He’d found himself restlessly housebound
(All men being the creators of their own comfort,
As well as the progenitors of their confinement)
And as the snow was on the lighter side,
Though tending toward the wet as well,
The type which renders the sidewalks in the town below
A bit, as the local parlance would have it, on the slippy side,
But his boots had sturdy uppers and decent tread,
And a walk this time of year less threatening than most,
What with the bobcats napping at midday
And the timber rattlers under the frost line for the winter,
The only threat to his well-being the potential discovery
Of some heretofore unseen red-ribboned stakes
Announcing the intention of some new **** fool
Who, in service of some desire to get closer to Mother Nature,
Was seeking to build in some spot
Where she offered him little more
Than a future of cracked foundations
And wind-sheared roofing misadventures.
Fortunately, his stroll was uninterrupted
By such man-made foolishness, his reverie undisturbed
Until such time as he happened upon a whitetail doe
Seemingly caught between flip and fly,
Her ilk all somewhat more comfortable
With their human counterparts
As they lived more cheek-to-jowl,
(But black-powder season had just ended a couple of days back,
So a certain skittish wariness was to be expected.)
He’d raised his hands in a gesture of what he supposed
Was non-threatening, knowing such a thing to be utter foolishness
Even as he raised his arms skyward,
But the beast backed away slowly, haltingly,
Before turning and cantering off,
And he figured that made it as good a time as any
To head back down toward the house,
Not to mention the snow had picked up in intensity,
A grainy, sleety issue which had filled in his footprints,
Leaving them barely perceptible in the waning daylight.

It's said,
On Christmas Eve,
The animals gain speech,
But they won't waste it on the likes
Of us.

We hadn’t seen it for a couple years,
The film being a bit difficult to watch
Without dropping a few bucks
To stream it in all its black-and-white glory,
(A prospect which would have brought a grim smile
To a certain white-haired small-town banker)
Our laser disc scratched, our VCR beyond obsolete,
But there have been enough viewings
That certain tableaus
(Flower petals strewn, the glycerin tears)
Remain as familiar as the views out the front door,
And so on a whim we drove up to the quaint burg
Which espouses its claim to be Capra’s inspiration
With a tenacity which belies the season
(Though one look at the bridge which sits astride
A wan offshoot of the Erie Canal
Is sufficient for a startling bit of déjà vu)
Finding ourselves by ourselves in a restaurant
(The times after all, and it a weeknight to boot)
Surprisingly open, even though the town fathers
Had opted hopefully to decorate, as per usual,
The village streets to be as Bedford Falls-esque as possible,
And as we sipped our soup and munched our salads
We mused on how wonder and anxiety
Could walk hand-in-hand
(As we did on the way in and again on the way out)
And though our laughter was a soft, muted thing,
It tinkled in the manner of such things
Which enabled seraphim to gain their wings.

I have garnered such wealth as I have
Through, if I may be so bold as to say so,
A preternatural ability to observe and catalogue
The foibles and follies of my fellow man
(This hard-won sagacity not the product
Of what I have learned as much as
The sum of what others do not know of themselves)
Yet, even though I believed
I had plumbed the very depths of absurd behaviors,
The prospect of kings--no, more than that,
Kings among kings-- bearing gifts
And complete fealty to some rank infant
Rudely swaddled and propped upon damp straw
Has brought even myself to bafflement.
Understand, the charms of children
(And the commensurate commercial usefulness)
Are not unknown to me,
But they are mercurial, undependable beings,
As ephemeral as the light of stars
Which allegedly acted as a guide to that trio of sovereigns
As their retinues crossed sand and savanna
(I sometimes chuckle to myself at the notion
That perhaps unwarranted clouds
Could have obscured the object in question,
And that the triumvirate could yet be
Wandering, searching, ruminating in vain)
Such intangibles are nonsense, of course;
Mere fol-de-rol entertained by those
Who would disdain the heft of solid coin,
The grit of good sand and dirt
Providing the assurance of good footing
As one saunters across the landscape
Upon such a night as this,black and unilluminated
As the aftermath of death itself.

James Sebastian Middlemarch was a prodigy.
No other way to say it in truth,
And those who knew him and his gift
Were in agreement that he was destined to reach
The apogee of the musical world,
Though he, even at a very young age, discouraged such talk,
Sometimes offhandedly, but at other times
Quite insistently indeed, for, even then,
He had the constant, gnawing suspicion
That there was a disconnect between the harmonies
(Mad, excruciating, yet unspeakably lovely)
Which scampered unfettered around his head
And those he could bring forth on the piano or viola.  
Nonetheless, his aptitude pulled him along
Through longitude and latitude,
To Julliard, then Paris and Vienn, maixing with others
Marked by their provincial peers as The Next One.  

Through all this time,
The sonatas, concertos, and full-blown symphonies
Danced on in his mind without restraint or retreat
Yet, when he tried to corral them onto paper,
They kicked and bucked and spit out the bit
In spurious sixteenths and turgid quarters
Which cantered along in pedestrian time signatures.  
These pieces (the “sad imitations”, as he called them)
Were performed on more than the odd occasion,
But on smaller stages by undistinguished orchestras,
And those freelancers dispatched by features editors
In the Rochesters and Pensacolas of the world
(Small-timers themselves, yet wholly without sympathy)
Would cluck and sigh dismissively in their reviews
That the works were derivative,
With easily discernible bits of Strauss and Schumann
(Clara Schumann, according to one acerbic small-town wit)
Scattered here and there,
And they were unanimous in their belief and opinion
As to the minor nature of his presence on the musical landscape.

After some years, he stopped publishing his works
Which made him even less of an afterthought
Than he had been at his low-slung zenith.  
He continued to play with some regional symphonies,
Where he was deeply loved by his colleagues,
As he was modest in the face of praise,
But never sparing in dispensing kindness in return,
And to all appearances the frenzied siren airs
Which had ridden roughshod over his psyche for so many decades
Had ceased at last, but after his death, one of his sons discovered,
Squatting surreptitiously under a mound of ancient antimacassars,
Several trunks containing untold scores of sheet music,
(Updated versions of earlier work,
New pieces abandoned in exasperation)
Which sat in mute testament to the difficult labor
Of unfastening onself from the yoke of being ordinary.

Our Sweeney nurses his Falstaff,
Joining his hail-and-well-met fellows in mirth
This man of hearty life and laugh,
His fingernails rife with the stuff of earth and labor.
Outside, the moon’s reflection
In the sluggish and slatternly Canisteo
Is a portentous dot-and-dash thing,
Its light here-and-gone
As incongruous evening thunderheads,
Great wavy pompadours rolling off the big lake out west,
Growl sullenly as they move through;
Sweeney pays them no mind, as he has other fish to fry,
Regarding a frowzy pair from the sisterhood of round heels,
One of whom, catching his glance,
Crosses the room, mounting his lap and mussing his hair,
Purring ‘Jus wanna see how your lap feels, Hon.
At which she falls on the floor
(But softly, in the manner of an old campaigner)
Thereafter taking a moment to pull her skirt up just so
To adjust a stocking (black, with a run or two on display)
As her compatriot stands nearby,
Making calculations and considerations,
And with a barely noticeable nod to her co-conspirator
The pair head to the bar
While Sweeney, grinning the grin
Of a toreador expectant of victory and its spoils
Rises to join them and, just as suddenly, pauses,
Perhaps cognizant of the old poker saw
That if you look about the table
And can’t figure out who the mark is, it must be you,
Or perhaps it was the ringing of the bells on the hour
From Our Lady of the Valley
(Normally inaudible inside the tavern,
But the wind had made an odd swing to the southeast,
Allowing the chimes to occasionally outshine the jukebox)
Or perhaps something else intangible, inscrutable,
But in any case Sweeney bids his congregants
A hasty farewell as he saunters to the doorway,
Exiting into the humid, fecund evening,
And as he negotiates the sidewalk homeward,
He notes the odd evening singing of birds,
Their songs, even though he is part and parcel
Of this small city and its streets to his marrow,
Unfamiliar to the point of bafflement.

Critics
were all grateful
the show "A Braying ***"
was not renewed for a second
season.