I
*******, the blues
were running, the scrum
of seagulls a white cloud
of chaos above the waves.
The water churned and chopped,
teeming with small fish
devoured by bigger fish
ravished by the sharp-toothed bluefish—
all of them darting frenzied toward shore.
And my father screaming
for someone to, quick,
grab the fishing poles
for God’s sake.
My little sister
in her yellow
bathing suit
would not wait
for the poles.
She yanked fish after fish
from the boiling surf
with her small hands,
screaming in delight and victory.
She ran up and down
the beach, between
colorful umbrellas,
pausing only to toss
another writhing body
onto hot sand:
a wild child flinging
silver-scaled sacrifices
to stoic, multicolored gods.
We ate smoked bluefish for weeks.
II
Remember sitting in our first apartment
watching the snow beyond the windows,
listening to records and drinking seven-dollar
bottles of Malbec from juice glasses on the futon,
the narrow hallway strung with Christmas lights
illuminating thrift store paint-by-numbers?
Billie Holiday was singing “Lady Sings the Blues,”
her voice like a lady’s shoe, worn-in, refined.
I remember pondering the present
I would give you a few days later
in Ashtabula on Christmas Eve,
neatly wrapped and hidden under
the bungalow’s sagging eaves
(more vinyl, a Coltrane/Hartman reissue).
The snow would be falling in Ohio too;
your grandparent’s house filled with the smell
of Scottish shortbread and the sound of daytime TV.
When your grandfather died a few years later,
we listened to Vera Lynn’s “We’ll Meet Again”
at the service—your grandmother crying in black.
But what I remember most about that night
was later in bed, the snow subsiding,
the radiators clanking with warmth,
the Christmas lights casting colors on the wall,
your finger tracing songs across my back:
the stylus gliding to center, making me spin.
III
300 milligrams of Wellbutrin,
orange pills arranged in my palm
like hallucinatory ellipses, swallowed
to see where the last sentence will lead.
A bleak prescription: pain has a syntax;
grief, a simple grammar.
A land of blue shadows. An ocean of glass.
But that was years ago now, thank God.
I wrote poetry like crazy then,
on a word processor with a screen
the size of a paperback novel.
I smoked. Skipped class. Slept 17 hours at a time.
I scoured the dictionary for recondite words,
turning sesquipedalian over and over
in my mind, each syllable a sedative.
Like Rilke’s panther, I paced in cramped circles
around a paralyzed center, my winter boots
tracking mud along the brightly lit corridor
that led to the psychologist’s office.
One night I crashed
at my aunt and uncle’s
place in the foothills
and woke up alone with
a sense that the room, the house, maybe
the whole **** world was shuddering,
coming unmoored.
I retrieved my uncle’s .357 magnum
and tiptoed from room to room brandishing
an unloaded firearm in my boxer shorts.
The only sound, diffuse in the darkness,
was the gurgle of the fish tank filter.
I cocked the hammer, watching lionfish
swim in vibrant, agitated circles.
Next morning, I read the newspaper
and chuckled, having never felt
an earthquake before.
With a shock, I think back
to the Thanksgiving break
when I flew home from college
for the first time: the vertiginous
sensation of floating thousands of feet
above the Wasatch range, the mountains’
blue shadows and blinding snow
disorienting, my heart an unspun
compass incapable of pointing true.
The plane’s engines roared in ascent.
Decades later, I’ve landed:
married, with three children,
we drive across the country
in our minivan with the moonroof open,
howling out Tom Waits songs in unison.
Our moments together are conjoined
like tender marks of punctuation—
commas, semicolons, colons:
when the wind washes over us,
it whispers
and, and, and, and, and....
