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earthquakes happen so frequently
in the snow-capped mountains of Anchorage
that the people living along the outskirts
like to believe that the reason why it always
snows after the ground breaks apart like warm
apple crumble is because it’s the only way Mother Nature
can offer God a tissue after He sneezes without
being too rude about it.
in the winters, it gets so dark during the day
that sometimes she forgets that there is a world
beyond the four walls of her bedroom,
and maybe she is okay with this,
because it mirrors the silence she’s grown comfortable with.
she’s also grown comfortable with sleeping with
one leg hanging over the side of the bed that she
spends most nights alone in, so that she can sprint
for cover when the ground yawns beneath her.
she never runs, not even when she hears glass shatter
in the kitchen and the dogs whining when the bookshelf
collapses in on itself from too many years of carrying
the spines of all the stories her daughter would have loved
to live if she’d still been here.
and Loma she realizes then that maybe skeletons
come in the guise of yellowed, bone-dry pages and leather covers, too.
you can learn to get used to watching the world
fall apart around you,
and yet some pain lingers like a ghost,
taking you by surprise every time you open your eyes to the night
when you’re expecting the sun.
in Anchorage, you can watch the sun rise and set
within the span of five hours.
light is so precious in december that she swears
every household invests in halogen lamps because it is easy
to lose yourself in a room full of people when the day fades.
sometimes, she thinks it’s better that way.
like now, when her bed is the rowboat threatening to capsize
from the waves of motion rocking her along to a place where
the sea meets a starless sky, but only for 19 hours.
the phone rings somewhere far off,
and it’s probably her husband calling.
she lets it ring,
lets the answering machine take responsibility
for all the things she’s put off saying to him,
and it’s only when she watches the photo of her daughter
slam face-first to the floor in a glittering, fractured spectacle
that she gets up, the covers tangling around her as she removes
the photo haphazardly from the destroyed frame.
she walks through the living room with it,
ignoring the swinging chandelier.
pushes open the front door,
waiting in the doorway with her free palm pressed
against the wooden frame as if searching for
a sign in the shuddering heartbeat of this house
that is fragile with the weight of time and loss and love.
foundations crumble too easily, she decides,
her bare feet sliding against the icy steps
as she makes her way out of her home.
And to anyone else, it should be a miracle
that she has made it out alive
But at that moment,
she’s not thinking about miracles,
the red beet stains she won’t be able to get out of the walls later,
or the china shards wedging themselves like
knives to punctuate her footsteps.
the snow is falling like powdered sugar laughter
and for once, she is grateful that the biting cold
numbs her ****** toes.
above her head, the sky is breathing again,
exhaling in short bursts of violet and molten copper,
and if everything around her
is hell-bent on shifting into new and unrecognizable forms,
determined to split along its seams and swallow her,
then it won’t be so bad,
because here God is -
blushing -
after receiving a tissue.
should I feel honored
by the way you’ve
romanticized
my tragedy?

profited from it

carved out my flaws
with steady resolve

painted over them
as if the brush and scalpel
were one in the same

how long will I bleed
for your entertainment?

divine inspiration does not
make you a god,
my love

you cannot kiss cold lips
and breathe life into them

do not deceive yourself

though they worship you
for your crime,
we both know it is I
who will live and die
a thousand deaths
by your hand

make me your art,
but do not act surprised
when they forget
you've trapped prometheus
in canvas

immortality was never
yours
to begin with
my mother tells me that I cannot be

         everything for everyone.

she is, of course, right.
but I do not have an explanation scripted,
so I gape at her.

        how can you be everything for everyone,

she repeats,

        when you are barely enough for yourself?

        these games you play,
        don't you tire of them?

        how long will you keep pretending
        in this charade?

says it as if this is what I want,
as if insufficiency is what I desire,
when it was she who first
taught me to play.
I am jealous that she has
so quickly forgotten that
these games are all we’ve ever known.

         what do you stand to gain?

she demands again,
and I am not imagining
the desperation echoing
my own unanswered pleas,
imitating the comfortable pretenses
of my own well-worn facade.

her voice is the gunshot in the marathon
I can’t remember if I’ve

started or finished,

and I wonder later if it is

clarity or confusion

she detects in my eyes when I respond,

          what do we stand to lose?
I don't have much to offer

only this voice

this heart

these empty hands
always reaching and grasping and hoping

and this moment
this moment is all that will be left of me
when my name no longer
means something to you

there is only this
and there is only us
we are the only ones
who will give so much
and in the end still wonder

was it enough?
god
what I'd pay to keep that smile
for myself

how can you be so cruel
as to pretend not to know
just how much power
you already have over me?

don't ask the impossible
of me
but don't offer me the impossible
either

I have nothing to sacrifice for it yet.
I am finding pieces
of you
in places I never
thought to look.

your hair
in the shower drain.

the scent of your cologne
on sweaters I thought I gave away.

your lilting, half-dollar smile
knitted into the faces of so many
strangers passing by
who look nothing like you
but I always stop
always turn
always ask
                                                             ­                 have we met before?
as if it were that simple
to start over.

it makes me laugh now
to think that there was ever
once a time
when I thought I needed
these parts of you
to complete me.
she’s 70 degree miracles
in the dead of a hellish summer
Steve Miller Band’s "The Joker"
with the windows rolled all the way down
glossy strawberry rosebuds
left on the rim of old crystal glasses
and curling up sideways
catlike
in armchairs near windows
where the evening light becomes honey
she’s the pages of "Practical Magic"
we’ve dogeared together
and kite string strands of hazelton hair
loose from a messy french braid
just like now
drifting in front of curious eyes

look,

she’s laughing in the same shade
of fire-lit gold as the aspen
that whisper overhead,

have you ever seen anything so beautiful before?

no,

I answer honestly.

not even once.
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