she was underdressed, overtouched. and kept ironing out her napkin at the bar. with blue ink she wrote his last name in place of her own. the fan spun off-kilter. the bartender finished his third vegas bomb. one too many.

I feel this undying need
to bring myself to a higher plane
my mind a run away train
that managed to veer off track
only to be redirected
and brought back to center

Peace is the moment we
find our way back
to the path that suits us
and I am sprinting breathlessly
in a desperate attempt to salvage

Once again regaining the strength
to repair and purify
with nothing other than growth in mind
our internal battles are most brutal
but fighting them is surely time well spent
The only war I believe in

skyscraper man on seattle time
looms in the corner of swan lake and fry
untouchable denim untouchable blueblack plaid jacket
     he's put together with clothespins
     he's put together with stipends
     he's crammed between taxi cab book ends
skyscraper man on seattle time
stoic as the jet engines roar by
all his friends are magazines all his friends currentbrief
     he's got a little future
     he's got a few dimes
     he's got no father to call out the lies
skyscraper man on seattle time
watches smog children kick ***** on concrete
vulnerable under trees writes his novels in purpleink
     he's married once before
     he's read crucifixion lore
     he's returned his money to the store
skyscraper man on seattle time
looking through spectacles of ***** and brine
the rain falls hard the breeze sweet on the leaves
     he's emptying the soul of modern rock n' roll
     he's emptying the tray of ashed thought
     he's emptying the bank account cold
skyscraper man on seattle time
sheds crinkled skinmemory like the cicada
a twin-sized deathbed deathbed in apt. 203
     he's nothing.
     he's ever.
     he's happened.
skyscraper man on seattle time
carbon copied and eternal as saltwater as rust
invisible and tapping at the runrain window
     he's nothing.
     he's ever.
     he's happened.
skyscraper man on seattle time
climbs himself to the cosmos lightheaded perfection
ethereal visions of fullbloom love and legacy with measure
     he's nothing.
     he's ever.
     he's happened.

South Maine
the white beaches of Ogunquit
where the tide shrinks the shoreline
where the mud is made new
Lucy corkscrews her toes
digging deeper and deeper
What are you doing sweetheart
though she's my niece I pretend she's my daughter
I want to hit bottom so I can climb to the top
though she's four she's wiser than me
squawking seagulls float above
an orange glow seeps off the edge of the clouds
as they hustle west
Josh
Yes
Is the ocean forever
Of course I say as a wave washes her feet clean
*I wish we were oceans

What lives behind your eyes is a sea of mystery to me
I chose to take a dive
swimming through blackened history
I try to wash away the pain and distain
The hate that life deals unmercifully
but I admit regretfully your tides crash in so far from me
and I know you'll never heal nor listen to an outsider like me

I don't dream of you either. Not at night. The occasional daydream occurs. You crawl into my mind in sentimental coffee shop conversations we never shared, love made in hotels we never went to, picking up naked dolls with frayed blonde hair that the daughter we'll never have left out. Sometimes it's lovely not to question the reality.

Usually the night drives keep me in Oklahoma. I don't know how many times I've stopped in Kingfisher to look at that terrible statue of Sam Walton. But he reminds me that no matter how successful a man becomes, in the end his legacy is depicted by his leftovers. There's a sadness in that. But also a freedom.

Wednesday's drive took me to Ulysses, Kansas. Light pollution gave up just outside of Woodward. Guiding me like a weary wise man who forgot his frankincense, stars beamed and made for suitable company. I love passing through small towns at night. I become a ghost. I'm above them. I'm not exactly there. Brief haunt. Then on my way again.

I parked about 100 feet from my grandmother's old house. Judging by the minivan, some young family's new house. They were in the process of adding to the east side. I wanted to tear at every fresh board. Instead I picked up a couple pieces of my grandmother's gravel. Put them in my pocket. Touched her old mailbox, and drove to the cemetery.

When I got to the headstone, which read Merle and Virgil Mawhirter, I thought back to the last thing my grandmother said to Karen and myself. We visited her in the hospital right before she found herself in the pangs of a ventilator and scattershot science. It was her birthday. I bought her a book she never read.

As Karen and I left, she stopped us. "Don't forget to bring me some ice cream. Good to see you, Floyd and Margie." Not sure who they were. Ice cream. Even at the end, she laughed in the face of diabetes.

Do you think Tim will be the name beside yours on your headstone?

I lied down by my grandparents' graves. Dim moonlight seeped through small breaks in the amethyst clouds. Dead leaves feathered to the ground beside me. I wanted to say some words of encouragement to her. For her, but mostly for myself.

All I said though -- My name is Joshua, Grandma.

beat as a heart should

                  Heart never understood
the motion of Her words ‘cross page
and page

and
infinite
as th’ Atlantic
kindness flies through space;
abandoned.
when He left
She clung
                   to the blood.

beat as a heart should
    
                  Heart never understood
the penmanship,
or heartbreak                       as a muse.

pursuit came to an end,

                  relinquishing  Her pen;
does beating Heart
                    demand the sight to feel?

In haste,
I took the first woman like a whiskey shot--
every ounce of her scarred my throat
kept me silent, kept me staggering under the weight.
When the bottom shelf love went beyond full bloom,
I vomited her up, leaving me with a headache.

In good conscious,
I took the second woman like an aspirin pill--
every milligram of her alleviated the pain
kept me similar to content, kept me tame.
When the effects wore off and I pined for another drink,
I put her in the cabinet, leaving me rambling nomadic.

In guilt,
I turned myself into the third woman like a penitent criminal--
every liter of her blood solidified
kept me wrapped behind her bars, kept me seeking her good graces.
When the prison sentence drew to a close,
I left her behind, walking with an unwashable history.

The fourth found me frightening,
the fifth just ignored,
the sixth designated me the "other man",
and the elusive seventh only said, "You could do better."

In my mind,
the pills, prisons, and liquor melded --
the days cut short,
the nights grew long,
but I could do better
I could do better
I could do better.

I sold the pills, I poured the whiskey down the sink,
I left prison to the prisoners,
and in the mirror I became a religious practitioner.

To the Church of Better I subscribed.
Sober, lone, and free my cry.
To the darkness I whispered:
I am the resurrection,
I cannot be killed,
I am the resurrection,
the Buddha,
the Jesus,
the Krishna,
the Allah.
I am the resurrection,
born again and again and again.

She, a cavernous champagne glass,
he, a weary pony, who ate the neighbor's grass--
her name Ms. Wesson,
his name Mr. Smith,
they died on a slow Tuesday--
and stop looking Wesson clan,
if looking for a lesson.

Mid-afternoon
midst a love bent 69
Mr. Smith and Ms. Wesson
committed ******-suicide--
Mr. Smith turned from a man
back into a stain,
Ms. Wesson turned from a woman
back into a chain.

And the artist-in-neighborhood did rejoice,
subject matter for a painting to hang above
his licorice-colored memorial of a prisoner dove.

And the police did gossip,
was it love? was it *******?
What a fine piece of *** that could be living.

And it took the families two weeks to find out,
they wiped their feet on dead leaves,
daydreamt open caskets and planted juniper seeds.

Talk of another woman, talk of another man,
but God himself would tell you,
they were simply bored of each other's drugs,
they were simply bored of each other's barrels,
so, they barred each other from being,
and headed west on erosion's dime.

In the stands, down 35-3 with two minutes left in the fourth,
Fred Carson picks at the sticky, white remnants of a Coke bottle's label.
He leans over to me,
"Do you mind if I talk to you again?"
I don't, and haven't since kickoff.

"You know, I played running back on this same field."

"Oh yeah?" I say, allowing the story to commence.

"Started all four years. Rushed 1,000 yards as a freshman."

"Wow."

"It took five guys to bring me down by my senior year."

"That's insane."

"I probably still hold the record for most rush yards,
but I doubt they keep up with things like that."

He takes a sip from his drink. It's half empty.
His hair -- greasy, most likely on its third unwashed day --
parts to the left and clings to his skull.
He's wearing a long sleeve, plaid dress shirt.
The shirt is buttoned to the top.

"Hell, that was back in 1968," slows, "I graduated in 19-68. Jesus."

Fred retired from the post office six years back.
He claims he's never missed a game of Blue Jay football since 1970.
The high school band starts playing in the section next to us --
a misshapen cover of "Louie, Louie".
Fred raises his voice,

"You know, I've been to every football game since 1970."

"Yeah, you mentioned that last week."

"I apologize. Yeah, if it wasn't for that first year of college.
I got a scholarship to play ball at Florida State.
Couldn't be there and here at the same time, you know? Kinda hard."

He runs his big-knuckled right hand along his khaki'd thigh, checking his pocket.
He checks the left thigh -- nothing.
Reaches into his shirt pocket and reveals a lighter.
Then a soft pack of Marlboro Lights emerge.

"You know, I ran the fifty in less than five seconds."

To the dismay of cheerleader moms sitting behind us,
he lights the cigarette.
He stares at the Bic lighter with some NASCAR driver -- number 88 --
I don't recognize.
The cutout of the NASCAR driver's scraggly face
sits atop a navy blue and spiraling purple backdrop.
He starts to scratch at the label on the lighter.
A screech from a clarinet rises above the rest of the band,
Fred grimaces, takes a drag, continues,

"The coach at Florida State said I was the fastest boy he'd ever seen.
He said I was going to go pro. Sure thing, he said. I rushed for nearly
300 yards in the first game my freshman year. After the game,
the coach was like, see boy, I told you. You are going to tear it up
this season."

The NASCAR decal comes completely off. Under that purple and blue label,
Fred uncovers a white lighter.

"Would you look at that. I wouldn't have bought the **** thing if
I knew it was a white lighter. That's bad luck, you know. Hendrix and
that--uh--Janis Joplin lady both died with a white lighter in their hand.
Bad luck. A white lighter is bad luck."

"What happened at Florida State?" I ask.

"Well, we were playing Notre Dame during the second game that season.
Down by five with three seconds left on the clock.
We were on our own thirty, and the coach of Florida State was like,
run the hail mary play. But in the huddle, I look the quarterback
square in the eyes, and I say to him, captain -- he was team captain --
I say, captain, I'm hungry for that ball. He knew I could do it.
He took the snap, the receivers rushed down field, and I bolted toward
that line of scrimmage, took the handoff and I was gone, baby."

The crowd begins to cheer as the Blue Jay quarterback throws a long pass
to a wide open receiver. Fred freezes mid-story.
The cheer blurs into a silence, as each person in the bleachers
watches the ball ascend.

For the first time all night, the band lowers their instruments from their lips.
Just a ball floating.
The buzz from the stadium lights becomes audible.
One person gasps.
Then like dominoes the stadium follows suit.

The high arc of the ball betrays the distance,
and the pigskin plummets sharply.

"Interception!" the announcer cries through the speakers.

"That's a **** shame. I thought he was going to have it.
What were we talking about?" Fred asks as he drops his
finished cigarette into the nearly empty, naked Coke bottle.

"You were talking about Florida State. You were down five and--"

"That's right. So, I break up the middle. I dust that noseguard.
I stiff arm a linebacker. I looked like a Heisman trophy in motion.
I travel 69-yards down the field. I'm slowing down at the endzone,
thinking nobody is around, and sure enough -- plow -- the cornerback
dives right into my leg. I broke all kinds of bones and tore all kinds
of muscles. The doctor told me, he'd never seen anything like it."

The band plays the fight song as the clock winds down and the Blue Jays lose.
I try to disappear in the sea of blue and silver exiting t-shirts,
but Fred slows me down,

"It sure was good talking to you. I'll have to tell you more about Florida State
next week. Be sure to sit by me."

"I will," I say as the band director, Mr. Morton, steps in front of me.

"Hey, Fred," Mr. Morton says. He looks at me, then back to Fred.
He's trying to decide whether or not I'm of relation.
"Son, I went to Seminole State Junior College with Fred here
when we got out of high school."

"Really? Did you guys play football together?" I ask with innocent inquisitiveness.

"No, we weren't really into that. Though, we were at all the games.
We were in band together. Until Fred's wild streak got the best of him,"
Mr. Morton laughs, "am I right, Fred?"



The fight song came to a close.
With a lowered head, Fred walked into the silver, blue crowd
with a plaid dress shirt buttoned to the top.