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"marcel" poems
to kindness, to knowledge, we make promises only; pain we obey. Marcel Proust I was born into this world of people without guardian angels but loveless pockets no body to see how pain was incessantly turned into tombstones a carousel of masks and defeated laughter blinded by deceitful colours. triumphant sidewalks not afraid to be crushed by the weight of humiliated bodies. -he was secretly dreaming how vanilla ice-cream would taste on her lips- people got used to bringing their thoughts to the drug stores as if walking their pets weeping was incomprehensible forbidden by law. -she was secretly dreaming of him smelling like tobacco, white musk and cedarwood - this world survived because of all the hidden dimensions, perhaps. I was handed over a disembodied world to dream of but the metaphors were of no use to moonless people their hands paralyzed. oh, can anybody see? the unspoken terror that time stood still. -I was secretly dreaming of destroying this world with fresh words, with the craziness of feeling alive- I inherited the secret passion of some unknown promises and never-whispered desires the only teacher I could find - my manic heart unbearable the pains of growing a mind. they wanted to keep it simple: to cry, to speak, to fall in love. muted seagulls loveless alphabets into this world waiting for the sun to shed its hidden self of blindness
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Jul 10, 2022
Jul 10, 2022 at 7:51 AM UTC
into this world
“I have loved you so much that I believe I understand you a little.” Marcel Proust we are wearing our glowing skins full of unwoven whispers or au contraire we’ll have worn them -who knows in poetry, not in theory, anything is possible- one of us could say “take this animal out of my eyes, teeth, bones for wild flowers to grow in my sockets” and I’ll say: “for my eyelids to rest in the shadow of your breath and my vertigo, indigo in the nest of your palm" -words are just riverbeds- see you - the sea in me at the echo point of blood I’ll wear rivers lipstick bluebirds in this poem of touching every cell is spinning its nucleus of numinosum while the day breaks open into the heart of trees -words are stones of silence, unintelligible altars- I was in love with a vertigo man last time I checked blood has its madness
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Apr 22, 2015
Apr 22, 2015 at 2:43 PM UTC
echo point
Con ciudades y autores frecuentadosVenecia / Guanajuato / Maupassant / Leningrado / Sousándrade / Berlín / Cortázar / Bioy Casares / Medellín / Lisboa / Sartre / Oslo / Valle Inclán /  Kafka / Managua / Faulkner / Paul Celan / Ítalo Svevo / Quito / Bergamín / Buenos Aires / La Habana / Graham Greene / Copenhague / Quiroga / Thomas Mann / Onetti / Siena / Shakespeare / Anatole  France / Saramago / Atenas / Heinrich Böll / Cádiz / Martí / Gonzalo de Berceo / París / Vallejo / Alberti / Santa Cruz de Tenerife / Roma / Marcel Proust / Pessoa / Baudelaire / Montevideo
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1.3k
Soneto (no tan) arbitrario
KEY OF HEAVEN Here amongst Milton's Lycidas...a cowslip's skeleton pressed between its pages blossomed back in 1922 its ghost haunting the book its head bent over the line "Fame is no plant that grows on mortal soil." staining the word "Fame" with its own lost shadow the unknown woman in the photographs laughs at my discovering her dressed in black and white in black and white hands stuck in pockets defiantly staring back at me she more real than me the only other photo she has removed her hands from her pockets producing them like a magic trick they lay on her lap like limpid rabbits curiously alive somehow a sheen of sunlight catches her Marcel wave Petrella the photograph names her in writing as elegant as she early spring 1922. *** Key of Heaven is only one of the names for the common cowslip( Primula Veris ). It travels under other names such as cuy lippe, herb peter, paigle, peggle, key flower, fairy cups, petty mulleins, crewel, buckles, palsywort, plumrocks and tittypines. There was also a recipe for a delicious sparkling cowslip wine. Alas the book was too expensive for my means and I was more interested in the cowslip dying between Milton's lines and the woman who was Petrella back in the days of the year 19 and 22! I no longer remember how to make cowslip wine and I never did.
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Jan 8, 2019
Jan 8, 2019 at 7:38 AM UTC
KEY OF HEAVEN
*Ross wept when Marcel went away and hoped, in the midst of those tears that their souls will, again, one day intertwine and dance and play. Aria stepped in the darkness with her only company – grave fear. Dominant is the dread and terror and distress until Spence held her hands and said, “I’m here.” Marcel found his way back to Ross, nonetheless and Aria’s fears went away as she walked hand in hand with Spence. As I roam around this Central Perk “It’s not your fault,” said Phoebe Buffay. As I remain to prowl and loiter and lurk I forgot that I’m a cat, smelly and stray.* I meow as I hear this song subsist To Regina Phalange, I owe all these She may be unaware she’d done these things Just know I’m forever grateful you exist.
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Oct 9, 2015
Oct 9, 2015 at 1:32 AM UTC
to marsdecu, happy birthday.
"Chess can be described as the movement of pieces eating one another." -Marcel Duchamp Relics and old wives telling tales for telling. Reminds me of living in America, dying. I think about America when I see a sidewalk cracked, clean spider webb'd. There are so many cracks here. In the dark, America looks like any other jar of ink. You could walk forever without noticing the blood on your feet. The day the bombs drop I'll be sleeping. Oh what a horror when you wake up and realize where you've heard that sound before.
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Feb 17, 2012
Feb 17, 2012 at 12:08 PM UTC
Escalation #3
Sitting on that Bowery curb, Jackie Coogan, Years shy of Uncle Festus and The Addams Family, Clasping his hands on one knee, Wearing blue denim overalls & A raggedy, red Turtleneck sweater, Jackie: the kid in "The Kid." And Charlie’s inimitable face, Inhaling his ****** moustache. Nobody squeezed more out of a ****** expression than Charlie, Back in the day when Actors told their stories physically. The Silent Era: A Marcel Marceau world back then, Economical when it came to words.
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Oct 7, 2014
Oct 7, 2014 at 11:06 AM UTC
"Oona's Hubby"
Tombes , more to count than to sit at , Marcel Joséphine , weird name ; . . . Silence , eerily feeling which reminds us of it , pity that the almighty feels all of us , poor lord indeed . . . Old ones with lys , kids near them , family then , playing , grieving , singing , saddening . . . Vanilla , awful smell , rooting corpse in sunny Season , no milka anymore , nice Sun though . . . Leaves , dancing to Eole's humming , his music of his air , freedom , do they know their treasure . . . Thousand birds crying , light neighing , rain falls if not heaven's wrath , paining my earings . . . Steps , slow , sorrowful , slits , so grim reaper , smile , some soul shan't seen sad but happy . . . Jaa ne !
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Nov 7, 2018
Nov 7, 2018 at 3:21 AM UTC
Graveyard
Neighbor: "Hey, what did you get Amber for her birthday?" BF: I gave her a blank CD and told her it was a rare, pirated copy       titled "Marcel Marceau's Greatest Hits." Neighbor: "And?" BF: "She liked it." Neighbor: That's scary! copyright: richard riddle 04-12-15
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Apr 12, 2015
Apr 12, 2015 at 10:58 AM UTC
Amber Dexterous - Episode IV
two hearts stampede through a china shoppe like huge huge like looking up at the hoover dam saying **** **** is something that leaves my lips when i can’t wrap my heart around something impossible for my head pronounced probable proust would say “let us be grateful to people who make us happy they are the charming gardeners who make our souls blossom. “ pruned blooming watered and spoken to fed from the pail from the leak in the roof to marcel, warmth the proof
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May 28, 2013
May 28, 2013 at 8:43 PM UTC
To Marcel.
Ariel sits across opposite from myself looking plump and balding we're talking of Tolstoy (Ariel's favourite novelist) he creates the largest fictional canvases Ariel informs me his large eyes focusing on his class of real ale now and then looking at a table quite near us where young girls talk and laugh their laughter echoing in the warm evening summer air I prefer Marcel Proust I tell him watching how his eyes scan the young girls less manly Ariel says to me don't like Proust no substance just gossip from parties he went to you know he was a queer yes I know wrote in bed yes I know he gazes at the girls taking in their laughter their bodies their brightness all his thoughts of Tolstoy put aside I sip beer wondering what Tolstoy would say here seeing this this canvas intellect dissolved in human lust words silent write again another War and Peace in English now I trust.
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Dec 3, 2014
Dec 3, 2014 at 3:44 AM UTC
ARIEL & I.
Summer recess had come and she sat with you out in the field over looking her house and the railway was not far off where the occasional train puffed by sending a sprouting of white smoke as it went by and she looked at it passing and spoke of after school days when she would begin her adult life and settle down and have children but you were thinking of a train trip with your parents years before to some seaside place and you watched the scenery go by and the steam go by the window and the smell and the sight excited you and stuck itself inside your head and Judith said what do you think? and you said about what? and she said about children's names? what names would you choose? your brain struggled to the surface and whirled through a list of names that came to mind boy or girl? you asked she sighed either haven't you been listening to me? sorry got distracted by the train smoke had a Proustian moment you said a what? she said a Proustian moment you replied what the heck is that? she said pulling her skirt over her knees where it had risen up as she moved   Marcel Proust wrote that eating a certain cake took him back to a certain moment of his life but you haven't been eating cake Judith said her hand rested on her knees her eyes focusing on you no it's just an example you said about how things can remind you of other things or places or times do you recall the first time we kissed? she asked yes you said of course I do it was near Christmas and we were carol singing and it was dark and the moon was out and the stars were bright and your lips pressed onto mine ok ok she said laughing at least you remember and as she moved forward the buttons of her white blouse parted briefly to reveal a hint of fleshy ******* so what names do you like? she asked none come to mind you said she shook her head what about Rachel or David? she said fine you said nice religious names although David brings to mind a kid with a catapult and a girl I once knew with buckteeth who smelt of old socks she looked skywards and sighed and lay back on to the grass and you lay beside her both of you   gazing up at the expanse of blue and white her hand reaching out for yours in that one moment of life in the great out of doors.
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Jun 23, 2013
Jun 23, 2013 at 9:25 AM UTC
THAT GREAT OUT OF DOORS
Summer recess had come and she sat with you out in the field over looking her house and the railway was not far off where the occasional train puffed by sending a sprouting of white smoke as it went by and she looked at it passing and spoke of after school days when she would begin her adult life and settle down and have children but you were thinking of a train trip with your parents years before to some seaside place and you watched the scenery go by and the steam go by the window and the smell and the sight excited you and stuck itself inside your head and Judith said what do you think? and you said about what? and she said about children's names? what names would you choose? your brain struggled to the surface and whirled through a list of names that came to mind boy or girl? you asked she sighed either haven't you been listening to me? sorry got distracted by the train smoke had a Proustian moment you said a what? she said a Proustian moment you replied what the heck is that? she said pulling her skirt over her knees where it had risen up as she moved   Marcel Proust wrote that eating a certain cake took him back to a certain moment of his life but you haven't been eating cake Judith said her hand rested on her knees her eyes focusing on you no it's just an example you said about how things can remind you of other things or places or times do you recall the first time we kissed? she asked yes you said of course I do it was near Christmas and we were carol singing and it was dark and the moon was out and the stars were bright and your lips pressed onto mine ok ok she said laughing at least you remember and as she moved forward the buttons of her white blouse parted briefly to reveal a hint of fleshy ******* so what names do you like? she asked none come to mind you said she shook her head what about Rachel or David? she said fine you said nice religious names although David brings to mind a kid with a catapult and a girl I once knew with buckteeth who smelt of old socks she looked skywards and sighed and lay back on to the grass and you lay beside her both of you   gazing up at the expanse of blue and white her hand reaching out for yours in that one moment of life in the great out of doors.
Continue reading...
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Proust kept a log of his untidy mind inviting readers in to sink, or swim some find their thoughts are much of the same kind some feel it's all particular to him great literature ought to resonate but still meets a diversity of taste those hawthorn blossoms of his endless prate some readers find a shapeless verbose waste a shorter form fits my attention span of seventy iambs in rhyming verse within a reader's mind I dare hope can evoke a self-consistent universe a monument to years spent pent in bed Marcel's rich life was mostly in his head
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Dec 29, 2016
Dec 29, 2016 at 5:12 PM UTC
summarizing Proust
He told what he thought, a funny joke She got mad with that Uncle Sam bloke His sense of humor was awry So she smacked him in the eye Jesting lies in the art of delivery To get it right Sam needed smart livery But smart these days doesn't seem to be the way In America or any other place on the planet's lay For Sam's joke to translate well to her funny bone He should've employed a Marcel Marceau megaphone But what occurred instead was the sound of thunder From the bad joke from America to the land down under Laughs didn't abound in a generous supply Her tempest did storm with an endless cranky cry But in the end it all turned out right Poets through it all and friends in a genial light
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Apr 12, 2015
Apr 12, 2015 at 9:04 AM UTC
~Translation~ (collab with Elizabeth Squires)
I play a game of chess with Marcel Duchamp Stripped bare totally but with looks still in the mood I make a final move to rook him into my moan 'You know I want to be the darkest queen of your dreams' He lifts calm his queen as his eyebrows but without really looking at me picks up my rook contiguously deepens some of his penetrating basses and whispers playfully: ' You already are my sweet Rose Sélavy and shall stay so eternally but … you know … for now...' and that 'but...for' mutes my **** mount line highlights a grin of an ingenious rhyme and briefs a victory on every strategic corner he knows to reach so well to at once turn me on at an endgame pattern of check to mate '... c'est la vie sweet Monsieur S' he whispers ' I want to be the lone king for my queen' and pushes solid his queen towards my defenseless territory.
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Apr 9, 2015
Apr 9, 2015 at 5:28 PM UTC
Sélavy++
"I hope in thee for us." Gabriel Marcel When we share hope our bond is real And when our voices chant a blended song, Our ties are strong as tempered steel. In fractious times with wrath surreal, We seek out friends among the throng. Without shared hope no bond is real. But when our wills cause us to feel Soul-bound to search, however long For ties as strong as tempered steel, Without a sign, the fates reveal A newfound friend who's come along To share our hope; our bond is real! With zest our common course we seal Impelled by duty’s civic song. Our ties are strong as tempered steel, With reason's light to fire our zeal, We rise to challenge fortune’s wrong. When we share hope our bond is real; Our ties are strong as tempered steel.
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Jun 27, 2025
Jun 27, 2025 at 10:10 AM UTC
Covenants (Modified Villanelle)
In an Irish pub last night I met a man, Ryan Patrick Sheehan. His eyes were brown, his lips were soft, his heart was heavy with reason. To me, he quoted an early Yeats as if he were Yeats himself. "The Cold Heaven" danced from his tongue to rest on my heart's bookshelf. He spoke of Goethe and Marcel Proust; two hundred pages that described Combrayan eye for detail that bordered insane. he proceeded then to quote Swann's Way. Of mystery and shadows his silence spoke. His words, like kisses quite unplanned. God speed and hope be in your heart My brief, Ryan Patrick Sheehan.
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Jul 11, 2011
Jul 11, 2011 at 4:56 PM UTC
An Irish Kiss
"... IN THE UNENDING AFTERNOON OF HER EYES..." We drift from Parisian museum to Parisian museum as if calling upon some grand home and the paintings deign to see us we the tourist class. We are caught in a deluge. The unrelenting rain tears time off the present moment revealing the past underneath an older century bleeding through. How fragile are les temps perdu. I  whistle a motif from César Franck. "What's that ?" you say "...the National Anthem of our love!" I gaze up at Proust's cork-lined room 102 boulevard Haussmann now become a bank. Imagine him there glancing down at us glancing up  at him the slight movement of  blue satin drapes. Or have I imagined him as he imagines us hurrying figures from another time the rain obscuring us each from the other. "Love..." Marcel reminds me “...is space and time.." his voice almost lost in the rain's din "...measured by the heart.” "Allons Madeline....allons!" A French mum scolds her sulky child. The rain reigns supreme.
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Dec 31, 2018
Dec 31, 2018 at 4:14 AM UTC
"... IN THE UNENDING AFTERNOON OF HER EYES..."
It's Paris Miriam says to me looking out the window of the coach her perfume tending to overwhelm my senses beside her her finger pointing at the sights as we pass the Eiffel Tower thing lit up loud isn't it wonderful? she exclaims just to think of artists who once lived and worked here Picasso and Van Gogh and writers like Miller Hemingway Marcel Proust she pauses looks at me and who else? what perfume do you use? I ask her just some stuff of my Mum's she gave me she answers well not quite gave to me I kind of borrowed it the other day while Mum was out shopping I study her profile her snub nose rosy cheeks rose bud lips the slim neck small tight **** she has tons of perfume she wouldn't miss any Miriam rattles on is it good? enticing I tell her she smiles wide looks at me parts her lips moves her tongue over them Ezra Pound was here too I tell her the poet? she asks me that's the guy wasn't he a fascist? I guess so but he wrote The Cantos her lips close she turns round Paris’s so romantic she utters I lean close breath her in the perfume inviting me to drink in.
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Sep 5, 2014
Sep 5, 2014 at 7:46 AM UTC
MIRIAM AND PARIS AND STUFF.
i think future history will show PewdiePie as Marcel Duchamp and the ideas curated will be something.
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Nov 7, 2016
Nov 7, 2016 at 6:14 PM UTC
kathielee/hoda pt1
The dance has exhausted, the muscles pull and become taut and tense. She remembers Marcel’s taunt: she could not dance after such a night of *** She leans over, ties tighter her shoes, her fingers fumbling, her back aching, limbs trembling. She looks up, sees the other dancers in line, pulling at dresses and tights, hair in place. She rises, pulls at her dress, tidies her hair, stands in line, trying to focus, mind on the now, not last night, not on the *** **** maybe Marcel was right.
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May 13, 2013
May 13, 2013 at 3:06 AM UTC
MARCEL WAS RIGHT.
“The freest person is the one with the most hope –“ Gabriel Marcel Of all the shards of a broken world That chafe our wounded psyches, None cut deeper than the jagged edges that would exchange our essence for function. Are we nothing but the pieces we craft, the spreadsheets we tally? Are we only the hours we clock? When we raise our hands to the light do our fragile bones appear pale and translucent? We wander like nomads without a tribe, banished to a strange and distant land - exiled from our once inquisitorial selves. Do you see that distant light? It calls us to elevate the blinds of our forgotten dreams. Its haze obscures the blazenness. Which brightens with each forward step. Go ahead, approach if you dare. Behind that veil stands “Redemption” who waits patiently for us in the form of an oracle who coolly whispers, “Welcome back, my name is Hope.”
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Aug 29, 2025
Aug 29, 2025 at 12:47 AM UTC
THE ORACLE
Approaching the danger line red on the marker mine are the days I love most. I have walked on the red hot vial, cast on the coals is fine, heat is the heart of the beast. Those who I need or those never known have shown by their actions that I've never grown past the B stage and in the age of the marvel though Marcel is dead, I have fed on the mime of time, unearthed unearthly rhyme sought out the wired and the weirder. Reader beware of what youth think we've lost the plot, but this sanctuary is what we got, Like it or lump it or give it a clump it doesn't matter that much. The meter runs even when we stand still.
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Sep 9, 2015
Sep 9, 2015 at 8:12 PM UTC
69% of 136 people polled
“I hope in you for us." Gabriel Marcel When we share hope our bond is real      And when our voices chant a blended song, Our ties are strong as tempered steel. In anxious times with fears surreal,      We seek out friends among the throng. When we share hope our bond is real. But when our wills compel us feel      Spirit-bound to search, however long, Our ties are strong as tempered steel. Without a sign, the fates reveal      A newfound friend who’s come along. When we share hope our bond is real. With zest our common course we seal      Hope-called by duty’s civic song. Our ties are strong as tempered steel. With reason's light to fire our zeal,      We rise to challenge fortune’s wrong. When we share hope our bond is real.      Our ties are strong as tempered steel.
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Jun 29, 2025
Jun 29, 2025 at 9:21 AM UTC
Covenants (Pure Villanelle version)