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"gaslamp" poems
knitted on a dodgy bobble hat or a favourite chunky jumper from scandanavia, or yorkshire untasteful but definitely practical.. smelly and friendly like a wet dog pliable like warm playdoh... patulioi oil will always remind me of you... 'a hippy place in my heart...' like a beachnut, no, a beach hut shelves littered with the flotsam of our throwaway society, flip flop corner... 19:10 some random hermit crab making his escape from the dripping bundle of just found fishing net down through the crack in the floor... into the sand and back to the sea. the moths and midges gravitate towards the fossils and rock shelf because that's where the gaslamp gently hisses. suncracked and faded pieces of 70's buckets and spades flicker in the corner between the scraps of rope and the deflated inflatables and the bottlecap damian hurst next to sea purse corner, biological tendrils contrasting the ever stoic rubber ducks who escaped from the pacific gyre... panning around, the smartphone registers, the garish tatty windbreak and the 90's ghettoblaster which still has some juice left from those batteries we bought at the gift shop... last year... for our imaginary beach hut.... in the outer hebrides...? you take the camping gaz from the cupboard and put the kettle on... the beach is desert island white the sea azure like a gaudy 70's postcard the wind tugging relentless through our hair. but the pub is warm and friendly where grizzled fishermen philosophise hardily. by the fire. between warming shots of smokey single malt.
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Jul 6, 2015
Jul 6, 2015 at 6:47 PM UTC
all right love
knitted on a dodgy bobble hat or a favourite chunky jumper from scandanavia, or yorkshire untasteful but definitely practical.. smelly and friendly like a wet dog pliable like warm playdoh... patulioi oil will always remind me of you... 'a hippy place in my heart...' like a beachnut, no, a beach hut shelves littered with the flotsam of our throwaway society, flip flop corner... 19:10 some random hermit crab making his escape from the dripping bundle of just found fishing net down through the crack in the floor... into the sand and back to the sea. the moths and midges gravitate towards the fossils and rock shelf because that's where the gaslamp gently hisses. suncracked and faded pieces of 70's buckets and spades flicker in the corner between the scraps of rope and the deflated inflatables and the bottlecap damian hurst next to sea purse corner, biological tendrils contrasting the ever stoic rubber ducks who escaped from the pacific gyre... panning around, the smartphone registers, the garish tatty windbreak and the 90's ghettoblaster which still has some juice left from those batteries we bought at the gift shop... last year... for our imaginary beach hut.... in the outer hebrides...? you take the camping gaz from the cupboard and put the kettle on... the beach is desert island white the sea azure like a gaudy 70's postcard the wind tugging relentless through our hair. but the pub is warm and friendly where grizzled fishermen philosophise hardily. by the fire. between warming shots of smokey single malt.
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the last time i flew it was daylight i didn’t look out the window. now i look outside and see a thousand lights; and each light is a thousand souls burning against the gaslamp yellow nightscape. clouds provide a familiar metaphor yet those nightshade souls still glimmer through where the cotton grey is weakest shining as i like to imagine they will always shine even though i know that always is a relative term. once in Tokyo i had the perfect drink like electric moonbeams and violets and secrets soaked in gin. i taste it here in the recycled air above the nightscape while viewing the souls that may or may not be the remnants of fevered dreams. listen with me if we’re very quiet, we can hear the faint strains of tokyo jazz filtering through the soft thrum of wheels and motorized air and a crying baby that’s never tasted the smoky sweet burn of gin and juniper.
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Dec 8, 2012
Dec 8, 2012 at 12:02 PM UTC
night flight
He never came out in the daytime, though He’d always come out at night, I’d hear his feet, pass in the street By the gaslamp’s feeble light, He’d peer through the frosted window glass And I swear that he always hissed, Whenever I opened the trap, he’d gone A-swirl in the yellow mist. We huddled under the chimney piece, We huddled under the stair, Whenever his steps were echoing From here to the you-know-where, I tried to protect my Carolyn Who would shut her eyes and ears, He had the power, for over an hour To bring Carolyn to tears. He’d come when the frost brought icicles He’d come when the wind would blow, He’d come when I left her tricycle Outside, and covered in snow, And then when the ice on the window ledge Began to go crack-crack-crack, She often hid, right under the lid Where the firewood lay in a stack. And then when the door blew open, from A gust in the wind out there, We’d lie, with fears unspoken As the creaking rose up the stair, Then Carolyn shrieked, while I couldn’t speak For hearing her cries and moans, As terror spread, from under the bed And chattered through teeth and bones. I swore that he wore a big black hat With a brim that covered his eyes, Carolyn wrote that he wore a cloak As part of his dread disguise, But nobody would believe us, ‘til We heard he was coming back, His hobnailed boots on the cobblestones Approached, a-click and a-clack. They’d slow, and stop by the outer door Our hearts in our mouths, alas, And then his shadow would fall right there He’d peer through the frosted glass, The knocker had an echoing sound As he knocked, went rat-tat-tat, And mother leapt to the door in a bound, ‘Dear God! It’s Uncle Jack!’ David Lewis Paget
0
Nov 24, 2014
Nov 24, 2014 at 7:34 AM UTC
The Terror
He never came out in the daytime, though He’d always come out at night, I’d hear his feet, pass in the street By the gaslamp’s feeble light, He’d peer through the frosted window glass And I swear that he always hissed, Whenever I opened the trap, he’d gone A-swirl in the yellow mist. We huddled under the chimney piece, We huddled under the stair, Whenever his steps were echoing From here to the you-know-where, I tried to protect my Carolyn Who would shut her eyes and ears, He had the power, for over an hour To bring Carolyn to tears. He’d come when the frost brought icicles He’d come when the wind would blow, He’d come when I left her tricycle Outside, and covered in snow, And then when the ice on the window ledge Began to go crack-crack-crack, She often hid, right under the lid Where the firewood lay in a stack. And then when the door blew open, from A gust in the wind out there, We’d lie, with fears unspoken As the creaking rose up the stair, Then Carolyn shrieked, while I couldn’t speak For hearing her cries and moans, As terror spread, from under the bed And chattered through teeth and bones. I swore that he wore a big black hat With a brim that covered his eyes, Carolyn wrote that he wore a cloak As part of his dread disguise, But nobody would believe us, ‘til We heard he was coming back, His hobnailed boots on the cobblestones Approached, a-click and a-clack. They’d slow, and stop by the outer door Our hearts in our mouths, alas, And then his shadow would fall right there He’d peer through the frosted glass, The knocker had an echoing sound As he knocked, went rat-tat-tat, And mother leapt to the door in a bound, ‘Dear God! It’s Uncle Jack!’ David Lewis Paget
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