Strange times. When I speak of caressing your mantic lungs
I don’t know what I mean, but I know
I would hurl you under proper circumstances.
Darling, one whisper falls from a tree silently
so as not to wake the ghosts from their siestas.
Your robe has holes I can’t write of. I can fathom
getting there, what that might entail, wrapping,
as I am prone to, my fingers around your furry pincers
while I wait for you to read my rights to the ceiling fan
who whirls above our renovated combustions like the glowering
eye of our Lord upon the teary-eyed wicked.
I am not looking to escape through the window, darling.
I am diving for your diamond-in-the-rough, peeling off barnacles,
making moustaches of seaweed. You threw it into that ocean-
sized trough in which you drown lizards as way of
stress-release. I don’t know what I’ll do next.
The poor man. You give me your hand,
darling, and your robe, your robe is shiny like a pubescent star,
and it shimmies like a wagon piecing itself apart, as you
piece yourself apart, starting with your smile, which was always more
like a photograph of a dune in a textbook.
You give me your hand. It is a blue egg
dusted with microorganisms. I sprinkle it with our fragrance,
what’s left of it. I wish happiness upon your sleep-life, doldrums
upon your late-night haunting. I am tired and these
machines are so convenient, bringing me on all-expenses-
paid visits to the site of your burial. Or is it your sister’s?
I quote, my heart is like a walled onion.
The poor man is tired. It is not 1904 anymore.
You are not smiling anymore, darling, but you give me your hand.
You give it in a basket with parsley and cheese
and cut-outs from The Waterlogged God.
You give it almost grudgingly but I will keep it.
You tell me you’ve been dreaming again of train stations.
I wonder what that means.
I wonder about your eyes.
There are many spiders inside the wall, and along it,
and on the chandelier’s fingers, and inside the spiders.
I quote, a dream is worth a thousand dustpans, but you,
darling, are worth so much more than dustpans.
But I grow weepy, as stated. What do those dark blue lines mean?
Your fingers, darling, smell of a dark cloud in an electrical storm.
Your palm is a circus. Your nails ticket stubs.
That one’s from the alligator show. You dislocated your
throat. I had a plan. If you stare into someone’s eyes for
more than six seconds, you’ll want to lick them.
May 25, 2010
May 25, 2010 at 8:20 PM UTC
Strange times. When I speak of caressing your mantic lungs
I don’t know what I mean, but I know
I would hurl you under proper circumstances.
Darling, one whisper falls from a tree silently
so as not to wake the ghosts from their siestas.
Your robe has holes I can’t write of. I can fathom
getting there, what that might entail, wrapping,
as I am prone to, my fingers around your furry pincers
while I wait for you to read my rights to the ceiling fan
who whirls above our renovated combustions like the glowering
eye of our Lord upon the teary-eyed wicked.
I am not looking to escape through the window, darling.
I am diving for your diamond-in-the-rough, peeling off barnacles,
making moustaches of seaweed. You threw it into that ocean-
sized trough in which you drown lizards as way of
stress-release. I don’t know what I’ll do next.
The poor man. You give me your hand,
darling, and your robe, your robe is shiny like a pubescent star,
and it shimmies like a wagon piecing itself apart, as you
piece yourself apart, starting with your smile, which was always more
like a photograph of a dune in a textbook.
You give me your hand. It is a blue egg
dusted with microorganisms. I sprinkle it with our fragrance,
what’s left of it. I wish happiness upon your sleep-life, doldrums
upon your late-night haunting. I am tired and these
machines are so convenient, bringing me on all-expenses-
paid visits to the site of your burial. Or is it your sister’s?
I quote, my heart is like a walled onion.
The poor man is tired. It is not 1904 anymore.
You are not smiling anymore, darling, but you give me your hand.
You give it in a basket with parsley and cheese
and cut-outs from The Waterlogged God.
You give it almost grudgingly but I will keep it.
You tell me you’ve been dreaming again of train stations.
I wonder what that means.
I wonder about your eyes.
There are many spiders inside the wall, and along it,
and on the chandelier’s fingers, and inside the spiders.
I quote, a dream is worth a thousand dustpans, but you,
darling, are worth so much more than dustpans.
But I grow weepy, as stated. What do those dark blue lines mean?
Your fingers, darling, smell of a dark cloud in an electrical storm.
Your palm is a circus. Your nails ticket stubs.
That one’s from the alligator show. You dislocated your
throat. I had a plan. If you stare into someone’s eyes for
more than six seconds, you’ll want to lick them.