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"fie" poems
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry To you, my aunt, who would explore The literary Chankley Bore, The paths are hard, for you are not A literary Hottentot But just a kind and cultured dame Who knows not Eliot (to her shame). Fie on you, aunt, that you should see No genius in David G., No elemental form and sound In T.S.E. and Ezra Pound. Fie on you, aunt! I'll show you how To elevate your middle brow, And how to scale and see the sights From modernist Parnassian heights. First buy a hat, no Paris model But one the Swiss wear when they yodel, A bowler thing with one or two Feathers to conceal the view; And then in sandals walk the street (All modern painters use their feet For painting, on their canvas strips, Their wives or mothers, minus hips). Perhaps it would be best if you Created something very new, A ***** novel done in Erse Or written backwards in Welsh verse, Or paintings on the backs of vests, Or Sanskrit psalms on lepers' chests. But if this proved imposs-i-ble Perhaps it would be just as well, For you could then write what you please, And modern verse is done with ease. Do not forget that 'limpet' rhymes With 'strumpet' in these troubled times, And commas are the worst of crimes; Few understand the works of Cummings, And few James Joyce's mental slummings, And few young Auden's coded chatter; But then it is the few that matter. Never be lucid, never state, If you would be regarded great, The simplest thought or sentiment, (For thought, we know, is decadent); Never omit such vital words As belly, genitals and -----, For these are things that play a part (And what a part) in all good art. Remember this: each rose is wormy, And every lovely woman's germy; Remember this: that love depends On how the Gallic letter bends; Remember, too, that life is hell And even heaven has a smell Of putrefying angels who Make deadly whoopee in the blue. These things remembered, what can stop A poet going to the top? A final word: before you start The convulsions of your art, Remove your brains, take out your heart; Minus these curses, you can be A genius like David G. Take courage, aunt, and send your stuff To Geoffrey Grigson with my luff, And may I yet live to admire How well your poems light the fire.
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A Letter To My Aunt
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry To you, my aunt, who would explore The literary Chankley Bore, The paths are hard, for you are not A literary Hottentot But just a kind and cultured dame Who knows not Eliot (to her shame). Fie on you, aunt, that you should see No genius in David G., No elemental form and sound In T.S.E. and Ezra Pound. Fie on you, aunt! I'll show you how To elevate your middle brow, And how to scale and see the sights From modernist Parnassian heights. First buy a hat, no Paris model But one the Swiss wear when they yodel, A bowler thing with one or two Feathers to conceal the view; And then in sandals walk the street (All modern painters use their feet For painting, on their canvas strips, Their wives or mothers, minus hips). Perhaps it would be best if you Created something very new, A ***** novel done in Erse Or written backwards in Welsh verse, Or paintings on the backs of vests, Or Sanskrit psalms on lepers' chests. But if this proved imposs-i-ble Perhaps it would be just as well, For you could then write what you please, And modern verse is done with ease. Do not forget that 'limpet' rhymes With 'strumpet' in these troubled times, And commas are the worst of crimes; Few understand the works of Cummings, And few James Joyce's mental slummings, And few young Auden's coded chatter; But then it is the few that matter. Never be lucid, never state, If you would be regarded great, The simplest thought or sentiment, (For thought, we know, is decadent); Never omit such vital words As belly, genitals and -----, For these are things that play a part (And what a part) in all good art. Remember this: each rose is wormy, And every lovely woman's germy; Remember this: that love depends On how the Gallic letter bends; Remember, too, that life is hell And even heaven has a smell Of putrefying angels who Make deadly whoopee in the blue. These things remembered, what can stop A poet going to the top? A final word: before you start The convulsions of your art, Remove your brains, take out your heart; Minus these curses, you can be A genius like David G. Take courage, aunt, and send your stuff To Geoffrey Grigson with my luff, And may I yet live to admire How well your poems light the fire.
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67
Sirrah, so told the Two Modern Bards knew Jack's Union does Proud for people relate I thought I dressed a-tunney; For in Review This Show of Efforts which make your Art Great They are called SONGS: Honours to their Gospel With some Promotion they must get to Ascend The Theme was Clear; And for Manager's Hassle Defers deaf Youth to listen and Conscend Grateful for the Samples. Such were eaten By my Pod's silent but crow-cockneyed Mouth They left me at Home; Much was Forgiven To have me Dance quite rarely in the South. Fie, this Average Feedback does Persist Nothing else can Repel what I Insist.
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Mar 9, 2013
Mar 9, 2013 at 4:22 AM UTC
SONNET TRIBUTE: UNDER-A-BANNER - THE REVIEW
To a Louse by Robert Burns translation/interpretation by Michael R. Burch Hey! Where're you going, you crawling hair-fly? Your impudence protects you, barely; I can only say that you swagger rarely Over gauze and lace. Though faith! I fear you dine but sparely In such a place. You ugly, creeping, blasted wonder, Detested, shunned by both saint and sinner, How dare you set your feet upon her— So fine a lady! Go somewhere else to seek your dinner On some poor body. Off! around some beggar's temple shamble: There you may creep, and sprawl, and scramble, With other kindred, jumping cattle, In shoals and nations; Where horn nor bone never dare unsettle Your thick plantations. Now hold you there! You're out of sight, Below the folderols, snug and tight; No, faith just yet! You'll not be right, Till you've got on it: The very topmost, towering height Of miss's bonnet. My word! right bold you root, contrary, As plump and gray as any gooseberry. Oh, for some rank, mercurial resin, Or dread red poison; I'd give you such a hearty dose, flea, It'd dress your noggin! I wouldn't be surprised to spy You on some housewife's flannel tie: Or maybe on some ragged boy's Pale undervest; But Miss's finest bonnet! Fie! How dare you jest? Oh Jenny, do not toss your head, And lash your lovely braids abroad! You hardly know what cursed speed The creature's making! Those winks and finger-ends, I dread, Are notice-taking! O would some Power with vision teach us To see ourselves as others see us! It would from many a blunder free us, And foolish notions: What airs in dress and carriage would leave us, And even devotion! One Sunday while sitting behind a young lady in church, Robert Burns noticed a louse roaming through the bows and ribbons of her bonnet. The poem "To a Louse" resulted from his observations. The poor woman had no idea that she would be the subject of one of Burns' best poems about how we see ourselves, compared to how other people see us at our worst moments. Keywords/Tags: Robert Burns, louse, church, bonnet, lace, Scotland, Scots, dialect, translation
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Apr 21, 2020
Apr 21, 2020 at 5:26 AM UTC
Robert Burns "To a Louse" translation
To a Louse by Robert Burns translation/interpretation by Michael R. Burch Hey! Where're you going, you crawling hair-fly? Your impudence protects you, barely; I can only say that you swagger rarely Over gauze and lace. Though faith! I fear you dine but sparely In such a place. You ugly, creeping, blasted wonder, Detested, shunned by both saint and sinner, How dare you set your feet upon her— So fine a lady! Go somewhere else to seek your dinner On some poor body. Off! around some beggar's temple shamble: There you may creep, and sprawl, and scramble, With other kindred, jumping cattle, In shoals and nations; Where horn nor bone never dare unsettle Your thick plantations. Now hold you there! You're out of sight, Below the folderols, snug and tight; No, faith just yet! You'll not be right, Till you've got on it: The very topmost, towering height Of miss's bonnet. My word! right bold you root, contrary, As plump and gray as any gooseberry. Oh, for some rank, mercurial resin, Or dread red poison; I'd give you such a hearty dose, flea, It'd dress your noggin! I wouldn't be surprised to spy You on some housewife's flannel tie: Or maybe on some ragged boy's Pale undervest; But Miss's finest bonnet! Fie! How dare you jest? Oh Jenny, do not toss your head, And lash your lovely braids abroad! You hardly know what cursed speed The creature's making! Those winks and finger-ends, I dread, Are notice-taking! O would some Power with vision teach us To see ourselves as others see us! It would from many a blunder free us, And foolish notions: What airs in dress and carriage would leave us, And even devotion! One Sunday while sitting behind a young lady in church, Robert Burns noticed a louse roaming through the bows and ribbons of her bonnet. The poem "To a Louse" resulted from his observations. The poor woman had no idea that she would be the subject of one of Burns' best poems about how we see ourselves, compared to how other people see us at our worst moments. Keywords/Tags: Robert Burns, louse, church, bonnet, lace, Scotland, Scots, dialect, translation
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52
"Now did you mark a falcon, Sister dear, sister dear, Flying toward my window In the morning cool and clear? With jingling bells about her neck, But what beneath her wing? It may have been a ribbon, Or it may have been a ring."-- "I marked a falcon swooping At the break of day: And for your love, my sister dove, I 'frayed the thief away."-- "Or did you spy a ruddy hound, Sister fair and tall, Went snuffing round my garden bound, Or crouched by my bower wall? With a silken leash about his neck; But in his mouth may be A chain of gold and silver links, Or a letter writ to me."-- "I heard a hound, high-born sister, Stood baying at the moon: I rose and drove him from your wall Lest you should wake too soon."-- "Or did you meet a pretty page Sat swinging on the gate; Sat whistling, whistling like a bird, Or may be slept too late: With eaglets broidered on his cap, And eaglets on his glove? If you had turned his pockets out, You had found some pledge of love."-- "I met him at this daybreak, Scarce the east was red: Lest the creaking gate should anger you, I packed him home to bed."-- "O patience, sister. Did you see A young man tall and strong, Swift-footed to uphold the right And to uproot the wrong, Come home across the desolate sea To woo me for his wife? And in his heart my heart is locked, And in his life my life."-- "I met a nameless man, sister, Who loitered round our door: I said: Her husband loves her much. And yet she loves him more."-- "Fie, sister, fie, a wicked lie, A lie, a wicked lie; I have none other love but him, Nor will have till I die. And you have turned him from our door, And stabbed him with a lie: I will go seek him thro' the world In sorrow till I die."-- "Go seek in sorrow, sister, And find in sorrow too: If thus you shame our father's name My curse go forth with you."
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Noble Sisters
"Now did you mark a falcon, Sister dear, sister dear, Flying toward my window In the morning cool and clear? With jingling bells about her neck, But what beneath her wing? It may have been a ribbon, Or it may have been a ring."-- "I marked a falcon swooping At the break of day: And for your love, my sister dove, I 'frayed the thief away."-- "Or did you spy a ruddy hound, Sister fair and tall, Went snuffing round my garden bound, Or crouched by my bower wall? With a silken leash about his neck; But in his mouth may be A chain of gold and silver links, Or a letter writ to me."-- "I heard a hound, high-born sister, Stood baying at the moon: I rose and drove him from your wall Lest you should wake too soon."-- "Or did you meet a pretty page Sat swinging on the gate; Sat whistling, whistling like a bird, Or may be slept too late: With eaglets broidered on his cap, And eaglets on his glove? If you had turned his pockets out, You had found some pledge of love."-- "I met him at this daybreak, Scarce the east was red: Lest the creaking gate should anger you, I packed him home to bed."-- "O patience, sister. Did you see A young man tall and strong, Swift-footed to uphold the right And to uproot the wrong, Come home across the desolate sea To woo me for his wife? And in his heart my heart is locked, And in his life my life."-- "I met a nameless man, sister, Who loitered round our door: I said: Her husband loves her much. And yet she loves him more."-- "Fie, sister, fie, a wicked lie, A lie, a wicked lie; I have none other love but him, Nor will have till I die. And you have turned him from our door, And stabbed him with a lie: I will go seek him thro' the world In sorrow till I die."-- "Go seek in sorrow, sister, And find in sorrow too: If thus you shame our father's name My curse go forth with you."
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60
ON SEEING ONE ON A LADY’S BONNET AT CHURCH Ha! whare ye gaun, ye crowlin ferlie! Your impudence protects you sairly: I canna say but ye strunt rarely Owre gauze and lace; Tho’ faith, I fear ye dine but sparely On sic a place. Ye ugly, creepin, blastit wonner, Detested, shunned by saunt an’ sinner, How daur ye set your fit upon her, Sae fine a lady! *** somewhere else and seek your dinner, On some poor body. Swith, in some beggar’s haffet squattle; There ye may creep, and sprawl, and sprattle Wi’ ither kindred, jumpin cattle, In shoals and nations; Whare horn or bane ne’er daur unsettle Your thick plantations. Now haud ye there, ye’re out o’ sight, Below the fatt’rels, snug an’ tight; Na faith ye yet! ye’ll no be right Till ye’ve got on it, The vera tapmost, towering height O’ Miss’s bonnet. My sooth! right bauld ye set your nose out, As plump an’ grey as onie grozet: O for some rank, mercurial rozet, Or fell, red smeddum, I’d gie ye sic a hearty dose o’t, *** dress your droddum! I *** na been surprised to spy You on an auld wife’s flainen toy; Or aiblins some bit duddie boy, On’s wyliecoat; But Miss’s fine Lunardi!—fie! How daur ye do’t? O Jenny, dinna toss your head, An’ set your beauties a’ abread! Ye little ken what cursed speed The blastie’s makin! Thae winks and finger-ends, I dread, Are notice takin! O, *** some Power the giftie gie us To see oursels as others see us! It *** frae monie a blunder free us An’ foolish notion: What airs in dress an’ gait *** lea’e us, And ev’n Devotion!
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To A Louse
ON SEEING ONE ON A LADY’S BONNET AT CHURCH Ha! whare ye gaun, ye crowlin ferlie! Your impudence protects you sairly: I canna say but ye strunt rarely Owre gauze and lace; Tho’ faith, I fear ye dine but sparely On sic a place. Ye ugly, creepin, blastit wonner, Detested, shunned by saunt an’ sinner, How daur ye set your fit upon her, Sae fine a lady! *** somewhere else and seek your dinner, On some poor body. Swith, in some beggar’s haffet squattle; There ye may creep, and sprawl, and sprattle Wi’ ither kindred, jumpin cattle, In shoals and nations; Whare horn or bane ne’er daur unsettle Your thick plantations. Now haud ye there, ye’re out o’ sight, Below the fatt’rels, snug an’ tight; Na faith ye yet! ye’ll no be right Till ye’ve got on it, The vera tapmost, towering height O’ Miss’s bonnet. My sooth! right bauld ye set your nose out, As plump an’ grey as onie grozet: O for some rank, mercurial rozet, Or fell, red smeddum, I’d gie ye sic a hearty dose o’t, *** dress your droddum! I *** na been surprised to spy You on an auld wife’s flainen toy; Or aiblins some bit duddie boy, On’s wyliecoat; But Miss’s fine Lunardi!—fie! How daur ye do’t? O Jenny, dinna toss your head, An’ set your beauties a’ abread! Ye little ken what cursed speed The blastie’s makin! Thae winks and finger-ends, I dread, Are notice takin! O, *** some Power the giftie gie us To see oursels as others see us! It *** frae monie a blunder free us An’ foolish notion: What airs in dress an’ gait *** lea’e us, And ev’n Devotion!
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49
I tell my secret? No indeed, not I: Perhaps some day, who knows? But not to-day; it froze, and blows, and snows, And you're too curious: fie! You want to hear it? well: Only, my secret's mine, and I won't tell. Or, after all, perhaps there's none: Suppose there is no secret after all, But only just my fun. To-day's a nipping day, a biting day; In which one wants a shawl, A veil, a cloak, and other wraps: I cannot ope to every one who taps, And let the draughts come whistling through my hall; Come bounding and surrounding me, Come buffeting, astounding me, Nipping and clipping through my wraps and all. I wear my mask for warmth: who ever shows His nose to Russian snows To be pecked at by every wind that blows? You would not peck? I thank you for good-will, Believe, but leave that truth untested still. Spring's an expansive time: yet I don't trust March with its peck of dust, Nor April with its rainbow-crowned brief showers, Nor even May, whose flowers One frost may wither through the sunless hours. Perhaps some languid summer day, When drowsy birds sing less and less, And golden fruit is ripening to excess, If there's not too much sun nor too much cloud, And the warm wind is neither still nor loud, Perhaps my secret I may say, Or you may guess.
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Winter: My Secret
Loud Wind! Loud Wind! Why do you fie? What troubles thou in 'neath night's sun? What anger breeds that cause reply Of trash bag bins and branches flung? What son'rous winds that may her cry Leaf-tears hung by moon-tide wind? Sylvan weeps has Hephaestus yield; Evil tunes of nature's dial: Loudest Wind, what bellows you wield? When stolen from the fire child? Loud Wind, what sonnets will thy seal? With mountain breaths of winter deep? And other houses shall delight Unpleasant shakings of their rooms: Perhaps, Loud Wind, this waning night May ever proud your selfish booms; Fie! Wake all men that lay tonight! Loud Wind, Loud Wind, fie this night moon!
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Mar 11, 2021
Mar 11, 2021 at 3:33 AM UTC
Loud Winds That Struck the Night
my naked bees are stinging knees and never dream more kind the honey, black... they lack the knack of natural acts. they pine. they surly fume. they bark at doom and dangle chintz and fiend, they serve a nerve as raw as words that pinch a finch’s wings. my wherewithal, with all your spots, are not my dots; but sod. by all accounts, it counts for naught...but sounds a lot like god. the absent one. the ubermensch. the lint i sent you, cracked ! a dagger’s mind. a hellish hive of worse than curse. a laugh ! la mort, petit. du jour, for sure the purest night to bleak... the white ! the eye:; it seeks to sink at least a league beneath the widening gyre ! fie ! and thunder pun my plums of glumful dungeons, one by none. and glory wrack my sycophants. and ransom damage done and done
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Jun 2, 2012
Jun 2, 2012 at 11:13 AM UTC
La Petit Mort Du Jour
Lover's Hymn: Notes of music, Written on a scarlet parchment, Left unsigned, sound like her; The sweetest of God's tunes. Alas, of such a token, vanity be the consummation? Oh, but then how the Summer Sun, That the Bard measured his beloved against, Dissolves into the heavenly ether; And how the Moon, looks but so marred! Fie, Mortals, who be no kin to her, whose unwithering grace evades all reason. By poor sonnets, and by humble songs, Love's pursuit, that one might consider vain, Gives eternal joy, for a moment's pain, Sage's Sermon: Never, never a lover's discretion believe, For never a lover's eye does poise fair, And never does his ear justly measure. For so is the grasp of unhinged affection; That a moment's joy seems to last forever, And a lifetime's misery seems meaningless.
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Sep 4, 2019
Sep 4, 2019 at 4:42 PM UTC
Lover's Hymn And Sage's Sermon
drink pour drink lacking love I sink swimming in the pink my soul is stretching for the leek the thing I want I'm doomed to want if ever id had it, id have at least lost but never at all not for lack of trying meany a time offered out to be cried in any time other its *** or its sin unlovable or am I looked down upon some god picked me to frown upon some life randomly to be shat upon unneeded my outdated satyricon Faust verily howbeit parfay whilom methinks maugre swoopstake twixt speed and sweven, swink eke teen mayhap afore alack fore fie clepe gardyloo thole whosoever sith wist whereof speed
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Jan 25, 2013
Jan 25, 2013 at 12:00 AM UTC
**** the world
The Platypus (a limerick for adults, teens and older children) by Michael R. Burch The platypus, myopic, is ungainly, not ****** His feet for bed are over-webbed, and what of his proboscis? The platypus, though, is eager although his means are meager. His sight is poor; perhaps he’ll score with a passing duck or ****** Keywords/Tags: limerick, double limerick, humor, light verse, nonsense verse, platypus, ****** duck, proboscis, nose, beak, feet, webbed, flippers, eyes, eyesight, sight, vision, myopia, myopic, animal, nature, ****** erotica The Mallard by Michael R. Burch The mallard is a fellow whose lips are long and yellow with which he, honking, kisses his ***** boisterous mistress: my pond’s their loud bordello! Dot Spotted by Michael R. Burch There once was a leopardess, Dot, who indignantly answered: "I'll not! The gents are impressed with the way that I'm dressed. I wouldn't change even one spot." Stage Craft-y by Michael R. Burch There once was a dromedary who befriended a crafty canary. Budgie said, "You can’t sing, but now, here’s the thing— just think of the tunes you can carry!" Ballade of the Bicameral Camel by Michael R. Burch There once was a camel who loved to **** Please get your lewd minds out of their slump! He loved to give RIDES on his large, lordly lump! Clyde Lied! by Michael R. Burch There once was a mockingbird, Clyde, who bragged of his prowess, but lied. To his new wife he sighed, "When again, gentle bride?" "Nevermore!" bright-eyed Raven replied. Other Limericks The Better Man by Michael R. Burch Dear Ed: I don't understand why you will publish this other guy— when I'm brilliant, devoted, one hell of a poet! Yet you publish Anonymous. Fie! Fie! A pox on your head if you favor this poet who's dubious, unsavor y, inconsistent in texts, no address (I checked!) : since he's plagiarized Unknown, I'll wager! "Of Tetley's and V-2's" or "Why Not to Bomb the Brits" by Michael R. Burch The English are very hospitable, but tea-less, alas, they grow pitiable... or pitiless, rather, and quite in a lather! O bother, they're more than formidable.
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Mar 8, 2020
Mar 8, 2020 at 11:22 PM UTC
The Platypus, a double limerick
The Platypus (a limerick for adults, teens and older children) by Michael R. Burch The platypus, myopic, is ungainly, not ****** His feet for bed are over-webbed, and what of his proboscis? The platypus, though, is eager although his means are meager. His sight is poor; perhaps he’ll score with a passing duck or ****** Keywords/Tags: limerick, double limerick, humor, light verse, nonsense verse, platypus, ****** duck, proboscis, nose, beak, feet, webbed, flippers, eyes, eyesight, sight, vision, myopia, myopic, animal, nature, ****** erotica The Mallard by Michael R. Burch The mallard is a fellow whose lips are long and yellow with which he, honking, kisses his ***** boisterous mistress: my pond’s their loud bordello! Dot Spotted by Michael R. Burch There once was a leopardess, Dot, who indignantly answered: "I'll not! The gents are impressed with the way that I'm dressed. I wouldn't change even one spot." Stage Craft-y by Michael R. Burch There once was a dromedary who befriended a crafty canary. Budgie said, "You can’t sing, but now, here’s the thing— just think of the tunes you can carry!" Ballade of the Bicameral Camel by Michael R. Burch There once was a camel who loved to **** Please get your lewd minds out of their slump! He loved to give RIDES on his large, lordly lump! Clyde Lied! by Michael R. Burch There once was a mockingbird, Clyde, who bragged of his prowess, but lied. To his new wife he sighed, "When again, gentle bride?" "Nevermore!" bright-eyed Raven replied. Other Limericks The Better Man by Michael R. Burch Dear Ed: I don't understand why you will publish this other guy— when I'm brilliant, devoted, one hell of a poet! Yet you publish Anonymous. Fie! Fie! A pox on your head if you favor this poet who's dubious, unsavor y, inconsistent in texts, no address (I checked!) : since he's plagiarized Unknown, I'll wager! "Of Tetley's and V-2's" or "Why Not to Bomb the Brits" by Michael R. Burch The English are very hospitable, but tea-less, alas, they grow pitiable... or pitiless, rather, and quite in a lather! O bother, they're more than formidable.
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67
Fie!  Fie, I say to you! And to all of you who say, Die I tell you, Fie! When you say, You're too weak, You're too small, You can't do it I say to you, Fie!  Fie, from deep in my core. You can take your words and you can take your calls, For with myself in this right mindset, Your silly little petty words mean absolutely nothing at all, Despite all your attempts to bring me down And all your words telling me to, Lay Down and Die, despite Every Last Silly Word to me you all have ever said, I will not listen, and I will most definitely not die! I look at you and say, Fie! Unlike you, I choose to live my life! One day by day, one action at a time, And when most of you hope to get me to lay down, to get my to say, Die, I know I have the power within me to look you in the eye. Fie!, I tell you, Fie! Now go try and ruin someone else's life, For I will not let you have mine.
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Jun 9, 2012
Jun 9, 2012 at 3:50 AM UTC
Death To You, I Will Survive
Dearest My Lord. please to read this missive not with haste but in serious thought. Come Sire, and view such unholy state to which thou hast brought me at being with child and of hearing lately of thy touring intent mine heart starteth in great alarm, as I indisposed must know for sure that thou be not going away. Fie upon that scheme mine Liege for thou hast in me fathered a babe. Thou shouldest stay, and embrace mine own confinement to disgrace, whereby the infant will bear no name and wouldst thou abandon me to this fate prithee have pity on offspring shame. Pray marry me do, thou canst not afford to blacken my name by seeing the truth and fleeing abroad and thus relinquish thy parenthood destiny. I belong only to thee so do not ill-use me. Thou sought  thy way, now takest thou mine for without thy support I must surely decline. Thus thou ought to realize I live in frightful dread unless on thee I rely. This heart beateth only for thine say I. Thou hast undone me so prithee consider direst consequence, face thy conscience and beside me do stay. I remain heavy with anticipation lest thy reply dashes all trust and quill thee therefore to think my Lord on resolving such trouble as of utmost importance. Sent in the month of September 1709. From Mary Elizabeth, distraughtly thine.
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Sep 26, 2018
Sep 26, 2018 at 4:21 PM UTC
Trouble.
Fee fi fo fum angry apple is playing dumb She knows you lied and she cried So now she’s about to die. Are you happy that she’s dead? are you satisfied that she’s gone? are you ecstatic that angry apple’s finally dead and gone? For all that’s lost will forever be gone Fee fie fo fum Upset apple is dead and gone I hope you’re happy with what you’ve done.
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Nov 26, 2013
Nov 26, 2013 at 7:54 AM UTC
fee fi fo fum
We fire up our internet with a fortune we've already spent I tell ya' fella, I've got to yella I'm head up to here in my debt We fire up our own internet with what already should be for free Bee's make a honey. Hey, hey that's funny But not funny, not once, not one time to me If there was a way I could make some more pay I would never think to try and sell you I would think twice before tossing the dice Never would touch a warm body untrue OOPS. HERE, IT'S COMING OOPS. YES, IT'S COMING Hear it? Here it is, hear it? Hear it? Because here it is! Here it is: WHY FEE THE WIFEY? I don't know why Seems you could catch an infectious disease or just die off from all the vee dee WHY FEE THE WIFEY? I don't know why I thought you wanted the internet to get it, to get it for free OOPS! can't say it right OOPS! there I've done it again WHY FEE THE WIFEY? Don't tease the wife And please remember, be courteous please Don't try to upset my wife WHY FEE THE WIFEY? I don't know why This is a song about internet There's something that I can't say right WHY FEE THE WIFEY? I don't know why It's really not part of religious belief I tell ya' I don't want no part OOPS! Here it's coming OOPS! Yes, it's coming Hear it is WHY FEE THE WIFEY I don't know why Sorry I got lost, ran off the track And got trapped in ol' Hackensack WHY FEE THE WIFEY? I don't know why This isn't the song that I started to write Don't want those ideas for my wife WHY FEE THE WIFEY? Don't know, but I'll try And if she pays it, that'll be great I'll get all my free internet WHY FEE THE WIFEY I don't know why That's right I remember, free internet That is why I've got to try AND SAY WE FEE NO, NO NOT WE FEE Never say wee fee and never say die So say only why, say why-fie WHY FIGHT THE WEE FEE Why fight the wife I think I can say it Say it when high I've got it, I said it One last more why-fie WHY FEE THE WHY-FIE I'll ask my wife No, don't you ever, ever ask wife Just only ask for WI-FI WI-FI THE WI-FI OH MY OH MY I hope you enjoyed it Because you're my enjoyment My funny, bunny valentine There now. I think that I have said it right Yes, now I think that I have said it right Yes, now we think that he did say it right
0
Nov 4, 2015
Nov 4, 2015 at 12:32 PM UTC
Wired Goods
We fire up our internet with a fortune we've already spent I tell ya' fella, I've got to yella I'm head up to here in my debt We fire up our own internet with what already should be for free Bee's make a honey. Hey, hey that's funny But not funny, not once, not one time to me If there was a way I could make some more pay I would never think to try and sell you I would think twice before tossing the dice Never would touch a warm body untrue OOPS. HERE, IT'S COMING OOPS. YES, IT'S COMING Hear it? Here it is, hear it? Hear it? Because here it is! Here it is: WHY FEE THE WIFEY? I don't know why Seems you could catch an infectious disease or just die off from all the vee dee WHY FEE THE WIFEY? I don't know why I thought you wanted the internet to get it, to get it for free OOPS! can't say it right OOPS! there I've done it again WHY FEE THE WIFEY? Don't tease the wife And please remember, be courteous please Don't try to upset my wife WHY FEE THE WIFEY? I don't know why This is a song about internet There's something that I can't say right WHY FEE THE WIFEY? I don't know why It's really not part of religious belief I tell ya' I don't want no part OOPS! Here it's coming OOPS! Yes, it's coming Hear it is WHY FEE THE WIFEY I don't know why Sorry I got lost, ran off the track And got trapped in ol' Hackensack WHY FEE THE WIFEY? I don't know why This isn't the song that I started to write Don't want those ideas for my wife WHY FEE THE WIFEY? Don't know, but I'll try And if she pays it, that'll be great I'll get all my free internet WHY FEE THE WIFEY I don't know why That's right I remember, free internet That is why I've got to try AND SAY WE FEE NO, NO NOT WE FEE Never say wee fee and never say die So say only why, say why-fie WHY FIGHT THE WEE FEE Why fight the wife I think I can say it Say it when high I've got it, I said it One last more why-fie WHY FEE THE WHY-FIE I'll ask my wife No, don't you ever, ever ask wife Just only ask for WI-FI WI-FI THE WI-FI OH MY OH MY I hope you enjoyed it Because you're my enjoyment My funny, bunny valentine There now. I think that I have said it right Yes, now I think that I have said it right Yes, now we think that he did say it right
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80
If you lay still, I'll entomb thee Stay and capture, but ne'er doom thee Lie here - So entombed, you'll never die Let me take thee, let me have you, I can make us, you won't have to! In these lines forever we will lie. Writing this I have already rose like Romeo, though by lead he swore his soul would sink the stars. Oh, Fie. "Liar" - Please, I pray pronounce him, truth exposed I do denounce him. Dramatist. You made love with your words. We make angels from a nothing. Ones who'll bear the cherubs touching, probing - dreams, desires, future fears... Now I ramble - please forgive me, Fear no lecture though, for give me Time - I'll write the rhyme to make you see: If you lay still, I'll entomb me Rhyme to love - and always move me. I have leaned that love is in the eye. If you may still have desire I'll rhyme and write - then throw to fire lines in which forever I will lie.
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Nov 6, 2013
Nov 6, 2013 at 1:29 PM UTC
To: Would be Lenore
My!, oh my, what is happening to my perception? Why!, oh why, would it falsely whisper so? Fie!, just fie, then. Evermore, its suggestions I'll shun. Cry!, I cry, since it's the world I forgo. Eyes!, oh eyes, could you please unveil these strange sights for me? Try!, oh try, to remove this misty crown. Lies!, just lies, I judge from everything that I see. Sigh!, I sigh, for the world is upside-down.
0
Dec 24, 2009
Dec 24, 2009 at 12:08 PM UTC
Unconscious Hallucinations
Zephyr’s whisper came and fled Heaven’s tears from overhead… When upon my cheek it rests, Fie the early dusk that nests! Haled beyond the distant shore, I’ll not find there I found before. By rosy lips and glowing cheeks Heart rises over mountain peaks. For children never leave too well Without a gift like chime of bell. What lovers hardly e’er impart Without a package of the heart? Of lips and swoons and kindly spells A woman not too often tells… But I with you a heart will share— Life’s due burdens will rightly bear. From me to you, and you to me… For time and all eternity, Though roads may climb and dizzy wind Gorse for kisses we will find.
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Jul 4, 2010
Jul 4, 2010 at 10:28 AM UTC
Kisses
I shall give thee my love Prithee with no deceit I know not. Know you? A glance of the eye To ponder in woodness Tis not keak nor whiteliver A sky with wooly clouds Methought you are theow I shall bethink myself Good morrow my lady! My heart sings to see thee Shy love, methinks of thou O come hither, my life's delight! Fie ! Fie on you ! To make me melt in thou words Forsooth tis me, your prey Nay my lady! tis me. O my love's like a red rose. I bid you to be ruled by me I want to guard your honor I pray to see thee with me Aye my lord! Thou are mine And I shall be thine. You are the true sapphire your fair sweet face Make me cherish all that is good. I want to stay faithful I could never constrain myself from loving and praising you. Mine eyes have drawn thy shape Which, like a jewel hung in ghastly night. Peace in thy breast! So sweet to rest! Alas! Thus If I am to die Shh-- My love we shall die together For I could not imagine The pain I shall have to bear. Tis thou whom I love and desire For you, my sweet companion I have thus given my heart.
0
Dec 25, 2015
Dec 25, 2015 at 4:21 PM UTC
[ I shall give thee my love ]
Who am I? And who are you? And how did it end up Just us two? *Why you are you, And I am me,               And it seems like this     'Tis but a dream.* So tell me then, O wise Supreme If 'tis but a dream, Then where are we?                    *Well, don't ask me, I am not the maker. 'Tis your dream sir, And you are Its creator.* Well certainly if That was true, I'd at least pick someone more Knowing than you. *Oh sir, you jest! You comical fellow But can you make sense of what you don't know?* Oh, you talk nonsense, An amicable Fortunato! Just tell me where the devil We are stowed? *Ahh, yes perhaps my lips would be more willing With a bottle of Amontillado, yes. To be blunt with you sir, We are simply dead.* Simply dead, are you mad? That can't possibly be right! Fie! Fie! I can't think,             What a ****** night!                                                            ****** night indeed my fellow man For you stumbled out the tavern And into my hands. 'Tis alright good fellow, no fretting now, For 'tis almost time, any moment now.* Time, sir? What could you possibly mean? Time for what? Time for whom. What the devil do you mean? *Aye sir, you know very well That time is a valuable thing, And it seems* It seems? That your time has tinged. Tinged? Indeed. But you said 'tis a dream! *Indeed, I did, and what a pity It has become, 'tis but a dream       You will never wake up from.*
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Dec 20, 2014
Dec 20, 2014 at 12:29 AM UTC
A Polite Parler in Purgatory
Who am I? And who are you? And how did it end up Just us two? *Why you are you, And I am me,               And it seems like this     'Tis but a dream.* So tell me then, O wise Supreme If 'tis but a dream, Then where are we?                    *Well, don't ask me, I am not the maker. 'Tis your dream sir, And you are Its creator.* Well certainly if That was true, I'd at least pick someone more Knowing than you. *Oh sir, you jest! You comical fellow But can you make sense of what you don't know?* Oh, you talk nonsense, An amicable Fortunato! Just tell me where the devil We are stowed? *Ahh, yes perhaps my lips would be more willing With a bottle of Amontillado, yes. To be blunt with you sir, We are simply dead.* Simply dead, are you mad? That can't possibly be right! Fie! Fie! I can't think,             What a ****** night!                                                            ****** night indeed my fellow man For you stumbled out the tavern And into my hands. 'Tis alright good fellow, no fretting now, For 'tis almost time, any moment now.* Time, sir? What could you possibly mean? Time for what? Time for whom. What the devil do you mean? *Aye sir, you know very well That time is a valuable thing, And it seems* It seems? That your time has tinged. Tinged? Indeed. But you said 'tis a dream! *Indeed, I did, and what a pity It has become, 'tis but a dream       You will never wake up from.*
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57
You dig too deep when there is no need to, depleting My resources, ignoring (perhaps unaware of) what is in front of You, why don’t you want to see! I was hopeful, even in mild anguish, But I do not want to be another, who does this, But you scare(d) me. Real bad Nerves, after so many hesitations from aggravation Like an animal distrusting, will run. Do I taunt her? Only to hide promises. Do I not have what I offer? Why must words seal. Mistakes often made, I hope I made one than. The Agreement is not fulfilled. Yet… When you are in the room, you are the only Person, always the only one –always so singular. You are like a force of nature The essence of vitality, too extravagant for Time, you belong in another among Greek goddesses And a higher world of Spirit Maybe morals too, but I do not know Whether they exist, or are only ideals. You are an ideal woman, you are Ideal. Does this drive me from you? That I, rebel of convention, dejected of state And you enforce, unknowingly, what I resist. To conquer, yes, it would be wrong. To conquer you, Would be to fall in two, a trap I hastily avoid. I do not speak of love, but assumptions So hindering to our development—so… Stagnant, repugnant and UGH, that feeling. I am independence’s lover And through love of you, I fear I channel: you must be independent Even of me, totally. Fie! Am I too await this conclusion of all that I...? Hark! Think not of that future, potential unknowable Time. I cannot grip it, nor make it mine And this I must think of you too, Fearful that I am too comforted by abandonment And commitment renders me impotent And so the struggles last, and love waits unresolved. Too hasty at best, and too stupid in truth, Love unlearns to re-teach old lessons
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Feb 13, 2010
Feb 13, 2010 at 7:25 AM UTC
Love unlearns so it may re-teach all lessons
You dig too deep when there is no need to, depleting My resources, ignoring (perhaps unaware of) what is in front of You, why don’t you want to see! I was hopeful, even in mild anguish, But I do not want to be another, who does this, But you scare(d) me. Real bad Nerves, after so many hesitations from aggravation Like an animal distrusting, will run. Do I taunt her? Only to hide promises. Do I not have what I offer? Why must words seal. Mistakes often made, I hope I made one than. The Agreement is not fulfilled. Yet… When you are in the room, you are the only Person, always the only one –always so singular. You are like a force of nature The essence of vitality, too extravagant for Time, you belong in another among Greek goddesses And a higher world of Spirit Maybe morals too, but I do not know Whether they exist, or are only ideals. You are an ideal woman, you are Ideal. Does this drive me from you? That I, rebel of convention, dejected of state And you enforce, unknowingly, what I resist. To conquer, yes, it would be wrong. To conquer you, Would be to fall in two, a trap I hastily avoid. I do not speak of love, but assumptions So hindering to our development—so… Stagnant, repugnant and UGH, that feeling. I am independence’s lover And through love of you, I fear I channel: you must be independent Even of me, totally. Fie! Am I too await this conclusion of all that I...? Hark! Think not of that future, potential unknowable Time. I cannot grip it, nor make it mine And this I must think of you too, Fearful that I am too comforted by abandonment And commitment renders me impotent And so the struggles last, and love waits unresolved. Too hasty at best, and too stupid in truth, Love unlearns to re-teach old lessons
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43
day begins sun gleams dreaming wishing a perfect beam Inside fine moment delight nagging faint blemish perceptive creeps up catches tendril of pain Walked the mile cried fie heart lesser open ajar carry weight uneasy distant have to face clearer ether Who am I ?
0
Jul 22, 2010
Jul 22, 2010 at 1:33 PM UTC
Apprehend
Up on the third Floor There is a place Where everyone stands Slain The lame Accept everything The fighting Nothing at all They spread thin Their wings For the night is short In the CET And the way is swift Make quick Thy youthful fits For much desired sights For **** As the clouds disperse For seagulls above sand Drift in spreading rhyme Into our dear Lord's Hand He doth not say that the right is wrong Nor the choice you carry is attuned in song We can laugh and yet we dually can cry Make the life you carry Never weigh you down to cry "FIE" And as the wine is poured and your lover Nods their head, clearly wanting more Take no advice from the man coated In ill suited grey and obvious vice Your train will call for you So all is fine But until you meet that one Who you know by sight Who lets everything roll by Like the deep faded night You'll be rolling back and forth in your sleep Wondering whose soul You'll wake in the morning to keep There is a riddle for every nickel And there is a clue for every dime Just make sure you got a friend Who'll give you the chance To tell you the time Near dawn, no, near midnight There was a hard luck story That I wanted to stay up to hear There was a man There was a woman A priest lay dead and naked With a scribbled aged' sermon His mouth lay laden his soul stirred cold The memory within me reflected in a blur And all that stood still Was all that was to be told
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Dec 26, 2012
Dec 26, 2012 at 6:18 PM UTC
Lay Cold
. Black is the colour Where other colours go Swimming in . I am absorption, Thick graphite drawings. Tar, pitch, embellished . Bruised colours like flowers; Hidden powers in these cowards. Mortals are more fun than gods–I touch . Music, sinews, my flesh, fie, These lights bruise my eye–it’s cold I smell. Sigh. Rain and earth, fresh, Solid. Home . Black is a colour I swim. Sleep. Such Is this: I am not Hamlet’s Ghost . 13/12/2015
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Dec 15, 2015
Dec 15, 2015 at 2:29 AM UTC
| G R I M | K E E P E R |
Once the fee fie fo fum ******** Stopped, he was small, Lying still, Eyes and lips glued, Orifices finally stuffed. What would a priest do? So, I stretched my hand, Ritualistic-like, As a benediction of charity, An attempt. I should've worn a soutane, Perhaps used a kneeler, But suplication ended. That night, I looked Beyond the moon To starry clusters of ka-boom, But nothing. That sealed it. Death bed conversions Don't move me; Death bed confessions do. Ah, still nothing. Forgiveness has A statute of limitations.
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Feb 11, 2015
Feb 11, 2015 at 11:01 AM UTC
Death Bed Conversions