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"gradient" poems
forest path of light visions in gradient greens incense of wooded rain puddling streams splash awakened in bliss of dream faerie orchids rest upon mossery scented rain sprinkles on hues of green
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Feb 12, 2014
Feb 12, 2014 at 10:25 AM UTC
rainforest in spring
the wonderful world would cover up my affection the sky's gradient in every dusk would cover my colorless self the earth's mighty wind would blow my tears away the night's luminous stars would outshine my endless love the land's languid flowers would bloom before me - while i withered of your love in the latter time, i will be forgotten caused by the pain of the unrequited the world's grace and the universe' elegance will conceal every agony i have but in every fantastic disguise it is not sure to obscure my love, my lies and goodbyes
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Feb 7, 2019
Feb 7, 2019 at 2:42 AM UTC
a fantastic disguise
Shrek opened up the doors to a new day As I smiled upon his glistening beauty His gradient rays warming every being and creature Oh how I love Shrek.
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May 13, 2014
May 13, 2014 at 5:01 PM UTC
Shrek is love, Shrek is life...
I exist on the border between Reality, and the Imaginary. I breathe in belligerent Black, and Withering whites. I am incapable of grays, a gradient of gruesome Grief. I dance on the Border, exhaling exuberant fragility, my border is made of glass. And I rise from the ashes, a Byproduct of the bridges I've burned. Craving soothing touch, Yet silently seeking Incriminating Isolation, Addicted to my own destruction. A shattered soul dutifully Dances on the Border, Held captive by her sins. Trapped between Good and Bad. Happiness and Heartbreak. Lost and Found. Death and Resurrection. Born on the Border, a Simple Figment of Immoral Imagination.
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Oct 3, 2018
Oct 3, 2018 at 1:51 PM UTC
borderline
The Rain falls warm. It's humid and the shirt sticks to my w3tb@ck. How much has fallen into my collective bucket during the pass hour Of heavy monsoon rain? I gulp chunks to replace water in this futile work cycle. Adiabatic landscaping in a stifling heat, within some complex feed-forward loop. The cigarette burns beneath a protective dome, my cupped hand. Particulates drift away into the hazy mist, embedding itself in breath, and choking congested, fluid-filled lungs. I watch a tiny display showing small spiking memes feeding forward to what? Will it be an apocalyptic firing storm  or a recognition gestalt, inhibitory spikes triggering attenuation. I drink again the rain. Can I supervise Win-Lose games? Am I learning some wrong algorithm while drunk on heavy water, in Futile cycles? With my open hand I take Virgil's lead into our Gradient descent, urging him on, afraid our alpha steps are too small, and the time too short. There is a constant fear of being trapped in some eternal, local minimal.
0
Jun 16, 2013
Jun 16, 2013 at 11:34 AM UTC
Firing
we both had two different painting styles. he was into calligraphy, the bold and gentle strokes of black ink on white paper; i was into watercolor, the translucent colors slowly spreading to a gradient on a Canson. we were two painters with brush styles of stark contrasts. three objects. a flower arrangement, an antique vase and grecian sculpture. we were asked to pick the most eye-catching one out of the three, paint it in our of style of representation. and so we began. him: what will you be painting? me: i can't tell, you might judge me for it. him: alright, but promise me you'll show it to me once you're done. me: okay. same to you too, then. hours passed, and while i often discreetly glimpsed at him, he caught my eye sometimes and would make funny faces or just softly smiled at me. i could not deny that my hands were shaking as i dunked my brushes into the watercolor jar and continued to finish my painting. him: i'm finally done. this is a masterpiece. me: i believe it's the same for me too. him: should we count down as we turn our boards to each other? me: nothing better than a surprise of what's the most beautiful thing out of all the objects before us. we flipped our boards to each other's viewpoint, and we were both shocked to be looking at ourselves, a painting of ourselves, one done by the other. he painted me in black and white, a figure-ground influenced painting, strong in lines, simplicity in its finest state, rendering me bare and raw. i painted him in pale colors, a positive reflection of him lighting up life, and soft shadings to give depth to the meaning of his existence. after knowing this and scrutinizing our works, his cheeks turned pink as the pink on my palette, while i covered my eyes with my hair as dark as his ink. we burst out laughing and blushing at the fact that the most beautiful object before our eyes was each other. sometimes, i wonder if he's my muse, the art or the artist. and i felt like a watercolor jar at that exact moment, as if brushes soaked with different colors were being dipped into me all at once, the tint, hue and vibrancy bleeding into the clear liquid, getting murky. it was like those colors are my emotions, and with every emotion mixing, my thoughts get murky. i guess this is how it feels to be in love with all forms of art at once.
0
Apr 15, 2016
Apr 15, 2016 at 12:58 PM UTC
watercolor jar
we both had two different painting styles. he was into calligraphy, the bold and gentle strokes of black ink on white paper; i was into watercolor, the translucent colors slowly spreading to a gradient on a Canson. we were two painters with brush styles of stark contrasts. three objects. a flower arrangement, an antique vase and grecian sculpture. we were asked to pick the most eye-catching one out of the three, paint it in our of style of representation. and so we began. him: what will you be painting? me: i can't tell, you might judge me for it. him: alright, but promise me you'll show it to me once you're done. me: okay. same to you too, then. hours passed, and while i often discreetly glimpsed at him, he caught my eye sometimes and would make funny faces or just softly smiled at me. i could not deny that my hands were shaking as i dunked my brushes into the watercolor jar and continued to finish my painting. him: i'm finally done. this is a masterpiece. me: i believe it's the same for me too. him: should we count down as we turn our boards to each other? me: nothing better than a surprise of what's the most beautiful thing out of all the objects before us. we flipped our boards to each other's viewpoint, and we were both shocked to be looking at ourselves, a painting of ourselves, one done by the other. he painted me in black and white, a figure-ground influenced painting, strong in lines, simplicity in its finest state, rendering me bare and raw. i painted him in pale colors, a positive reflection of him lighting up life, and soft shadings to give depth to the meaning of his existence. after knowing this and scrutinizing our works, his cheeks turned pink as the pink on my palette, while i covered my eyes with my hair as dark as his ink. we burst out laughing and blushing at the fact that the most beautiful object before our eyes was each other. sometimes, i wonder if he's my muse, the art or the artist. and i felt like a watercolor jar at that exact moment, as if brushes soaked with different colors were being dipped into me all at once, the tint, hue and vibrancy bleeding into the clear liquid, getting murky. it was like those colors are my emotions, and with every emotion mixing, my thoughts get murky. i guess this is how it feels to be in love with all forms of art at once.
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14
I This is the night mail crossing the Border, Bringing the cheque and the postal order, Letters for the rich, letters for the poor, The shop at the corner, the girl next door. Pulling up Beattock, a steady climb: The gradient's against her, but she's on time. Past cotton-grass and moorland boulder Shovelling white steam over her shoulder, Snorting noisily as she passes Silent miles of wind-bent grasses. Birds turn their heads as she approaches, Stare from bushes at her blank-faced coaches. Sheep-dogs cannot turn her course; They slumber on with paws across. In the farm she passes no one wakes, But a jug in a bedroom gently shakes. II Dawn freshens, Her climb is done. Down towards Glasgow she descends, Towards the steam tugs yelping down a glade of cranes Towards the fields of apparatus, the furnaces Set on the dark plain like gigantic chessmen. All Scotland waits for her: In dark glens, beside pale-green lochs Men long for news. III Letters of thanks, letters from banks, Letters of joy from girl and boy, Receipted bills and invitations To inspect new stock or to visit relations, And applications for situations, And timid lovers' declarations, And gossip, gossip from all the nations, News circumstantial, news financial, Letters with holiday snaps to enlarge in, Letters with faces scrawled on the margin, Letters from uncles, cousins, and aunts, Letters to Scotland from the South of France, Letters of condolence to Highlands and Lowlands Written on paper of every hue, The pink, the violet, the white and the blue, The chatty, the catty, the boring, the adoring, The cold and official and the heart's outpouring, Clever, stupid, short and long, The typed and the printed and the spelt all wrong. IV Thousands are still asleep, Dreaming of terrifying monsters Or of friendly tea beside the band in Cranston's or Crawford's: Asleep in working Glasgow, asleep in well-set Edinburgh, Asleep in granite Aberdeen, They continue their dreams, But shall wake soon and hope for letters, And none will hear the postman's knock Without a quickening of the heart, For who can bear to feel himself forgotten?
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4.7k
Night Mail
I This is the night mail crossing the Border, Bringing the cheque and the postal order, Letters for the rich, letters for the poor, The shop at the corner, the girl next door. Pulling up Beattock, a steady climb: The gradient's against her, but she's on time. Past cotton-grass and moorland boulder Shovelling white steam over her shoulder, Snorting noisily as she passes Silent miles of wind-bent grasses. Birds turn their heads as she approaches, Stare from bushes at her blank-faced coaches. Sheep-dogs cannot turn her course; They slumber on with paws across. In the farm she passes no one wakes, But a jug in a bedroom gently shakes. II Dawn freshens, Her climb is done. Down towards Glasgow she descends, Towards the steam tugs yelping down a glade of cranes Towards the fields of apparatus, the furnaces Set on the dark plain like gigantic chessmen. All Scotland waits for her: In dark glens, beside pale-green lochs Men long for news. III Letters of thanks, letters from banks, Letters of joy from girl and boy, Receipted bills and invitations To inspect new stock or to visit relations, And applications for situations, And timid lovers' declarations, And gossip, gossip from all the nations, News circumstantial, news financial, Letters with holiday snaps to enlarge in, Letters with faces scrawled on the margin, Letters from uncles, cousins, and aunts, Letters to Scotland from the South of France, Letters of condolence to Highlands and Lowlands Written on paper of every hue, The pink, the violet, the white and the blue, The chatty, the catty, the boring, the adoring, The cold and official and the heart's outpouring, Clever, stupid, short and long, The typed and the printed and the spelt all wrong. IV Thousands are still asleep, Dreaming of terrifying monsters Or of friendly tea beside the band in Cranston's or Crawford's: Asleep in working Glasgow, asleep in well-set Edinburgh, Asleep in granite Aberdeen, They continue their dreams, But shall wake soon and hope for letters, And none will hear the postman's knock Without a quickening of the heart, For who can bear to feel himself forgotten?
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57
My "place of clear water," the first hill in the world where springs washed into the shiny grass and darkened cobbles in the bed of the lane. Anahorish, soft gradient of consonant, vowel-meadow, after-image of lamps swung through the yards on winter evenings. With pails and barrows those mound-dwellers go waist-deep in mist to break the light ice at wells and dunghills.
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3.9k
Anahorish
I’m on this ship, A ship for one, Out at sea, It’s beautiful yet nerve wracking, I search and I see where I’m going to be Optimism is key, “No. Bad. Thoughts.” I tell myself, almost constantly, But it’s just out of my reach... This anchor is attached to my heart There it lived. Then, ripped from my chest, Leaving my body, weak, pained, dragged, Into the dark gradient ocean It lowers, as I twist, wind, and fight, above sea. Though, I find myself tired, At times. It wins. It keeps me still. Can I stay here? It’s nice in theory... Sometimes I’m triumphant. Sometimes I win. I am above the darkness, There’s the veil, I am no longer down there, I see and hear signs of Happiness. So Close. Up, I must bring my heart. Sew up my chest, Wipe my tears, More than once, This cycle is done. Look ahead, Go. Forward. And don’t look back. But never forget.
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Sep 24, 2022
Sep 24, 2022 at 11:59 PM UTC
Lost at Sea
I dream of a society Where the ideals of beauty Are less focused on superficial concepts like one's waistline Or how decrepit their smile lines made them appear But rather one where the focal point of unanimous adoration is, As corny as this may sound, One's morals and where they land on the gradient of human compassion In this utopia, The elderly aren't seen as catalysts for repugnance and a wrinkling of noses But rather as symbols of eruditeness and beauty The type of beauty that influence or money can't obtain And it may be conceivable that instead of wasting my days squandering over my physical appearance, I can just fritter away the days Strumming my ukulele along to the tune of my American dream For I have yet to actually awaken from my adolescent slumber Breifly enough to grasp my dream from the bubble floating above my resting head And nestle it securely in my pocket So it doesn't forgo me In search of someone less complacent with bewilderment about their future Who dreams of social and economic prosperity Instead of someone who's apathetic at best about whatever career choice they've chosen for the week Maybe that's just it That maybe I don't want the conventional American dream of fame or fortune or recognition Is it feasible that maybe my American dream isn't to rise from sqaulor into a soulless mansion Whose corridors boast success But lack warmth and presence? I suppose that my American dream encompasses more than just America itself It lives in the eyes of every human being on the face of the earth It's nestled in the gaze of a starving child And the stare of anyone who's ever felt a tongue's razor edge And all I'd have to do is delve into their eye sockets and plant a seed A seed of hope and compassion Or whatever I deem fit Perhaps I just want to shield myself From the world's disapproving glances, Those fleeting moments of eye contact that convey condescending judgement Maybe I'd just like to make a difference to things sans the media’s snide opinion But despite my juxtaposition to society's critical assessments, I know that I can't run away from my fears or problems So maybe I dream of a society Where I can remain headstrong even in the face of opposition Because I'm aware that not everyone's going to love each other And spout sweet nothings about peace and understanding from their hind quarters So maybe I'd like to help be a driving force That wards off the world's shadows So the sun can continue to shine on my American dream
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Aug 14, 2012
Aug 14, 2012 at 11:14 PM UTC
Dare I Fathom Dreaming of an American Dream?
I dream of a society Where the ideals of beauty Are less focused on superficial concepts like one's waistline Or how decrepit their smile lines made them appear But rather one where the focal point of unanimous adoration is, As corny as this may sound, One's morals and where they land on the gradient of human compassion In this utopia, The elderly aren't seen as catalysts for repugnance and a wrinkling of noses But rather as symbols of eruditeness and beauty The type of beauty that influence or money can't obtain And it may be conceivable that instead of wasting my days squandering over my physical appearance, I can just fritter away the days Strumming my ukulele along to the tune of my American dream For I have yet to actually awaken from my adolescent slumber Breifly enough to grasp my dream from the bubble floating above my resting head And nestle it securely in my pocket So it doesn't forgo me In search of someone less complacent with bewilderment about their future Who dreams of social and economic prosperity Instead of someone who's apathetic at best about whatever career choice they've chosen for the week Maybe that's just it That maybe I don't want the conventional American dream of fame or fortune or recognition Is it feasible that maybe my American dream isn't to rise from sqaulor into a soulless mansion Whose corridors boast success But lack warmth and presence? I suppose that my American dream encompasses more than just America itself It lives in the eyes of every human being on the face of the earth It's nestled in the gaze of a starving child And the stare of anyone who's ever felt a tongue's razor edge And all I'd have to do is delve into their eye sockets and plant a seed A seed of hope and compassion Or whatever I deem fit Perhaps I just want to shield myself From the world's disapproving glances, Those fleeting moments of eye contact that convey condescending judgement Maybe I'd just like to make a difference to things sans the media’s snide opinion But despite my juxtaposition to society's critical assessments, I know that I can't run away from my fears or problems So maybe I dream of a society Where I can remain headstrong even in the face of opposition Because I'm aware that not everyone's going to love each other And spout sweet nothings about peace and understanding from their hind quarters So maybe I'd like to help be a driving force That wards off the world's shadows So the sun can continue to shine on my American dream
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46
It is early. and the world hangs silent, but the birds chirping their chime, An angelic choir of vibratos And tenor beaks humming sweet to the early tangerine crest of sun slivers a powerful bar of light over the peaks to a newly brilliant horizon. Sweeping the dredges of darkness away as the stars fade like coal dust back again, packed into their cupboard of night one by one, lanterns snuffed and sent into the vibrating blue as if the whole sky should erupt into fire azure, hallowed morning pyre Encircled by the gradient hues of coral pink and castille yellow Mediterranean teal A symphonic cacophonic **** of birth Good Day, Sweet mother earth. Squeezed through the valleys canals allies every nook and forlorn cranny kissed with her blissful photonic army And the infantile creatures cry with glee. The dewdrops clutch the blades the tender palasade of petals remembering their darkened escapades slipping tender rain to feed the dirt, the lonely detritus elixirs of the lovely night. And the world bursts into a veritable kaleidoscope of life With a trillion pairs of eyes accessing the mother dream
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Aug 8, 2018
Aug 8, 2018 at 2:48 AM UTC
Rise and Fall (Incomplete)
I looked into the center into the circles of gradient color the pollen, sun gold anthers sepals green, holding close the petals smooth stemmed, impossible heavy heads beautifully in rings around trees the honey sweet blossoming spring busy with new born bees that fly in fragrant dream discovering lilies bright as sun watching bees with flowers become one.
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Apr 9, 2015
Apr 9, 2015 at 12:04 PM UTC
To know a flower
The Picture Window The vista view never changes but daily. The naked eye, registers the same distances, resting objects unmoved, modest alterations by wind and water are noted, but for intent, for purpose, the watercolor one would paint be invariably unvarying as a Swiss Alp. The  subtle nuanced worldview, where the sky stretches from ceiling to a foot above ground, as I lay prone neath the coverlet, vista always subtly differing, from its prior reincarnation, self-reflection demands to know. Alive & Awake? Yes. Breathing steady? Yes. Toes? Still can wiggly to & fro. My soul? Presumably ok, as I write, because I write, the picture window into to my insight, though oft blurry, yet intact, making discernible the changes in light, temperature  and heart rate, as the body/soul contraption modulates, just as the gradient of daylight shifts lighter and higher, with a rising sun bringing more clarity to our interactive encounters with our environments.. The picture window internalized, much the same,as the vista, subtle modest changes, colorations variegated, are registered. Today is mostly cloudy overcast, and shall remain so for the foreseeable future, which be about two days hence. Not unsurprisingly, methinks, the future tends to be cloudy. Beyond that peripheral, no one can say, our macular envisioning only gets weaker,time is a tough taskmaster and uncertainty is it’s own principle. But I can say, forecast from well under the comforter, that more than less, where less is more, this picture window, ex and in, shall remain, unchanged for the remainder of my years that fortune shall provide, and will & would grant me awakenings to the ex-sight and in-sight of a sculpted landscape, of negative entropy,  where disorder minimal. My musings end here, unless you still wish, come the morrow, what the marrow the day reveals, what the window will spill, new and exciting, subtly unchanged, and always different. Caution: The injection of caffeine may dramatically alter the windows perspective, as the exogenous always trumps the endogenous. 5:50 AM P.S. Making coffee clarifies: If the vista in +/- unchanging, then, all my personal, own horizons are immortal as well.
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Jun 4, 2023
Jun 4, 2023 at 6:34 AM UTC
The Picture Window
The Picture Window The vista view never changes but daily. The naked eye, registers the same distances, resting objects unmoved, modest alterations by wind and water are noted, but for intent, for purpose, the watercolor one would paint be invariably unvarying as a Swiss Alp. The  subtle nuanced worldview, where the sky stretches from ceiling to a foot above ground, as I lay prone neath the coverlet, vista always subtly differing, from its prior reincarnation, self-reflection demands to know. Alive & Awake? Yes. Breathing steady? Yes. Toes? Still can wiggly to & fro. My soul? Presumably ok, as I write, because I write, the picture window into to my insight, though oft blurry, yet intact, making discernible the changes in light, temperature  and heart rate, as the body/soul contraption modulates, just as the gradient of daylight shifts lighter and higher, with a rising sun bringing more clarity to our interactive encounters with our environments.. The picture window internalized, much the same,as the vista, subtle modest changes, colorations variegated, are registered. Today is mostly cloudy overcast, and shall remain so for the foreseeable future, which be about two days hence. Not unsurprisingly, methinks, the future tends to be cloudy. Beyond that peripheral, no one can say, our macular envisioning only gets weaker,time is a tough taskmaster and uncertainty is it’s own principle. But I can say, forecast from well under the comforter, that more than less, where less is more, this picture window, ex and in, shall remain, unchanged for the remainder of my years that fortune shall provide, and will & would grant me awakenings to the ex-sight and in-sight of a sculpted landscape, of negative entropy,  where disorder minimal. My musings end here, unless you still wish, come the morrow, what the marrow the day reveals, what the window will spill, new and exciting, subtly unchanged, and always different. Caution: The injection of caffeine may dramatically alter the windows perspective, as the exogenous always trumps the endogenous. 5:50 AM P.S. Making coffee clarifies: If the vista in +/- unchanging, then, all my personal, own horizons are immortal as well.
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36
traveling through a large plane an opalescent sky wide, encompassing embrace soft lavender-gray clouds float on a string hovering like distant islands of heaven a land promised tender gradient pink to gray mile-long notations drift isolated in blue and soft gold in shifting rays your voice is holding me aloft burnished and blending drawing me filling my movement rounding my heart the rising moon the sweet aching fullness the deepening twinkling colored night is to you I'm drawn
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Jan 5, 2015
Jan 5, 2015 at 1:37 AM UTC
Drawing
She was all the world a beach, laid out in a thousand story grains of sand. Her thoughts, the constant crashing of waves along the surface of her life. Her beauty, the gradient of colors created by the setting sun on the horizon. Her strength, the tide pulling the ocean over her shoreline like a blanket to comfort the coast. She was all the world a beach, laid out in a thousand story grains of sand. And I wanted to read them all.
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Dec 25, 2014
Dec 25, 2014 at 2:26 PM UTC
She Was A Beach.
Why do we feel so compelled to stratify ourselves above the natural World? What it is that justifies our Cult of Humanity? Do we seriously believe that our gradient of experience is so much wider and more rich than are those of dogs, or cats, or fish, or bats, or lice, or ants, or spiders, or birds, or trees, or flowers? Wherefrom do we think the notions of faeries, nymphs, sprites, and our Gods arose, if not for the Natural world as well as the traits of our psychology made anthropomorphic? Who are we to suppose such things just because we are us: be this not the same sort of exclusionary cultism whence are born sexism and racism and ethnocentrism? Anthropocentrism? Who are we to belittle any one thing on this God-given plane of Reality? Are we really that caught up in ourselves that we forget whence we've come? All is but Energy All merely is. We are a part of that, as it is a part of us. All is a holistic system not a stratified hierarchy of experience: that concept is artificial. Is it so hard for us to see? Is it so difficult for us to be humble about this? Is it such a blow to our such delicate psyches that we cannot concede such universal harmony? Or is it that it is beneficial for some for the many to remain deaf and blind to this wonderful, liberating truth? I think we all know the answer, we just forget to look for it and if we find it, we become too distracted to embody it. I know we're better than that. I know we know better. Do you?
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Jun 8, 2014
Jun 8, 2014 at 8:46 PM UTC
Cult of Humanity [Anthropocentrism]
The sky is aflame. To the west, it burns crimson. A warm gradient that seems like a massive forest fire, turning to a bright copper in the middle and ending as a quiet mahogany. To the east, a near-blinding white. With no gradient or change as it rises, simply dying down eventually, propped up by unholy spotlights that pierce the atmosphere. The north is charred a mute maroon, a short glass of auburn carelessly splashed to the horizon. To the south, pale bone paints away the stars, spattered with shades of pewter and smoke. I cannot see the stars through all the light, and I do not know which way to follow. The sky is aflame, lit by so many sources, rendering it empty and dull, burning away.
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Feb 4, 2019
Feb 4, 2019 at 2:00 AM UTC
Light Pollution
a polar vortex swirls eastward on Siberian Tiger paws bounding over Appalachian Highlands gobbling geography gelling Great Lakes spawning Erie blizzards sculpting Wabash ice floes clogging commerce all along the Ohio River Valley this voracious juggernaut’s wide maw bears icicle teeth laughing as it swallows Pittsburgh, Little Philly, and a Big Apple, before gorging itself on generous portions ladled into simmering crocks of steaming Boston Baked Beans growling blue arctic air blasts roar bursts pipes savages the heat of blasting furnaces, bubbling boilers, hot belly stoves frantically drinking oil, flaming gas burning wood and burping soot the blistering jet stream claws screech a slashing stratospheric hum as Frigidaire blasts swallows breath brittles limbs chafes cheeks gnaws earlobes crystallizes tears nibbles nostrils cubes snot numbs toes bites digits diving sub zero gradient subdues batteries to deaden states delays buses derails trains cuts power constricts veins preys on vagabonds and animals get the homeless off the street! bring the animals in check on your elderly neighbors don’t get caught outside and shut the **** door! do you own stock in the Public Service? beware the polar vortex and next months heating bill Sonny Boy Williamson & Otis Spann Nine Below Zero Oakland 1/6/14 jbm
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Jan 6, 2014
Jan 6, 2014 at 2:43 PM UTC
Polar Vortex
T'was little fun T'was a little town, No virulent delirious runs No irking sounds As t'was a little dangling town All t'was a feasible brew No meanders to sought No conundrums of anew just wired timely things to rot When all t'was a portent upcoming For t'was clad and veneered In a amicable sun-daze groaning T'was a peaceful loop of mono-gradient seasons and all to do was ponder For t'was guzzled with reasons T'was yesterdays jigsaw puzzle T'was a nightmare in sun-light But for now, let's retch our unknown dazzle As t'was, A flippant fuss For what shan't be A beguiling me
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Feb 6, 2015
Feb 6, 2015 at 5:21 AM UTC
T'was yesterday
You stuck around, rose above from depths below but you are no hymn. Vision blurs, shakes. You are no god, yet ruler of us all. I write to you, i feel for you, i sing to you. Worship is never far not even in silver scared dogs. It was not the wine making you shake, only pupils dilate and a silver and yellow face. Reverb on voice that echoes through the chaos of cloud kings and flames that died to make us, melting gradient, shimmering dusk. Don't tell me otherwise. Don't correct me if I'm wrong because no one knows even that much. A thought makes us believe and swear truth, and a doubt proves lies we once justified. Doubt the shimmering dusk, correct the melting gradient. Red pen isn't strong enough to hold me down. Silver and yellow face, goodnight.
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Apr 20, 2016
Apr 20, 2016 at 4:38 AM UTC
Skin too thicc (moon poem)
There was a gradient of shadows That grew in the night. O how they kept me close And held me tight.
0
Aug 12, 2015
Aug 12, 2015 at 9:49 PM UTC
Two Sentences