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Bozhidar Paneglov is a Bulgarian poet. His debut collection in English, A Feather of Fujiyama, will be released in July 2013 by Hammer & Anvil Books.
http://www.dansemacabreonline.com/#!__dm71-postcard
In this issue of the magazine published three poems.
Hello friends! This is my first bilingual book.HAMMER @ ANVIL BOOKS released my book of poems as e-book on AMAZON Kindle: http: //www.amazon.com/A-Feather-of-Fujiyama-ebook/dp/B 00E5XY5PO/ref=sr11? s=digital-text&ie;=UTF8&qid;=1374938945&sr;=1-1
Special thanks to Vessislava Savova (translator) , Mercedes Webb-Pullman (Editor) , Adam Henry Carriere (Editor) , and my daughter Liliya Pangelova (illustrator)
All proceeds from the sale of this collection will go to the Bulgarian Integrated Education Foundation, working to improve the lives of children and youth with special health and educational needs (including mild Down syndrome, autism / autistic spectrum, cerebral palsy, language-speech disorders, and hyperactivity) and their families.}
Thanks for your support everyone! I wish you happiness and good reading.
Bozhidar Pangelov
robin moyer Jul 2012
Sea of Trees crests at Mt Fuji's feet.
Thick forest of Japanese cypress, red pines
grow neck and neck with alder. Where when
trees fall, they don't: they cant. Rope-like
roots, stymied by volcanic rock, twist and turn,
tortured by ancient lava impeding their desire
to push deep within.

Some voices echo that the trees themselves,
fueled by juices full of malevolent energy
sap the resolve of ones who venture there.
Gnarled branches twisted, tortured
under deceiving feathery moss, rise
above intertwined cypress knees as if
the forest had gone for a stroll and then knelt
when a soul ventured near.

Jukai, of the breathtaking views
where hanging hemp ropes take breath forever away.
Living greens so dense, sounds are swallowed whole:
No one hears the screams in Aokigahara
and there is no one to see until
bleached bones lie in stark relief;
Death thrives next to the rotting.
Sunlight muted beneath canopy
where chilling beauty lies
in perpetual twilight
and the only movements are swinging ropes
where no breeze passes.

Here come the ones who have reached
the end
of their rope or choices: Hanging is
the death of choice in Aokigahara.
Yurei, Japanese spirits who yet cling
to Earthly realm flit between the trees--
white, shifting forms caught only in the
corner of your eye. Leading, perchance,
across cenotes or hollow tubes,
where hidden caves make up your mind
when you travel down the wrong path.

Colorful ribbons, blue, white, red
stream through the forest; strings,
tapes trail behind those who walk
in case they change their minds for
no compass works near volcanic iron.
I am reminded of gaily wrapped presents
but here, what is unwrapped is death--
here, there is only the past where
Theseus unwinds his ball of thread
in the labyrinth of the Minotaur,
in the labyrinth of Aokigahara.
Scavenger hunts lead only
to those scavenged by the forest gleaners.

Death lies in the mists,
in the midst of the living.
An Apollo butterfly
rests on a sign pleading for life--
Apollo, god of light, of plagues, of music
seems to have no place here
but for the plague of suicide
which runs rampant.

Repugnant skulls with hollow eyes
can no longer see their reflections
in the rounds of polished glass
that mirror anguished souls
at the train station in hope
that they will see that they are not
invisible and stay among the seen.
The station is last stop
before they walk the forest path.

Aokigahara, Sea of Trees
looks up to the sun glinting off Mount Fujiyama
but beneath the canopy
are only the fallen.
I write –
on autumn leaves,
when the sun is
alive
The grass
is still
fragrant.
And you are a dream which
I won’t
tell about.
My eyes are collecting colorful rains.
As in the mad years,
when
I ran with a cloth
to bandage the light.
The wings have left
and the golden sparkles which
you are writing with today,
without even knowing…

A shed
feather of Fujiyama .
Mateuš Conrad Jan 2019
i think i'll write a poem,
in order to simply
squander any hope
     for a strict narrative...

as if i discovered
the secret of: perpetual
motion...

           not even close!
the perpetually changing
narrative...

         because what should
be orientating?
      a poem as if a honing
device?

even i could pass the time
of day according
to benjamin dreyer's
   1,503 word article...

well...
            or that two word
crossword puzzle
clue:
                  mt. fujiyama...

tautology.

big world, little world:
in it:
      music for a girl sitting
in a cafe on
    a rainy day -

      Mia & Ana -

                               and
all that has become:

   anonymity
           anonymous...

         unless
    you encountered me
last year:
               i was cracking
jokes at the moon
for its meteor shower
               acne riddles...

(interlude of 10 minutes):

         thought like a puddle,
heart like an anchor -
              and...
                      a depth
of being like the sea -
       although in potential
only...
          
                  and all for:
a tightrope to wait on
  through to 5 p.m.;

   and that's an odd vacancy
of a choice of words
that will not be spoken
casually...
         beyond this:
      immediacy / non-use of
on a canvas
            of somebody...

as ever: thought put back
into a rock,
    hands put into pockets,
heart -
          referencing
a habitual sense
                    of rhythm...
while the soul turned
                       into a yawn.

— The End —