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I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996

Ab Imo Pectore

A
b imo pectore,
Blandae mendacia linguae,
Cadit quaestio,
Desunt cetera.
Est modus in rebus.
Faber est quisque fortunae suae,
Gigni de nihilo nihilum, in nihilum nil posse reverti.
Hic finis fandi,
Interdum stultus bene loquitur?
Jacta interdum est alea,
Labuntur et imputantur.
Magni nominis umbra,
Nec scire fas est omnia,
Omne crede diem tibi diluxisse supremun,
Pallida mors aequo pulsat pauperum tabernas regumque turres;
Quid rides, mutato nominee de te fibula narrator,
Res ipsa loquitur.
Solvitur ambulando…
Tempora mutantur, nos et matamur in illis.
Urbi et orbi,
Vestigia nulla retrorsum.



From The Bottom Of The Heart

From the bottom of the heart,  the falsehoods of a smooth tongue,
The question drops, the rest is wanting.
There is a balance in all things, every man is the creator of his own fate.
From nothing, nothing can come, into nothing, nothing can return.
Let there be an end to talking, for who can tell when a fool speaks the truth?
The die is sometimes already cast,
A moment comes and goes, and is laid to our account.
From the smallest shadow to the mightiest name,
No one can claim to know all things,
I believe that every day that dawns may be my last,
Pale death knocks impartially at both poor and rich men’s houses;
Don’t laugh, change the name and the story is yours,
It’s so obvious, it speaks for itself.
As the concept of motion is proven by walking…
So in time all things change, as we must, in time, all change.
And to all the world,
There’s no turning back.

Ab Imo Pectore / From The Bottom Of The Heart

Ab imo pectore,
From the bottom of the heart,
Blandae mendacia linguae,  
The falsehoods of a smooth tongue,
Cadit quaestio,
The question drops,
Desunt cetera.
The rest is found wanting.
Est modus in rebus,
There is a balance in all things,
Faber est quisque fortunae suae.
Every man is the creator of his own fate.
Gigni de nihilo nihilum, in nihilum nil posse reverti.
From nothing, nothing can come, into nothing, nothing can return.  
Hic finis fandi,
Let there be an end to talking,
Interdum stultus bene loquitur?
For who can tell when a fool speaks the truth?
Jacta interdum est alea.
The die is sometimes already cast,
Labuntur et imputantur.
A moment comes and goes, and is laid to our account.
Magni nominis umbra,
From the smallest shadow to the mightiest name,
Nec scire fas est omnia,
No one can claim to know all things,
Omne crede diem tibi diluxisse supremun,
I believe that every day that dawns may be my last,
Pallida  mors aequo pulsat pauperum tabernas regumque turres;
Pale death knocks impartially at both poor man and rich men’s houses;
Quid rides, mutato nominee de te fibula narrator,
Don’t laugh, change the name and the story is yours,
Res ipsa loquitur.
It’s so obvious, that it speaks for itself.
Solvitur ambulando…
As the concept of motion is proven by walking…
Tempora mutantur, nos et matamur in illis.
So in time all things change, as we must, in time, all change.
Urbi et orbi,
And to all the world,
Vestigia nulla retrorsum.
There’s no turning back.


r10.1
I didn’t write a ******* line of this, it’s all cribbed from a dictionary. But I’ll take the credit for its conception and, as good Systems Poetry should do, meaning and beauty appears spontaneously from the random juxtaposition of disparate lines of prose; like frogs from rotting wood…
Mateuš Conrad Nov 2017
i bow before the humbled one, for i abide by no credo of a torture instrument; better bestow my hopes on the hopeless one, than entertain the audacity of those who bypass him, un-humbled, not guardian of the attire of a hunchback's garb in body, or shadow... i pledged my allegiance to the one seeking solace in ensuring the lie was but a joke, the one who nourishes my tongue to flourish, bloom and be a gift of flowers, upon a barren sea of striking grass... may i consider myself to be his second apostle in this verse of tongue, and may i receive the same proof of guidance, by being blinded, akin to my predecessor; unless i be blinded twice-over, by having reached a stage of writing: the most ugly choice of words, worthy of nothing more than, a place in a newspaper.

i believe in facts, oh yeah,
facts are important -
but not when they're
paced to an encyclopedic
barrage's worth of
regurgitation...
             this whole **** about
writing history
without actually making any?
that kills the greyest of
the grey matter in a person's
brain.
    i truly think that
we've become vultures of
the past,
           we're sucker-punching
the dead into waking up
once more...
            fist-******* the dead
into staying awake,
when they're clearly dead-asleep,
championing the warrior
in a society of incubated
violence surrounded by
         pacifism and dead-weight
**** -
          strange,
female genitals were always
considered a currency,
while the male genitals always
the warring mechanisation
where the other organs
managed to congregate -
           what's worth celebrating
the "warrior" these days?
probably about as much worth
celebrating filling a shoe
  with 200 peanuts...
               sure, bulging,
sure this that and the other -
they should at least allow these
gym freaks to produce electricity
by allowing them to work
that hamster wheel of the tread...
they could generate about a day's
worth of light-bulb energy in
an hour session at the bulging
protein parlour.
                 point is,
i feel that i have no place in history,
just a tomorrow and
a yesterday...
   i hardly think there's a today when
i think of today in the cofines
of a tomorrow or a, yesterday...
just another hour,
  with another "hour" added to a day,
a month, a year...
                  and it can only
be said is that the most honesty
you find in people,
is in their dishonesty...
but i am under the impression,
in Milton's terms:
that lying ought to begin with a joke,
be attired in mischievousness -
to tell a lie is to also tell a joke...
  *dico mendacia etiam est dico iocus
,
how the satanic "lie" of eden is
now misrepresented, and taken toward
the heights of overt-seriousness...
for all our quests in understanding
of the originality of a sin that's
without any originality to abide by:
a mere plagiarism of the gods...
                  the court jester is riddled
in what was no lie, but a mere joke;
when an angel lies, he jokes...
it is unlike the same utilisation of
lying that a man makes use of -
there is no humour in a man lying,
only the hidden hand, the strings,
and a puppet.
                       man is no liar for
the chance of a good joke,
man lies for the desire to manipulate...
which is why i deem, akin to Milton,
satan, the father of my narrative,
as well as the much respected heckler
in a crowd of: mutes.

— The End —