Brave Menelaus son of Atreus now came to know that Patroclus had
fallen, and made his way through the front ranks clad in full armour
to bestride him. As a cow stands lowing over her first calf, even so
did yellow-haired Menelaus bestride Patroclus. He held his round
shield and his spear in front of him, resolute to **** any who
should dare face him. But the son of Panthous had also noted the body,
and came up to Menelaus saying, “Menelaus, son of Atreus, draw back,
leave the body, and let the bloodstained spoils be. I was first of the
Trojans and their brave allies to drive my spear into Patroclus, let
me, therefore, have my full glory among the Trojans, or I will take
aim and **** you.”
  To this Menelaus answered in great anger “By father Jove, boasting
is an ill thing. The pard is not more bold, nor the lion nor savage
wild-boar, which is fiercest and most dauntless of all creatures, than
are the proud sons of Panthous. Yet Hyperenor did not see out the days
of his youth when he made light of me and withstood me, deeming me the
meanest soldier among the Danaans. His own feet never bore him back to
gladden his wife and parents. Even so shall I make an end of you
too, if you withstand me; get you back into the crowd and do not
face me, or it shall be worse for you. Even a fool may be wise after
the event.”
  Euphorbus would not listen, and said, “Now indeed, Menelaus, shall
you pay for the death of my brother over whom you vaunted, and whose
wife you widowed in her bridal chamber, while you brought grief
unspeakable on his parents. I shall comfort these poor people if I
bring your head and armour and place them in the hands of Panthous and
noble Phrontis. The time is come when this matter shall be fought
out and settled, for me or against me.”
  As he spoke he struck Menelaus full on the shield, but the spear did
not go through, for the shield turned its point. Menelaus then took
aim, praying to father Jove as he did so; Euphorbus was drawing
back, and Menelaus struck him about the roots of his throat, leaning
his whole weight on the spear, so as to drive it home. The point
went clean through his neck, and his armour rang rattling round him as
he fell heavily to the ground. His hair which was like that of the
Graces, and his locks so deftly bound in bands of silver and gold,
were all bedrabbled with blood. As one who has grown a fine young
olive tree in a clear space where there is abundance of water—the
plant is full of promise, and though the winds beat upon it from every
quarter it puts forth its white blossoms till the blasts of some
fierce hurricane sweep down upon it and level it with the ground—even
so did Menelaus strip the fair youth Euphorbus of his armour after
he had slain him. Or as some fierce lion upon the mountains in the
pride of his strength fastens on the finest heifer in a herd as it
is feeding—first he breaks her neck with his strong jaws, and then
gorges on her blood and entrails; dogs and shepherds raise a hue and
cry against him, but they stand aloof and will not come close to
him, for they are pale with fear—even so no one had the courage to
face valiant Menelaus. The son of Atreus would have then carried off
the armour of the son of Panthous with ease, had not Phoebus Apollo
been angry, and in the guise of Mentes chief of the Cicons incited
Hector to attack him. “Hector,” said he, “you are now going after
the horses of the noble son of Aeacus, but you will not take them;
they cannot be kept in hand and driven by mortal man, save only by
Achilles, who is son to an immortal mother. Meanwhile Menelaus son
of Atreus has bestridden the body of Patroclus and killed the
noblest of the Trojans, Euphorbus son of Panthous, so that he can
fight no more.”
  The god then went back into the toil and turmoil, but the soul of
Hector was darkened with a cloud of grief; he looked along the ranks
and saw Euphorbus lying on the ground with the blood still flowing
from his wound, and Menelaus stripping him of his armour. On this he
made his way to the front like a flame of fire, clad in his gleaming
armour, and crying with a loud voice. When the son of Atreus heard
him, he said to himself in his dismay, “Alas! what shall I do? I may
not let the Trojans take the armour of Patroclus who has fallen
fighting on my behalf, lest some Danaan who sees me should cry shame
upon me. Still if for my honour’s sake I fight Hector and the
Trojans single-handed, they will prove too many for me, for Hector
is bringing them up in force. Why, however, should I thus hesitate?
When a man fights in despite of heaven with one whom a god
befriends, he will soon rue it. Let no Danaan think ill of me if I
give place to Hector, for the hand of heaven is with him. Yet, if I
could find Ajax, the two of us would fight Hector and heaven too, if
we might only save the body of Patroclus for Achilles son of Peleus.
This, of many evils would be the least.”
  While he was thus in two minds, the Trojans came up to him with
Hector at their head; he therefore drew back and left the body,
turning about like some bearded lion who is being chased by dogs and
men from a stockyard with spears and hue and cry, whereon he is
daunted and slinks sulkily off—even so did Menelaus son of Atreus
turn and leave the body of Patroclus. When among the body of his
men, he looked around for mighty Ajax son of Telamon, and presently
saw him on the extreme left of the fight, cheering on his men and
exhorting them to keep on fighting, for Phoebus Apollo had spread a
great panic among them. He ran up to him and said, “Ajax, my good
friend, come with me at once to dead Patroclus, if so be that we may
take the body to Achilles—as for his armour, Hector already has it.”
  These words stirred the heart of Ajax, and he made his way among the
front ranks, Menelaus going with him. Hector had stripped Patroclus of
his armour, and was dragging him away to cut off his head and take the
body to fling before the dogs of Troy. But Ajax came up with his
shield like wall before him, on which Hector withdrew under shelter of
his men, and sprang on to his chariot, giving the armour over to the
Trojans to take to the city, as a great trophy for himself; Ajax,
therefore, covered the body of Patroclus with his broad shield and
bestrode him; as a lion stands over his whelps if hunters have come
upon him in a forest when he is with his little ones—in the pride and
fierceness of his strength he draws his knit brows down till they
cover his eyes—even so did Ajax bestride the body of Patroclus, and
by his side stood Menelaus son of Atreus, nursing great sorrow in
his heart.
  Then Glaucus son of Hippolochus looked fiercely at Hector and
rebuked him sternly. “Hector,” said he, “you make a brave show, but in
fight you are sadly wanting. A runaway like yourself has no claim to
so great a reputation. Think how you may now save your town and
citadel by the hands of your own people born in Ilius; for you will
get no Lycians to fight for you, seeing what thanks they have had
for their incessant hardships. Are you likely, sir, to do anything
to help a man of less note, after leaving Sarpedon, who was at once
your guest and comrade in arms, to be the spoil and prey of the
Danaans? So long as he lived he did good service both to your city and
yourself; yet you had no stomach to save his body from the dogs. If
the Lycians will listen to me, they will go home and leave Troy to its
fate. If the Trojans had any of that daring fearless spirit which lays
hold of men who are fighting for their country and harassing those who
would attack it, we should soon bear off Patroclus into Ilius. Could
we get this dead man away and bring him into the city of Priam, the
Argives would readily give up the armour of Sarpedon, and we should
get his body to boot. For he whose squire has been now killed is the
foremost man at the ships of the Achaeans—he and his close-fighting
followers. Nevertheless you dared not make a stand against Ajax, nor
face him, eye to eye, with battle all round you, for he is a braver
man than you are.”
  Hector scowled at him and answered, “Glaucus, you should know
better. I have held you so far as a man of more understanding than any
in all Lycia, but now I despise you for saying that I am afraid of
Ajax. I fear neither battle nor the din of chariots, but Jove’s will
is stronger than ours; Jove at one time makes even a strong man draw
back and snatches victory from his grasp, while at another he will set
him on to fight. Come hither then, my friend, stand by me and see
indeed whether I shall play the coward the whole day through as you
say, or whether I shall not stay some even of the boldest Danaans from
fighting round the body of Patroclus.”
  As he spoke he called loudly on the Trojans saying, “Trojans,
Lycians, and Dardanians, fighters in close combat, be men, my friends,
and fight might and main, while I put on the goodly armour of
Achilles, which I took when I killed Patroclus.”
  With this Hector left the fight, and ran full speed after his men
who were taking the armour of Achilles to Troy, but had not yet got
far. Standing for a while apart from the woeful fight, he changed
his armour. His own he sent to the strong city of Ilius and to the
Trojans, while he put on the immortal armour of the son of Peleus,
which the gods had given to Peleus, who in his age gave it to his son;
but the son did not grow old in his father’s armour.
  When Jove, lord of the storm-cloud, saw Hector standing aloof and
arming himself in the armour of the son of Peleus, he wagged his
head and muttered to himself saying, “A! poor wretch, you arm in the
armour of a hero, before whom many another trembles, and you reck
nothing of the doom that is already close upon you. You have killed
his comrade so brave and strong, but it was not well that you should
strip the armour from his head and shoulders. I do indeed endow you
with great might now, but as against this you shall not return from
battle to lay the armour of the son of Peleus before Andromache.”
  The son of Saturn bowed his portentous brows, and Hector fitted
the armour to his body, while terrible Mars entered into him, and
filled his whole body with might and valour. With a shout he strode in
among the allies, and his armour flashed about him so that he seemed
to all of them like the great son of Peleus himself. He went about
among them and cheered them on—Mesthles, Glaucus, Medon,
Thersilochus, Asteropaeus, Deisenor and Hippothous, Phorcys,
Chromius and Ennomus the augur. All these did he exhort saying,
“Hear me, allies from other cities who are here in your thousands,
it was not in order to have a crowd about me that I called you
hither each from his several city, but that with heart and soul you
might defend the wives and little ones of the Trojans from the
fierce Achaeans. For this do I oppress my people with your food and
the presents that make you rich. Therefore turn, and charge at the
foe, to stand or fall as is the game of war; whoever shall bring
Patroclus, dead though he be, into the hands of the Trojans, and shall
make Ajax give way before him, I will give him one half of the
spoils while I keep the other. He will thus share like honour with
myself.”
  When he had thus spoken they charged full weight upon the Danaans
with their spears held out before them, and the hopes of each ran high
that he should force Ajax son of Telamon to yield up the body—fools
that they were, for he was about to take the lives of many. Then
Ajax said to Menelaus, “My good friend Menelaus, you and I shall
hardly come out of this fight alive. I am less concerned for the
body of Patroclus, who will shortly become meat for the dogs and
vultures of Troy, than for the safety of my own head and yours. Hector
has wrapped us round in a storm of battle from every quarter, and
our destruction seems now certain. Call then upon the princes of the
Danaans if there is any who can hear us.”
  Menelaus did as he said, and shouted to the Danaans for help at
the top of his voice. “My friends,” he cried, “princes and counsellors
of the Argives, all you who with Agamemnon and Menelaus drink at the
public cost, and give orders each to his own people as Jove vouchsafes
him power and glory, the fight is so thick about me that I cannot
distinguish you severally; come on, therefore, every man unbidden, and
think it shame that Patroclus should become meat and morsel for Trojan
hounds.”
  Fleet Ajax son of Oileus heard him and was first to force his way
through the fight and run to help him. Next came Idomeneus and
Meriones his esquire, peer of murderous Mars. As for the others that
came into the fight after these, who of his own self could name them?
  The Trojans with Hector at their head charged in a body. As a
great wave that comes thundering in at the mouth of some heaven-born
river, and the rocks that jut into the sea ring with the roar of the
breakers that beat and buffet them—even with such a roar did the
Trojans come on; but the Achaeans in singleness of heart stood firm
about the son of Menoetius, and fenced him with their bronze
shields. Jove, moreover, hid the brightness of their helmets in a
thick cloud, for he had borne no grudge against the son of Menoetius
while he was still alive and squire to the descendant of Aeacus;
therefore he was loth to let him fall a prey to the dogs of his foes
the Trojans, and urged his comrades on to defend him.
  At first the Trojans drove the Achaeans back, and they withdrew from
the dead man daunted. The Trojans did not succeed in killing any
one, nevertheless they drew the body away. But the Achaeans did not
lose it long, for Ajax, foremost of all the Danaans after the son of
Peleus alike in stature and prowess, quickly rallied them and made
towards the front like a wild boar upon the mountains when he stands
at bay in the forest glades and routs the hounds and ***** youths that
have attacked him—even so did Ajax son of Telamon passing easily in
among the phalanxes of the Trojans, disperse those who had
bestridden Patroclus and were most bent on winning glory by dragging
him off to their city. At this moment Hippothous brave son of the
Pelasgian Lethus, in his zeal for Hector and the Trojans, was dragging
the body off by the foot through the press of the fight, having
bound a strap round the sinews near the ancle; but a mischief soon
befell him from which none of those could save him who would have
gladly done so, for the son of Telamon sprang forward and smote him on
his bronze-cheeked helmet. The plumed headpiece broke about the
point of the weapon, struck at once by the spear and by the strong
hand of Ajax, so that the ****** brain came oozing out through the
crest-socket. His strength then failed him and he let Patroclus’
foot drop from his hand, as he fell full length dead upon the body;
thus he died far from the fertile land of Larissa, and never repaid
his parents the cost of bringing him up, for his life was cut short
early by the spear of mighty Ajax. Hector then took aim at Ajax with a
spear, but he saw it coming and just managed to avoid it; the spear
passed on and struck Schedius son of noble Iphitus, captain of the
Phoceans, who dwelt in famed Panopeus and reigned over much people; it
struck him under the middle of the collar-bone the bronze point went
right through him, coming out at the bottom of his shoulder-blade, and
his armour rang rattling round him as he fell heavily to the ground.
Ajax in his turn struck noble Phorcys son of Phaenops in the middle of
the belly as he was bestriding Hippothous, and broke the plate of
his cuirass; whereon the spear tore out his entrails and he clutched
the ground in his palm as he fell to earth. Hector and those who
were in the front rank then gave ground, while the Argives raised a
loud cry of triumph, and drew off the bodies of Phorcys and Hippothous
which they stripped presently of their armour.
  The Trojans would now have been worsted by the brave Achaeans and
driven back to Ilius through their own cowardice, while the Argives,
so great was their courage and endurance, would have achieved a
triumph even against the will of Jove, if Apollo had not roused
Aeneas, in the lik

I look out the window--an endless sky. The clouds are like nothing else--bold explosions and everywhere in the sky, infinite, above and still in time and space--Madness and Horror are said to have their own faces and names. Can't Beauty? Beauty has its own life--not a distinctive face, not a concrete identity--Beauty is breathing, standing, growing above us--the Clouds. I know that it's a bit foggy, I know what is actual is only actual for the one time and standing moment that it is there--maybe the Clouds move, travel, fade--but they never leave us. They're long, still and colossal enough to be viewed, admired, stricken, crushed beneath. I'm on a bus, travelling through San Francisco--a mystery on its own, mad like a spiral or giant--one with a heart and soul that is difficult to pinpoint and seemingly jolting, constantly moving throughout--down streets, through alleys, intensifying in the dazzling Golden Gate Bridge and boundary-less San Francisco Bay--a testament Olympian and profoundly simple, such a straightforward bridge with so many possibilities and tragedies. It's my destination, too.

I go to the Podesta Baldocchi--a flower shop, quaint, small, almost non-existent in the vertigo of San Francisco, but immortalized in another Vertigo--and inspiring search and enigma on its own--the vision of James Stewart chasing hills, corners, all the trails and paths for Beauty--a Beauty with two feet, a name, experiences--Beauty named Kim Novak. He follows Her, from the shores to the grave--She, praying at a cemetery, a faded figure in grief, He, watching obsessively like a predator--He finds Her on the cold shores, of the endless, alien seas--along the Golden Gate Bridge--on the verge of jumping. He saves Her, a metamorphosis of prey and personal freedom is triggered.

That's one of the many beautiful passages of Vertigo that I remember--passion, memory, disappearance, insanity, aggression. "Here I was born, and here I died", says the woman, named Madeline--a fatal, empowering woman of Beauty and melancholy, complex and deceiving. Chris Marker saw this too--a reservoir of thought from his Sans Soleil--the movie, the moment in time where memory and the Great Enigmas had finally been touched by skin and light. February, 1983.

Memory works that way.

That is one of the things I love most; memory. Memory is fading and escaping from me. I look down at my wrinkled hands--grief and nothing else--losing myself. I step onto the cliff where Madeline, where Grace stood. The sea is a rapture. Endless, everywhere, surrounding me from all corners--dozens of people have taken their life here. They jump from the bridge, they slip into the water and drown. Their entire breakdown and loneliness and humanity is silenced and stated in a small slip into the bay, or a thin, white splash--a miniature, but Greater Fall--beneath the bridge in all its magnificence and profundity, beneath the clouds, a silent act of Tragedy and Horror with a face, surrounded and drowned in Beauty and Rapture--breathtaking and cruel.

I am tired and lifeless. I can't stand it. I remember all the beaches, skies, nights, visions of the sun and daughters I've seen in my life, all the smiles I've faked, breaths I took--I hadn't thought of this until the nineties or so, in my wrinkled, tired years. I was remembering Marie--my only girlfriend and wife one I had met in the 40's--compassionate, dangerous, magnificent she was, like Madeline. Perfection and grace and danger. I had grown, loved, lived, watched everything and took every step with her--before she had died in 1989. She was my only care, my only love. I couldn't grip myself then. I hear my parents speaking, my mum and dad--dead now--my children, beautiful things--I couldn't keep them. I couldn't. I couldn't, their eyes porcelain--I went insane over all of it, a time to foggy to look back on. Time is the same stretch, place is the same and distilled--but memory is everywhere--one thing I love and can't stand.

And now I am here. The beauty is pastoral, distant, glowing and also deadly--like cloudy figures of steel and glass, concrete with fountains and blood in the shape of landscapes and towers--branches, cold, in a lonely place, fading from truth and Truth, identity and Greater Life--a thousand misty passions and poses stretched and scattered. I'm hopeless, I'm lonely, I'm cold. I'm wary, tired, confused with nothing left in me. I'm leaving, Reconciling beneath, below, and everywhere around Beauty.

I understand any doubts. I cannot take my nerves or my senses. They've failed, broken down on me--I've lost myself, very permanently this time.

I fall. I see nothing, feel everything crushing, me lying in the crystal bay--it fades. I can't see. I can't speak--I can't love, embrace, understand--I open my eyes, dizzy and faded, in a house, a rather cluttered, yet homely one. I believe I am small, looking up to my great pale towering mother, breats and lips and glowing limpid eyes... a fireplace, some warmth, some haze and some tears of joy. It is falling apart, where I am, but it is of embracing memory. I'm being looked and smiled at. I don't know where this is.

I close my eyes, I stand and open them seven years later. Cold water at my feet and sand--I look around to see a beach, stretched infinitely--past boundaries or understanding. The sea is dizzying. I look up to see that Beauty--still standing, moving across and thinning--that Beauty is sunless. Nothing but Clouds--an illusion, foggy and slippery of sorts--impossible and unbearable to experience. I stumble.

I look up, and there's now a ceiling--tall, blazing gold, marmalade and kaleidoscope--everything is blurring and melting. I'm in a hallway, with parents--a father and mother, loving, caring and safe; the only thing in front of me is a painting, swirled and swerved shore to thunder and graceful and passionate so distant--Holy, Andalusian girls from a Utamaro madman; thinly, finely lined, velvet in color and delicacy, colliding and cracked in shape, memory or sense. The painting falls, crashes, and the ceiling falls and opens to voices and laughs. I stumble, tremble, get knocked staggering, look down the hallway. It's crashing to black--I stumble to anyone; my father, the mad size of him, I rush and cling still around his arms--a shadow--then his terrible branches rising, fading, and everywhere--complete pitch black--coming for me? Far and off and a way a place cold and a lone in the Fall long and thundering--rippled--moving--then white--then clearly.

My next vision I can comprehend without running terrified is in Japan. It's 1964, I am 25. A television set, murky like playing out my dazed oxygen-starved hallucinatory real-fake mindbursting memories. Headlines, people, looking down at me. I can feel my knees again, and my heart. It's the Year of the Dragon, I'm nervous uncontrollably. Night after night, each one passing by as I blink, walking, everything changing, changing from me, I can feel. Or maybe I can't. I keep my eyes open, and don't lose my breath, hiding in rooms and feeling and apart torn so vast. I look at my surroundings--I don't know where I am--I think in my last passage? passed on through a thousand miles and faces and every conscious and spirit. My last one. I can't hide, though. I'm dying, my last breath and vision being me fading through time--such a quick thing--spinning and burying the Earth As I Have Watched It Through The Years in snow and rain and static and the Dead--I can only stare at the streets. I'm with my girlfriend Marie, it's November 28th, 1975.

She says to me, "What's wrong? You're on the balcony alone. You've been there for hours."

Marie, hold on tight, please. I'm lonely, terrified, frightened--I made a mistake, life is coming and going with all radiance and fleeting and darkness and closing doors. I've witnessed my birthday from another room. I've thought of my life again. I've seen it, distorted, everywhere, in colors and in heaps of broken fragments, images and ruins. I need your help--

"Nothing, just enjoying the city. It's beautiful," I say. It's nightfall, blinding rain, in Paris. That's where we spent our vacation, me and Marie. I love her; she'll be gone the next morning.

Then I go back. Different times, warm times, times like beauty and solid, everything going racing and wayward that I can't see a color and then white then eyes pale and hyacinths all over the place--I see Marie in the distance, oh Yes like poised like drips like canvas all around surround floating laying, kissing me, the Day I'd wrapped gently around her now I can see it like a reflection, and O I can't take it--that very last look, her face vivid--and I can't look back and I can't look down or up--just her face, lovely, wrapping more and Closer and oh Yes all around me and my mouth is going insane so tired and limpid losing words and tract and

And I can see you so lovely so gracefully and yes I will kiss you and gently cradling and your skin like rose and blossoms with the smooth touch from an Eve in flesh shrouded red and raw and when I feel anything else running through my veins like clockwork oh Yes it blazes all lovely like a reflection and the last lonely place left to fade to is only the Clouds and Sea and oh yes with all the magic of the Rite of Spring and the fogs and streaks of August O but then now I see I see O Lord I see the one-thousand-one dead poses and faces like this marie not the one I know but her Beauty erased a lying a loft a living Girl a shape a branch and yet still loving in her stone face-without-a-face so Anonymous so Kiss Me Deadly leave me taking me sprawling around me creeping crouching touching growing up my skin and veins and conscious watching all the artifice leave me and all colors and thought coming up lashing melting seething roiling yes oh yes just like a reverie like genuine insanity haunting and boiling like sweet crazed Narcissus in all the Moorish vines so thorny so lost so complicated and savage rose gardens is all one can see like solid waves--in the distance, the bold-coifed Wooden Duke, the blue Queen, away from the warped, whirling war scape outside and cold and I'm taken back a bit now bundled away from all the rows and thorny laces of buildings among buildings way in the distance out the window like crooked Van Gogh details and the noir jagged edges and tete-a-tete feeling of Life and Hope that the neons floating down streets give you when all seeping and spraying in your eyes and O the tangled webs and thorns and spiders of the panes and glass and shards and sharp'n'smooth curls and spiraling rings of it all and O the strewn of flesh like insect and myth and negative space and city all coated and sprawled I'm going to explode and I look up to see every bit of sand, waves, bold lines and streaks above and beyond me, all those curves and rods very dizzying and all beating and throbbing like mad and my vision went like some frothing beast held and dissected under light and shape oh Yes I say and I tell you while being dragged through all the Andalusian flowers and raindrops beside and above me and the Universe and the Love that could've been it's all above me too like a rose growing and blossoming with all the melting grace of a Holy girl oh Yes I say and state as clear again so rapturously like a living poem and as I leave everyone and leave this illusion I can sigh and pause and oh my goodness it's all spinning and apart and transcendent like the first Clouds and Grace above a monochromatic world--a speck--Nothing in its embrace--I stop, gaze with the recollection of every gesture of love and love's death in my life--I'm somewhere, everywhere, from the cosmos to the sea--and the ****** comes before me--Marie, Marie--and I burst and split like dust--she speaks to me. She listens, she hears, the only thing, milky, porcelain eyes and skin like nothing else--I ask her where I am. She opens her mouth, bestridden and humbled like a shadow or a monument. Glowing like birth, she told me--solemn, silent, fuzzy--she told me that I'm dying. "Life is slipping--all of you, your raw hands, your face, your memory--everything is slipping, gently. You're being erased from the world, experienced, dismaying--you're far from it."

I asked, "Where?"

She stared, bled, disappeared into thin air and continued, "I always get lost, thinking or looking into the sea or sky. Infinite, lovely. It never ends. Never, ever ends. I look at it and cannot help but forget about every bit of land, forget any shore, stone, or war, or the clearest whisper--because it fades away from me, so clearly, and I can't help but stare down the endless waves and curls, because they go on forever. They're everything. They're all mist and unbearable, simple and Everything--I think you're at the end of Everything."

My last Beauty.

Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry '**** the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:
That the still murmur of the honey bee
Would never teach a rural song to me:
That the bright glance from beauty's eyelids slanting
Would never make a lay of mine enchanting,
Or warm my breast with ardour to unfold
Some tale of love and arms in time of old.

But there are times, when those that love the bay,
Fly from all sorrowing far, far away;
A sudden glow comes on them, nought they see
In water, earth, or air, but poesy.
It has been said, dear George, and true I hold it,
(For knightly Spenser to Libertas told it,)
That when a Poet is in such a trance,
In air her sees white coursers paw, and prance,
Bestridden of gay knights, in gay apparel,
Who at each other tilt in playful quarrel,
And what we, ignorantly, sheet-lightning call,
Is the swift opening of their wide portal,
When the bright warder blows his trumpet clear,
Whose tones reach nought on earth but Poet's ear.
When these enchanted portals open wide,
And through the light the horsemen swiftly glide,
The Poet's eye can reach those golden halls,
And view the glory of their festivals:
Their ladies fair, that in the distance seem
Fit for the silv'ring of a seraph's dream;
Their rich brimmed goblets, that incessant run
Like the bright spots that move about the sun;
And, when upheld, the wine from each bright jar
Pours with the lustre of a falling star.
Yet further off, are dimly seen their bowers,
Of which, no mortal eye can reach the flowers;
And 'tis right just, for well Apollo knows
'Twould make the Poet quarrel with the rose.
All that's revealed from that far seat of blisses
Is the clear fountains' interchanging kisses,
As gracefully descending, light and thin,
Like silver streaks across a dolphin's fin,
When he upswimmeth from the coral caves,
And sports with half his tail above the waves.

These wonders strange he sees, and many more,
Whose head is pregnant with poetic lore.
Should he upon an evening ramble fare
With forehead to the soothing breezes bare,
Would he nought see but the dark, silent blue
With all its diamonds trembling through and through?
Or the coy moon, when in the waviness
Of whitest clouds she does her beauty dress,
And staidly paces higher up, and higher,
Like a sweet nun in holy-day attire?
Ah, yes! much more would start into his sight—
The revelries and mysteries of night:
And should I ever see them, I will tell you
Such tales as needs must with amazement spell you.

These are the living pleasures of the bard:
But richer far posterity's reward.
What does he murmur with his latest breath,
While his proud eye looks though the film of death?
"What though I leave this dull and earthly mould,
Yet shall my spirit lofty converse hold
With after times.—The patriot shall feel
My stern alarum, and unsheath his steel;
Or, in the senate thunder out my numbers
To startle princes from their easy slumbers.
The sage will mingle with each moral theme
My happy thoughts sententious; he will teem
With lofty periods when my verses fire him,
And then I'll stoop from heaven to inspire him.
Lays have I left of such a dear delight
That maids will sing them on their bridal night.
Gay villagers, upon a morn of May,
When they have tired their gentle limbs with play
And formed a snowy circle on the grass,
And placed in midst of all that lovely lass
Who chosen is their queen,—with her fine head
Crowned with flowers purple, white, and red:
For there the lily, and the musk-rose, sighing,
Are emblems true of hapless lovers dying:
Between her *******, that never yet felt trouble,
A bunch of violets full blown, and double,
Serenely sleep:—she from a casket takes
A little book,—and then a joy awakes
About each youthful heart,—with stifled cries,
And rubbing of white hands, and sparkling eyes:
For she's to read a tale of hopes, and fears;
One that I fostered in my youthful years:
The pearls, that on each glist'ning circlet sleep,
Must ever and anon with silent creep,
Lured by the innocent dimples. To sweet rest
Shall the dear babe, upon its mother's breast,
Be lulled with songs of mine. Fair world, adieu!
Thy dales, and hills, are fading from my view:
Swiftly I mount, upon wide spreading pinions,
Far from the narrow bound of thy dominions.
Full joy I feel, while thus I cleave the air,
That my soft verse will charm thy daughters fair,
And warm thy sons!" Ah, my dear friend and brother,
Could I, at once, my mad ambition smother,
For tasting joys like these, sure I should be
Happier, and dearer to society.
At times, 'tis true, I've felt relief from pain
When some bright thought has darted through my brain:
Through all that day I've felt a greater pleasure
Than if I'd brought to light a hidden treasure.
As to my sonnets, though none else should heed them,
I feel delighted, still, that you should read them.
Of late, too, I have had much calm enjoyment,
Stretched on the grass at my best loved employment
Of scribbling lines for you. These things I thought
While, in my face, the freshest breeze I caught.
E'en now I'm pillowed on a bed of flowers
That crowns a lofty clift, which proudly towers
Above the ocean-waves, The stalks, and blades,
Chequer my tablet with their quivering shades.
On one side is a field of drooping oats,
Through which the poppies show their scarlet coats;
So pert and useless, that they bring to mind
The scarlet coats that pester human-kind.
And on the other side, outspread, is seen
Ocean's blue mantle streaked with purple, and green.
Now 'tis I see a canvassed ship, and now
Mark the bright silver curling round her prow.
I see the lark dowm-dropping to his nest,
And the broad winged sea-gull never at rest;
For when no more he spreads his feathers free,
His breast is dancing on the restless sea.
Now I direct my eyes into the west,
Which at this moment is in sunbeams drest:
Why westward turn? 'Twas but to say adieu!
'Twas but to kiss my hand, dear George, to you!