Alas sais y medya na ng umaga nang makauwi si Natividad mula sa bahay ng kanyang amo. Pagkababa n’ya ng maliit na bag na laman ang kanyang cellphone at wallet na merong labin-limang libo at iilang barya ay marahan siyang naglakad tungo sa kwartong tinutulugan ng kanyang tatlong anak. Hinawi niya ang berdeng kurtina at sumilip sa kanyang mga anghel.
Babae ang panganay ni Natividad, o di kaya’y Vida. Labindalawang taong gulang na ito at nasa Grade 7 na. Isa sa mga malas na naabutan ng pahirap na K-12 program. Ang gitna naman ay sampung taong gulang na lalaki at mayroong down syndrome. Special child ang tawag nila sa batang tulad nito, pero “abnormal” o “abno” naman ang ipinalayaw ng mga lasinggero sa kanila. Ang bunso naman niya, si bunsoy, ay kakatapak lamang ng Grade 1. Pitong taong gulang na ito at ito ang katangkaran sa mga babae sa klase nito. Sabi ng kapwa niya magulang ay late na raw ang edad nito para sa baiting, pero kapag mahirap ka, mas maigi na ang huli kaysa wala.
Nang makitang nahihimbing pa ang mga ito ay tahimik s’yang tumalikod at naglakad papuntang kusina. Ipagluluto niya ang mga anak ng sopas at adobong manok. May mga natira pa namang sangkap na iilang gulay, gatas, at macaroni na galing pa sa bahay ni Kapitan noong nangatulong siya sa paghahanda para sa piyesta. Bumili rin siya ng kalahating kilo na pakpak ng manok, kalahating kilo pa ulit ng atay ng manok, at limang kilo ng bigas.
Inuna niya ang pagsasaing. Umabot pa ng tatlong gatang ang natitirang bigas nila sa pulang timba ng biskwit kaya ‘yun na lang ang ginamit niya. Pagkatapos ay agad niya rin itong pinalitan ng bagong biling bigas.
De-uling pa ang kalan ni Vida kaya inabot siya ng limang minuto bago nakapagpaapoy. Siniguro niyang malakas ang apoy para madaling masaing. Kakaunti na lang kasi ang oras na natitira.
Habang hinihintay na maluto ang kanin ay dumiretso na sa paghahanda ng mga sangkap si Vida. Siniguro niyang tahimik ang bawat kilos para maiwasang magising ang mga anak. Mas mapapatagal lamang kasi kung sasabay pa ang mga ito sa kanyang pagluluto.
Habang hinahati at pinaparami ang manok ay patingin-tingin s’ya sa labas. Inaabangan ang inaasahan niyang mga bisita.
Mukang magtatagal pa sila ah. Ano na kayang balita? Dito lamang naikot ang isip ni Vida sa tuwing nakikitang medyo normal pa sa labas.
May mga potpot na nagbebenta na pan de sal at monay, mga nanay na labas-masok ng kani-kanilang mga bahay dahil tulad niya ay naghahanda rin ng pagkain, at mga lalaking kauuwi lamang sa trabaho o siguro kaya’y galing sa inuman.
Tulog pa ata ang karamihan ng mga bata. Mabuti naman, walang maingay. Hindi magigising ang tatlo.
Binalikan niya ang sinaing at tiningnan kung pupwede na bang hanguin.
Okay na ito. Dapat ako magmadali talaga.
Dali-dali niyang isinalang ang kaserolang may laman na pinira-pirasong manok.
Habang hinihintay na maluto ang manok ay paunti-unti rin siyang naglilinis. Tahimik pa rin ang bawat kilos. Lampas kalahating oras na siyang nakakauwi at ano mang oras ay baka magising ang mga anak niya o di kaya’y dumating ang mga hinihintay n’ya.
Winalis niya ang buong bahay. Maliit lang naman iyon kaya mabilis lamang siyang natapos. Pagkatapos ay marahan siyang naglakad papasok sa maliit nilang tulugan, kinuha ang lumang backpack ng kanyang panganay at sinilid doon ang ilang damit. Tatlong blouse, dalawang mahabang pambaba at isang short. Dinamihan niya ang panloob dahil alanganin na kakaunti lamang ang dala.
Pagkatapos niyang mag-empake ay itinago niya muna backpack sa ilalim ng lababo. Hinango niya na rin ang manok at agad na pinalitan ng palayok na pamana pa sa kanya. Dahil hinanda niya na kanina sa labas ang lahat ng kakailanganin ay dahan dahan niyang sinara ang pinto para hindi marinig mula sa loob ang ingay ng paggigisa.
Bawat kilos niya ay mabilis, halata **** naghahabol ng oras. Kailangang makatapos agad siya para may makain ang tatlo sa paggising nila.
Nang makatapos sa sopas ay agad niya itong ipinasok at ipinatong sa lamesa. Sinigurong nakalapat ang takip para mainit-init pa sakaling tanghaliin ng gising ang mga anak.
Dali-daling hinugasan ang ginamit na kaserola sa paglalaga at agad ulit itong isinalang sa apoy. Atay ng manok ang binili niya para siguradong mas mabilis maluluto. Magandang ipang-ulam ang adobo dahil ma-sarsa, pwede ring ulit-ulitin ang pag-iinit hanggang maubos.
Habang hinihintay na lumambot na ang mga patatas, nakarinig siya ng mga yabag mula sa likuran.
Nandito na sila. Hindi pa tapos ‘tong adobo.
“Vida.” Narinig niyang tawag sa kanya ng pamilyar na boses ng lalaki. Malapit niyang kaibigan si Tobias. Tata Tobi kung tawagin ng mga anak niya. Madalas niya ditong ihabilin ang tatlo kapag kailangan niyang mag-overnight sa bahay ng amo.
“Tobi. Andito na pala kayo,” nginitian niya pa ang dalawang kasama nitong nasa likuran. Tahimik lang ang mga itong nagmamasid sa kanya.
“Hindi pa tapos ang adobo ko eh. Ilalahok ko pa lang ang atay. Pwedeng upo muna kayo doon sa loob? Saglit na lang naman ‘to.”
Mukhang nag-aalangan pa ang dalawa pero tahimik itong kinausap ni Tobi. Maya-maya ay parang pumayag na rin ito at tahimik na naglakad papasok. Narinig niya pang sinabihan ni Tobi ang mga ito na dahan-dahan lamang dahil natutulog ang mga anak niya. Napangiti na lamang siya rito.
Pagkalahok ng atay at tinakpan niya ang kaserola. Tahimik siyang naglakad papasok habang nararamdaman ang pagmamasid sa kanya. Tumungo siya sa lababo at kinuha ang backpack.
Lumapit siya sa mga panauhin at tahimik na dinaluhan ang mga ito tapos ay sabay-sabay nilang pinanood ang usok galing sa adobong atay.
“M-ma’am.” Rinig niyang tawag sa kanya ng kasama ni Tobias. Corazon ang nakaburdang apelyido sa plantsadong uniporme. Mukhang bata pa ito at baguhan.
“Naku, ser. ‘Wag na po ganoon ang itawag niyo sa akin. Alam niyo naman na kung sino ako.” Maraan niyang sabi dito, nahihiya.
“Vida. Pwede ka namang tumanggi.” Si Tobias talaga.
“Tobi naman. Parang hindi ka pamilyar. Tabingi ang tatsulok, Tobias. Alam mo iyan.” Iniiwasan niyang salubungin ang mga mata ni Tobias. Nararamdaman niya kasi ang paninitig nito. Tumatagos. Damang-dama niya sa bawat himaymay ng katawan niya at baka saglit lamang na pagtingin dito ay umiyak na siya.
Kanina niya pa nilulunok ang umaalsang hagulhol dail ayaw niyang magising ang mga anak.
“Vida…” marahang tawag sa kanya ng isa pang kasama ni Tobi. Mukhang mas matanda ito sa Corazon pero halatang mas matanda pa rin ang kaibigan niya.
“Ano ba talaga ang nangyari?”
“Ser…Abit,” mabagal niyang basa sa apelyido nito.
“Ngayon lang po ako nanindigan para sa sarili ko.” garalgal ang boses niya. Nararamdaman niya na ang umaahon na luha.
“Isang beses ko lang po naramdaman na tao ako, ser. At ngayon po iyon. Nakakapangsisi na sa ganitong paraan ko lang nabawi ang pagkatao ko, pero ang mahalaga po ay ang mga anak ko. Mahalaga po sila sa’kin, ser.” mahina lamang ang pagkakasabi niya, sapat na para magkarinigan silang apat.
“Kung mahalaga sila, bakit mo ginawa ‘yon? Vida, bakit ka pumatay?”
Sasagot n asana siya ng marinig niyang kumaluskos ang banig mula sa kuwarto. Lumabas doon ang panganay niyang pupungas-pungas pa. dagli niya itong pinalapit at pinaupo sa kinauupuan niya. Lumuhod siya sa harap nito para magpantay sila.
“Anak. Good morning. Kamusta ang tulog mo?”
“Good morning din, nay. Sino po sila? ‘Ta Tobi?”
“Kaibigan sila ni ‘Ta Tobias, be. Hinihintay nila ako kasi may pupuntahan kami eh.” marahan niyang paliwanag, tinatantya ang bawat salita dahil bagong gising lamang ang anak.
“Saan, nay? May handaan po uli sina ser?” tukoy nito sa mga dati niyang amo.
“Basta ‘nak. Kunin mo muna yung bag ko doon sa lamesa, dali. Kunin ko yung ulam natin mamaya. Masarap yun, be.”
Agad naman itong sumunod habang kinukuha niya na rin ang bagong luto na adobo. Pagkapatong sa lamesa ng ulam ay nilapitan niya ulit ang anak na tinitingnan-tingnan ang tahimik na mga  kasama ni Tobias.
“Be…” tawag niya rito.
Pagkalingon nito sa kanya ay hinawakan niya ang mga kamay nito. Nagsisikip na ang lalamunan niya. Nag-iinit na rin ang mga mata niya at nahihirapan na sa pagbuga ng hangin.
“Be, wala na sina ser. Wala na sila, hindi na nila tayo magugulo.” ngiti niya rito. Namilog naman ang mga mata nito. Halata **** natuwa sa narinig.
“Tahimik na tayo, nay? Hindi na nila kakalampagin ang pinto natin sa gabi?”
“Hindi na siguro, anak. Makakatulog na kayo ng dire-diretso, pangako.” Sinapo niya ang mukha nito tapos ay matunog na hinalikan sa pisngi at noo. ‘Eto na ang matagal niyang pinapangarap na buhay para sa mga anak. Tahimik. Simple. Walang gulo.
“Kaso, ‘nak, kailangan kong sumama sa kanila.” Turo niya kayna Tobias. Nanonood lamang ito sa kanila. Hawak na rin ni Tobi ang backpack niya.
“May ginawa kasi si nanay, be. Para diretso na ang tulog natin at para di na tayo guluhin nina ser. Pramis ko naman sa’yo be, magsasama ulit tayo. Pangako. Bilangin mo ang tulog na hindi tayo magkakasama. Tapos pagbalik ko, hihigitan ko pa ‘yon ng maraming maraming tulog na magkakasama na tayo.”
“Nay…” nagtataka na ang itsura ng anak niya. Namumula na kasi ang mukha niya panigurado. Kakapigil na humagulhol dahil ayaw niyang magising ang dalawa pang anak.
“Anak parang ano lang ito…abroad. Diba may kaklase kang nasa abroad ang nanay? Doon din ako, be.”
Bigla ay nagtubig ang mga mata ng panganay niya. Malalaking butil ng tubig. Hindi niya alam kung naniniwala pa ba ito sa mga sinasabi niya, o kung naiintindihan na nito ang mga nangyayari.
“Itong bag ko, andiyan yung wallet at telepono ko. Diba matagal mo nang gusto magkaroon ng ganon, be? Iyo na ‘yan, basta dapat iingatan mo ha. Yung pera be, kay Tata Tobias mo ihahabilin. Habang nagtatrabaho ako, kay ‘Ta Tobi muna kayo.”
“Nay, hindi ka naman magtatrabaho eh.” Lumabi ang anak niya tapos ay tuluyan nang nalaglag ang luha.
Tinawanan niya naman ito. “Sira, magtatrabaho ako. Basta intayin mo ‘ko be ha? Kayo nina bunsoy ko, ha?” Hindi niya napigilang lambing-lambingin ito na parang batang munti. Kailangan ay sulitin niya ang pagkakataon.
Paulit-ulit niya itong dinampian ng maliliit na halik sa mukha, wala na siyang pakealam kung malasahan niya ang alat ng luha nito. Kailangan ay masulit niya ang natitirang oras.
“Nay, sama po ako. Sama kami ni bunsoy. Tahimik lang kami lagi, pramis, nay. Parang kapag andito si ser, hindi naman kami gugulo doon.” Tuluyan na ngang umalpas ang hikbi niya. Naalala niyang muli ang rason kung ba’t n’ya ito ginagawa. Para sa tahimik na buhay ng mga anak.
“Sus, maniwala sa’yo, be. Basta hintayin mo si nay. ‘Lika ***** tayo doon sa kwarto, magbabye ako kayna bunsoy.” Yakag niya rito. Sumama naman ito sa kanya habang nakayakap sa baywang niya. Humihikbi-hikbi pa rin ito habang naagos ang luha.
Tahimik niyang nilapitan ang dalawa. Kinumutan niyang muli ang mga ito at kinintalan ng masusuyong halik sa mga noo. Bata pa ang mga anak niya. Marami pa silang magagawa. Malayo pa ang mararating nila. Hindi tulad ng mga magulang nila, ‘yun ang sisiguraduhin niya. Hindi ito mapapatulad sa kanila ng mister niya.
“Be, dito ka na lang ha. Alis na si nanay. Alagaan mo sina bunsoy, be, ha. Pati sarili mo. Ang iskul mo anak, kahit hindi ka manguna, ayos lang kay nanay. Hindi naman ako magagalit. Basta gagalingan mo hangga’t kaya mo ha. Mahal kita, be. Kayong tatlo. Mahal na mahal namin kayo.” Mahigpit niya itong niyakap habang paiyak na binubulong ang mga habilin. Wala na ring tigil ang pag-iyak niya kaya agad na siyang tumayo. Baka magising pa ang dalawa.
Nakita niya namang nakaabang sa pinto si Tobi bitbit ang bag niya. Kinuha niya rito ang bag at sinabihang ito na ang bahala sa mga anak. Baog si Tobias at iniwan na ng asawa. Sumama raw sa ibang lalaking mas mayaman pa rito. Kagawad si Tobias sa lugar nila kaya sigurado siyang hindi magugutom ang mga anak niya rito. May tiwala siyang mamahalin ni Tobias na parang sarili nitong mga anak ang tatlo dahil matagal niya na itong nasaksihan.
Pagsakay sa sasakyan kasama ang dalawang pulis na kasama ni Tobias ay saka lamang siya pinosasan ng lalaking may burdang Corazon.
“Kilala namang sindikato yung napatay mo, ma’am. Kulang lamang kami sa ebidensya dahil malakas ang kapit sa taas. Kung sana…sana ay hindi ka nag-iwan ng sulat.”
“Nabuhay ang mga anak kong may duwag na ina, ser. Ayokong lumaki pa sila sa puder ng isang taong walang paninindigan. Pinatay niya na ang asawa ko. Dapat ay sapat na ‘yon na bayad sa utang namin, diba?” kung kanina ay halo humagulhol siya sa harap ng mga anak, ngayon ay walang emosyong mahahamig sa boses niya. Nakatingin lamang siya sa labas at tinititigan ang mga napapatingin sa dumadaang sasakyan ng pulis.
Kung sana ay hindi tinulungan ng mga nakatataas ang amo niya. Kung sana ay nakakalap ng sapat na mga ebidensya ang mga pulis na ngayon ay kasama niya. Kung sana ay may naipambayad sila sa inutang ng asawa niya para pambayad sa panganganak niya.
Kung hindi siguro siya mahirap, baka wala siya rito.

Itaas ang iyong noong aliwalas,
Mutyang Kabataan, sa iyong paglakad;
Ang bigay ng Diyos sa tanging liwanag
Ay pagitawin mo, Pag-asa ng Bukas.

Ikaw ay bumaba, O katalinuhan,
Mga puso namin ay nangaghihintay;
Magsahangin ka nga't ang aming isipa'y
Ilipad mo roon sa kaitaasan.

Taglayin mo lahat ang kagiliw-giliw
Na ang silahis ng dunong at sining;
Kilos, Kabataan, at iyong lagutin,
Ang gapos ng iyong diwa at damdamin.

Masdan mo ang putong na nakasisilaw,
Sa gitna ng dilim ay dakilang alay,
Ang putong na yaon ay dakilang alay,
Sa nalulugaming iyong Inang Bayan.

O, ikaw na iyang may pakpak ng nais
At handang lumipad sa rurok ng langit,
Upang kamtan yaong matamis na himig,
Doon sa Olimpo'y yamang nagsisikip.

Ikaw na ang tinig ay lubhang mairog,
Awit ni Pilomel na sa dusa'y gamot
Lunas na mabisa sa dusa't himutok
Ng kaluluwang luksa't alipin ng lungkot.

Ikaw na ang diwa'y nagbibigay-buhay,
Sa marmol na batong tigas ay sukdulan,
At ang alaalang wagas at dalisay
Sa iyo'y nagiging walang-kamatayan.

At ikaw, O Diwang mahal kay Apeles,
Sinuyo sa wika ni Pebong marikit,
O sa isang putol na lonang makitid
Nagsalin ng kulay at ganda ng langit.

Hayo na ngayon dito papag-alabin mo,
Ang apoy ng iyong isip at talino,
Ang magandang ngala'y ihasik sa mundo,
At ipagbansagan ang dangal ng tao.

O dakilang araw ng tuwa at galak,
Magdiwang na ngayon, sintang Pilipinas!
Magpuri sa Bayang sa iyo'y lumingap,
Umakay sa iyo sa magandang palad.

Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,
are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an

Nagsimulang mangarap ang karamihan
Ngunit bigo ang iilan
marami ang naghangad ng pagpapala
ngunit ang iba ay halos walang napala

ang sabi "Ilabas mo ang nararamdaman mo!"
pero ang pagkakaintdi nila "Sige lang tago mo!"
natakpan ng pagkatakot ang tainga ng bawat Pilipino
binulag ng maling galaw ang lahat ng papanaw ng tao.

Ika ni Gat Jose Rizal, "mahalin ang sariling wika"
ngunit panay ibang lenguwahe ang gusto ng iba.
Simpleng paalala, nais ng karamihan ang pagkakaisa
pero sa sariling pagtangkilik ng atin, ayaw rin ng iba.

"Lipstick na pula", "Damit na may hati sa gitna"
"kantang di maintindihan ng bata", at mas masakit sa pandinig
ang tanong na ngayon ng mga bata, "Ano po ang ABAKADA?"
at ang nakakainis, ang pinagtanungan hilig rin ang wikang banyaga.

Pader ng pagiging malaya? Oo, may kalayaan ang bawat isa kung ano ang pipiliin nila, pero tandaan na sa bawat kilos at galaw,
mayroon itong kapalit pagdating ng araw.

Pader ng pagiging malaya? Oo, may nais ang lahat, may pangarap ang lahat pero isaisip di lamang sariling kagustuhan,
Maaaring makuha ang tagumpay pero maaari ring mayroong ibang taong madamay.

Pilipino ka, panindigan mo ang nais ng lahat ng kapwa mo.
di mo piniling maging Pilipino, pero ito ang biyayang binigay sayo
kung ang isda nahuhuli sa bungaga
ang bawat tao nahuhuli naman sa bawat salita.

Pader ng pagiging malaya, ilista mo rito lahat ng gusto mo, lahat ng ninanais mo, at lahat ng pangarap mo.
Pader ng pagiging malaya, di man ito ang huhusga ng kung anong pagkatao mo pero makakatulong to.

Pader ng pagiging malaya, sabihin mo lahat ng nilalaman ng puso mo
Pader ng pagiging malaya, ilantad mo dito ang ginagawa mo
Pangako bilang pilipino mababago dito ang pananaw mo.
at Pangako bilang Pilipino, ingatan mo rin lahat ng malalaman mo.

Pader ng pagiging malaya.

FreedomWall ika-nga.
Hayaan **** itong Pader ng pagiging malaya ang maging sandigan mo at gabay patungong pagkakaisa.

[Verse 1]
Monster sized swag; not modest bout my splendor
Marvel at the flag and I'm the ultimate avenger
Buck Rodgers, D-Bird yep I'm the number one contender,
So I gotta uphold this rep of bein uncontrollable
so I'll take the lead, I hold the world beneath my feet
I'm a fiend, elite
Haze so cloudy cause I be blowin Swisher Sweets
Drug addiction is my disease
It's my expertise
See here's the masterpiece:
Raps lobotomize
I'm traumatized since 1993

[Verse 2]
Victimized by the lies
of this trifilin enterprise
You can front but you can't hide
There's no fault behind your eyes
So I hope this insult will suffice
It should come as no surprise
A grin will spread across my face
From side to side
My ***** mouth will mesmerize
hypnotized, memorize
the words that escape my lips
I'm a degenerate unabridged uncut
You're a ******* ****
Go hang yourself from a bridge
Here's a rope, I hope you choke

******* ******* smoochie smoochie
Only chains you got is Gucci
Y’all basic brothers rep that set
But fake like that 2chi

[Verse 3]
man I get so high,
Now watch me get higher
Watch me take flight
As my wings soar skyward
You know I'ma fighter
So watch me take my place
As I eat this rap game up
and then spit it in your face
Now pass me a lighter
see me rollin while I bake
I mean I'm not a pastry maker,
but I still bake for the sake
My rhymes are so ill
They're gonna make you sick
I be tweetin on my twitter
While Betty Crocker ***** my ****, uh

[Verse 4]
Reid between the lines son and please proceed with caution
Alien splittin kilos, I be one tweaked ****** martian
I'm five steps ahead and these haters ****** forfeit
You four feet tall and I'm so high I'm in ****** orbit
Make these snitches sleep with fishes
How ****** vicious spittin mischief
****** trippin out these hypocrites
Dishin out these disses which
Bein inconsiderate
in this fast paced game of chase
But if I wanted to catch your drama
I'd just go check my facebook page *****

Dito sa Lungsod ng mga siksikang tren
sa umaga at sa gabi ng paglubog sa mga makinarya,
Ang sentro ng  pabrikang papel at usok, na buong bilis
sa inaliping katapatan at tapang
ay naninirahan palagi sa piling
ng mga madaming mga ipis at daga.

May nalilimutan na mahalaga tungkol
Sa tahimik na hele ng mga flourescent na ilaw, kaalwanan
ng mga matatayog na pangako ng condo't bagong mga kainan, magagarang mga pabuya.
Mga panibagong mga tagisan ng lakas
sa mga makabagong Coliseum ng Roma,
sa bawat amoy ng dugo at bagong silang.

May tipo ng sukal na wala sa mga gubat, at tunog ng mga
malalakas na putok ng baril na wala sa digmaan.
Tila sa kahit anong panahon, mag-alsa man mismo ang Kalikasan
at magpadala ng Tsunami,
magpalindol at magpaputok ng bulkan
sa panahon ng kakaibang asul at pula na buwan
sa pagkakabuwal ng bagong bilang
ng mga magsasakang sa mga mass-suicide
mula India, Korea, at Pilipinas dahil sa di-pantay
na mga batas kalakalan:

Ipadala man ng mga makata't hukbong
gerilya ang kanilang pinakamatikas at
pinakamatatapat na mga bilang sa mga pagsubok
ng panibagong mga pag-aaral at pagsasapraktika,
maaaring Puting Elepante din ang
hindi sasapat ang kabayaran para sa mga utang
na dapat matagal nang nabura at naigpawan.

Mula sa lakas at pwersa hindi lang ng mga diyos
ng mga sari-saring pampulitikang mga pormasyong nagdidirehe
sa mga kilos ng mga taong kapit na sa patalim,
Kung hindi mula din sa lakas ng mga nangahas mabuhay
at lumikha ng mga paraan para makapagpatuloy na
makapagaral ng sariling pagkamulat:

Ang kaaway na papel na salapi o papel na tigre
ay nilikha din ng tao para din lamang
maunawaan ang mga sariling kahinaan,
mamulat sa mga repleksyon ng mga nagbabagong
sarili sa gitna ng unos, upang matiyak ang yapak at
mabuo ang mga hanay at kahandaan ng mga
unang hawan, at huling mga walis.
Ang mga kalabisan ay para lamang mapatingkad
ang kahinaang dala ng kasaysayang nagluwal,
ang kawalan ng pagpapahalaga sa binubuhay na mga palitan.#

Nakatawid na ang gabi sa umaga,
Umuusad ang magdamag ng digma.
Tahimik ang silahis na nakikiramdam
Sa paghulagpos ng salimbayan
Ng mga kulay na nagluwal ng dilim.
Hudyat ang kindat ng kislap ng talim,
Pagtitilad-tilarin sa pakikipagtalad
Naglalagablab naming mga balak.
Talampaka'y mangangahas sumampa,
Sa binakuran **** pagsasamantala.
Kabisado ng mga bisig kahit pa nakapikit,
Imbay ng sandata naming karit.
Matipid sa kilos, mabilis ang hagip
Dinambong sa aming libong ektaryang langit,
Babawiin, handa sa anumang kapalit,
Karapatan, aming muli’t muling igigiit.

Mahilig akong manood ng pelikula
Sisiyasatin ko ang bawat balangkas
Panonoorin mula sa simula
Papunta sa kasukdulan ng kwento
Hanggang sa katapusan ng kwento

Isa sa paborito kong kategorya nito
Ay ang pag-ibig

Napakasayang manood ng pelikulang pag-iibigan ang tema
Dahil kahit minsan ay katulad din ito ng nararanasan natin

Magsisimula sa pagpapakilala
Sa “ako nga pala si..”
“At ako naman si..”
Sabay ngiti na tila titigil ang mundo
Bibilis ang pintig ng puso
At mapupuno ang tiyan
na tila nakalunok ng sangkatutak paruparo
At nanirahan sa ilalim ng mga kalamnan mo

Napakatamis ng mga simula
Ang mga panahong ang mga mata
Ang nagsisilbing daluyan
Ng enerhiya na nagpapasabay ng tibok
ng puso niyong dalawa
Ang mga panahong ang mga kamay
Ang nagsisilbing hawakan sa pinakamalayong paglalakbay

Kikiligin ka sa simula

Magpapatuloy sa kasukdulan
Magpapatuloy
Sa “Bakit hindi mo agad sinabi?”
Sa “Bakit ka nagsinungaling saakin?”
Sa “Ano bang nagawa ko sa’yo”
Sa “Saan ba ako nagkamali?”

Matututunan mo na ang pag-ibig pala ay nagbabago
Ang dating matamis ay naging mapait
At tila isang kape na dating kumukulo sa init
Ay nanlamig bigla
Sa di inaasahang panahon

At sa katapusan ay makikita mo ang dulo
Ang pagpapaalam
Ang mga salitang “Hanggang dito na lamang tayo”
Na kahit na ipinangako niyo sa isa’t isa ang walang hanggan
Ay naabot niyo pa rin ang dulo

At kahit na masakit ay tatanggapin mo
Dahil ang katotohanan ay
Ang pag-ibig ay nagwawakas

Mahilig ako sa mga kwento
Dahil dito umiikot ang mga pelikulang sinusubaybayan ko
Ang simula, kasukdulan at pagtatapos

Ang paborito kong istorya
Ay ang pag-ibig

Pag-ibig
Na nagsimula sa pagpapakilala
Sa pagtanggap ng katotohanan
na hindi ko kakayanin mag-isa
Sa pagsambit na ikaw lamang
ang kayang magligtas
sa kaluluwa kong ligaw

Hindi man puno ng tamis
Pero puno nmn ng tunay na pagsinta
Ng totoong nagmamahal

Ang mga mata niyang magbabantay saakin
Sa tuwing ako’y nag-iisa’t nasa panganib
Mga labi, na hindi mo man nakikita ang ngiti
pero ramdam ang pagmamahal sa tamis ng salitang sinasambit
Mga kamay, na hindi nagsisilbing hawakan, pero gabay
At sa tuwing naliligaw na ako’y andyan ka pra itama ang aking landas

Pag-ibig
Na ang kasukdulan ay
Naganap sa krus
Kung saan ipinakita ang tunay na kilos ng pagmamahal;
Sakripisyo
Kahit na hindi ako nararapat sa pag-ibig mo’y
Ibinigay mo ang lahat
Para lamang maibalik ang ako, na minsan nang naglibot papalayo
Sa kasabikan na mahanap ang dulo
Kasama ang mundo
pero nagkamali ako

Ang mundo ay iiwan kang lagalak
Sa kalsada
Humahanap ng titirhan
Humihingi ng makakain
At nanlilimos ng ng salapi

Pero ikaw ang pumulot saakin
Sa pagkaalipin ko sa mapanlinlang mundo
Iniangat mo ako sa kahirapan ko
Kahit na tila kapeng nanlamig ako
Ay hindi mo isinantabi
Pinaranas mo ang tunay na pag-ibig
Na hindi kayang ibigay ng kahit sino

At tulad ng mga pelkulang paborito ko
Hilig kong sinusubaybayan ang kwento
Ang paborito kong kwento ay ang pag-iibigan nating dalawa, Panginoon.

At magtatapos ito sa…
Mali.
Hindi pa rito nagtatapos ang kwento

sino ka nga ba, at ika'y dumating bigla?
anong rason mo, para biglang magpakita?
sa buhay kong magulo
sa buhay kong sakit sa ulo

tumagal ang mga araw, linggo at buwan
ako'y unti unting nasasanay na lagi kang andyan
hindi sinasadya, ika'y naging importante
laging hinihiling na nariyan ka parati

ngunit dumating sa tanong na "ano ba tayo"
at ako'y sinagot mo ng "magkaibigan tayo"
'di ko alam kung anong dapat kong maramdaman
ngunit ang masasabi ko lamang, ako'y iyong nasaktan

aaaminin kong ako'y umasa't naging tanga,
sa mga kilos **** naakit akong talaga
akala ko kasi'y parehas tayo ng damdamin
ngunit ikaw pala ay hindi para sakin

Saksi ang buwan at mga bitwin
sa araw ng tayo'y nagkakilala.
Bawa't kilos at galaw,
at tinginan ng mga mata.

Saksi ang bawa't taong nakapansin
ng lambing ng pag-uusap
at kay lagkit ng mga tingin.

Saksi ang mga nanood sa entablado
kung pano mo siya napatawa
sa isang eksenang sa script eh wala.

Saksi ang mga ****'t ka-eskwela
sa isang pag-kakaibigang
puno ng kalokohan at saya.

Saksi ang mga kasama't kaibigan
kung paano nag-simula
ang di-inaasahang pag-iibigan.

Saksi ang mga kapamilya't ka-opisina
ang isang pag-sasamang
puno ng hirap at ligaya.

Saksi sila ng mga away at tampuhan
na pilit nating nilampasan.

Saksi ang buong mundo
sa lahat ng gulong nadaanan,
pero isang Saksi ang gumawa ng paraan.

Naging Saksi ang Diyos ng mga
pangakong binitawan,
na di kailanma'y maghihiwalay anoman ang pagdaraanan.  

Kaya’t narito akong muli
para tumupad ng pangako.
Na buong buhay kang pagsisilbihan, mamahalin at
di kailanman pa’y susuko.

- July 8, 2010

Don’t take them at face value. Several leading actresses in Mollywood have shown themselves to be keen businesswomen too. So, if Poornima Indrajith, a fashionista in her own right and designer-in-chief of fashion store Pranaah, was the lone name in the list till recently, Kavya Madhavan, Lena, Kaniha, Shwetha Menon, Rima Kallingal and the like too have joined the fray to establish their credentials as entrepreneurs.

While Kavya owns Laksyah, an online fashion store, Rima runs Mamangam, a dance school in Kochi. Lena is busy with Aakruti, her weight-loss centre. Kaniha’s focus is on health care, as a franchise partner of Medall Diagnostics in Chennai. Shwetha, meanwhile, has opened a restaurant, Shwe’s Delight, in Dubai. Mallika Sukumaran owns Spice Boat, a restaurant in Doha, Qatar… The actresses talk at length to MetroPlus about why and how they went about it, the lessons they learnt and what lies ahead.

For Kavya it was the realisation of a long-cherished dream; of starting a business venture while she is at the peak of her career. “I zeroed in on a fashion boutique from several other options, such as dance school, beauty parlour, restaurant…,” says Kavya. “It was the safest and best choice because my father had been in the textile business back home in Neeleeswaram for nearly four decades. My brother, Midhun is a graduate in fashion technology and my mother and my sister-in-law too share the same passion. Laksyah is really a family-run enterprise,” she adds. Laksyah, which sells a range of one-off designer saris and daily wear and based out of Kochi, will be celebrating its first anniversary next month.

It was a photoshoot that lead Lena to open Aakruti. She had to lose a few kilos to get in shape for the shoot and her childhood friend, Louisa David, a physiotherapist, helped her achieve that goal. “I was happy with my weight loss and so we decided to launch a physiotherapy-based slimming centre. Louisa has been running her centre at Thrissur for five years and she helped me start Aakruti, in Chevayur, Kozhikode, in September last year,” Lena says.

Kaniha, always a multi-tasker, has a solid reason for taking the health care route too. It was the closest she could get to her childhood ambition to pursue medicine! “After coming back to India from the United States, my husband, Shyam Radhakrishnan and I wanted to start something. Since I couldn’t fulfil my dream of becoming a doctor and had to study engineering instead, I thought I should do something related to healthcare and that’s how Medall happened,” says the actress.

In Shwetha’s case, her restaurant was a venture waiting to happen. “In fact, those who know me for long are not surprised with my decision to open a restaurant. I am an absolute foodie. I am so very careful about what I eat that my cook always travels with me on my shoots. I also love hosting family and friends and often hold pyjama parties at home. That’s why a restaurant was the obvious choice when I thought about starting a venture,” says Shwetha. Shwe’s Delight [“I was called Shwe by my friends in modelling circuit”], which opened its doors last month, is a North Indian fine dining restaurant. “I wanted to give expatriate Malayalis in Dubai a different taste from the usual fare. We dish up a bit of Chinese food too,” she adds.

Being a celebrity helps, most of the time, especially to get publicity, say the leading ladies. For instance, Kaniha says she could bank upon her celebrity status to get corporate tie-ups. They also talk of brand value going up when a known face opens a venture. “There is a certain level of trust with potential customers because you are a known face,” explain Shwetha and Lena. “On the flipside, you are always under scrutiny. At times, I feel acting is much easier,” adds Shwetha. Kavya says it is not easy being the face of Laksyah. “I can’t go wrong with what I wear!” she adds, with a laugh.

Celeb status and a pretty face, though, is no guarantee for a successful business. All the actresses say that they put in a lot of hard work to get their businesses up and running. “The execution part was not easy, be it finding the right location, getting the interiors done, purchasing the machinery, appointing qualified staff, training them and even finalising the colour of the uniform. But I have become more confident now that we are opening a new branch in Kochi,” explains Lena. Kaniha, meanwhile, admits that she has learnt to be “more patient and be diplomatic.” Well played.Read more at:www.marieaustralia.com/cheap-formal-dresses | www.marieaustralia.com/****-formal-dresses

Iligaw ang tukso ni Lusiper
sa diwa na siyang naghari
Magmuni-muni sa ibaba ng mundo
Sampung beses pagtimbangin ang mga gawi

Lampas sa katotohanan ang layon
Anyo ng mundo ay di magkatugma sa panaginip
Ikumpay sa apoy hanggang sa lumaki
Tiwala sa sarili, magtiwalag man sana'y di lumayo

Sa labas ng sanlibutan ay nagmasid
May mga dagim na nagtabon sa buwan
Nang nasilayan ang diklap sa alangaang
na sumambulat sa noo ay sumingaw ang depresyon

Mapagkunwaring uwak na dumausdos sa ere
Simpleng kilos niya'y nakakaaliw
Humapon sa troso para magpahinga
Sa kanyang aparisyon makikita ang
unos na dinadala ang dahilan ng pagdarapa

Naglaon na kuwento ay nagparinig ng alingawngaw
noong unang pag-usbong ay umani ng kahihiyan
Naging balat-sibuyas na tubo
humihikbi nang patago

Walang Pamagat
: A Spoken Word Poetry by Stephanie Dela Cruz

Malumanay ang pagkumpas ng mga kamay ng orasan
Sumasabay pa tong nakakabinging katahimikan
At ako? Nandito sa loob ng apat na sulok ng munti kong silid
Kabisado ko na ang bawat detalye ng kwartong ito ngunit ito parin, nagmamasid
Na para bang nasa ibang lugar ako, nangingilala, nagtataka
Tulad ng kung paanong maraming tanong ang gumagambala sa katahimikan ng sandali
Mga tanong na habang pilit kong hinahanapan ng sagot ay mas lalo lamang nagpapaalala sayo
Sayo at kung anong meron tayo… noon
Para ka rin palang kwarto ko.
Kilala kita, kabisado ko na ang takbo ng isip mo
Alam ko kung kailan ka nagsisinungaling kapag sinabi **** “okay lang ako”
Alam ko kung ano yung mga tugtuging hinahanap-hanap ng pandinig mo
Alam ko kung paano magniningning ang mga mata mo kapag nakakakita ka ng cute na aso
Alam ko dahil inalam ko, alam ko dahil ipinaalam mo, alam ko dahil ginusto kong malaman
Kilala kita, kabisado ko ang bawat tibok ng puso mo
Pero muli, para ka rin palang kwarto ko
Na kahit gaano kita kakilala at kakabisado, naguguluhan pa rin ako
Nangingilala;
Nagtataka;
Dahil kahit naging malapit ka sa akin ay tila parang napakalayo mo pa rin
At kahit gaano kita kakabisado ay hindi ko pa rin alam ang kasagutan mo sa mga  tanong na iniwan mo sa akin kasabay ng pag-alis mo sa buhay ko:

bakit.

Bakit ka pumasok sa nananahimik kong buhay para pasiglahin ito at sa huli ay iwan ako?
Bakit mo ipinadama sa akin na importante ako para lang isang araw ay ipadama na wala na kong halaga sayo?
Bakit mo ako nilapitan nang may ningning sa mapupungay **** mata at matamis na ngiti sa iyong mga labi?
Bakit mo ipinaulit-ulit ng bigkas ang pangalan ko na hanggang ngayon ay musika sa akin?
Bakit ka nagpakilala para lang sa huli ay limutin?
Bakit ka lumapit sa akin na parang isang apoy na nagbigay liwanag ngunit siya rin palang tutupok sa akin?
Bakit ka dumating sa buhay ko para lamang sa huli ay lumisan?

Ang daming bakit pero iisang bakit lang ang gusto kong sagutin mo.

Bakit mo ako iniwan ng biglaan?

At hindi naman ako tanga.
Alam ko na iba tayong dalawa.
Sabihin mo nga sa akin kung paano ko hindi bibigyan ng pansin ang sigaw ng mga kilos **** sinasabing espesyal ako?
Paano kung sabihin ko sayong pinakinggan ko ang bulong ng puso mo noong unang beses na inaya mo akong kumain sa labas?
Paano kung sabihin ko sayo na narinig ko ang pangalan ko sa pagitan ng pagpintig ng pulso mo noong inabot mo ang mga kamay ko?
Paano kung naiintindihan ko ang ibig sabihin ng mga biro **** nagpapahiwatig na ako ang gusto mo?
At paano kung sabihin ko sayo na nakita ko ang nakaukit na ‘mahal kita’ sa ningning ng mga mata mo sa tuwing magkasama tayo?

Hindi naman ako tanga.

Alam mo ba? Tayo ang tulang ito.

– walang pamagat

Kumbaga sa linya ng isang kanta ay “oo nga pala, hindi nga pala tayo”
Na katulad ng isang pelikula, hindi lahat ay nagtatapos sa happy ending
At katulad ng isang nobela, masaya man o malungkot, lahat ay nagtatapos

Sa lahat ng nobela, itong sa atin yung kuwento na hindi naisulat ngunit nagtapos
Natapos ngunit walang paalam

Kahit wala tayong pamagat, gusto kong pahalagahan ito
Dahil ito yung meron tayo.
Medyo magulo pero ito, tignan mo, naisingit ko na yung salitang “tayo”

Sayang.

Sana kumapit ka pa.

Naiisip ko pa rin gabi-gabi kung bakit ka lumayo
Patawad, naaalala pa rin kita kahit hindi ko naisin
Patawad, umaasa pa rin ako na babalik pa sa dati ang lahat
Dahil naniniwala pa rin ako na nobela tayo
At hindi pa nagtapos ang kuwento noong huling beses na humakbang ako palayo at hindi ka nagsayang ng segundo para lumingon sa direksyong tinahak ko

Naghihintay ako.

Mali pala ang pagkakagamit ko ng mga salita.

Wala pa tayong pamagat

Ngunit malay mo balang araw ay magkaroon din at habang hindi pa dumadating ang araw na iyon, ipipikit ko ang mga mata at ibubulong sa hangin na…

sana malaman mo na mahal din kita.

Di ko alam kung pano magsisimula
Sa aking sasabihin,huwag sanang mabibigla
Pero ang lahat ng maririnig **** salita
Nagmula sa puso : sa puso kong sira
Alam mo ba nung simula pa lang
Sa puso ko ikaw na ang lamang
Walang ibang hinihiling kundi ikaw
Di ko nais na naaalis ka sa tanaw
Oo , ikaw lang at walang iba
Kase nga diba gusto kita?
Sa puso kong ito, tunay kang nag-iisa
Pero parang ang sakit sa pakiramdam
Sa damdamin kong ito, walang nakakaalam
Hanggang tingin lang lagi sa iyo,
Minamasdan ko lahat ng kilos mo
At kahit na ako'y nasasaktan,
Sinong may ****? Wala naman akong karapatan
Kahit mamamatay na ako sa sobrang sakit,
Kailangang kong tanggapin lahat ng pait
Ganyan naman talaga pag nagmamahal,
Sakripisyo ang kailangan para tumagal
Hindi ko alam kung anong meron sa iyo,
At ikaw ang tinitibok ng puso ko,
Siguro nga tadhana na ang nagtakda
Kaya sana iyo namang mahalata
Pagkat ayokong pati  ikaw ay mawala
Ngunit ano nga bang magagawa?
Kung sa landas ko unti - unti kang nawawala?
Para kang bula na dahan - dahang naglalaho
Parang ibong lumilipad na papunta sa malayo
Habang ako dito ay nakatayo
Minamasdan kang papalayo
Madalas ako sa kanila'y naiinggit
Pagkat sa iyo ,sila'y nakakalapit
Madalas kayong nagkakausap
At lagi mo sya sa akin hinahanap
Oo, alam kong kahit di ko aminin
Na pangalan mo pa rin ang sinisigaw ng damdamin,
Malalaman mo rin yun balang araw
Kaya mananahimik nalang at di ko na isisigaw
Ano pa nga bang silbi na ipagsigawan ko?
Wala ka rin namang **** sa nararamdaman ko
Kaya't salamat nalang sa ala- alang iniwan
Sa lahat ng araw ng masasayang kwentuhan
Paalam na mahal,ayoko nang masaktan
Kahit iyon ay akin nang nakasanayan
Nakakapagod ding maging Tanga kaya't paalam na
Sana maging masaya ka doon sa piling nya !

Ang gusto ko yung lalaking matipuno
Yung pagbubuksan ako ng pinto
Yung umaga pa lang pumupunta na rito
Tsaka dapat binabati niya magulang ko
Isama mo na rin buong pamilya’t kamag anak ko
Grabe ang lakas maka pogi non
Lalo na kapag binibilhan ako ng wanton
Yun kasi yung paborito ko
Kaya nakakakilig pag kilala ka ng lalaki nang todo
Ganun yung tipo ko
Simple lang at magalang
Madasalin at mapagmahal sa magulang
Isa lang
Isa lang ang hinihintay ko at alam kong ikaw yun.
Yung taong bubuo ng mga pangarap natin
At tutupad sa mga binitawang salita sakin
Ikaw yun
Ang yayakap sakin kapag malungkot ako
At pag kailangan ko ng makikinig sa mga problema ko.
Ikaw yun.  Nung una. Akala ko nung una ikaw na yun.

Isang malaking pagkakamali lang pala.
Imahinasyon lang pala lahat ng ito
Ang lala
Nabiktima lang pala ako ng maling akala
At nadala sa pagbabago **** lagi akong umaasa
Kaya ayoko na

Ayoko nang pagbuksan ka ng pinto sa tuwing lalabas tayo
Ayoko nang habulin ka pag nauuna kang maglakad at ikaw pa yung may ganang magalit
Ayoko nang paulit ulit ipaalala sayo na batiin mo mga magulang ko pag nakikita mo
Ayoko nang magtiis pa diyan sa katamaran mo dahil pagod na ako.
Nagsasawa na ako sa paulit ulit na salitang binibigkas mo pero di naman totoo.
Dahil ang totoo, hindi naman tumutugma sa mga kilos mo.
Ikaw na ang sentro ng relasyong to.
Sa halip na ako ang yakapin mo dahil malungkot ako, ako ang yumayakap sayo.
Hindi ako makapagsabi ng problema mo dahil sinisingitan mo nang mas malala yung problema mo.
Lagi ka na lang nagagalit kapag may kausap ako.
Pero pag ikaw yung may kausap, nagagalit ba ako?
Wala na sa lugar yung pagseselos mo.
Lahat na lang ng makausap ko pinaghihinalaan mo.
Ang toxic na ng relationship na to.
Kaya gusto ko na tapusin kung ano man ang meron tayo.
Natauhan ako na ako na pala ang gusto ko.
Ako pala yung hinahanap ko.
Pero kailangan ko ng taong parang ako.
Yung mamahalin ako tulad ng pagmamahal ko sayo.
Saan ba ako makakahanap ng taong katulad ko?

Ang sabi nila na ang pinakamasakit daw na tunog ay ang iyak at hikbi,
Malakas man, mahina o pag-pipigil
Lahat daw ‘yon ay pare-pareho lang
Tama nga siguro sila kasi ang iyak ay nakapag-sasabi ng totoong nararamdaman, ang iyak ay isang kalungkutan
Noong gabing yon, narinig ko ang pinakamasakit na tunog
Sabay tayong lumuha
Sabay nating iniyak ang sakit na para bang masasagot lahat ng tanong sa ating isipan
Mga pagkukulang, mga sana at dapat na pareho nating gustong malaman, gustong ipaglaban
Mga tanong na matagal ng kinukwestyon ang mga bagay na hindi maintindihan
Mga pagkukulang na pinipilit buuin na unti-unting lumalabo
Mga sana at dapat na matagal nang pinipigilan
Ngunit narinig ko ang tunog ng bawat galaw ng iyong mga paa na humahaplos sa sahig
Narinig ko kung paano mo ikinabit muli ang iyong mga paa sa iyong medyas at sapatos,
Kung paano mo ito itinali at binuhol nang napakahigpit
Narinig ang bawat kilos at galaw
Sa huling beses ay narinig ko ang iyong mga daliri
Kung paano dumapo ang iyong palad sa pinto
Hindi iyak at hikbi ang nangibabaw
Kundi ang tunog ng pagsara ng pinto

You're only seventeen -
the light seems to shine
right through you,
peach-furred skin
dessicated
drawn in upon itself
- and old.

Your moisture-dewed youth
has evaporated.
It’s been emptied
****** clean
dried and drained.

You reach out
with snappable wrists
Your brittle bones
bulge and bow.

Your ribs vibrate
with every breath
air thrills and ripples
the whole chest cavity.

Your hands and feet
Minnie Mouse big
too big
for the fragile framed
tiny dancer.

Your hips have become
pelvic bone butterflies
that arch and flare out
from your sunken abdomen
concave
and strangely hung
with loose folds of skin.

Your eyes like oases
in the desert of you
cartoon-cute big
but sunken deep
into your head
as if drawing away
from the sight of you.

Just a few more Kilos
and you’ll be gone.

© M.L.Emmett

Comeback

Perhaps I should be grateful
That I never was recipient
Of great applause,
Years of adorers,
Broadway’s honey,
Years of being stunning,
Grateful that
I never had to kowtow, bow out,
Miss the kudos and the fame,
Never knowing what life was
With and without them, since I never got them.
Never got to play Las Vegas,
Glad there never came a time
Of longing for a non-existent encore,
Cheering I no longer hear.

Hair going grey,
Kilos heading the wrong way,
You are asked to make a comeback,
Or you’ve asked to make a comeback;
Life feels boring,
No alluring pleasure takes the place
Of listener filled with earful grace.

You sweat and strain, extra kilos off again,
Get back routines,  
Move as you did in your teens,
Flexibility, the voice retaining every nuance.
Frank and Cher came back again - and then again.
We followed each rendition, each gradation, limitation;
Cheered until the cheers turned into hesitation.

I am grateful that I never
Had the clamouring for autographs and tresses,
Shredded dresses, theirs and mine.
Never had the glamour and the clamour of masses,
Fervent need to make a comeback,
Coming back to audiences smelling wine:
Hard to define.
And still I play and sing and grow.

Comeback 5.28.2008/revised3.19.2021
Birth, Death & In Between; Time; Vaguely About Music; Arlene Nover Corwin

Mrs Sharma is looking busy
Walking back from her yoga class
In Her right hand a bag full of potatoes
In her left hand, 2 kilos of onions
Its a freaking hot day in Delhi,
She stopped a taxi and hurried home
Aloo paratha her family's menu for today.

At home she went straight to her kitchen
Peeled and boiled the Potatoes
finely chopped Onion, coriander, ginger and chillies
Now where is the garam masala?
Here you are Mrs Sharma,
Salt Red Chili powder, Garam masala and some butter
Aloo Paratha with lots of butter,YUM YUM
Lunching at Sharma's home is Splendid
better than Mahesh Lunch Home in Juhu, Andheri.

Let's get started says Mrs Sharma
Let's make the dough
Make two chapati
add the filling to one chapati
and cover it with the second one.
Now Mrs Sharma rolls it slightly and heats it in the oven...

Let's ask Mrs Sharma,
Is food the elixir of life?
Yes very much she said
She feels like she is living for it.
As she spreads butter over the paratha
She says her mantra twice,
Eat healthy but don’t over eat.

She serves aloo paratha hot to her smiling kids
adds yoghurt to Mr Sharma's plate
she is so proud when she says to her family
Eat in moderation and eat healthy..
Smile and let's eat Aloo paratha Mrs Sharma's way...

|||||||||||| Shahid? '||||||||||||||| E, no '||||| ||||| || E Nigeria and Nigeria ... Mascarading Buckethead's team had really come in February. In 1894, Becky joined the consulting firm, and in 1894 Ferrari was given a monthly, monthly payment from Hong Kong on the subject of six conductors, monopoly, ****** and the old United States. "Guzdono" "Goldie Lips in the winter of November 1 to 12 will be shown in the winter, and all legs of mythical style will be displayed in front with the feet." The bright girls have a clear confusion. "The funniest fun, yes, the most durable quality in the early morning of Circe is the durable quality of the museum. It was easy, too easy to open a bottle of drinking water. Indeed, the Jewish people were against Jewish positions; The long and narrow roads on the road indicating that Savonarola was now looking for us. Three of Brazil's three top hotels are reflected in the three most popular ideas: their most popular idea: Volume 3, Wotan, Votima, And after every two years, my husband Art (Jane), & my dear friend, 12x100 tons with his children, At the top of the mountain, we teach 19 percent of the weight of 1292g or 1929 grams, which is what I say, where is the train to Co2? At the age of 50 at Matka Kawa-Kawi, Utomo Folk [50]? Do you need India | Ronan and Winter [1979] - from 879 to 1791.9, 179, and in Canada and all the new locations in the United States (595): A type of video game designed right in Spain will be tossing around Madrid via Paul and his new Asian lover Lauren. ||||||||||||| Shahid? '|||||||||||||| E, no '|||||| |||||||||||| Shahid? '|||||||||||||||| Na, am '||||| ||||| | Nigeria to Nigeria ... Mascarading Buckinghead Bucks arrived in February. In 1894, Becky took part in the consulting company, and in 1894 Ferraribegan received each month, from Hong Kong to six companies; monopoly, afanc and the United States. "Guitar" Goldie's newspaper on November 1 to 12 will show all horses in winter without clothing, stitched feet and clicking high on the barn over the top of the dough and move on! "Beautiful women have clear clarity of confusion, and they argue with each other in different stages of the whole:" It's nice, yes, "the most certified Circes is important in the morning as if blamed during the night while quietly resting on the emotional hunter ... which was too overwhelming and easy to open. "Judge, Urum and chul, three parts of Brazil reflect the beauty of girlfriends; There are three ideas: popular, their popularity: Volume 3, Vine Monthly, and after two years old, my husband, Art (Jane) and my tony 12x1 friend and children at the top of the mountain, we found 19 per cent of 1292g from 1929 when he folded it, so I say, where Co2 is 50 years living in a Coffee House, Utomo Folk [509] | From 879 to 1791.9, 179, Canada and some new locations in the United States (595): Where a new type of Spanish-styled video game drew the best players from Madrid, Barcelona and around the world; script written by Paul during visits to Wales to see Sally, her new Asian-Welsh love.||||| ||| In Nigeria and Nigeria ... The Masked Buckethead's Team was in real need come February. Later, in 1894, Becky joined a Consulting Firm and also in 1894 Ferrari was given the monthly monthly payment from Hong Kong in the XIXth Century, for a Semiconductor, Monopolies, the ******  and the former Old United States, as a "Guzundo," in November said Goldy Lips might return for 1 to 12 show that winter, and have the legendary genre features all legs in front. The bright daughters have a clear illusion. Funny sense of humor, Yeh, Circe's most durable quality in the early morning dawn and the early days of peace talks. It was easy and simple to open a bottle of drinking water in the museum. Indeed, Jewish positions existed against Jewish positions. Have you noticed the miracle that God does not have the gods? The long, narrow streets of the narrowest streets indicate that Savonarola is now looking at you. The three hotels in Brazil reflect three parties: their most popular fantasy: Volume 3, Vetan, VOTIMA, and after every two years, my husband Artie (Jane), my beloved friend, with his sons, has made 12x100 tons of silence from the top of the mountain Teaches 1229 grams or 19 percent of weight weighing 1,929 grams. Do what I say. What is Carrot to C02? At the age of 50 at the Motka Kava-Kwi, Uttamo Foko [...]? Do you need results for this event? India | Ronan and Winters [1979] - 899 to 171 799, 1719 and in all new locations in Canada and the United States (595): One-of-a-kind video games designed in Spain are only by Paul Wells, tooling around Madrid in his new yellow rover, the Lauren. |||||||||||| Shaheed? '|||||||||||||| E, no 'no ||||||| |||||| ||| With Niger and Nigeria ... I want to see the Masked Bucket Team in February. Becky later concluded a contract with a consulting company for 18 weeks and Ferrari in 1894, sells 19th century Hong Kong on Semi-Semiconductors, Motorola and BBs, and a good United States in the United States, A month later, on a Monday (in the week), for instance, as a 'Guzduno' whereas [R] in November, it is allowed to return from 1 to 12; Interactive *** Theater's winter tone of golden lips is stupidly original looking to have the beautiful lips of her feet, before it, the luminous daughters have a clear illusion. There was a feeling of humor, yeh, when Sirius' near-sighted boys sighted what was seen as the simplest and easiest-to-see-the-art menu of drinking water companies in the early dawn of dawn at the early dawn of peace talks. As a fact, the fact that the Jews out protesting were of anti-Jewish standing were there before the scene. Did you see the wonders that mean God is without goddesses? The long-lasting streets of the long-term narrow streets of the narrow streets show Snooch is looking for the right right now. Three-way party in Brazil's three choice hotels reflect the best-known imagination: Volume 3, Vetan: VOTIMA and want to spend every two years to see that Arthur's own Husband (Jane) with his sons girlfriend, my Naam, silk leaves mounted and slipped in. Getting 12x100 tons, try to close 12% or 19% 1.929 kilos, and teach Christ and 5-1 brothers. What did he do with ten women? Allow me to do what he says. Which Co2 is Carrot? Umberto Eco is close to the Synagogue, and at the age of 50 is writing in Motocaqua-qua [...]? Do you need to see the replay of the event? India | Ronan and Winters [1979] come from 899 and 171 to 799, 1719, and in Canada and all new U.S. locations "(595)" is the Number: Only Paul Wells from the Spanish video games outside the year 6712DM is at work on his new yellow rover the Lauren ... |||||||||||| Shaidan? '||||||||||||||| :) E, 'No No' | ||||||| |||||| ||| who has the Niger and Nigeria fields ... I want to see the masked ball's team of hos in February. Becky after 18 weeks using a good corporate consulting company went in with Ferrari in 1894, observing from Hong Kong on Mid-range FM, Motorola and BB, telling them about the great states of the United States in the United States, after months, on a Monday (for about a week), for example, he returns to Jaws while in November [R] so far as it is allowed, he plays from 1 to 12; Choosing three options: VOLUME 3, V-VETAN, VOTIMA and wanting to devour every two years of age that he saw, Aristotle took my boyfriend with Naam's children to his wife (Jane), leaving the silk on the mountain. Taking 12x100 tons, trying to close 1929 km to 12% or 19% and teach the brothers in Christ to 5-1. What did he do with ten women? Let them do what he called them to do; Co2 Who has the carrots? Umberto Eco is close to the Synagogue at age 50 when writing for girls in Mozambique [...]? Do you need the results for the event? India's | Hip Ship [c.1979] is arriving in 1719-899 and 171-799: the number of new locations in Canada and throughout the United States together in total "(595)": doing 671.2M per year outside the Spanish video games of Paul Wilson lonely in his yellow Ralph Lauren. |||||||||||| Shaidan? '|||||||||||||||| :) And, 'No No' | ||||||| |||||| ||| who owns all the Niger and Nigerian shops ... I want to see the strike on the Masked ball in February. Becky after eighteen weeks using a good telecommunication company to reach Ferrari in 1894, watching himself from Hong Kong over MRFM and seeing Motorola and B.B., telling them about 1 big United States State in the United States: And after a month, Monday (about a week), for example, returning to J.Law in November [R] so far. Allowing her to play from about 1 to 12; selecting 3 choices - VOLUME 3, and VAVETAN, VOTIMA wants to eat everyone every two years, Aristotle taking my boyfriend with Naam's children to his wife (Jane), and leaving the remainder of the coriander in a hill. 12x100 tons trying to cover 1,929 km, 12% or 19% and then train the brothers in Christ at 5-1. What did he do with ten women? Intimidate them to do what he called them to do; Co2, Who has carrots? Umberto Eco is near the Synagogue at the age of 50 writing to young girls in Mozambique [...]? Want answers for the event? India's | Hip Ship [c1979] is coming into port at 1719-899 & 171-799: The Number of new locations in Canada & across the United States together are "(595)" = 6-7x1.2M for Paul Wilson's Spanish Language Ralph Lauren Video Games alone. |||||||||||| Shaidan? '||||||||||||||| :) And, 'No No' | ||||||| |||||| ||| who has both Niger and Nigerian fields ... I want to see the Masked ball team in February. Becky after eighteen weeks finding a good corporate consulting firm and with Ferrari in 1894, observed from Hong Kong over MidRFM, seeing Motorola and BB, and telling them about 1 big United States State in the United States, after months, one Monday (for about one week), for example, he back to Jaws while in November [R] up to now allowed to play from 1 to 12; Choosing 3 choices - VOLUME 3, Vv-VETAN, VOTIMA & wanting to devour every two-year-old he saw, Aristotle took my boyfriend with Naam's children to his wife's (Jane), leaving the silk on the mountain. Hauling 12x100 tons, trying to close 1929 km at 12% or 19% and teaching brothers in Christ at 5-1. What did he do with ten women? Let them do what he called them to do; Co2 Who has carrots? Umberto Eco is near the Synagogue at the age of 50 writing to girls in Mozambique [...]? Need the results for the event? India's | Hip Ship [c.1979] is coming on 1719-899 & 171-799: The Number of new locations in Canada and across the United States together total "(595)": Making 671.2M per year off Paul Wilson's Spanish Ralph Lauren Video Games alone.


||||||||| The New Belmont Case ||||||||||||||||||||||||||||||||||||||||||||||||| leading to Niger and Nigeria's black "Garage girls" ... I want to see the Carnival in Maskala with Becky, after 18 seconds we will play a smart communicator, and Ferrari in 1894, watching the block from Hong Kong and FM, saw funny Motorola and B. startling the son of 1 of America's top wand makers: [R] 1 month later Mendoza (after 1 week), for example, went back to J.Law in November [R] and others. Opportunity to play from 1 to 12 Options; 3 - Option 3 and AV ZETAN, VOTIMA wanting to consume one person in two years, Aristotle was with my stuff and a female Naram's English vaginal ****** transport (Jane), on the left side of the calories and the second Mt. 12, 100 tons of stimulus hunts 1,929 liters, 12% or 19% and teaching your brothers in Christ 5-1 What do with ten female carcasses, what would [Co2] carrots do? Umberto Eco standing alongside the Synagogue is 50 years old, and women are written to in Mozambique [...]? Results of the event? India. | Also, the Hip Ship [c.1979] is 1719 899 - 171 799: The name of the new city in both Canada and the USA is "(595)" = 6-7 1.2M salary trend provided by Paul Wilson from Spain and Ralph Lauren.

|||||||||||| Shaidan? '|||||||||||||||||:) And, 'There are No' | ||||||| |||||| ||| who owns all of Niger and Nigeria's auto body shops ... I want to see the strikers at the Masked ball in Feb. Becky, after 18 weeks will use a good communication device to reach Ferrari in 1894 looking at himself from Hong Kong over the FM wire and seeing Motorola and Mr. B., and warning them of the 1 largest United State in the United States: And after 1 month, Mendoza (for about a week), for example, returning to J.Law in November [R] and so forth. Allowing himself to play from 1 to 12 options; choosing option 3 - VOLUME 3, with AV ZETAN, VOTIMA wanting to consume one whole person every two years, Aristotle puts my baggage with Naram's kid in the ****** of (Jane), what's left of calories are a mountain. 12x100 tons of effort to cover 1,929 kilometers, 12% or 19% and to teach the brothers in Christ 5-1. What did he do with ten women? scare them into doing what he called them over to do; to Co2, What's a small carrot? Umberto Eco is near the Synagogue at the age of 50 writing to the girls in Mozambique [...]? Results of the event? India's | Hip Ship [c.1979], at 1719-899 & 171-799: The area code of every new city in all of Canada and the United States are collectively "(595)" = 6-7x1.2M Downloads by Paul Wilson in Spain and Ralph Lauren alone.

Best of all corals, Loa and me, it's | | | | | | | | | | : | | | ||||||| '' ||||||||||||||| |||||||||||||| Fifi ... | | | | | | | | Mr. Cal? | | | | | || | | | | | .. || | | | | 1 Honor's Masked Looks - This is not a coincidence. 5 I'm tricking the car, not the seller. The seller will bargain; I would have had an address with what I called. Now she sells sticks. 1. I paid a lot of Latin for this ******; Jungo Ono Fernando getting rich on the reputation of his book; Great Britain, 1894: **** ******* Becky merged with the University in the 18th year, sticking firmly to a young girl with STK moisture. The video banned by ******* Dodge LLC, LLC as its general manager and Jasmine's creator - without - RSS - & Search RSS - Social networks ... ||||||||||||| \ || / ||| I was the first child in Hong Kong before the truth, allowing America to stay online in the United States, and I won 12 to 1. And Mendoza in England [Lunar Luna 1]. Sir, minimize these hayrides' HDR numbers. How are you? -:. Vī.vī. - NM. Class, House, Motorola, SSP, and many women hit on Tom. What do you need to do with something better than the glorious sport? Giao Hoi # 6; For example, giving literature to Noah and the children in Vatican City. Ten years ago it was not too far off; The mother of gray-hair is doing what they asked for. For ****** and you. Indian House is actually only 6. Bwa. First of all, this is CCA, mentioned earlier by TMV, when there was a ****** and unpredictable future: Why? Not even C. Chung Thaller is Aristotle's Stone. Any stone? Those who have had ****** relations with Lung Ng among the English knights have already survived. Vehicle VA (Gina's) - Female power = Consumer forces. Boi. The glory to others. 12 Matthew: A. ****** empties the lift in February 1929, 100-19 and 12%: GE Facilitates the Eyes of Africa | | | || It was Christ. | | | | | | .. || | | | | | | | | | Q: Who am I? Their sacrifices were murdered with ten pieces and I came to the 1st of Jericho. For the first time you have so much; For the west, the shadows are not ten, and lay me takes. However, from Mozambique to Saigon, there is nothing to eat from the kayak kits. It was banned from the ******'s nightly bookshop or shortened for Adelechia. The 50-story residential building was the glory of the [O'Leary] company; Is there a check for you for getting results? India || Also, "Do not Sing 1 Singing"? Productivity is the integrated price in the new one. The wealthier people of Canada and the United States have already slipped away to Loch Ness. 899 1979 (595) 1719-1799: 6-7 Recreation: Gate, 1.2 m. Chung, because I put in the Agghott Kush's voltage. Hi, Christopher Wilson and Ralph Lauren of Spain | | | | | | i.e.
See Also See Also See Also See Also: See Also ||||||| '' |||||||||||||| |||||||||||||| Fifi. Also see Pak Cak? See also Also See See Alsoh | See Also See Also See Also See Also See. || See also See also 1 Belleza's Masked - It's no coincidence. I can make a dear, not a re-seller. Sellers come soon; I have an address with what I called. Now sell the rods. 1. Also very Latin to this vein; Jung, Fernando saw his book; United Kingdom, 1894: **** ******* Becky united at University 18, friends from the STK Pool. Video Obstructs Dvostrukova LLC LLC Dodge, LLC, as General Director of Jazmin Creator - No - RSS - RSS & Images - Networking Sozializing ... ||||||||||||| \ || / ||| It was the first child in Hong Kong before the truth, allowing Americans to play online in the United States, and I have 12 to 1. Mendoza Croatia [lunar month 1]. Sir, read the HDR numbers of these terrible. How does it go? -:. Vī.vī. - NM. Class, Home, Motorola, SSP and many women who saw Tom. Do you need better than noble sports? Giao Hoi # 6; For example, they dominate Noah's literature and children in the Vatican. Two years ago he was not alone; The gray mother did what she wanted. For the ****** and you. The house is actually the 6th government. Inessessuals, that is AUZATEN, are from TEAM-****** because they are incredibly ******: why? Not like Chung Thaller Stone Aristotel. What rock? ****** *** survived, Pluto Ng and the English cavalry. VA vehicle (Gina) - female power = consumer power. Glory to others. Matthew 12: In February 1929 ****** at 100-19 with 12% spending: GE blows around Africa See also See also | | That's Christ. See Also See Also See Also See Also ||| See also See also See also P: Who am I? And their sacrifices were killed ten, and I came to Jericho. Did you do it for the first time? In the West, people are not in the shadows of ten people. Still, from Mozambique, for warning, no one can eat from the gathering. This is forbidden from the Adelechya's Nightclub of bees for bees. 50 Ladies Celebrity House [O'Leary]; Can you see the results? India || Besides, "Sing song of singing"? Productivity is a new integrated price. The wealth of Canada and the United States was foreseen by Locke. 899 1979 (595) 1719-1799: 6-7 kinds of Port, 1.2 the m-theory of Chung because I gave to the tension of Agghott Kush. Hi, Christopher Wilson and Ralph Lauren from Spain See also See also See also See also: see ||||||| '' |||||||||||| ||||||||||||| Would you like a pair of socks to watch? See See See See Also See. || 1 Bella's MASK - This is not an agreement. I can not make a way for a meddler. Soon I'm in an address addressed. Now, sell the staff. 1. In addition, Jung saw his book in a very literal light, Fernando. 1894 in the UK: **** ******* Becky, 18 friends from the STK squad joined the University. Video Blocks Dust stroke LLL Dodge, LLC, CEO Jasmine, Creator - No - RSS - RSS and Photos - Network Susan, We ... |||||||||| \ || / ||| Previously, Hong Kong's first child was allowed to play in America. I, Mendoza Kyrgyzski 1 (lunar month 1) 12 to 1. Sir, read the HDRR data. How is it going? -:. In most of the women who saw Virtual ****** non-m Class Home, Motorola, SSP, and Tom. Do you really need sports? GeoHouse # 6; For example, in November, Vatican literature and children dominate the Vatican. She was not alone two years ago. What did the mother do with her? ****** and you. The house is actually six governments. Why breathe them, that is, AU ZETAN, VOMITAS why they are extremely ******, why? Chung's bag was not like Aristotle's stone. That stone? ******, puppy and English calorie. VA vehicle (gene) - female = consumer users. Second glossy Matthew 12: 1929 February, ******, 100-19 and 12% Expenditure: GE, GE around the world. | It is the Christ. See also ||| Look at me: Who am I? Ten of them were killed and I returned to Erno. What did you do for the first time? In the shade of the ten Westerners. However, no one can add to preventing attacks with Mozambique. It is banned in beef flying or in beef. 50 women's trips [East]; Can you see the results? India || In addition, "Singing, Singing?" New combined performance indicators have seen Canada and the United States of America. 899 1979 (595) 1719-17 99: 6-7 types of portico, 1.2 m lime, I gave 1 to Voltage Eagle. Hello, Christopher Wilson and Ralph Lauren of Spain See also: see ||||||| '' |||||||||||| ||||||||||||| Would you like a pair of socks to watch? See See See See Also See. || 1 Bella - MASK - This is not an agreement. I can not make a way or a meddler. Soon I'm in an address addressed. Now, sell the staff. 1. In addition, Jung saw his book in a very literal light, Fernando. 1894 in the UK: **** ******* Becky, 18 friends from the STK squad joined the University. Video Blocks Dustestrocova LLL Dodge, LLC, CEO Jasmine, Creator - No - RSS - RSS and Photos - Network Susan, We ... |||||||||| \ || / ||| Previously, Hong Kong's first child was allowed to play in America. I Mandovza Kyrgyzski 1 (lunar month 1) 12 to 1. Sir, read the HDRR data. How is it going? -:. In most of the women who saw a V-v-v non-m-theory Class Home, manufactured by Motorola, SSP, and Tom. Do you really need sports? GeoHouse # 6; For example, in November, Vatican literature and children dominate the Vatican. She was not alone two years ago. What did the mother do with her? ****** and you. The house is actually six governments. Why breathe them, that is, AUZETAN, VOTIMA why they are extremely ******, why? Chung's bag was not like Aristotle's stone. That stone? ******, puppy and English calorie. VA vehicle (gene) - female = consumer users. Second glossy Matthew 12: 1929 February, ******, 100-19 and 12% Expenditure: GE, GE around the world. | It is the Christ. See also ||| Look at me: Who am I? Ten of them were killed and I returned to Erno. What did you do for the first time? In the shade of the ten Westerners. However, no one can add to preventing attacks with Mozambique. It is banned in beef flying or in beef. 50 women's trips [East]; Can you see the results? India || In addition, "Singing, Singing?" Newly combined performance indicators have seen to Canada and the United States of America. 899 1979 (595) 1719-17 99: 6-7 types of Portobello with 1.2 m lime; I gave 1 to the Voltage Eagle. Hello, Christopher Wilson and Ralph Lauren of Spain

|||||||||| Black held: "I want to see my life in New Belmont ||||||||||||||||||||||| ******, Niger, Nigeria || ... Maskala's carnival where Becky made it to the team's games starting at 18; there was a communicator, now vendor and Jung, the truth of Fernando in 1894 is a sufficiently humorous movie; filmed right to video, blocks see UK Dusty estrogen enriched culo; LLC Lincoln Publishers, not Jasmine, CEO and Founder's friend; STK - RSS Pictures - Susan, and the network is ours. .. |||||||||| first time, Hong Kong and RPM and Motorola B, the first son of a woman. #6 - American Trees HDRR Mendoza for 1 month (Sat 1) Ge 12 playback options 1. YA for reading examples almost every November in the City's History paging, etc., within two years of non-human activity where it's Quarter to Quarter in Wishes, AV ZETAN, VOTIMA Aristotle's Spirituality avoids pumping the contents of calories while English females consume Naram's transported (genes) from another heaven, Matthew 12: Feverish arias sung in 1929 Littler than 19% of the cost of 100 and 12 through .. teach the world and say that your Christ is Dear to ideas: Who am I, ten of them are dead, fr.HLA is the official fun, what do you do? Western Umbria's self-esteem prompted a surge in Mozambique's Senegalese. Mavericks 50 years old one of the selections of banned women [...]? And the results of the event? India || Furthermore, 'The ship, the ship?' I communities in Canada and the United States (595): 1719-1979 index 899--171,799 new: The trend is 1.2M 6-7, Lacy 1, Christopher Wilson and Ralph Lauren Spain.

|||||||||| Black held: "I want to see my in Belmont ||||||||||||||||||||||| mg Niger Nigeria || ... carnival in Maskala with Becky is a pain, the game only 18 seconds finds a communicator, now vendor and Jung fanatic; the truth of Ferrante back 1894 is sufficient, selling the humorous movie's film rights to sellout for blocks and seeing the UK's Dusty estrogen coves; L.L.L.Lincoln Publishers, not Jasmine's, but the CEO & Founding friend of STK-RSS Pictures RSS [Rich Site Summary; originally RDF Site Summary; often called Really Simple Syndication, a type of web feed which allows users
to access updates to online content in a standardized, computer-readable format]- Susan's new network and now ours... |||||||||| first in Hong Kong and PM, Motorola and B., the first son of woman #6 - American trees' High-definition [RR] for 1 month with Mendoza's (Sat 1) 12 1 GE playback options. For example the backside of J.Law. For example it's nearly | November in the History of the Greek city, etc., and within two years the person is 3 & 3 makes wishes 'AV ZETAN, VOTIMA'; Aristotle's Spirit stuff avoids the pump & traverses the contents of calories left by Naram's female English vaginal transports ( genes): the second, Matthew 12: Feverish ovular ions c.1929 a Liter, which cost 19% .. 12 100 in the world, and they teach Christ is your brothers idea #5: Who am I, ten of them are dead, p.2 carrot state; Oh, what do you do? The Cambrian In the West, giving self-esteem to a surge in Mozambique's Synagogues. Mavericks 50 years old and women moving from written extracts [..]? The results of the event? India. || Furthermore, the ship, this is the ship? "The cities in Canada and the United States (595)" 1979 1719 899--171,799 new title: 6-7 A trend 1.2M, Lacy 1, Paul Wilson and Ralph Lauren in Spain.

|||||||||| Shahid? '|||||||||||||| E, no '|||||| |||||| ||| With Nigeria and Nigeria ... I want to see the Masked Bucket group in February. Later, Becky contacted the consulting company for 18 weeks, and Ferrari in 1894 sold Hong Kong XIX century on semiconductors, Motorola and BBs, as well as the good old United States, on a month by monthly basis to be paid quarterly by check every Monday (weekly)made out to, for example, "Gonzo Gesundheit," , while in November [R] is allowed to return from 1 to 12 Winter Tones of Golden Lips, and an interactive *** theater that is a stupid original in that it wants to have lovely legs in front of which the luminous daughters have a clear illusion. Feeling the sense of humor, yeh, Sirius was to a greater degree the easiest, easiest in the world to start drinking water in the museum at the earliest dawn of dawn and the early dawn of peace talks. In fact, the fact was Jewish positions against Jewish positions were in place. Have you seen miracles that mean that God is without goddesses? Long streets of long narrow streets of narrow streets show that Snooch is looking at you right now. A three-way party in three Brazilian hotels reflects the most famous of imaginations: Volume 3, V Vetan, VOTIMA, and you want to spend every two years going to see that my own husband Arthur (Jane) is with his sons, my Naam's friend, gathers silk from the leaves in the mountains, getting 12x100 tons, trying for close to 12% or 19% 1,929 kilograms and teaching Christ and his 5-1.2 brothers what to do with ten women. Let him do what I say. What is Co2 to a Carrot? Umberto Eco, about 50 years old, when he is writing in Motocaqua-qua [...]? Do you need the results for the event? India | Ronan and Winters [1979] - from 899 and 171 to 799, 1719, and in Canada and in all the new places in the United States "(595)" is the number: only Paul Wells of the Spanish video games outside the year 6712DM is at work on his new yellow Rover, the Lauren.

Rexie was his name,
I met him on my tumblr page.
He's similar to Ana,
but different in a mental way.
I never worried 'bout my weight,
but still he got ahold of me.
He whispered to me "start counting your calories."
I'd eat less and less,
I loved the feeling that came with it.
I googled 'side effects of starving yourself.'
Euphoria.
That's what came up,
I ignored hair loss, osteoporosis, death.
It's like a drug, that's what he said,
Thats how the addiction began.
Always tired,
Brain rewired,
Kilos dropping,
There's no stopping.
Now the vision of the scale plummeting makes me feel something.
Rexie's always gonna be with me,
Maybe soon I'll realise
His goal is to ****** me.
Until then,
I can say,
Rexie is my best friend.

-T

"Bago yan ah"* aniya ng makita ang converse kong pula.

Wala eh, wala nako maisip para makuha ang antensyon mo, mapansin mo.
Naubos nga lahat ng ipon ko para sa sapatos na to.
Balita ko kasi mahilig ka daw sa kulay pula at nangongolekta ka daw ng mga branded na sapatos.

Ako yung tipong hindi maganda namay porselanang kutis gaya ng iba.
Hindi katangkaran, pero pwede nadin para sa isang kolehiyala.
Walang bag na ang tatak ay Guess,
At magagandang damit na galing sa Mall.

Simple lang ako, laging may hawak na libro.
Nalilimutan mag suklay dahil baka maiwan ng jeep papuntang terminal ng LRT.
Hindi naliligo sa pabango na padala galing abrod.
At higit sa lahat, hindi nag susuot ng ibang sapatos bukod sa pinag lumaan kong rubber shoes.

"Converse yan diba?" Dagdag niya ng hindi ako sumagot sa pag pansin niya.

Ang totoo ay hindi ko alam ang sasabihin.
Hindi ko alam pano ibubuka ang mga bibig at sasagot ng "Oo, buti naman napansin mo".
Wala ako lakas ng loob.

Tanging pag tango nalang ng ulo ang  kilos na kayang gawin ng katawan ko.

Kumaripas ako ng pag lakad papunta sa silya sa dulo ng masikip na klasrum.

Nag simula ang klase.
Hindi ako maka pokus sa sinasabi ng Prof patungkol sa "Theory of relativity" ni Einstein.

Tumititig sa wall clock sa taas ng pisara na kinatatayuan ni Ma'am Montemayor.

Sa wakas biglang tumunog ang bell na nag sasabing tapos na ang klase.

Palabas na ako nang muli mo kong tawagin.

"Hi, pwede ba ako sumabay sayo mag lakad papunta sa Math class?alam mo naman ayaw ni Sir. Henry ng late" pabiro **** sinabi.

Wala nakong nasabi kundi ang mga katagang "Okay lang naman".

Tinatago ang ngiti na gusto ng mag kumawala, habang nag iisip at nag papasalamat sa Converse kong Pula.

isang hawak na di ginusto
nagsimula sa panghihipo
pag iisip mo'y kasing dumi
ng burak sa estero
nalilito natutuliro
magsasalita ba ako?
kapangyarihan mo'y inabuso
ginamit para bumango ang pangalan mo
para maitago mo ang halimaw na nagbigay ng lamat sa buhay ko.

Isang gabi! isang gabi lang!
nadurog ang pagkatao ko.
kinulong mo sa madilim na nakaraan tulad ng pagkulong mo  sa akin
sa madilim at maliit na kwartong iyon
mabilis ang pintig
naririnig bawat kabog ng dibdib
paralisa ang katawan
di makasigaw
tulong! tulong! mga salitang tila naipit
sa aking lalamunan.

halik na di ko ginusto
yakap na di ko hiniling sayo
mga hawak sa aking katawan
nandidiri ako sayo
seksuwal na panghahalay
di ko nararapat pagdaanan

lamat na di malilimutan
lamat na mananatiling parte ng nakaraan
di mo na ko maapektuhan
ang lamat na bigay mo
ang aapakan ko
ang magiging boses ko

para maparating ang mensaheng ito

walang sinuman ang dapat makaranas nito!
walang sinuman ang dapat mabuhay ng may takot mangyari ulit sa kanila ito.
walang babae ang mahahalay base sa kanilang pananamit, kilos o pananalita.

ang lamat na bigay mo,
andito man ito
pero di na ito hadlang
sa muling pag ahon ko.

Ilang oras nang nakatutok
Ang aking largabista sa iyong bintana.
Iniintay ko ang oras na ikay dumating.
Nagtatago sa dilim upang di mo mapansin
ang madilim na aninong nag-aabang.
Naka ilang ikot din ang mga kamay ng orasan
at sa wakas ay pumasok ka na sa iyong kwarto.
Di mo ba napapansin na sa iyo’y may nakatingin?
Pinanood kita at pinagmasdan ang iyong bawat kilos.
Mayamaya’y dumungaw ka sa bintana
upang namnamin ang matamis na simoy ng hangin.
Sinunggaban ko ang pagkakaton.
Itinapat ko ang lente ng largabista sa iyo.
Pinagmasdan kong maigi ang iyong mukha
Nakatutok  na ang lahat sa sentro ng aking atensyon.
Ikaw.  
Perpekto na ang lahat.
Isang kalabit ng daliri.
Magkikita kayo ng tadhana.

Nag-aanyaya
ang kinagisnang duyan,
sa puso'y kumakatok:
halika, kita'y ipagsasalok
kapeng barako, ika'y lumag’ok
kung kulang ang 'sang tasa'y
mayroon namang mangkok -
Sa Lumang Lipa, ang pakilasa’y
pakiramdam at hindi tam’is
kagaya ng pagsasamahan
o pait na dulot ng kasawian.

Inaapuhap sa aparador na pinagtaguan
ang malukong na tagayan
ng nagkaribok na kabataan;
mula sa sulok ng balintataw,
nilililok, aking natatanaw
ang mga imahen, hindi mga anghel,
nagbabalibol ang kaibigan
kong tagapagtanggol,
habang sa kabilang koponan
nanlilibak ang kalaban -
ako ang bolang pinagpasa-pasahan
binugbog ng mga kahon ng lipunan
kahit alin doon, walang pinagkasyahan

mga kahong nagtatakda ng katangian:
     ang tao ay dapat ganito,
     ang kilos ay dapat ganoon
     ang suot ay dapat ganyan
          ang maganda ay ganito ang kulay
          ang makisig ay ganoon ang taglay
          ang tindig ay hindi malambot na gulay:
“kahon, kahon, kahon,
magkasya sa kahon
kapag nagkataon
lagot ka sa ****”

wari’y multong takot lumingon
ang nagtulug-tulugang kahapon
sa ngayo’y gising na kampon -
pinalaya ng kupas na maong

Sisinsay na laang ako doon
at sa huntahan ay tutugon
kung saan nahapon
ang labuyong
hindi kailanman inilaban sa sabong

panalo ka pa rin at karamay,
kapeng gawa sa gal’pong
     barako sa isip
     matam’is sa puso
     at sa lalamunan ko
     ikaw ang kasuyo.

Mahirap gawin.
Wala kang oras.
Hindi mo na matatapos.

Bakit?
Dahil hindi mo na kaya?
Pagod ka na?
Inaantok ka na?
O tinatamad ka lang?

Marami ka ba talagang ginagawa. Marami ba talaga ang mga pinapapasa kaya natambakam ka na?

Tumingin ka sa oras. Ang bilis ng takbo katulad ng pag higa mo sa kama sa inaakalang magigising ka ng umaga para mka gawa.
Parang kapag nag babasa ka at naka tatlong sanaysay ka na. huminto, nagpahinga at sinubukang mag basa ulit. Naka anim ka na, umupo, nagbasa, nagpahinga malapit sa kama, nahiga habang nagbabasa at unti unting pumikit ang mga mata.

Bangon! sabi ng orasan na nagpapahiwatig sayo na gawin mo ang bagay na ito. Na kaya mo naman talagang tapusin.

Bangon! sa pag iilusyon mo na pagod ka na sa isang damakmak na gawain.

Bangon! para sa mag papel na nasasayang. Sa mga mamamayang nawawalan ng laman ang bulsa.

Bumangon ka! Wag kang magpahinga lang! Hindi ka tamad!
Masipag ka! Hindi sa pagpapahinga, kundi sa pag kilos!

Kumilos ka para sa kinabukasan ng ating bansa, sa ika uunlad ng taong mga tumulong at sa pawis na tumulo sa sahig. Wag **** hayang punasan lang nila ang pawis na iyon. Tanggalin mo!

Kasi minsan nasa isip mo lang na hindi mo kaya pero alam ko at alam mo na magagawa mo ang bagay na iyan. Gawin mo sana!

The rumbling motorcycle pulled in
The Cowboy entered the luncheonette
And Doctor Boss was sitting there waiting
They licked their lips, shook hands and that was it
This is the Legend of The Cowboy and Doctor Boss
Two stones untouched by complacent moss
Together they made a deal
His satin suit and His Cuban heeled boots
This is how it began

Doctor Boss was a respected physician
Shaved, shampooed and conditioned
Wore a stethoscope, had tongue depressors in jars
The Doctor had a gold tooth and fancy cars
But he was crooked as the day was long
Had no regards for right and wrong
Just as long as he was making a buck
He had connections to the cartel down in Mexico
And they lined his pockets with rising dough

Back in 1955 he was peddling dope in med school
Made the junkies line up and the women drool
Until he was challenged to a switchblade duel
Got his right ring finger sliced off and throw into a pool
He turned around and killed that man
Slashed him in the face and punctured his gut
He packed his trunk and headed north and ran
Darted toward the Jersey Horizon
On the way he picked up gun and a phony medical license

You would think a ****** would weigh on a man’s conscience
But not the Doc his mind was on motel options
He got a room and went to a local hole in the wall
A smoky, run down biker bar
“Dewar’s and water” said a pretty little thing
Boss looked at her, downed his drink and suffered whiskey sting
“Hey there beautiful, what’s your name?” “Lillian” she said
“What’s yours?” “Well, Lillian that’s not important but I’ll tell you what is”
“I got a motel room all to myself and I need some company”

Paper thin walls and a moaning women
The mattress squeaks as the vacancy signs flashing
The next morning Lillian awoke
Just to see The Boss had hit the road
She got dressed and went on her way
The motel bill remained unpaid
She wished he would have stayed awhile
But he was miles away by then
And starting a new life
This was the origin of Doctor boss
Wayward bound and identity lost
How a boy became a man
From check ups to drug trafficking now
This is how it all began

Now The Cowboy thought life was a game
A wild child that wouldn’t be tamed
He lived his life against the grain
Behind his aviators was repressed pain
He never knew his dear old dad
And his mother, run over by a drunken cab
Broken home launching pad
The kid went mad and hopped on his bike
He began his quest to quench his thirst for an exciting life

He raced and robbed from Cali to Michigan
He broke every law from Dallas to Vermont and back again
Until the day when he wasn’t fast enough
They tackled him down and put him in cuffs
He was charged and sentenced to five years in Cook County
An extensive criminal record by the age of twenty
But as soon as he was behind bars he busted out before anyone knew
Off to continue his life of debauchery
Of freedom and existential ecstasy

He was an escaped convict with a bounty on his head
The warden of Cook County didn’t want him alive but dead
But The Cowboy went on his merry way, making deals and getting laid
Getting ******, kicking *** and taking names
He was just looking for a good time
He was searching for a new trail to ride
All he wanted to do was live
Do everything in the world there was to do
To him every day brought something new

On a faithful day, The Cowboy came to Hacketts
The city where Doctor Boss opened up his practice
The tired traveler went to go get drunk
Over in the corner of the bar he was slumped
The Doc strolled in and everyone paid their respects
But there was something The Cowboy didn’t get
“Why are they kissing the ring of this nine fingered quack?”
He pulled out a knife on The Doc and a bottle went smash!
Over the poor Cowboy’s head and he blacked out

“Now, son I know that’s not how you say hello”
“And you seem to be a nice young fellow”
“So how bout I cut you a break”
“And we’ll go over to my office and I’ll clean up these scrapes”
The Cowboy agreed and got to his feet
They walked to Boss’s office just down the street
And The Doc sewed up his head
“Say, boy where you from I never seen you around here”
“It doesn’t matter you three piece suite wearing queer”

Doctor Boss chucked then pushed The Cowboy down by the throat
Pulled out his gun ,“I can **** you now but I won’t”
“No, you’re gonna do me a favor you little ****”
The Cowboy couldn’t breathe but Boss wouldn’t quit
“I got a package that needs to go to Georgia”
“If you take it there , they’ll be four grand waiting here for ya”
Now how could The Cowboy resist such an adventure?
Not to mention the grip Doctor Boss had on his Adam’s apple
He let him go and began to cackle

“Now around here, I run things”
“I’m free to do as I please”
The Cowboy was amazed at this man, he was right
He owned a gun and  got involved in a bar fight
Could this man be in the mob?
“Boy, you can call me Doctor Boss”
“Well Doc, they call me The Cowboy”
“So tell me, where am I going?

Doc Boss loaded up The Cowboy’s bike
With Mexican white powdered dynamite
“Now that’s four kilos, you got there”
“You get the money and bring it back here”
“You got it Boss, I’ll be back by Tuesday night”
And off went The Cowboy out of sight
The Doc new he could trust him
He had that look in his eye the he did those years ago
The one when you yearn to search for the unknown

This was the origin of The Cowboy and Doctor Boss
They paid no attention to consequence or cost
They saw themselves in each other
Just trying to reach one height after another
Cowboy respected a man so free
And Boss saw his prodigy
Together they became filthy rich
They shook hands and that was it

WHEN Kylie Minogue began the process of tracking down 25 years of costumes and memorabilia for an exhibition on her (literally) glittering stage career, she had one crucial call to make.

“There were a few items the parentals were minding,” laughs Minogue. “I, too, do the same thing as everyone else: ‘Mum, Dad, can you just hold onto a few things for me?’ It’s just lucky they weren’t turfed out from under their watchful eye.”

Kylie On Stage is the singer’s latest collaboration with her beloved hometown’s Arts Centre Melbourne. She’s previously donated a swarm of outfits to the venue, going all the way back to the overalls she wore as tomboy mechanic Charlene on Neighbours.

This new — and free — exhibition rounds up outfits starting from her first-ever live performances on 1989’s Disco in Dream tour. Still aged just 21 and dismissed by some as a soap star who fluked a singing career, Minogue found herself playing to 38,000 fans in Tokyo, where her early hits “I Should Be So Lucky”, “The Loco-motion”, “Got To Be Certain” and “Hand On Your Heart” had made her a superstar.

“From memory, I was overexcited and didn’t really know what I was doing. I just ran back and forth across the stage,” says Minogue of her debut tour.

Disco in Dream also premiered what would become a Kylie fashion staple: hotpants. “Those ones were more like micro shorts, not quite hotpants, but they started it,” she admits. “There were also quite a few bicycle pants being worn around that time, too, I’m afraid.”

That first tour stands out for one other reason: Minogue officially started dating INXS’s Michael Hutchence at some point during the Asian leg.

“I had met Michael previously in Australia, but he was living in Hong Kong [at the time] and I met him again there. The tour went on to Japan and he definitely came to visit me in Japan.”

Fast-forward from Minogue’s very first tour to her most recent, 2015’s Kiss Me Once, and the singer performed a cover of INXS’s “Need You Tonight”. She remembers first hearing the song as a teenager. “I don’t think I really knew what **** was back then,” notes Minogue. “But that’s a **** song.”

Before the Kiss Me Once tour kicked off, the Minogue/Hutchence romance had been documented in the hit TV mini-series Never Tear Us Apart: The Untold Story Of INXS. Minogue said then it felt like Michael was her “archangel” during the tour — “I feel like he’s with me.”

Her “Need You Tonight” costume was also deliberately chosen to reflect what Minogue used to wear when she was dating the rockstar. “It was a black PVC trench coat and hat,” she says. “I loved that. It just made so much sense for the connection to Michael. I literally used to wear that exact same kind of thing, except it was leather, not PVC.”

By 1990, Minogue’s confidence had grown, something she’s partially attributed to Hutchence’s influence. Before her first Australian solo tour, she performed a secret club show billed as The Singing Budgies — reclaiming the derisive nickname the media had bestowed on her. It would be the first time her success silenced those who saw her as an easy target. Next year marks her 30th anniversary in pop; longevity that hasn’t happened by accident.

Minogue’s career accelerated so quickly that by 1991 she was on her fourth album in as many years and outgrowing her producers, Stock Aitken Waterman, who wanted to freeze-frame her in a safe, clean-cut image.

On 1991’s Let’s Get To It tour of the UK, Minogue welcomed onboard her first major fashion designer — John Galliano. He dressed her in fishnets, G-strings and corsets; the British press said she was trying too hard and imitating Madonna at her most sexed-up.

“Of course those comparisons were made, and rightly so. Madonna was a big influence on me,” says Minogue. “She helped create the template of what a pop show is, or what we came to know it as, by dividing it up into segments. And if you’re going to have any costume changes, that’s inevitable.

“I was finding my way. I don’t think we got it right in some ways, but if I look back over my career, sometimes it’s the mistakes that make all the difference. They allow you to really look at where you’re going. I’m fond of all those things now. There was a time when I wasn’t.

“Now I look back at the pictures of the fishnets and G-strings I was wearing ... Maybe the audience members absolutely loved it, maybe they were going through the journey with me of growing up and discovering yourself and your sexuality and where you fit in the world.”

As the ’90s progressed, Minogue started experimenting with the outer limits of being a pop star, working with everyone from uber-cool dance producers to indie rocker Nick Cave.

Her 1998 Intimate And Live tour cemented her place as the one thing nobody had ever predicted: a regular, global touring act. Released the year prior, her Impossible Princess album had garnered a credibility she’d never before enjoyed. But more credibility equalled fewer record sales.

The tour was cautiously placed in theatres, rather than arenas. Yet word-of-mouth led to more dates being added — she wound up playing seven nights in both Melbourne and Sydney, and tacking on a UK leg. All received rave reviews.

The production was low-key and DIY: Minogue and longtime friend and stylist William Baker were hands-on backstage bedazzling the costumes themselves. The tour’s camp, Vegas-style showgirl — complete with corset and headdress — soon became a signature Kylie look, but it was also one they stumbled across.

“I remember the exact moment: the male dancers had pink, fringed chaps and wings — we’d really gone for it. I was singing [ABBA’s] “Dancing Queen”. I did a little prance across the stage and the audience went wild. I thought, ‘What is happening?’ That definitely started something.”

Then came the “Spinning Around” hotpants. Minogue couldn’t wear the same gold pair from the music video during her 2001 On A Night Like This tour — they were too fragile — but another pair offered solid back-up.

“That was peak hotpant period,” says Minogue. “Hotpants for days.”

After the robotic-themed Fever 2002 tour (featuring a “Kyborg” look by Dolce & Gabbana), 2005’s Showgirl tour was Minogue’s long-overdue greatest hits celebration.

Following a massive UK and European run, her planned Australian victory lap was derailed by her breast-cancer diagnosis that May. Remarkably, by November 2006, Minogue was back onstage in Sydney for the rebooted Showgirl: The Homecoming tour.

“I look at that now and I’m honestly taken aback,” she admits. “It was so fast — months and months of those 18 months were in treatment.”

Minogue now reveals her health issues meant she had to adjust some of the Showgirl outfits: “I was concerned about the weight of the corset and being able to support it. I was quite insecure about my body, which had changed. For a few years after that I really felt like I wasn’t in my own body — with the medication I was on, there was this other layer.

“We had to make a number of adjustments,” she adds. “I had different shoes to feel more sturdy ... It was pretty soon to be back onstage. But I think it was good for me.”

The singer’s gruelling performances involved dancing and singing in corsets, as well as ultra-high heels and headdresses that weighed several kilos.

“A proper corset, like the Showgirl tour one, is like a shoe,” she explains. “It’s very stiff when you first put it on. By the end of the tour it was way more comfortable. The fact it made it quite hard to breathe didn’t seem to bother anyone except for me. But it was absolutely worth it. I felt grand in it.

“It took a while to learn how to walk in the blue Showgirl dress,” she continues. “I had cuts on my arms from the stars that were sticking out on pieces of wire. You’re so limited in what you can do. You can’t bend your head to find your way down the stairs.

“Whether it was the Showgirl costume or the hotpants, or the big silver dress from the Aphrodite tour [in 2011] that was just ginormous, they all present their own challenges of how you’re going to move and how you’re going to do the choreography. There are times the costume can do that [figuring out] for me; other times I really have to wrestle with it to do what I need to do.

“But you’re not meant to know about that,” she adds, “that’s an internal struggle.”

Minogue has spent much of 2016 happily off the radar, enjoying the company of fiancé Joshua Sasse, 28. She gets “gooey” talking about her future husband, whom she met last year when she was cast opposite him in the TV musical-comedy series Galavant. He proposed to Minogue last Christmas.

Just like the “secret Greek wedding” that was rumoured but never happened, reports of summer nuptials in Melbourne are also off the mark.

“I hate to let everyone down, but no,” she says. “People’s enthusiasm is lovely, we appreciate that, but there are no wedding plans as yet. I’m just enjoying feeling girly and being engaged.”

Minogue will be in Queensland next month filming the movie Flammable Children. The comedy, set in 1975, features her former Neighbours co-star Guy Pearce and is written and directed by Stephan Elliott (The Adventures Of Priscilla: Queen Of The Desert ).

“It’s Aussie-tastic,” laughs Minogue. And she is also planning a sneaky visit to check out her own exhibition when she’s back in Melbourne.

“I’ll probably try to move things around the exhibition,” she says. “And they’ll probably tell me off: ‘Who’s that child playing with the costumes?’”Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-2016

iniwan mo ako.
saka mo nalamang
mahal mo pala ako.

mahal mo ako.

saka mo napagtantuhang
kailangang iwan mo ako.


huwag **** bigyan ng hustisya

ang mga espasyo ngayon sa bawat pangungusap.
bawat salita ay dapat paghiwalayin

kahit alam nating ito’y may kahulugan
at ugnayan.

ikaw

ako

mahal
 kita

ano ang saysay ng salita

kung sa bibig o kamay
ng iba ito manggagaling?

bakit mas masakit 
ang kirot ng pusong

‘di dahil sa pagsisiayos ng mga salita
kundi sa ating pagkakaisang

naudlot sa pagtalima ng mga alituntuning
sinulat naman ng iba?


mamahalin kita*
*kahit ang palaugnayan ay magkakamali rin.
kung susunod ang ating mga puso

gusto mo bang mabigo?

‘di mababawasan sa murang salita

ang anumang nararamdaman.

idaan mo na lang sa kilos,

kung ayaw **** sumunod sa palaugnayan.

Run when the lion’s roar
Don’t fall when the lion’s roar
Run when the lion’s roar
Can’t avoid the lion’s paw

In the wild the lion rolls in the grass
They run fast after the ***
No human can run away that fast
Mess around on safari they bite an ***

Play everyday but remember the lion prey
Enjoy the pride however don’t over stay
Lion eats 9 kilos of zebra and buffalo everyday
Don’t be a lion’s meal cause the never pay

Lion claws and teeth are sharp
With natural muscle using the tree bark
Their rules, don’t be food in their park
Don’t roam in the lion’s park after dark

In the roaring lion’s habitat
Don’t even think to react
No chance to defend or attack
Just jump in the jeep and turn back

Sa mga tala hihingi ako ng paunawa
Mga bagay na di ko na dapat ginawa
Pero sabi nga
Baka naman daw masyado lang akong walang tiwala
Sa sarili kong balisang balisa
Mga bagay na di ko na maipaliwanag
Kaya bang linawin ng ng mga talang aking laging tinatawag?
Sabi ko gusto ko nang lumayo ngunit sabi ko din "wag"
Di ko lubos maintindihan
Kung ano ang dahilan
Paano na ba iyan?                                
Maipaliliwanag mo ba kung bakit ngayon wala nang laman?
Kasi nung huli kong tinignan
Lahat tayo'y masaya laging nandyan
Ngayon... bakit?
Bakit wala nang laman???            
Pati puso ko di ko na maramdaman
Sobrang sakit na hindi maipaliliwanag nino man
Ayokong umalis nang hindi ito ayos
Pero di ko talaga alam kung anong gagawin kong kilos        
Dahil sa tuwing ika'y kaharap na
Lahat ng aking mga tanong ay biglang nawawala nang parang bula
Di ko alam kung paano ka kakausapin tungkol dyan sa sitwasyong di kaunaunawa
Kalagayan natin ngayo'y kaawa awa...

Di ko na talaga alam...
Sa tingin ko'y ako na'y naging mangmang
Kaya isang kudos na lamang
Para sa ating lahat

Jean Cocteau es un ruiseñor mecánico a quien le ha dado cuerda Ronsard.

Los únicos brazos entre los cuales nos resignaríamos a pasar la vida, son los brazos de las Venus que han perdido los brazos.

Si los pintores necesitaran, como Delacroix, asistir al degüello de 400 odaliscas para decidirse a tomar los pinceles... Si, por lo menos, sólo fuesen capaces de empuñarlos antes de asesinar a su idolatrada Mamá...

Musicalmente, el clarinete es un instrumento muchísimo más rico que el diccionario.

Aunque se alteren todas nuestras concepciones sobre la Vida y la Muerte, ha llegado el momento de denunciar la enorme superchería de las "Meninas" que -siendo las propias "Meninas" de carne y hueso- colgaron un letrerito donde se lee Velázquez, para que nadie descubra el auténtico y secular milagro de su inmortalidad.

Nadie escuchó con mayor provecho que Debussy, los arpegios que las manos traslúcidas de la lluvia improvisan contra el teclado de las persianas.

Las frases, las ideas de Proust, se desarrollan y se enroscan, como las anguilas que nadan en los acuarios; a veces deformadas por un efecto de refracción, otras anudadas en acoplamientos viscosos, siempre envueltas en esa atmósfera que tan solo se encuentra en los acuarios y en el estilo de Proust.

¡La "Olimpia" de Manet está enferma de "mal de Pott"! ¡Necesita aire de mar!... ¡Urge que Goya la examine!...

En ninguna historia se revive, como en las irisaciones de los vidrios antiguos, la fugaz y emocionante historia de setecientos mil crepúsculos y auroras.

¡Las lágrimas lo corrompen todo! Partidarios insospechables de un "régimen mejorado", ¿tenemos derecho a reclamar una "ley seca" para la poesía... para una poesía "extra dry", gusto americano?

Todo el talento del "douannier" Rousseau estribó en la convicción con que, a los sesenta años, fue capaz de prenderse a un biberón.

La disección de los ojos de Monet hubiera demostrado que Monet poseía ojos de mosca; ojos forzados por innumerables ojitos que distinguen con nitidez los más sutiles matices de un color pero que, siendo ojos autónomos, perciben esos matices independientemente, sin alcanzar una visión sintética de conjunto.

Las frases de Oscar Wilde no necesitan red. ¡Lástima que al realizar sus más arriesgadas acrobacias, nos dejen la incertidumbre de su ****!

El cúmulo de atorrantismo y de burdel, de uso y abuso de limpiabotas, de sensiblería engominada, de ojo en compota, de retobe y de tristeza sin razón -allí está la pampa... más allá el indio... la quena... el tamboril -que se espereza y canta en los acordes del tango que improvisa cualquier lunfardo.

Es necesario procurarse una vestimenta de radiógrafo (que nos proteja del contacto demasiado brusco con lo sobrenatural), antes de aproximarnos a los rayos ultravioletas que iluminan los paisajes de Patinir.

No hay crítico comparable al cajón de nuestro escritorio.

Entre otras... ¡la más irreductible disidencia ortográfica! Ellos: Padecen todavía la superstición de las Mayúsculas.

Nosotros: Hace tiempo que escribimos: cultura, arte, ciencia, moral y, sobre todo y ante todo, poesía.

Los cubistas cometieron el error de creer que una manzana era un tema menos literario y frugal que las nalgas de madame Recamier.

¡Sin pie, no hay poesía! -exclaman algunos. Como si necesitásemos de esa confidencia para reconocerlos.

Esos tinteros con un busto de Voltaire, ¿no tendrán un significado profundo? ¿No habrá sido Voltaire una especie de Papa (*****) de la tinta?

En música, al pleonasmo se le denomina: variación.

Seurat compuso los más admirables escaparates de juguetería.

La prosa de Flaubert destila un sudor tan frío que nos obliga a cambiarnos de camiseta, si no podemos recurrir a su correspondencia.

El silencio de los cuadros del Greco es un silencio ascético, maeterlinckiano, que alucina a los personajes del Greco, les desequilibra la boca, les extravía las pupilas, les diafaniza la nariz.

Los bustos romanos serían incapaces de pensar si el tiempo no les hubiera destrozado la nariz.

No hay que admirar a Wagner porque nos aburra alguna vez, sino a pesar de que nos aburra alguna vez.

Europa comienza a interesarse por nosotros. ¡Disfrazados con las plumas o el chiripá que nos atribuye, alcanzaríamos un éxito clamoroso! ¡Lástima que nuestra sinceridad nos obligue a desilusionarla... a presentarnos como somos; aunque sea incapaz de diferenciarnos... aunque estemos seguros de la rechifla!

Aunque la estilográfica tenga reminiscencias de lagrimatorio, ni los cocodrilos tienen derecho a confundir las lágrimas con la tinta.

Renán es un hombre tan bien educado que hasta cuando cree tener razón, pretende demostrarnos que no la tiene.

Las Venus griegas tienen cuarenta y siete pulsaciones. Las Vírgenes españolas, ciento tres.

¡Sepamos consolarnos! Si las mujeres de Rubens pesaran 27 kilos menos, ya no podríamos extasiarnos ante los reflejos nacarados de sus carnes desnudas.

Llega un momento en que aspiramos a escribir algo peor.

El ombligo no es un órgano tan importante como imaginan ustedes... ¡Señores poetas!

¿Estupidez? ¿Ingenuidad? ¿Política?... "Seamos argentinos", gritan algunos... sin advertir que la nacionalidad es algo tan fatal como la conformación de nuestro esqueleto.

Delatemos un onanismo más: el de izar la bandera cada cinco minutos.

Lo primero que nos enseñan las telas de Chardin es que, para llegar a la pulcritud, al reposo, a la sensatez que alcanzó Chardin, no hay más remedio que resignarnos a pasar la vida en zapatillas.

Facilísimo haber previsto la muerte de Apollinaire, dado que el cerebro de Apollinaire era una fábrica de pirotecnia que constantemente inventaba los más bellos juegos de artificio, los cohetes de más lindo color, y era fatal que al primero que se le escapara entre el fango de la trinchera, una granada le rebanara el cráneo.

Los esclavos miguelangelescos poseen un olor tan iodado, tan acre que, por menos paladar que tengamos basta gustarlo alguna vez para convencerse de que fueron esculpidos por la rompiente. (No me refiero a los del Louvre; modelados por el mar, un día de esos en que fabrica merengues sobre la arena).

¡La opinión que se tendrá de nosotros cuando sólo quede de nosotros lo que perdura de la vieja China o del viejo Egipto!

¡Impongámosnos ciertas normas para volver a experimentar la complacencia ingenua de violarlas! La rehabilitación de la infidelidad reclama de nosotros un candor semejante. ¡Ruboricémonos de no poder ruborizarnos y reinventemos las prohibiciones que nos convengan, antes de que la libertad alcance a esclavizarnos completamente!

El cemento armado nos proporciona una satisfacción semejante a la de pasarnos la mano por la cara, después de habernos afeitado.

¡Los vidrios catalanes y las estalactitas de Mallorca con que Anglada prepara su paleta!

Los cubistas salvaron a la pintura de las corrientes de aire, de los rayos de sol que amenazaban derretirla pero -al cerrar herméticamente las ventanas, que los impresionistas habían abierto en un exceso de entusiasmo- le suministraron tal cúmulo de recetas, una cantidad tan grande de ventosas que poco faltó para que la asfixiaran y la dejasen descarnada, como un esqueleto.

Hay poetas demasiado inflamables. ¿Pasan unos senos recién inaugurados? El cerebro se les incendia. ¡Comienza a salirles humo de la cabeza!

"La Maja Vestida" está más desnuda que la "maja desnuda".

Las telas de Velázquez respiran a pleno pulmón; tienen una buena tensión arterial, una temperatura normal y una reacción Wasserman negativa.

¡Quién hubiera previsto que las Venus griegas fuesen capaces de perder la cabeza!

Hay acordes, hay frases, hay entonaciones en D'Annunzio que nos obligan a perdonarle su "fiatto", su "bella voce", sus actitudes de tenor.

Azorín ve la vida en diminutivo y la expresa repitiendo lo diminutivo, hasta darnos la sensación de la eternidad.

¡El Arte es el peor enemigo del arte!... un fetiche ante el que ofician, arrodillados, quienes no son artistas.

Lo que molesta más en Cézanne es la testarudez con que, delante de un queso, se empeña en repetir: "esto es un queso".

El espesor de las nalgas de Rabelais explica su optimismo. Una visión como la suya, requiere estar muellemente sentada para impedir que el esqueleto nos proporcione un pregusto de muerte.

La arquitectura árabe consiguió proporcionarle a la luz, la dulzura y la voluptuosidad que adquiere la luz, en una boca entreabierta de mujer.

Hasta el advenimiento de Hugo, nadie sospechó el esplendor, la amplitud, el desarrollo, la suntuosidad a que alcanzaría el genio del "camelo".

Es tanta la mala educación de Pió Baroja, y es tan ingenua la voluptuosidad que siente Pío Baroja en ser mal educado, que somos capaces de perdonarle la falta de educación que significa llamarse: Pío Baroja.

No hay que confundir poesía con vaselina; vigor, con camiseta sucia.

El estilo de Barres es un estilo de onda, un estilo que acaba de salir de la peluquería.

Lo único que nos impide creer que Saint Saens haya sido un gran músico, es haber escuchado la música de Saint Sáéns.

¿Las Vírgenes de Murillo?

Como vírgenes, demasiado mujeres.

Como mujeres, demasiado vírgenes.

Todas las razones que tendríamos para querer a Velázquez, si la única razón del amor no consistiera en no tener ninguna.

Los surtidores del Alhambra conservan la versión más auténtica de "Las mil y una noches", y la murmuran con la fresca monotonía que merecen.

Si Rubén no hubiera poseído unas manos tan finas!... ¡Si no se las hubiese mirado tanto al escribir!...

La variedad de cicuta con que Sócrates se envenenó se llamaba "Conócete a ti mismo".

¡Cuidado con las nuevas recetas y con los nuevos boticarios! ¡Cuidado con las decoraciones y "la couleur lócale"! ¡Cuidado con los anacronismos que se disfrazan de aviador! ¡Cuidado con el excesivo dandysmo de la indumentaria londinense! ¡Cuidado -sobre todo- con los que gritan: "¡Cuidado!" cada cinco minutos!

Ningún aterrizaje más emocionante que el "aterrizaje" forzoso de la Victoria de Samotracia.

Goya grababa, como si "entrara a matar".

El estilo de Renán se resiente de la flaccidez y olor a sacristía de sus manos... demasiado aficionadas "a lavarse las manos".

La Gioconda es la única mujer viviente que sonríe como algunas mujeres después de muertas.

Nada puede darnos una certidumbre más sensual y un convencimiento tan palpable del origen divino de la vida, como el vientre recién fecundado de la Venus de Milo.

El problema más grave que Goya resolvió al pintar sus tapices, fue el dosaje de azúcar; un terrón más y sólo hubieran podido usarse como tapas de bomboneras.

Los rizos, las ondulaciones, los temas "imperdibles" y, sobre todo, el olor a "vera violetta" de las melodías italianas.

Así como un estiló maduro nos instruye -a través de una descripción de Jerusalén- del gesto con que el autor se anuda la corbata, no existirá un arte nacional mientras no sepamos pintar un paisaje noruego con un inconfundible sabor a carbonada.

¿Por qué no admitir que una gallina ponga un trasatlántico, si creemos en la existencia de Rimbaud, sabio, vidente y poeta a los 12 años?

¡El encarnizamiento con que hundió sus pitones, el toro aquél, que mató a todos los Cristos españoles!

Rodin confundió caricia con modelado; espasmo con inspiración; "atelier" con alcoba.

Jamás existirán caballos capaces de tirar un par de patadas que violenten, más rotundamente, las leyes de la perspectiva y posean, al mismo tiempo, un concepto más equilibrado de la composición, que el par de patadas que tiran los heroicos percherones de Paolo Uccello.

Nos aproximamos a los retratos del Greco, con el propósito de sorprender las sanguijuelas que se ocultan en los repliegues de sus golillas.

Un libro debe construirse como un reloj, y venderse como un salchichón.

Con la poesía sucede lo mismo que con las mujeres: llega un momento en que la única actitud respetuosa consiste en levantarles la pollera.

Los críticos olvidan, con demasiada frecuencia, que una cosa es cacarear, otra, poner el huevo.

Trasladar al plano de la creación la fervorosa voluptuosidad con que, durante nuestra infancia, rompimos a pedradas todos los faroles del vecindario.

¡Si buena parte de nuestros poetas se convenciera de que la tartamudez es preferible al plagio!

Tanto en arte, como en ciencia, hay que buscarle las siete patas al gato.

El barroco necesitó cruzar el Atlántico en busca del trópico y de la selva para adquirir la ingenuidad candorosa y llena de fasto que ostenta en América.

¿Cómo dejar de admirarla prodigalidad y la perfección con que la mayoría de nuestros poetas logra el prestigio de realizar el vacío absoluto?

A fuerza de gritar socorro se corre el riesgo de perder la voz.

En los mapas incunables, África es una serie de islas aisladas, pero los vientos hinchan sus cachetes en todas direcciones.

Los paréntesis de Faulkner son cárceles de negros.

Estamos tan pervertidos que la inhabilidad de lo ingenuo nos parece el "sumun" del arte.

La experiencia es la enfermedad que ofrece el menor peligro de contagio.

En vez de recurrir al whisky, Turner se emborracha de crepúsculo.

Las mujeres modernas olvidan que para desvestirse y desvestirlas se requiere un mínimo de indumentaria.

La vida es un largo embrutecimiento. La costumbre nos teje, diariamente, una telaraña en las pupilas; poco a poco nos aprisiona la sintaxis, el diccionario; los mosquitos pueden volar tocando la corneta, carecemos del coraje de llamarlos arcángeles, y cuando deseamos viajar nos dirigimos a una agencia de vapores en vez de metamorfosear una silla en un trasatlántico.

Ningún Stradivarius comparable en forma, ni en resonancia, a las caderas de ciertas colegialas.

¿Existe un llamado tan musicalmente emocionante como el de la llamarada de la enorme gasa que agita Isolda, reclamando desesperadamente la presencia de Tristán?

Aunque ellos mismos lo ignoren, ningún creador escribe para los otros, ni para sí mismo, ni mucho menos, para satisfacer un anhelo de creación, sino porque no puede dejar de escribir.

Ante la exquisitez del idioma francés, es comprensible la atracción que ejerce la palabra "merde".

El adulterio se ha generalizado tanto que urge rehabilitarlo o, por lo menos, cambiarle de nombre.

Las distancias se han acortado tanto que la ausencia y la nostalgia han perdido su sentido.

Tras todo cuadro español se presiente una danza macabra.

Lo prodigioso no es que Van Gogh se haya cortado una oreja, sino que conservara la otra.

La poesía siempre es lo otro, aquello que todos ignoran hasta que lo descubre un verdadero poeta.

Hasta Darío no existía un idioma tan rudo y maloliente como el español.

Segura de saber donde se hospeda la poesía, existe siempre una multitud impaciente y apresurada que corre en su busca pero, al llegar donde le han dicho que se aloja y preguntar por ella, invariablemente se le contesta: Se ha mudado.

Sólo después de arrojarlo todo por la borda somos capaces de ascender hacia nuestra propia nada.

La serie de sarcófagos que encerraban a las momias egipcias, son el desafío más perecedero y vano de la vida ante el poder de la muerte.

Los pintores chinos no pintan la naturaleza, la sueñan.

Hasta la aparición de Rembrandt nadie sospechó que la luz alcanzaría la dramaticidad e inagotable variedad de conflictos de las tragedias shakespearianas.

Aspiramos a ser lo que auténticamente somos, pero a medida que creemos lograrlo, nos invade el hartazgo de lo que realmente somos.

Ambicionamos no plagiarnos ni a nosotros mismos, a ser siempre distintos, a renovarnos en cada poema, pero a medida que se acumulan y forman nuestra escueta o frondosa producción, debemos reconocer que a lo largo de nuestra existencia hemos escrito un solo y único poema.