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Mateuš Conrad Mar 2017
too many youtube punctuation akins before my voice comes through, like: hi! i'm child-minding chalrie! ola! oo! advert gives a ****?! you see that? advert gives a toss! well... ola! original lost to marsh potatoes mash.

like i was led by a solomonic harem:

we're buggered;

   to be honest.... hugh grant could have
said that better, and, would have facied him...
if he made that one film from my youth
about a damsel in distress... and the return
of charles II to england... the thing adam and the ants
imitated: highwayman no robin hood...
clean shaven like a daffodil in early spring frost
for the eye to peer into...

as it turns out, you write one great piece of work
and everyone applauses...
you write a thousand symphonies,
and everyone turns flame-eyed and forgets
your one spectacular moment, which
you take into hades and wish to forget given
the total output, when they mention that it
was all great, but so comes cousin critic and you
know that most of it was... a bit ****...
               and because of that:
they tend to do better... they?
   the ones that hit the banknote of a one song
wonder... and then receded into life,
and debated with gay peerage in some restaurant
akin to bridet jones' diary scenario,
and oh my oh my: the palpitations necessary
like make-up... i can almost see flamingos take to ballet!

and then it's back to *quack quack quack

of promenades in the park watching mallards...
  
original jealosy fades.... no, nothing else,
it just fades... which can feel a bit weird,
basically it, just, fades - i take to foot what people
take to: speeding down the a408 thinking
about tax; well yeah, i tax my feet with a mile, or two,
sometimes i take to the mile or two
with a different pair of shoe.
                                   you a rhyming rhino too?
              
you write pachebel's canon,
you're going to compete with haydn's 103
symphony...
similar to a question: how many eggs am i
carrying in my basket?

dear reader, like i child i never fathered,
or like a dog i never petted,
          or should i simply aim at: dear ego?
what unit i had and never thought with,
never mind the thought of?

the fact that you can't cry, is the reason
that you are depressed,
that's another statement that's worthwhile,
stating apathy as a misery
without tears
, the original melan- -choly...

listen, i don't care because i don't want to,
  i care about something that i want to care
about because thte things i would like to care about
i can't or don't want to,
   so i take the "metaphor" (which means
half my hans zimmer is gone) that keeps
haydn's symphony no. 103 almost floating
above pachelbel's canon...
      i'd love to miss out the second l...
and there, the ****** white, the doves,
     the church, and... hail! the marching bride!
that feeling of consecration...
    can you realise that newspapers are stink
compared to dust-affording books?
              yep... newspapers are ****
compared to book... i kept a week's worth
of newspapers in my room, i realised
that it stank as if a cat ****** in my room...
  when i listen to pachelbel i'm supposed to think
of kent, or devon, aren't i?
thumbs up essex oi oi!
                   halfway house out of 'ackney
  or 'eckham...
      oh right, right, like i was ever invited to a
marriage...
                     some 'un 'as to be the black sheep
of the family...
   well... i hope she divorces aged 40 and has a miscarriage
aged 35... if i really wanted to give a toss...
i'd toss, a cricket 'ard ball of
                mahogany cranium and make
believe that i was loved,
instead of receiving postcards from strangers...
living about a mile away...
    so there i see pachelbel with his canon in D....
and there i see mozart, laughing in steppenwolf
as is worth citing:
      i wrote so much ******* i just had to
tickle my ***** like a philosopher might ****** his
beard... if that answers your question:
they remember him for only one song,
and do so rightly,
   me? i'm not quiet sure why they remember
me for a hundred.
   it's like pachelbel is the *** pistols
        and i'm the ramones, or the offspring,
or stiff little fingers... or the dread, ****!
green day?!
                 according to noel gallagher
who did say that never mind the *******
was something we didn't accomplish with his
oasis albums... even though back in the day...
on the european continent, no one sang anything
apart from oasis songs... you went to paris:
oasis... you taizé... oasis...
yes, what was, once, france... or frau hans...
and then the exagerration on the f....
like an alo alo alo episode...
                 that's basically what it sounds like....
pachelbel's           pa-she-sha  l          fix it bell's
   pashelbel's               it's also half check in czech...
     but that's what noel said akin to mozart:
to be honest? i'd rather just (have) written than canon in D
and ****** off; if i wrote more than that
i'd be anything but that spare prosthetic limb
for that one legged man, dancing at a party in Versailles.
Mateuš Conrad Jun 2018
the vacancy of a bonsai body of felines,
dogs couldn't even think twice
to pre- a pro- for a body,
while these lion-dwarfs,
domesticaton i can understand,
but caging, the study of zoology?
Rilke and the catatonic?
                  caged bonsais know
enough of their surroundings
to mute their killer instinct...
    let it lie dormant...
        but these upper bodies,
these tiers of "demoniac"?
           domesticated felines
acknowledge a shadow,
  the dormancy of their former stature...
exhale a volatility of defence
in the guise of a PYRH
        onto a cat...
    and then watch the cat
becomes disorientated by the mimic...
not the analogue,
  but the mimic...
             of your voice taking
form of a godhead speaking...
   bonsai felines are such obedient
creatures, unless you give them
the a priori archetype,
within the a posteriori confines of
the first: domesticator....
             a shyness creeps into ensuring
an awareness of their surrounding...
rough-up-a-cat-far-enough
until it cannot believe in a female human
and you've gained more than
just a whip over it...
you're regained spectating itself,
its obscure ontology,
           in a momentum of a genocide
of vermin,
  with or without it help of allowing
the concrete domestication of man being
deserving of its existence...
    of course this doesn't translate
when it comes to bonsai felines that do not
belong to you...
but the male bonsais that you owe...
notably the hack of observation via
  the igregious sound of attack:
            verily akin to a cobra's
                               dehydration "slurp":
at this point, a word is best sought
other than the cheapness of an onomatopoeia...
odd... no oddity in apprehending
the defence impetus for the female
from the male,
  given both are: sterile...
    this... sterilisation being the second
modus operandi of domestication
for man to explain...
            the female welcomed me
in uncoiling a bit of wood from her furr...
exposing her soft pouches beneath
which entrails hid...
                a dog might be:
a darling for man's metaphor
in experiencing solipsism...
but dogs are probably too dumb to even
mind owning a shadow...
cats, on the other hands?
semi-catatonic probably mind being
in possession of a pair of eyes,
which they cannot make a pair of
shadows with...
              hence the concern for:
Shadow... the overlord of
  Death and Sleep... the siamese twist
to bearing healthy twins
            akins to romulus & remus...
Shadow... also has another name...
        swiss psychoanalytical revisionism
nonetheless, for the biography of
Shay... ha-shay...
                             akin to Ha-Shem...
ha-shem: pig
            became the Ha-Shay of: bacon,
pork chops etc.
    if the Ha-Shem is YHWH...
then Ha-Shay is what is derived from it...
namely all of kabbalah.
           Matthew only asked to
reiterate:
                         i bring you, gifts...
akin to the fourth wise-man
before the static anomaly of the star
of Bethlehem...
         roaming stars are rare,
aren't they?!
Mateuš Conrad Sep 2017
the human faculty of memory
is as fickle, if not more,
as the handling of natural selection
turned awry, debased,
and a host of other thesaurus
akins.
Mateuš Conrad Jul 2018
why do, the much larger felines -
akins to tigers, lions...
   not have the serpentine
            eyes, equivalent to snakes,
within the excused
example of domesticating
                 bonsai?
                              ever look into
the eyes of a cat, at noon,
and not, see, the ***** slit
that's what's celebrated by the mandarin
in the form of the dancing dragon,
the Caduceus...
   the larger the feline,
the more mammalian eyesight...
  the smaller the feline?
well...
     it might be furry...
   but it's a ******* gremlin
                         underneath...
lizards have slit pupils...
  and then... "somehow":
enlarged, wide-awake come dusk
and the subsequent nacht...
lions? tigers?
    eyes like a gorilla...
there is no herr censor involved
in their eyesight...
      i still think that cats are
faking sleep within the confines
of so many hours, spent, fidgeting
into a comfortable position...
    it's... quasi-sleep:
   a gimmick of replicating
                               STASI sleepers...
me?
   i can tell you what i get off too...
girls *******,
   and overtly ***** pregnant
women, having, an insatiable desire
to move beyond the image
of belshazzar's feast:
by who else, is not rembrandt...
somehow... it's not longer
a game of endorsing guilt,
or a, "guilty pleasure":
she jerks off, and films it...
   and... i don't *******?
so... she can *******,
and put it in a public forum?
  i remember a time...
when jerking off didn't actually
provide ***** jurisprudence
excuses...
   all it was... was a sensation...
a muscle tickling...
still...
           huh?!
   big cats have mammalian eyes...
but these... bonsais?
       i'm pretty sure
there's a reptilian spy in there...
given the slit pupil
encompassed in the socket
of an extension of the brain...
   common english theme:
juggling act of "atheism",
i.e.
   a, the, a, the, a the, a the, a, the
α, θ, α, θ, α, θ, α, θ, α, θ, α, θ,
  a, the, a, the, a the, a the, a, the
(ah v'eh ah v'eh ah v'eh ah v'eh)
ו‬ א‬ ו‬ א‬ ו‬ א‬ ו‬ א‬ ו‬ א‬ ו‬ א‬ ו‬ א‬ ו‬ א‬ ו‬ א‬ ו‬ א‬
Adam Lazaro Mar 14
Poems unto sleep.
I read to you,
who drudged in jaded narrow suns,
Engored by the steel-edge‘d lance.
A shaft long like baton for a handless,
He who agrips the birth of light and darkness.
What hands? Your blood? And death?
A flail a darkened eyes a straying sleep.
What a strange metaphor for a burnout.
What a stranger line for a callout.  
What a strangest solace to whine about.
Here again, we ponder each ponder each aloud.
None again, we ponder each but alas the cloud.
No more! We’re mulling less than ever before.
Yes, yes, I see you. Though it is dark around.
Make no noise before dawn. For I made a tour
For you to wrap back up your wrist to lounge.
Until you crept much you look behind your back.
And We’ll meet again,when the lance had fallen
upon Each and each of em’ or us or all and none.
Afterwhich,
I popped away, out the viewer’s lane,
To sum accounts, the strands of mane.
Understand? Do count the rain.
By the ripples, not the chain.
Purl and rift and lop so brisk, so master.
Top a risk, a water dense, a matter of sense.
Immerse your cranium, eat your pain to scatter
Across the butter up a pan, still you kiss the bane.
And you stood blue, with or without pain.
What color is it next? Pink? Yellow perhaps.
You scare yourself with thoughts of mishaps.
Rank round the stripes, ropes and lives…oh.
Bare dotted gauges we thank,
of which we cut a blink.
and declare, “I see more than I think.”
Thenofwhich,
Much is seen, To be known.
Much is known, you will see.
Never or now, now or never.
No man of lips can whisper through a
didgeridoo.
Let a cricket hear you moan before your lips
of blue.
Resent! Listen and reply to an echo of an ugly voice.
You're still a child, a child of responsibilities,
Is it that which you call your toys?
So I've declared its nature now it empties
What sensitive brotherhoods, Akins, relatives,
Whatever. You do you hate it more than those
Whispers and whimpers you make up prose,
Like a model’s ugly review of the winners.
A loss isn't much of an effect than your cause.
I beg the corridor linen quake,
I beg the dice to loan an odd for a brake.
But the lance isn’t so seep,
And I'm gone, unto no sleep.
Thus listen, in darkness twilight.
In the dullness of a careless night,
Of that pale moonlight,
Who tugged the bight
up the greatest summit height.
Hush the song, puff—so much noise.
There are verses listening to you,
And there are songs listening to you.
Every time you run out of battery.
Run back to crescendos bowing in retrograde.
Oh now its the ocean’s raid, is what it's made
From your annoying back scratching aims.
Its a question asked what would the names.
And I would mend your beady pecks,
When there's no Cigarettes After ***.
Make me make you sleep.
Hindly hurl your hurdle heap,
Torch the zephyr you interkeep.
And fly.
Beneath your idle numen sky.
In ties with the barrier crossing billows
Ordains rushed to have all,
All the essays of the masters moments ago.
Ambrosia ornaments wrawl,
Crawl a moment ago, and then and then so,
Mirror heaven night.
No more noises white;
See false and you won't fight;
see it wrong to be right.
Is this a dream?
The words you’re witnessing.
Does it paint confusion?
Or celestial dissolution?
Whatever whatever.
Let us go then, you and I.
When the evening is spread out against the sky.
Like our leaden night of decomprehensibles,
Pillows—any pillow, you're good to cry.
Upon any reason agrip.
We started the night and we ended twice.
And you don't need to know why
the lance is as often as seep
When I read to you,
Before and after,
Your poems unto sleep.

— The End —