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"dislocated" poems
I remember... I was sad because I could only afford four textbooks out of five Until the best student dropped out of school due to lack of tuition I was upset because I wasn't served dessert Until I saw a starving man I complained my car was manual transmission Until I saw a guy wishing for a used bicycle I always wished for a bigger bed Until I saw a man sleeping on the street I was demotivated because my job wasn't paying well Until I saw unemployment rate in other countries I was ****** with myself when I dislocated my ankle Until I saw someone without legs It's definitely good to admire better things but Appreciate what you have Because somebody wants just that!
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Sep 17, 2018
Sep 17, 2018 at 12:15 PM UTC
I remember
Peppermint creme-filled fingers dabble nothing; sleep through alarms and dislocated anger sockets every morning. And there are flyers littering my floor speaking truths I never wanted and never knew through band names shock factoring their ardent prisons. Attention is a world currency, just like *** just like symmetry, and the plates shift while my plates sit in the aluminum sink in my kitchen.
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Feb 25, 2014
Feb 25, 2014 at 1:02 PM UTC
brash aluminum, and peppermint
Distressed, Dismayed Disturbed, Disdain Distant, Feeling Disconnected Worlds Dislocated Disgruntled, Disorganized, Dismayed, Drained Disarray Abounds Dispersed into Nothingness Dead, Ditto, Ditto of Dance, Delight and Dreams At the passing of my beloved Death Draws Me In...
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Jul 2, 2013
Jul 2, 2013 at 5:43 AM UTC
Dissed
most girls are simply peacocks and cliffs, a pair of mountains house their dangling hips but the snow is kind of blue at midnight most girls look sick when eternal is just it she she she has a dislocated shoulder she she she is as empty inside most girls are bright but jump off from cliffs sometimes
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Nov 21, 2012
Nov 21, 2012 at 1:40 PM UTC
most girls
It is not my story to tell: Languishing dreams in the midst of barbed wire fences, Fearless laughter, We add lemon, chile powder and salt to this border. They carry these stories, Heavy as a sack filled with indignities, Weighty, like your grandmother’s advice, Cumbersome, like this daily mental displacement. I have not bought big things as of lately, In my mind I plan my exits, I constantly check my relocation fund, “What if” is a constant in my lexicon. I often break in tears at the sound of an immigrant story, My emotions become gallons of water: broken and splashed by the boots of immigration officers, Little do they know, we are cacti: Tough and our seeds also flourish post mortem. I want to sing an immigrant song: Less like butterflies who migrate, But more like dislocated nations, Collateral flesh, caught up in steel thorns. Rest assured we will survive, Like leaves of siempreviva, Even after torn away from our stem, We will grow our own roots: Defiant, resilient, and with a stubborn willingness to belong. We are you.
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Jan 29, 2018
Jan 29, 2018 at 3:30 PM UTC
Siempreviva
DEEP WITHIN I knew deep within my soul if anyone had ever got close to me they would get cast into darken dreams they would have to see all that darkness they would have to feel all that pain from their own darken past, The cuts that gets deeper as time goes on they would feel the body aches the dislocated of body parts if they were smart they would look the other way not even walk my way to see if I was okay, if they looked at me too closely they would find I am somewhere else my tears will roll down my face like a waterfall but when the tears fall to the ground they would make a big sound like broken glass from the past and when I was to talk my voice would be sobbing with no words, silence would be all they would hear they would see something was controlling me taking over all my emotions lighting up my breath given extreme pain deep within they will see they are going through the same pain; so, I know to keep all away from me if I can but things are starting to get way out of hand. Poetic Judy Emery © 1980 The Queen Of Darken Dreams Poetic Lilly Emery
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Apr 7, 2017
Apr 7, 2017 at 5:50 PM UTC
DEEP WITHIN
Her hair, reminiscent of glass Dusty perplexions, missing pearlescent marbles She's a dream awaiting the arrival of the next writer To speak of her story to the masqueraded creature Posing as light to the dark universe she's encased in She's the raging madness in her soul Thrashing yet loving anyone who kisses her Hidden love affairs, descending silhouettes Leftover clothes tossed unruly; a decadent stench Intrusive but polite to wilting foliage Lip stains, droplets of blood, dislocated jaws Time, unforgiving as always, punishes its victims Misery coats her barely twinkling soul The one who shatters her mirror May forgive her to finally be free.
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Jun 3, 2024
Jun 3, 2024 at 3:36 PM UTC
Captive Cinderella
Fragmented pieces of scarlet memories, trees of stout arms reaching.... affection the fruit it carries, Mauvey plumes sprout this golden harvest of my imagination. I'm drawn to taste commitment's nectar Hear now the sitars melody, notes in Arial Black on Milky White, I climbed the apple tree in this garden of light, The colorful wind melodiously blowing a heretic hero's demise, Though shaken my grasp prevailed the prize. Alas through and through my vantage point reveals a view, The floating dislocated memories on a river of silky love, That rise and brush the teardrops from my cheeks, Then spirit away like frightened doves.
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Sep 12, 2016
Sep 12, 2016 at 1:04 PM UTC
My dislocated memory
I see it for just a moment A squishy mound of fur to the far right of the asphalt This latest pile of dislocated mush is presented on a desert highway A raccoon? No. Too small. A coyote? Maybe. Who can tell? That play-dough pile of crushed bones was not created outside the white lines where it now lays Some chosen soul scraped and scooped the mystery meat to its resting place Some jumpsuit wearing civilian is intimately aware with the parentage of the reassembled road victim Do they have a moment of silence after the last shovel scrape? Do they hold an internal roadside memorial? What of the homicidal perpetrator behind his wheels? He must know the identity of his victim He must feel the agony of guilt Or, is his only remorse in the quarters he must spend at the self-service carwash to remove the evidence? Perhaps Road-Kill animals haunt their vehicle killers Maybe their blood can never be truly washed from the ****** weapon’s shinny surface Like spots on Lady Macbeth’s hands Perhaps the killer’s dreams are frequented by unidentifiable ****** mounds with eyes that stare from unnatural places After all Justice must be had in one way or another For the unrecognizable John Doe pile represents all those wild things that must chance to cross the hard, hot, lethal highway
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Apr 11, 2013
Apr 11, 2013 at 10:26 PM UTC
The Highway
At this deep pool Where no light is reflected, Where small birds come Clinging to the vine Amongst fallen logs and silences, The crush of leaves and the rot of years. At this dark edge Where now unassailable trees tower In a brief clearing, At this still centre where the wreckage lies Of river's breach and storm's rage. Here at the heart. Where once the workings of long-ago men, The wild, roaring, toothless ones, Desperate and dislocated, Their fierce eyes blazing through dark, And bodies by day burning through timber, Cut sunlight in shadow And nation in nature.
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Mar 20, 2016
Mar 20, 2016 at 3:26 PM UTC
The Timber Getters
Hahaha Quincy Valero, once again on crutches He always manages to do this to himself This time he was in his required exercise class and dislocated his knee I just laugh at this When we were younger he got roaring drunk and began doing an inebriated salsa "SALSA KING!" We all chanted All of a sudden one leg wen one way and one the other way He screamed in pain It was a  hairline fracture Another time he had a lovers quarrel with this girl he was seeing They fought all the time Like all the time And one night in a furious rage Quincy punched a wall and fractured his hand A few weeks later I had a pool party And Quincy had to wrap his damaged hand in a plastic bag and hold it at a 90 degree angle the whole time He takes all these injuries to heart He's the kind of guy who has always got to be moving He's always gyrating, talking, laughing And when he's even the tiniest bit immobile or disabled He goes into a short period of depression and self pity It's just funny to me because just when I think he'll be okay Some how he manages to just get himself hurt The clutz haha Even now, I'm talking to him He hurt his thumb the other night at a party he threw two days ago LONG LIVE THE SALSA KING!
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Apr 14, 2014
Apr 14, 2014 at 4:06 PM UTC
Accident Prone
Strange times. When I speak of caressing your mantic lungs I don’t know what I mean, but I know I would hurl you under proper circumstances. Darling, one whisper falls from a tree silently so as not to wake the ghosts from their siestas. Your robe has holes I can’t write of. I can fathom getting there, what that might entail, wrapping, as I am prone to, my fingers around your furry pincers while I wait for you to read my rights to the ceiling fan who whirls above our renovated combustions like the glowering eye of our Lord upon the teary-eyed wicked. I am not looking to escape through the window, darling. I am diving for your diamond-in-the-rough, peeling off barnacles, making moustaches of seaweed. You threw it into that ocean- sized trough in which you drown lizards as way of stress-release. I don’t know what I’ll do next. The poor man. You give me your hand, darling, and your robe, your robe is shiny like a pubescent star, and it shimmies like a wagon piecing itself apart, as you piece yourself apart, starting with your smile, which was always more like a photograph of a dune in a textbook. You give me your hand. It is a blue egg dusted with microorganisms. I sprinkle it with our fragrance, what’s left of it. I wish happiness upon your sleep-life, doldrums upon your late-night haunting. I am tired and these machines are so convenient, bringing me on all-expenses- paid visits to the site of your burial. Or is it your sister’s? I quote, my heart is like a walled onion. The poor man is tired. It is not 1904 anymore. You are not smiling anymore, darling, but you give me your hand. You give it in a basket with parsley and cheese and cut-outs from The Waterlogged God. You give it almost grudgingly but I will keep it. You tell me you’ve been dreaming again of train stations. I wonder what that means. I wonder about your eyes. There are many spiders inside the wall, and along it, and on the chandelier’s fingers, and inside the spiders. I quote, a dream is worth a thousand dustpans, but you, darling, are worth so much more than dustpans. But I grow weepy, as stated. What do those dark blue lines mean? Your fingers, darling, smell of a dark cloud in an electrical storm. Your palm is a circus. Your nails ticket stubs. That one’s from the alligator show. You dislocated your throat. I had a plan. If you stare into someone’s eyes for more than six seconds, you’ll want to lick them.
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May 25, 2010
May 25, 2010 at 8:20 PM UTC
My Life as Heiress to Your Throne, Darling
Strange times. When I speak of caressing your mantic lungs I don’t know what I mean, but I know I would hurl you under proper circumstances. Darling, one whisper falls from a tree silently so as not to wake the ghosts from their siestas. Your robe has holes I can’t write of. I can fathom getting there, what that might entail, wrapping, as I am prone to, my fingers around your furry pincers while I wait for you to read my rights to the ceiling fan who whirls above our renovated combustions like the glowering eye of our Lord upon the teary-eyed wicked. I am not looking to escape through the window, darling. I am diving for your diamond-in-the-rough, peeling off barnacles, making moustaches of seaweed. You threw it into that ocean- sized trough in which you drown lizards as way of stress-release. I don’t know what I’ll do next. The poor man. You give me your hand, darling, and your robe, your robe is shiny like a pubescent star, and it shimmies like a wagon piecing itself apart, as you piece yourself apart, starting with your smile, which was always more like a photograph of a dune in a textbook. You give me your hand. It is a blue egg dusted with microorganisms. I sprinkle it with our fragrance, what’s left of it. I wish happiness upon your sleep-life, doldrums upon your late-night haunting. I am tired and these machines are so convenient, bringing me on all-expenses- paid visits to the site of your burial. Or is it your sister’s? I quote, my heart is like a walled onion. The poor man is tired. It is not 1904 anymore. You are not smiling anymore, darling, but you give me your hand. You give it in a basket with parsley and cheese and cut-outs from The Waterlogged God. You give it almost grudgingly but I will keep it. You tell me you’ve been dreaming again of train stations. I wonder what that means. I wonder about your eyes. There are many spiders inside the wall, and along it, and on the chandelier’s fingers, and inside the spiders. I quote, a dream is worth a thousand dustpans, but you, darling, are worth so much more than dustpans. But I grow weepy, as stated. What do those dark blue lines mean? Your fingers, darling, smell of a dark cloud in an electrical storm. Your palm is a circus. Your nails ticket stubs. That one’s from the alligator show. You dislocated your throat. I had a plan. If you stare into someone’s eyes for more than six seconds, you’ll want to lick them.
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46
You’re all bones and no talk. All dislocated ribs and shackled thoughts. Contain them contain them, don’t you dare let them escape. Hold on to what makes you broken, I’ve heard broken thoughts carry less weight. So guard your bones that home your soul. Sharpen your ribs and polish your throne. Count the minutes and the hours and the seconds as they go. You can’t expect royalty when you’re six feet below.
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May 24, 2015
May 24, 2015 at 7:13 PM UTC
Shackled Thoughts
I am the key to the lock in your house You burned a hole in my heart Where the arteries flow. And the veins are blocked like gutter drains, No one can pass - through the Red Sea, A no go area. A hairline fracture into a million capillaries, Split arteries to take each feeling individual to the tips of my skin. Still covered beautiful but a nails cuticles, Impaled on a cross resembling a torso. Hollow bones that play like xylophones In the tombs of hidden organs that echo & resonate through the decay of a necrophiliacs playground. Dislocated limbs swing round a rib cage, Splinters shatter the skin revealing the droplets of blood that pour like rain and tears combined. Twist past as they gloop through a cutlets spine. Always on my mind, always on my mind. Cobwebs of memories, Embedded in a decayed gut, Dug up like skeletons in cemeteries to find the remedy or medicine to plug the bullet shaped holes you made in my heart.
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Feb 23, 2016
Feb 23, 2016 at 6:26 AM UTC
Climbing up the walls (part one)
I count my steps, my heart like some mis-ticking pedometer uneven and syncopated disassociated and dislocated with my head in the clouds I found, retracing my steps, my foot in my mouth all the while we kissed. No wonder, then that you tasted like the roads we traveled together, each time more insipid than the last, and each word I spoke was muddled dry and bland or saturated and sticking under fingernails between your teeth
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Jun 26, 2014
Jun 26, 2014 at 12:05 AM UTC
Matters of Podiatry
that Scythe has rent my heart, i'm penetrated the blade's removed yet its cold steel remains our spirit's gone, our breaths remain abated upon us both the crime's been perpetrated and though the blade is marked with just his stains that Scythe has rent my heart, i'm penetrated his essence from my own's been dislocated my life remains with only his remains our spirit's gone, our breaths remain abated my soul's been scraped, upon my thoughts' been grated his blood powdered, mixed with my tears, i'm stained that Scythe has rent my heart, i'm penetrated and as grief's torments whip my heart striated all joy swirls round and round a filthy drain our spirit's gone, our breaths remain abated i frame my memories,they're venerated as cries repeat in minor key refrains that Scythe has rent my heart, i'm penetrated our spirit's gone, our breaths remain abated (C)2010, Christos Rigakos
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Apr 4, 2012
Apr 4, 2012 at 3:06 PM UTC
that Scythe has rent my heart, i'm penetrated
I’ve always cried in secret. Not by choice; I just never seem to be noticed when my heart breaks, my body quakes, my resolve is torn asunder. I never receive the pity I feel I deserve. With a twisted face and clenched fists I try to hold back unsightly sobs and gasps for air. I’m never noticed, but maybe it’s better that way. Brokenness is ugly, and my shards are jagged. You’re no stranger to this. They see Your Crown, Your Side, Your Hands and Feet. But people forget that You carried the Cross that bore Your Body for hours on end. They forget that the Flesh was torn and every step dug deeper into Your Shoulder. They whipped You, they beat You, they spat and ridiculed But the pain of the Cross was constant. There was no relief from lifting and dragging that torturous wood. Dislocated and raw, how can they not remember the deepest Wound of all? Is that why You gave me my Wound, Lord? Is it because I know how it feels to have pain not easily recognized? Let me kiss your Wound, Lord. Let me clean it and hold it to my own. Let me endure my pain as You did: with grace and compassion with strength and integrity Let me bear my Cross as You bore Yours.
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May 7, 2017
May 7, 2017 at 10:19 PM UTC
Pain in Our Image, After Our Likeness
it's always fun at carnivals. pretty lights, cotton candy, fun games it's a fountain of youth for everyone. until the lights shut down. the cotton candy rots. the games are already playing you. and it gets worse. the dark, cloudy sky chases you. kids start crying all over the place. rain is pouring down the carousel. the carousel? The Carousel? The Carousel, where you thought would be the safest ride. where you carefully placed the secrets of your world. where you wistfully pointed out your dreams. where you stayed without feeling dizzy when all you did was to go round and round and round round and round until you started to get tired. you saw the horses are not the real horses you always dreamed of riding. you heard the music isn't pleasing anymore. you heard cracks and gears being dislocated. you can't see anything anymore. your secrets have escaped instead of you. you tried to escape this demeaning makeshift world of yours but to no luck. you've seen the whole carnival now. dreary, miserable, lonely. the once colorful tents were now drenched in sorrowful monochrome. mirrors are placed all over the gaming booths. broken lights. sad, sad music. you thought The Carousel was the carnival itself. i thought The Carousel was the carnival itself. i made the greatest mistake of not tasting the cotton candy, not feeling the sun on my skin. have the horses tricked me? i've seen the whole carnival now. it's not what it is years ago. the gates are closed. it's always fun at carnivals. the fun never stops. dim lights, rotten food, mind games. everyone's favorite choice is escape. i tried to. i'm still trying to.
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May 19, 2017
May 19, 2017 at 10:59 AM UTC
a fun house is not a fun home
it's always fun at carnivals. pretty lights, cotton candy, fun games it's a fountain of youth for everyone. until the lights shut down. the cotton candy rots. the games are already playing you. and it gets worse. the dark, cloudy sky chases you. kids start crying all over the place. rain is pouring down the carousel. the carousel? The Carousel? The Carousel, where you thought would be the safest ride. where you carefully placed the secrets of your world. where you wistfully pointed out your dreams. where you stayed without feeling dizzy when all you did was to go round and round and round round and round until you started to get tired. you saw the horses are not the real horses you always dreamed of riding. you heard the music isn't pleasing anymore. you heard cracks and gears being dislocated. you can't see anything anymore. your secrets have escaped instead of you. you tried to escape this demeaning makeshift world of yours but to no luck. you've seen the whole carnival now. dreary, miserable, lonely. the once colorful tents were now drenched in sorrowful monochrome. mirrors are placed all over the gaming booths. broken lights. sad, sad music. you thought The Carousel was the carnival itself. i thought The Carousel was the carnival itself. i made the greatest mistake of not tasting the cotton candy, not feeling the sun on my skin. have the horses tricked me? i've seen the whole carnival now. it's not what it is years ago. the gates are closed. it's always fun at carnivals. the fun never stops. dim lights, rotten food, mind games. everyone's favorite choice is escape. i tried to. i'm still trying to.
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45
Maybe I can just build you a house And then sit beside it Or inside it. Beside you. I hung up the phone with the conviction of a man about to walk into his own triple ****** trial. Your voice on the line sounded sympathetic, and yet, pitying. As if you were sorry for the fact that I was so in love with the way that voice sounded on its own. I am creating stress, I am simply recycling old issues. I miss you. I will throw you out this window And be sure that my fists are broken in your cheekbones, Dislocated jaw will hang sideways While our blood will mix into violet. I'll tickle your ribs with a buck knife And spit all my teeth into your eyes. I genuinely hope that you don't die, Your lesson is best learned alive. If it wasn't for you, my fists wouldn't be vibrating Teeth would be a good millimeter longer Arms would be loose, migraine at rest Furrowed brows under new context. Please forgive my idiocy For making this harder for you than it has to be. But don't block yourself from your love for me. Please don't force yourself to forget me. Let what you feel be just what you feel. The higher you build your walls (or the less you pay attention to the workers) The sooner my heart will bleed. I'm ******* tired of being the one to get bruised Just to turn around and smile through ****** gums And act like things don't hurt. I am on the frontburner. **** it, this hurts so much. I love you too much. I hate myself. I don't. I am so confused. I want you to be happy. And I want you to want me near you. Enjoy your friends. I am with too many people too much. I want to be alone. I want to be with you. This poem is ******* horrible. I just miss you. Sorry.
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Feb 6, 2011
Feb 6, 2011 at 5:45 PM UTC
One-Sided Phone-Calls
Maybe I can just build you a house And then sit beside it Or inside it. Beside you. I hung up the phone with the conviction of a man about to walk into his own triple ****** trial. Your voice on the line sounded sympathetic, and yet, pitying. As if you were sorry for the fact that I was so in love with the way that voice sounded on its own. I am creating stress, I am simply recycling old issues. I miss you. I will throw you out this window And be sure that my fists are broken in your cheekbones, Dislocated jaw will hang sideways While our blood will mix into violet. I'll tickle your ribs with a buck knife And spit all my teeth into your eyes. I genuinely hope that you don't die, Your lesson is best learned alive. If it wasn't for you, my fists wouldn't be vibrating Teeth would be a good millimeter longer Arms would be loose, migraine at rest Furrowed brows under new context. Please forgive my idiocy For making this harder for you than it has to be. But don't block yourself from your love for me. Please don't force yourself to forget me. Let what you feel be just what you feel. The higher you build your walls (or the less you pay attention to the workers) The sooner my heart will bleed. I'm ******* tired of being the one to get bruised Just to turn around and smile through ****** gums And act like things don't hurt. I am on the frontburner. **** it, this hurts so much. I love you too much. I hate myself. I don't. I am so confused. I want you to be happy. And I want you to want me near you. Enjoy your friends. I am with too many people too much. I want to be alone. I want to be with you. This poem is ******* horrible. I just miss you. Sorry.
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43
Still water runs deep, But the puddle remained, Ripple less To take turns to look in the reflection, of the backrounds sound that reverberates across the landscapes. Twisted invertebrates, You still got my back? We’re stuck in the mud, up until our waist. As the sunsets' behind, I can’t look over, my dislocated shoulder, blades, slice and sharpened, by pebbles grains, and then skimmed across the puddles so only ripples remain. Though they soon disappear, into the stagnant grasp of fear and statuesque placid, tranquil times. In a hushed halycon, hedonistic slices of life. Still water runs deep, but I drown in the shallow aqua, in the afterlife of undulation. The aftermath of the ripple effect.
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Feb 3, 2016
Feb 3, 2016 at 1:01 PM UTC
the r i p p l e effect
You're like The city lights at night A scratch in music Exposed for too long The coast line A dislocated spine Dream sequence on repeat For years in the backseat Slow guitar And the North Star
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Jun 3, 2015
Jun 3, 2015 at 12:15 AM UTC
Quit screaming at everyone, tell me what's wrong
i ring the door bell twice the door opens there is a boy maybe 4 5 he smiles at me rustled ***** blonde hair blue eyes shining seeing into me knowing me in the basest truth as only children can know "Hi. Welcome. Hello." all rapidly said so politely i step inside the house is not too large not small by any means this porridge is just right he leads me in as one who leads a child to the den well furnished the father sits in his chair watching the boy gratefully the boy buzzing with the energy of new company leaps onto the couch and announces himself "My name is Demetri. Nice to meet you. Welcome to my home. What is your name?" "Sam" "Hey, Sam, nice to meet you, Sam." he flips off the couch grandly grabs my hand and shakes violently "Nice to meet you, Sam. Im Demetri. Welcome to my home. Please, please. Sit, sit." He pulls me to the couch I sit so my arm is not dislocated he lets go wrist hurting not the strength of a 4 5 year old boy a well developed boy well spoken i look to his father who watches son lost in amazement proud as can be as should be the boy is again in my ear "What brought you here, Sam? Did you want to see my house? Did you wanna see my legos? I got a lot of them. I like building spaceships. I wanna build a real one. Hey Sam, you wanna build a spaceship." no idea how to build a spaceship "Im here to speak with your father, little guy." "Really? About what? Huh? About what? Do you bring things to people? Like presents? Do you have a present? I think I know what about. You have a present for my dad. Is that it, Sam, do you have a present?" im both annoyed and fascinated simultaneously by the boy annoyance why father has not said something leash this dog muzzle however fascination buzzing by simple fact i did have something for his father a present for the father to keep forever for the boy to find later
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Aug 1, 2011
Aug 1, 2011 at 8:26 PM UTC
the boy at the door
i ring the door bell twice the door opens there is a boy maybe 4 5 he smiles at me rustled ***** blonde hair blue eyes shining seeing into me knowing me in the basest truth as only children can know "Hi. Welcome. Hello." all rapidly said so politely i step inside the house is not too large not small by any means this porridge is just right he leads me in as one who leads a child to the den well furnished the father sits in his chair watching the boy gratefully the boy buzzing with the energy of new company leaps onto the couch and announces himself "My name is Demetri. Nice to meet you. Welcome to my home. What is your name?" "Sam" "Hey, Sam, nice to meet you, Sam." he flips off the couch grandly grabs my hand and shakes violently "Nice to meet you, Sam. Im Demetri. Welcome to my home. Please, please. Sit, sit." He pulls me to the couch I sit so my arm is not dislocated he lets go wrist hurting not the strength of a 4 5 year old boy a well developed boy well spoken i look to his father who watches son lost in amazement proud as can be as should be the boy is again in my ear "What brought you here, Sam? Did you want to see my house? Did you wanna see my legos? I got a lot of them. I like building spaceships. I wanna build a real one. Hey Sam, you wanna build a spaceship." no idea how to build a spaceship "Im here to speak with your father, little guy." "Really? About what? Huh? About what? Do you bring things to people? Like presents? Do you have a present? I think I know what about. You have a present for my dad. Is that it, Sam, do you have a present?" im both annoyed and fascinated simultaneously by the boy annoyance why father has not said something leash this dog muzzle however fascination buzzing by simple fact i did have something for his father a present for the father to keep forever for the boy to find later
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65
Assembling a bouquet of flowers on my path toward home, an assortment of Hyacinth and Daffodil, Fern and Cherry Blossom and some other flowery **** that I managed to conjure; drunk, levee en masse du la fleur. I felt pity in the bottom of my stomach as I strode concrete turbulence across the road and toward the McDonalds. If I were a chicken it would have been no wonder why I had crossed the road but since I was a human being my reasons, experiences, hair colour, blood alcohol content and steel-stomach absenteeism furled into a tightly wound knot-of-motif. I stood and stared waiting to gain momentum. Peering at the swaying, sobbing mob waiting impatiently brazenly and vacantly for their shot at luke-warm burger patty adorned with onion that looks like little baby teeth and cheese so processed it will never melt, I realized that we both stood in ecstasy. And I stood, swaying in the breeze as all good drunkards do, blankly and inquisitively; I began to wonder what it was that I was witnessing. Did I want to participate in mindless habitué? spend my money on **** food that could hardly be considered as such? Stand in line, jaw hanging loose like a gorilla that had voluntarily dislocated his mandible so that he didn’t have to chew? wait for my shot at glory? This is glory: the bars had all closed, and now there was no haven for the drunk ****** to congregate better than the local gut-fill station. I took one final look at my squandered comrades, brains scrambled, disgusting. I hate you ******* ******* it I hate you all.
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Mar 28, 2013
Mar 28, 2013 at 3:51 AM UTC
Levee en masse de Fleur
Assembling a bouquet of flowers on my path toward home, an assortment of Hyacinth and Daffodil, Fern and Cherry Blossom and some other flowery **** that I managed to conjure; drunk, levee en masse du la fleur. I felt pity in the bottom of my stomach as I strode concrete turbulence across the road and toward the McDonalds. If I were a chicken it would have been no wonder why I had crossed the road but since I was a human being my reasons, experiences, hair colour, blood alcohol content and steel-stomach absenteeism furled into a tightly wound knot-of-motif. I stood and stared waiting to gain momentum. Peering at the swaying, sobbing mob waiting impatiently brazenly and vacantly for their shot at luke-warm burger patty adorned with onion that looks like little baby teeth and cheese so processed it will never melt, I realized that we both stood in ecstasy. And I stood, swaying in the breeze as all good drunkards do, blankly and inquisitively; I began to wonder what it was that I was witnessing. Did I want to participate in mindless habitué? spend my money on **** food that could hardly be considered as such? Stand in line, jaw hanging loose like a gorilla that had voluntarily dislocated his mandible so that he didn’t have to chew? wait for my shot at glory? This is glory: the bars had all closed, and now there was no haven for the drunk ****** to congregate better than the local gut-fill station. I took one final look at my squandered comrades, brains scrambled, disgusting. I hate you ******* ******* it I hate you all.
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29
I am socially dislocated My heart is devastated Annexed from humanity My mind is iridescent Closing off my heart And opening up my mind To a new time, That you’re no longer mine
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Nov 17, 2014
Nov 17, 2014 at 12:14 PM UTC
Change
You’re so prosthetic Existence constructed through defiance Meticulous hours exhausted in revision Intrusion into my consciousness Old assembly bones resonant atrocious melodies Concrete block on my mentality Socio-economic tailgate Bright lights on the public eye Interrogation Irrigation of the mouth Roughed up face Dislocated jaw Hostility unleashed Speak the ******* truth Departed mortality rate Breaking in is half the fun Grind you to a ****** mess One half in the East River The other in the Hudson
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Apr 24, 2011
Apr 24, 2011 at 8:59 AM UTC
Lower m.