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Lawrence Hall Dec 2016
Millennials at Work and War

Scorn not the snowflake who stands watch for us

Now thrown into the existential struggle
Surrendering their youth and taking up life
They muster in the fields and factories
And in their elders’ undeclared, shadowy wars
Uniformed in an unappreciated sense
Of duty and dignity while scorned by those
Who take their ease upon the couches of sloth
And fling cheap mockery at millennials
Who take up tools and work and love of life
Sometimes to die in deserts still unmapped
While generals dismiss their casualties as light
Despised as snowflakes by keyboard commandos
Who never got closer to any war
Than a John Wayne ketchup-****** movie.
Some work long double shifts through university
In a sawmill, shop, or fast foodery
Only to be dismissed as slacker layabouts,
But expected to trust those who condemn them
For not being the greatest generation
As defined by those who never served at all
And while being criticized they will grab
A quick cup of coffee for the night shift
Staffing the hospitals and police patrols
That keep their sneering critics alive and safe
They drive the trucks, they man the ships, they work
They drill for oil, these useless millennials
While idlers lounge long in the coffee shops
And YooToob computered jokes about them
Millennials have no time for coloring books
Or comfort animals or revolution
For they are weary with study and work
The best of them make no demands, but, sure
A little respect, hard-earned, would be nice
If only the scripted singer-songwriters
Would pack up the tired old stereotypes
And see millennials as they truly are
But darkness falls – they must go back to work
On the eleven-seven, the graveyard shift
They do not burn draft cards or Medicare cards
Instead through work they illuminate this world
And build it up with continued sacrifice

Scorn not the snowflake who stands watch for us
Lawrence Hall Jul 2018
Two middle-aged youth ministers (perhaps)
In a convertible babble away
A dialogue but poorly understood
By a seeker wanting a burger and fries
                                                     and truth

Their message seems to be that a pilgrim
In search of meaning might find happiness
                                                     ­     and lunch
At a famed neon-y fast-foodery
And so I gird up my billfold and I go

I push the red votive button and wait
And wait
                    And wait
                                    And wait
                                                       And wait
                                                                ­             And wait

And in the end go empty away
A first-person pronoun is almost always unacceptable, but here I (sorry...!) couldn't work around it.
Lawrence Hall Mar 2018
A drive-in fast-foodery advertises
Its golly-gee new signature cheeseburger
But what in 'burgers does “signature” mean?
Who signs a cheeseburger, and how, and why?

Maybe…

The Artist Known as Nihil composes his
Signature cheeseburger, customized for you,
While waiting for his big break in Vegas
And then he’ll show all you little people

But for now he needs to sign your cheeseburger:
“To Customer 362,
                                   Best Wishes,
                                                            Nihi­l”
raven simone Feb 2013
the shout comes across the playground
deep from within her bowls
hey
football head(tm)
the lust evident in her screech
olé
the stars shine before her eyes as she sees nought but his football head (tm)
does she see the ocean
nah
does she see the city
negative
does she smell the sumptuous scent of cinnamon congealing with butter and sugar
as she passes the local foodery
never
alas, a single shimmering tear escapes her eyeball
Lawrence Hall Dec 2016
Frost on the Windshield

Poor Kirbyville is mostly closed this morning
The cinder-block bakery is empty
And the only fast-foodery’s not yet open
Its neon tubes still dark against the stars

But the stop ‘n’ rob is busy enough
The gas pumps serving as anchorages
For trucks and boats, some headed to the lake
After taking on coffee and gasoline

And sausage-biscuits greased and slammed, and wrapped
In yellow paper of such painful sadness

— The End —