics in Nashville.

"The TXMD program also offers a course entitled 'History of Fashion,' which introduces students to the study of garments and accessories throughout history," said King. "Students will have the opportunity to visit the Oaklands wedding gown exhibit and see history unfold as told from a bridal history perspective."

In addition, King said students from the "Fashion Illustration" course have visited previous exhibits and sketched original renditions of wedding gowns from various periods.

"Both experiences allow students to apply the knowledge gained from these TXMD courses," King said.

In addition, items from the MTSU collection will be on display in windows in the Learning Resources Center and the Ellington Human Sciences Building on campus beginning in mid-January after students return for the spring 2016 semester.

These garments will include two dresses from the 1970s and a man's suit and a woman's suit from the 1940s.

read more:http://www.marieaustralia.com

www.marieaustralia.com/evening-dresses
Elexer Sep 2016
It's a split decision
Of a loss in time
It's not quite so
But still it's mine
It takes an hour or so
To get in the swing
We get the food
But i'm not eating
The people are nice
It's really very fun
But the dog barks
Because he's scared of the sun
All in all
It was three days in Texas
Peaceful and fun
But responsibility begs us
We return now
To Murfreesboro
To an anti-abortion rally
And my love for it is now narrow
Matthew Smith Aug 2015
Some miles were so long, it took whole years before we realized they were behind us.
I examined the maps you painted inside my airframe.
You were trying to tell me you were lost
and you didn’t want to be another midair collision.

Jennifer repaired me shortly
after I crash-landed in the starflowers.
Crashed it again in the snow,
outside Murfreesboro,
and she wasn’t there that time.

If I had told the people who made this thing I was going to be reckless
with it, they probably would have bought a snow leopard, or a horsehead just to keep the conversation going.

But when they went ahead and made this life happen,
they rushed thinking he was going to be a
college boy, a frat boy, an intelligent mass of cells,
who flew over the mountains instead of into them.
But what my parents got was a little *******
who stirred up anthills, and stood up nice girls
and poured gasoline on the make believers
to prove the flames were real.

This letter was taken out of one world
and hurled into the next, with you, theoretically.
I know that sunflowers make wonderful goodbyes and some airplanes crash
and typewriters hurt when they write back.
His airframe was created in 1991.  
You should have known when you messed with the inside
it wouldn’t work the right way again.

I have had some things going on in my engine
that are not entirely fixable.
That is what makes us human. Our parts get better.
The problem is we turn gospels into information manuals.
And that is why I still end up at gasoline stations at 2 a.m.
searching for a bearing that says
“Follow me. I will take you where you will be happy.”

But we don’t get that, dear.
We get a paintbrush and a typewriter.
You told me I was wrong.
I told you
not to talk so loud.

— The End —