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Moon Humor Feb 2014
She's a happenstance mistake,
a healthy baby born on Independence Day.
Four days of work- for all it is worth,
nights of hearty cries
the soundtrack to a sudden, upside down life.

The needle pulling history
repeating different color threads-
patches of cloth, events and mistakes
patterns running through time,
past always stitched together.

I'm wondering where you came from,
drawing memories from the back of my mind.
I can only make up stories
as you sit in solitude
curving glass, covered in dust.

The alleyways are empty at this hour.
Only the vagrants, ******* their cigarettes, and strutting tom cats roam.
Nights drenched in orange glow-
street lamps guide me as
I wander the streets alone.

Is this the life I wanted?
Is this just how things have happened?
This poem comes from an in-class exercise.

The title is the county that you were born in.

The first stanza had to be something to do with your mother. Seeing as the title is my birth place, I referenced my birthday quite literally.

The second stanza had to be about something we read yesterday. Many of my classes focus on history and the events that tie together many people and places.

The third stanza was about an object in our room. I have these glass pitchers from a garage sale that I don't know the history behind.

The fourth stanza had to use our father's name. Not addressing him, necessarily, but using the name. My dad is named Tom, so there, tom cat.

The ending had to tie everything together using only two lines, so I chose questions.

Looking back over the poem I realized that it sounded very eerie, almost referencing a postpartum depression or possibly still birth. The questions at the end and the "happenstance mistake" in the first stanza would definitely imply postpartum depression.. but the third stanza I realized sound something like an urn!

I would like to expand on this poem and possibly tie some of the themes into my real family's stories. My grandmother had her first child out of wedlock at a time when that was NOT okay. Later on in her life she gave birth to a stillborn baby. My mom got pregnant with me by mistake, she was 30 and didn't plan on having kids but HERE I AM.

This idea of generational, historical ties and/or the idea of children, loss, regret, etc. could go somewhere.
(8:20 P.M.)
I'm out my back door
and into the cities
I've got my hat, phone, wallet,
lighter and keys.
It's a short little walk,
the gas stations not far.
I see where they parked,
I enter the car.

(8:30 P.M.)
Kelsey grabs my hand
and looks me in the eye,
she ignores the centipedes
she sees,
or at least she tries,
she then calmly explains
she's out-of-bodied
the entire car ride
and how she's been
counting the stars
even though its not quite night.
She says we're swimming
through the mountains
and climbing up the seas
but from where I'm sitting
we're still in the back seat.
I ask, "Hey, what's she on?"
"I think LSD.
But don't worry, it's cool,
she's dating the guy
throwing this thing."

(8:40 P.M.)
It's a twenty minute ride,
crammed into the Taurus,
but Ashley's in the front,
getting shots poured out for us.
"To a good night!"
We laugh and proclaim,
we down the first drinks
and start the pre-game.
Hennepin then Franklin
then Grand avenue.
We've already got a buzz
now were smokin buds, too.

(9:05 P.M.)
We pull up
just as the suns going down
and as the moon peeks her face
out from under the clouds.
There's already some kid
face down in the grass
some brilliant soul's pulled his pants down
and sharpied his ***.
I guess he shouldn't have passed out
with his shoes still on;
hopefully nobody patrolling
sees him lying in the lawn.

(9:06 P.M.)
The second thing we notice
are the angels on the porch
They've already bent their halos
and lost their wings, of course.
The beautiful brunette
with half her head shaved
turns to welcome us
with a big friendly wave.
With a smile on her face she says,
"Hi! I'm Mel!
Welcome to our party;
welcome to Hell!"
"Where should we put our drinks?"
"Just leave em in your car!
We've got three kegs
and our very own bar!"
We're escorted inside,
in front of at least a hundred people,
and brought to the roof
with a sign that reads Steeple.

(9:20 P.M.)
Jon's tipping a bottle,
just waiting for Kelsey.
He asks her right away,
"Babe, will you marry me?"
She's too far gone
to know what to say,
so he wraps her in a hug
that makes everything okay.
It's clearly a cute joke,
just some little spiel,
but Kels is so high
she thinks that it's real.

(10:30 P.M.)
We all decide its best
if we leave those newly wed
because, to be frank,
there was a lot of PDA going on in their bed.
Mel starts to lead us
down the winding stairs,
by now the broken halo
escaped from her hair.
She said seeing Kels and Jon
made her feel lonely
so she needs another drink
and wants to get to know me.

(11:45 P.M.)
As it turns out
she's a good partner for pong;
but now she wants to sneak off,
to go rip up her ****.
So we take a trip down the hall
and slide through her door.
let me preface this part:
I never expect to score.

(11:50 P.M.)
She gives the lighter a spark.

(11:53 P.M.)
We're making out in the dark.

(12:15 A.M.)
The silence is broken,
we hear someone scream.
We look at each other,
"What the Hell could that mean?"

(12:20 A.M.)
We're scared, so we joke
about what it could be.
The most likely reason?
Something scared the heavens out of Kelsey.
We say she's probably worried
about alien transplants
and the whole entire time
I'm not wearing my pants.

(12:21 A.M.)
"The cops are here!"
I jumped and ran from her bed.
I don't think I'll see those red skinny jeans
ever again.
I manage a quick goodbye
and then I'm into the Hall.
I find my friend Ashley
and our sober cab Paul.
"Kelsey's with the cops
and Tom left with Nancy,
our cars down the road,
lets head to the street."

(12:25 A.M.)
As we sneak out the back
we hear the cops speak:
"The first kid we found
had **** drawn on his **** cheeks."

(1:05 A.M.)
After a while
the three of us arrive,
back to my place,
though we started with five.
The drive back was extended,
even if Paul was driving well,
because in my drunken stupor
I made him stop at Taco Bell.
We head through the porch,
My roommate's still up.
He asks if we wanna drink
and then goes to grab cups.

(1:50 P.M.)
After a few rounds of Kings
Paul's on the couch, fast asleep,
and James went downstairs,
It's just me and Ashley.

(2:00 A.M.)
We turn a movie on
and we sit in my bed.
We discuss all the things
going through both of our heads.
For three straight hours
she flirted up some guy
'til his girlfriend walked in
and started to cry.
She called Ashley a *****
who swore she didn't know
while dude stared at the ground
and said, "Sorry, bro."
Ashley had enough,
she hates being called a guy,
so she winded one up
and kissed her fist to his eye.

(3:00 A.M.)
We didn't watch the movie,
we just talked some more,
until we fell asleep
keeping one another warm.
Two old friends,
two trips in different Hells
and the only thing to do afterwords
was to laugh at ourselves.
Two old friends,
who's hunt for love was a blunder,
who consoled their loneliness
by wrapping up in each other.
The times aren't meant to be read with the poem, just to give it more style, aesthetically.
I was in the backseat of a 1988 Prelude
listening to Conor's sonnets and etudes,
moving my tongue in uncomfortable loneliness
because your passenger seat was occupied and
I couldn't decide if you were quiet or shy.
I hadn't met you yet.

Hennepin was good to us at 2AM and
gave us space to sip uncommon grounds
in the typically uncommon Uptown.
I saw bright eyes in your words
and unrecognized yellow birds.

I remember things and I don't know why.
I remember the paper mache lady on Nicollet and
I remember that you sang about how it's neat that we all own guns and
I remember wishing that I was born on Independence Day and
I remember walking past empty bookshelves at the end of the day and
I remember remembering when they were stocked and
I remember loving the way we talked
about Huxley.

and it's a year or so later and I'm your passenger
and the streets are still full of images and hidden messages
and faces with whiskers.
"I saved a cat from a tree once,"
and my cackle secured the shackles on my ankles that
I picked out myself off the mannequin.

and it's always just us because Vic is always
with Lucy, Molly, and Mary Jane and
they're having dreams and hearing secret frequencies
(like the ones you pointed out to me)
and doing drugs and discovering Christianity
and decorating themselves with ashes and ashes with Ashley.

and the people I used to know from St. Paul
are working and growing small and
trippin' and slippin' and sippin' gravy,
but we're still sippin' uncommon grounds
and we're all still living in these twin towns.
But none of them are wearing the matching heavy crowns
that you and I picked out ourselves off the mannequins.
They're the same shade of gold as the birds in your words and
they're the same shade of gold as the shackles on our shins
that mold our golden grins
that we had our faces when you said,
"This is the world where dreams come true, right?"

and we're confirmed by a blinding white light that shows through
the windows of the theater in Bryant-Lake Bowl that compliments us
like you compliment me, like I compliment your skinny tie
(the one that makes me want to die.)
But we can't die because this city doesn't have any double-decker buses
or any other us-es.

and I watch you program lazers into my heart
and I think;
What a beautiful old man
What a beautiful growing boy
What a beautiful perfect cylops
with an eye of my color green to shower me in scenic joy.

and as we dance to the records we bought from Minneapolis antique shops,
I look into the eye of my cyclops from a centimeter above the ground
and realize that this is the dream where the world comes true.
"Write a New York style poem about Minnesota."
"Okay, professor."
niteLifePRO Mar 2014
R. T. Rybak (third) Verse:

/
Y'all still follow Rybak, right?/
Isn't it wicked cool/
When he puts those verses out on Facebook to give all of us the scoop!
I still subscribe today/
Always stuff I like to know/
I can't remember them word for word but could probably emulate his flow:

"No parking on that side tonight/
Or surely you'll be towed/
If you're driving on The Southide then I think you oughta know /
On Hennepin south of Lake Street/
You shouldn't park for any time/
From 9 o'clock this morning 'til after six o'clock tonight.
And for this inconvenience/
My friends, you'll never know/
How sorry that I am to say, it's time that I must go"


I hit @Slug, @Prince, and even Master @Yoda himself in the verses! They have their own choruses too but you gotta wait to hear them! I'm recording what I got so far in about an hour or so, so I should have a demo for you this week!

This was the original freestyle  in #Uptown on Sunday morning:
http://youtu.be/S1DMSLzji1s

#Minneapolis
@niteLifePRO
http://www.youtube.com/niteLifePRO
Andrew Jun 2016
The *** took a right
On Hennepin
Knew he shattered oblivion
While all the cars stood still
Still when he looked
To the winter sunset
Across the icy
River, frozen with thought
Thought well I
Know how this
Will end (stars

— The End —