THE PROLOGUE.

THE Cook of London, while the Reeve thus spake,
For joy he laugh'd and clapp'd him on the back:
"Aha!" quoth he, "for Christes passion,
This Miller had a sharp conclusion,
Upon this argument of herbergage.                              lodging
Well saide Solomon in his language,
Bring thou not every man into thine house,
For harbouring by night is perilous.
Well ought a man avised for to be        a man should take good heed
Whom that he brought into his privity.
I pray to God to give me sorrow and care
If ever, since I highte* Hodge of Ware,                      was called
Heard I a miller better *set a-work;                           handled
He had a jape of malice in the derk.                             trick
But God forbid that we should stinte here,                        stop
And therefore if ye will vouchsafe to hear
A tale of me, that am a poore man,
I will you tell as well as e'er I can
A little jape that fell in our city."

Our Host answer'd and said; "I grant it thee.
Roger, tell on; and look that it be good,
For many a pasty hast thou letten blood,
And many a Jack of Dover hast thou sold,
That had been twice hot and twice cold.
Of many a pilgrim hast thou Christe's curse,
For of thy parsley yet fare they the worse.
That they have eaten in thy stubble goose:
For in thy shop doth many a fly go loose.
Now tell on, gentle Roger, by thy name,
But yet I pray thee be not *wroth for game;     angry with my jesting
A man may say full sooth in game and play."
"Thou sayst full sooth," quoth Roger, "by my fay;
But sooth play quad play, as the Fleming saith,
And therefore, Harry Bailly, by thy faith,
Be thou not wroth, else we departe* here,                  part company
Though that my tale be of an hostelere.                      innkeeper
But natheless, I will not tell it yet,
But ere we part, y-wis thou shalt be quit."               assuredly
And therewithal he laugh'd and made cheer,
And told his tale, as ye shall after hear.

Notes to the Prologue to the Cook's Tale

1. Jack of Dover:  an article of cookery. (Transcriber's note:
suggested by some commentators to be a kind of pie, and by
others to be a fish)

2. Sooth play quad play: true jest is no jest.

3. It may be remembered that each pilgrim was bound to tell
two stories; one on the way to Canterbury, the other returning.

4. Made cheer: French, "fit bonne mine;" put on a pleasant
countenance.


THE TALE.

A prentice whilom dwelt in our city,
And of a craft of victuallers was he:
Galliard he was, as goldfinch in the shaw*,            lively *grove
Brown as a berry, a proper short fellaw:
With lockes black, combed full fetisly.                       daintily
And dance he could so well and jollily,
That he was called Perkin Revellour.
He was as full of love and paramour,
As is the honeycomb of honey sweet;
Well was the wenche that with him might meet.
At every bridal would he sing and hop;
He better lov'd the tavern than the shop.
For when there any riding was in Cheap,
Out of the shoppe thither would he leap,
And, till that he had all the sight y-seen,
And danced well, he would not come again;
And gather'd him a meinie of his sort,              company of fellows
To hop and sing, and make such disport:
And there they *sette steven for to meet             made appointment
To playen at the dice in such a street.
For in the towne was there no prentice
That fairer coulde cast a pair of dice
Than Perkin could; and thereto he was free    he spent money liberally
Of his dispence, in place of privity.       where he would not be seen
That found his master well in his chaffare,                merchandise
For oftentime he found his box full bare.
For, soothely, a prentice revellour,
That haunteth dice, riot, and paramour,
His master shall it in his shop abie,                       *suffer for
All have he no part of the minstrelsy.                        although
For theft and riot they be convertible,
All can they play on *gitern or ribible.             guitar or rebeck
Revel and truth, as in a low degree,
They be full wroth* all day, as men may see.                at variance

This jolly prentice with his master bode,
Till he was nigh out of his prenticehood,
All were he snubbed both early and late,                       rebuked
And sometimes led with revel to Newgate.
But at the last his master him bethought,
Upon a day when he his paper sought,
Of a proverb, that saith this same word;
Better is rotten apple out of hoard,
Than that it should rot all the remenant:
So fares it by a riotous servant;
It is well lesse harm to let him pace,                        pass, go
Than he shend all the servants in the place.                   corrupt
Therefore his master gave him a quittance,
And bade him go, with sorrow and mischance.
And thus this jolly prentice had his leve:                      desire
Now let him riot all the night, or leave.                      refrain
And, for there is no thief without a louke,
That helpeth him to wasten and to souk                           spend
Of that he bribe can, or borrow may,                             steal
Anon he sent his bed and his array
Unto a compere of his owen sort,                               comrade
That loved dice, and riot, and disport;
And had a wife, that held *for countenance            for appearances
A shop, and swived* for her sustenance.             *prostituted herself
       .       .       .       .       .       .       .

Notes to the Cook's Tale

1. Cheapside, where jousts were sometimes held, and which
was the great scene of city revels and processions.

2. His paper: his certificate of completion of his apprenticeship.

3. Louke:  The precise meaning of the word is unknown, but it
is doubtless included in the cant term "pal".

4. The Cook's Tale is unfinished in all the manuscripts; but in
some, of minor authority, the Cook is made to break off his
tale, because "it is so foul," and to tell the story of Gamelyn, on
which Shakespeare's "As You Like It" is founded. The story is
not Chaucer's, and is different in metre, and inferior in
composition to the Tales. It is supposed that Chaucer expunged
the Cook's Tale for the same reason that made him on his death-
bed lament that he had written so much "ribaldry."

At the corner of Wood Street, when daylight appears,
Hangs a Thrush that sings loud, it has sung for three years:
Poor Susan has passed by the spot, and has heard
In the silence of morning the song of the Bird.

’Tis a note of enchantment; what ails her? She sees
A mountain ascending, a vision of trees;
Bright volumes of vapour through Lothbury glide,
And a river flows on through the vale of Cheapside.

Green pastures she views in the midst of the dale,
Down which she so often has tripped with her pail;
And a single small cottage, a nest like a dove’s,
The one only dwelling on earth that she loves.

She looks, and her heart is in heaven: but they fade,
The mist and the river, the hill and the shade:
The stream will not flow, and the hill will not rise,
And the colours have all passed away from her eyes!

We love urban, ice wrapper choc full, dense with matter, cream the power runs through, finding space, each cell. Unit, one by one, stacked upon deck, pile, floating concrete and multi access path. Crank each floor, glass patent steel, glint the Thames, Humber and Clyde, a boat in the reflection, slum cleared gentle penthouses on the other side. Dogged, ***** not allowed, Barking, Hackney, Toxteth, Little Ireland aka Cardiff gone. Dodo, hatchet, escalate poverty, high rise cool, the high rise flat.  Crowning glory, a sea of chiming memories, stirs the tenement cat. Swept beneath the paradigm, catapult off the parapet, somersault into a different time, moonlit skyscrapers, street sweepers become the concrete and the fifty foot glass dancers, cross between the cargo arches, gargoyles and shields bring them to the ground. The twisted metal of prams and brand new cars grind, traffic in drones, and the city drowns. Strip turn central, gorgeous girl, Hoxton lad, a touch too Dad, deposit on a Liverpool street pad, generation retro spinning fractal, money linear pavement uber yellow, scuttling insects and street martins, skylarks flying Saint Pauls cross and ball bearings, shopping centres unending. Biting into Cheapside, the hidden livers, gold delivers, pure to stay the shivers, the office block rises. Sharp bends, the bridge divides, shark rides the sky, dumps the bank and pierces its side, docks in every city worldwide, rivers pink with the ticklish blood of regicide. Pumpish, Victorian, sweet and blue, the older the City the quicker the glue. Mortar rectified a moment to ***** and overawe you. Shock, new wave architecture, backhanded awe. Brum pill wave beast eat your heart out, find another Chinese storm, currency blizzard, scales hardly balance, aha you had it, now you simply own. Own the moment, the pebbledash, corrugated roof, outside toilet and underground transit. We love urban, your moment we cherish and drain, there is nothing we can’t refuse to understand, too complex to refrain. Bounce as we ride the terrace and its suburban long train. Take your sweetheart on the nightbus, ****** him her, the hier of your plane, that’s where they will love you in the memories of the life near the top floor, and the final flight you were too drunk to gain. Seventy Two, you’re only thirty and you’re on forty one. You’ll fall back or you’ll begin ascendency. Shrink with wisdom, pick up the building, a tool, dreaming of scaling London, young a journeyman, jousters young son, learned, resisted the gun. I’ll fight with two hands, pile bricks or guide with a pen. Draw your city, write my memory, bind moment with every fragment, underpath, cycle through. Lights fading, jumping colours in the district where the girls who live the density beyond you and me, each element boiling their hearts and steaming potent New York’s paths. You had poetry in the apron of your mother’s lap, golden syrup and milky sap. You love urban, fifties bubble contrast in your seventies shunted through urban oasis and with that unknown factor, uber bijou, ‘Finding Nemo’ flat. We are urban, you are fashion, you are the generation that copied that, found the culture in the swinging city, post uni shack. Seven Eleven, Atlantic side heaven, promised more than double checking your watch before bedtime. Look at your daughter, she’s got ‘more than’ you hoped for, already in the palm of her sleeping hands, waking up to a metropolis only she will understand.