Gather up the bags under your eyes,
Turn off the lights in your heart,
Lock up your soul,
Keep walking,
Maybe take a taxi away from your thoughts.

You say we should build one,
I say we're not six-year-olds anymore
but you coax me into it
and I find myself
digging with a blue plastic *****
but you use your hands,
scooping up lumps of the stuff.
I notice how some gets stuck
in your fingernails,
how the tip of your thumb
has been stippled orange
but I laugh when you tell me
it's nice to feel young again
and I feel it too
although you, not the building
has more to do with that.

We don't stop,
we make a whole row of them,
name them after ourselves,
feel so proud of our work
like builders after a long day,
but it's still morning for us
and every-time you stand,
tiptoe up to the sea,
I get so stupidly worried
the tide might take you away.

Left bank beards
in Beat hotel rooms,
a boulangerie breakfast
down the street and to the left,
and for lunch fresh baked bread and brie.
Letters sent home to fathers and mothers
singing sweet serenades of Paris
dressed up in autumn shades,
cheques for the royalties that'll
get them to Belize to write and swoon,
chat up ladies in the early afternoon;
where hotel fees that are treble those in the 5th,
bookshop stalls that'll never be found
another closing-down-establishment myth.

They were climbing with oxygen
long before we came along,
base camp poems written under
floor lamplight right before
the eyes of others.
Jett powered prose and wine in the light
sleight-of-hand punctuation and uptight
editors looking for finer narration.

‘I was too young when I fell for God’, she said
‘I heard you’, I said, ‘I said I could hear you’.

The train was busy, far louder than usual,
and we sat together, fingers wound together. Rough cuticles.

What were we doing so young,
getting married before the eyes of our Son?

Twenty-two and not a thought for the future,
though maybe you’ll be slimmer and I’ll be cuter.

‘I know about you two and your motorbike miles’ I said,
her face turned around, tired. It was Dulux paint-chart red.

‘How did you? Did he? I am sorry’ she said,
‘Oh that’s okay, really it’s fine, not to worry'.

Tube train doors opened and I filed out in no line,
she followed behind, slow. Karma had taken her spine.

‘You could wait to hear my explanation’ she said, tired.
Across the tiled platform floor, I carried on uninspired.

‘It was a stupid weekend away, we took the scenic route. Are we okay?’
Full stop pupils and an open mouth comma, what else could she possibly say?

‘It’s only recent, not all that frequent’ she said,
‘Well who knew that Winter was the season of unfair treatment?’ I yelled.

Reached the escalators and walked out single into the fresh air,
turned left onto the street and went looking for the nearest bar.

I think he wrote
while you baked,
made fairy cakes
or something of the sort
while the young ones
whizzed around
like balloons
released from your fingers.

I think he was
your applicant,
not a bad fit,
frothing with wit,
a kiss made you giddy
like a girl
on their first date
in the heaving city.

On a red day
I think you sighed
when hearing boots
in the hallway but beamed
on a blue day
when he strode
through the door, a tie,
another rough wool jumper.

When he rode
those capsules home
I think perhaps you
wished to nick
your thumb again,
see the crimson seep
and weep as a child
over their father.

I think you wore
the smile of accomplishment
on day forty-two,
enough had bruised you,
pinched your skin
so it hurt and burnt pink,
stung a cheek
and left a tender spot.

I think you didn't want to
but did anyway,
felt all your words
had charred and bled black
so inhaled the haze,
swam under the jar
for the last time, before it fell
and cracked on his floor.

And I saw spectres sway
in smoke and smog,
hazy gray, secretive fog.

And from the wings
of the checkerboard dance floor,
I stood, saw and adored.

And in fine finesse, finish and form,
you tore me up from the dance floor depth
and whispered odes I shall never forget.

*And what fools we were for not saying yes.
I am sorry.