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Samm Marie Jul 2016
Señor Garcia Marquez
Whatever did you mean
When you wrote of life
And of death by family
I'm in love with
Prudencio Aguilar's ghost
Roaming about the Buendía household
Hole in his throat
Washing out the wound
But what did you mean?!
I'm in love with
Do it yourself chastity belts
And Ursula's fear of ***
But why is this even a theory
Your concept behind biracial inbreeding
And Señor do not get me started
On Melquíades and José Arcadio Buendía
Because that friendship was
Fated to be doomed
I mean no disrespect in all this
I just want to know
Why use Macondo as an allegory
For the Angel Gabriel
You're genius, really
But your run on paragraphs
Infuriate every ounce of my writing soul
You're a Columbian Tolstoy
I mean that as no insult
Your works are tremendous and outstanding
But what am I doing
You're now just an old dead man
"Under the ground"
So now I belong to figure out
Why Pilar needs to fill a void
Opened by a ******
And why Colonel Aureliano Buendía
Thinks of his fond memory of ice
Just before being killed
I've paid my respects to your work
Please pay respects to my search
Just a poem about the late Gabriel Garcia Marquez's novel *One Hundred Years of Solitude*
Wrenderlust Jan 2014
One hundred years of solitude
and Marquez still couldn't shut you up,
your words tear down the walls of Macondo,
heckling the Buendías, poking fun at Aureliano
and his golden fishes. The circular history
spins to a halt, and I fold down
the corner of a page, as if closing the book
could save the city built on paper,
on the Formica tabletop
of an old café with a broken clock
A few chapters back,
you were chastising time,
saying one day you'd
crack your watch open,
rearrange the gears, twirl the dials
and steal back from the ticking hands
that steal so much from you. On page 178,
you committed abominations,
spooning sugar into espresso,
and declared your love for Dali because
the man melted time,
didn't care for anything
not molded to the back of a horse.
Cranberry scone finished,
you ruffle the newspaper,
bemoaning the stockbrokers
who grow fat and complacent
on the crumbs of seconds,
chewing chronological cud, you called it,
but you said nothing could ever pin you down,
much less some cheap Timex
on a nylon strap. Cast out of the fourth dimension,
Marquez scribbles graves for the Buendías,
in death, they've forgotten the original sin
and the Colonel forges fish
from the gold fastenings on his casket
ad infinitum.

— The End —