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Trevor Gates Oct 2014
“Breathe it in
The stardust air
The lung-clamping smoke
And vile pious inflammation.”
Listening to sounds of irritation:
Humming of the fluorescent bulbs;
Shoes sticking to linoleum tiles;
Flies buzzing behind my ears,
Leaving me to count the years
And spaces between spaces
Fill the lonely night
until


All is silent now.


Then,
Tooth and nail and eye crust
Fading away to off-beat lunacy.
Her spine slithers sinisterly as she performs
With Vaseline greased hair that stands like horns
People stalking like beasts with mental disorders
Hobbling penguins and droll-*** walrus punks.
Cold liquor manipulating my contemplation
And I have moments of primal desperation
A monster suckling another monster
Bodies tangled like olive tree roots
Delicious and dreadful
Fraught and shameful


It’s the way of all flesh.


Among
Modern Soothsayers
and plenty of culinary racists,
Spraying ***** onto parchment pages
With forked tongues dancing on ***** stages
Coffee for blood and computer screens for eyes
With cool cats strutting to unknown leeching voices
Bottle-slung pistol whip hooligans with eyes of yellow stains
From chronic ink-sprayers of riots in narrow sectioned lanes
Snapping fingers to juke box ghosts and royal jazz sires.
Fourteen gypsy demons wanting to pull me apart
Showcasing trinkets and rubies she adorned
All while she smiles and performs
And the weight of the world
falls between my fingers,


Like cascading sand.


As I write,
The rhythm is changing
Like seasons in secluded eternity:
Orchestrations of sexplosions overtake the carnal scene
With hair pulling and gnawing teeth on the table in front of me
Those Bohemian idolaters basking in acid kiddy pools
Using tired variations of apologies in eastside sin city  
Arousing the vortex of virtuous degradation
In a hole of sunken matchstick validation.
Eyes of judges like the public census
And taboo connotations
Rule this attrition.
Rusting
Leaking stalls
Blue-plate special
Of sprayed blood on walls
The essence of color and voice
The culmination of illusory choice
Dances of erasers and procreators
Fever dreams of police shooting children
Like movie monsters and misunderstood heroes
Specters and Banshee sympathizers
Marching to ******* synthesizers
Burning ***** blue postmen
With afropunk priests
Of astonishing feats
To whom
May
Be


Concerned.


This deep sleep exists
To mediate the social cysts
The reprimand the blundering kids in the mists
From dreaming of their world without the risks
Of falling into fields of blackened earth
Where it all burns like a first world birth
And greater souls speak of my worth.
So I cannot wake up

The deep sleep
Is there for that.
It's been a while since I submitted some poetry.  This is like a combination of a rant, meets free-verse and urban spoken word.  It's just what's been on my mind lately.  I'd love to hear what you think it all means, or at least know your interpretation.

~

Exulansis: n. the tendency to give up trying to talk about an experience because people are unable to relate to it—whether through envy or pity or simple foreignness—which allows it to drift away from the rest of your life story, until the memory itself feels out of place, almost mythical, wandering restlessly in the fog, no longer even looking for a place to land.

Food for thought.
Trevor Gates Sep 2014
Our Father,

who art in heaven

Mother Earth,

who art in Hell.

Burnt to ash,

ready Armageddon

Watch the sky

where angels fell



Zipper-mouths pulled tight

as the Cross passes the way

Carnal masks shimmer light

As sludge engulfs the day.



Vicious, vicarious crows of blackened ember

Cawing and moaning; devilishly romantic

The touch of fingertips on lips I remember

Left her womanhood wet and frantic.


Unchained desires that surely are satanic.


Those hours in confessional amongst lying sycophants

Console weeping eyes and tarnished souls

Elected “Saints” stand tall with hypocritical blather  

Condemning children with eyes like burning coals



“But virgins taste sweeter,” as the angels say

With sins like spices which season raw meat

But innocence-takers hide beneath crimson beds

Sitting atop thrones as stewards to God’s seat



Will those that fall, eventually rise?

All creatures tempted by tangible discord

Would we disobey the Grand one’s design,

If we follow the path that derives from the Lord?



Samaritans run extinct in the iron fire roads

And jukebox ****** priests play The Doors

Demon-eye coffee, dark like oily foes

I sip and read about the murders in the Moors



Devil executions fuel the jungles outside

Angels Abandoning service to kids like me

Fixers and hitters of the skid south side

Shouts from the shadows, “Hey, Nothing to see!”



Violent red dresses accompanying long limb girls

Spreading legs for daddy and **** daddy do’s

Magic hallucinogens showing circles and swirls

In faces under hoods and sky-crying moods
Trevor Gates Jan 2014
These storybooks woven with leathery imbrication
Filling my palms with vile indication
Detailing such wickedness and strife
What ethereal threads cling to life?

Such labyrinthine desires scrapping in my mind
My soul from body; that body which isn’t kind
To delve deeper within the wounds that sever
To fellow wolves, demons and toothless beggars

Unholy martyrs preach from a podium underground
Ablaze in hellfire, monsters of the ravenous mound
Black tongues and cheeks full of worms and leeches
Coals flung and burning over deafening speeches

Sumptuous in eloquence, these tossers and man-boys
Evocative displays of violence, hushed by silence and toys
Beseeched, reprimanded in city squares with common folk
Feeding dogs in heat slop with a pail and tote

Children waving hi to people in cages, smiling indifferently
Don’t they know what this is? Yes and no, forever in shame
Don’t they know there be wickedness afoot?
There be shadows of molestation
And whips of industry
Eyes removed and replaced with bar-codes
There be devils amongst the valiant
And dark angels amongst us
The few and proud
Recite aloud:

        “Darkness brings uninvited guests
        And our bodies are bare
        Give us a blessing, a crumb or drop
        Of life that we all can share.”

Veins full of rubies and auburn sapphires
Creepers laced in the cowls of cadavers
Red water thicker than mud and spit
The fatherland sicker than a rotten ****

There be dark angels amongst us, telling tales deep-seated
They be grave and weary, their lives left defeated
Now in the wilderness they give slothful lectures
But it’s only fools who listen to these rambling specters

And soon no one listens
Save for the moon that glistens
Trevor Gates Dec 2013
On the surface of those cheap sheets of skin
Our hungry heads next to the radio
Emerson, Lake & Palmer sing of that Lucky Man
While children of the candy corn eat the postman

Space Opera pirates courted by Tiny Dancers of Mars
Spiders, in fact, band mates to a lad named Ziggy
Like us made of Stardust, eternal and galactic—
Though not supported by a studio laugh track

So many images can flash by changing channels
On the Technicolor TV late at night, feral and ******
Passing ships, Hamlet, pigs in clothes, angels killed,
Mouths ******, mothers crowning and holes drilled

Babes crying in the street, while the heavens fall
An unreal reality that flabbergasts wet dreams
Shifting gears for the animals to rule the room
Orwellian motifs ensuring self-righteous doom

Nothing written is appreciated till the lesson is met
Charted, ridiculed, challenged, accepted, analyzed
By those who skimmed through blurred scribbles of lines,
Puking phrases of former failures for the modern times.

Vicious cycles of kids raising parents
Using TV and Internet as the windows to life
Fundamentally naïve, systematically retrieved;
Academically relieved, posthumously achieved.

All meaning was lost in making albums not worth buying
All reason was abandoned when making movies not worth seeing
All adventure was ceased in vain of endless rules and authority
All we have are gadgets, bills and jokes on conformity

My broken clock is still ticking like a mechanical heart
All veins and arteries lead outwards from the center hands
The red lights of traffic leading in and out of the metropolis
Of that homeless blues singer named “something Tatopoulos”

A Japanese couple making a tourist trip to Memphis, Tennessee
Along midnight trains where ghost of Elvis haunts Italian women
Most of the time my references don’t make sense to most
But it keeps things interesting as I’m your eccentric host

Absolute processions of White Queen marches
****-face jackals sporting Mott the Hoople Tees
******* & *******, filling audience chairs
Prophets & moppets, raising fists in the air

Ooze-dripping ******* flower creatures
Topping off mammary gland excretions
Unknown pleasures released by Factory records
Amidst the hysteria caused by deaf leopards  

Pink and orange clouds, reflected in golden hazel eyes
Her smile I can’t forget, just everything about her
You never forget your first love, with eyes like maple
Even in the middle of seeing these strange fables

In this waltz we dance to the beat of three
One, two….

Why couldn’t that love last forever?
Three
Trevor Gates Dec 2013
[Fade in, Opera hall; Orchestra is tuning. There is a murmur of people whispering.]

Once upon a time
There was the House of God
And the stage of life

Its key players were man and woman
Supported by Sin and Death

The masterstroke of creation was not of the flesh

But of the souls

[Audience laughs]

I hold in my hand
The diary of a madman

Lined with notes and scribbles
Rotten thoughts to nibble

Food for thought
Or all for naught

Such eloquence and strife
From a torturous life
For these we must share
Alas, who would care?

Would you?

Let’s find out

For in this show tonight, in the heaps of winter fables
And changing seasons
The spectacles and visions shall not be enough


On a magic carpet set for Baghdad
In the Mirror sea of Venus
The performers are all here
For your entertainment

The illustrious Obsidian Theater beckons you all
The Masquerade of the Dream Catcher Ball


With masks, we put on our true faces
Our bare faces are mere disguises
That we wear in public places
But here we’re full of surprises

Mrs. Jujubee isn’t a housewife here
But a sultry dancer, moving to the tune of
Cat house romances

Mr. Wukanlyck isn’t an account anymore
But an eccentric ******* who plays at
Both ends of the field

If you know what I mean.

All these people are able to be their true selves in the light of the stage
How come they cannot be this way in life?
Why can’t they laugh with the bohemians?
Why must it all be a secret life?
Why can they not tell their spouses?
Their parents?
Their bosses?

Why can’t they be what they want to be?

Because…

Their spouses mock the idea of such silly notions and aspirations.
Their parents disregarded their dreams in the hopes they will one day:

“Wake up, get their life in order, so they can get a real job, earn a living, buy a house, get married and contribute to society like a normal person; have a decent life.”

If you can call that a decent life.

Why become another cog in the gears of the economic machine that fuels the fire of excess industry?

Why owe more money to lawyers, bankers and debt collectors in the hopes of owning a piece of property that is just like everyone else’s?

Why push out more unwanted kids into the world where there are already millions without homes, food or even families?

Those “free nations” are ok with owning guns than knowing what’s really happening in the world.  

If another opposing religion or country threatens your comfortable lifestyle then you’re ok with having your government go to war.  

You are slaves to your TVs

Your smart devices

Your phones

Your social networking

Your computers

Your shopping rituals

Your misunderstood purpose

Your narcissism

Your arrogance

Your defensive self-righteousness

Your thin empathy
An obtuse apathy

Indecisive, nail-biting listeners of classroom objectivity
Ridiculing social solicitors of mall shop dogma
The young millennial generations stamped with no discerning identity
Than the loss of critical thinkers which are replaced with
Cultural zombies and robotic masturbators dripping over
Dim screens of cyber people in the millions, filling minds with
Misconceptions, misguided eroticism, racial diabolism that will be
Passed on to friends, family and teachers who will disregard sources and substance
But use the same destructive and dividing strands of unrest
That will define their day to day lives
From the words
The minds
Of frustrated, opinionated
Suburb bloggers
Middle class pioneers that one day
will rule the country
Preaching of the day that all are troubles will be
“Resolved”
And all our past misdeeds and sins shall be
“Absolved”
The crusted, rustic chains of our forefathers’ bane shall be
“Dissolved”

And then maybe we’ll be able to embrace each other
Like in the storybook pages of our dreams
Where men can love men
And women can love women
And the faces, the masks
Will not be needed anymore
Because what we present to the world in the face of that
Higher being
Or simple sun
Will be what we truly are
We will have one life and one face and it will be all we need
Not like before, where our closets have that hidden space
Where we hide our real faces
With that suit of dusty skin
That everyone once in a while we have to sneak away and wear

Little Colette De Salle
Petite college student with features like
Audrey Hepburn
Singing in the underground garage
With Stevie and his troupe
Her songs haunting, elegant and pure
About people she once knew
Her parents
Beaten to death on the streets
By simply reporting the truth to the world
Which their bosses and media supervisors
Will determine what the “truth” is
And what is newsworthy at 7pm

She is Ms. Colette de Saille
And will be dead before she graduates
Because someone didn’t like what she said that one night
Calling out the Pigs and suits making sure no one paid
For her losses


This is Ken Sosnowski
But tonight on this stage he is Aveda Cicada
And she is who she is from birth

Like you all that sits before me

With shadowy smiles
And grins holding flowers, doves
Secrets

And

[Applause]
The Obsidian Theater, entry 16
Trevor Gates Dec 2013
Ripples of effulgent colors
Reaching out from waters disturbed
Waves bothering no one
Except silent moods
And heavy sighs

Leaves falling like the fire from the skies
Sitting at the river bed alone
Hearing the blazing trumpets of angels
In the air for all of the world to hear
Definite, gazing and profound

The streets echoing the screams
Of thousands
Maybe millions burning
The people melting
turning to ash

And

Visions so pristine, with pools of clear waters
Where the universe dances with shooting stars
Nights so serene, with comets and saucers
Where multi-verse poets tell fables from mars

Mirrors orbiting realms of light and sound
Along ghost ships, serpents and mango worlds
Wormholes overwhelms clouds that surround
Near women’s hips and flowing hair swirls

The earths below like a burning molten orb of muck
Where Rephaite giants wrestle behemoths in vile seas
The dreams glow here like a harem where angels ****
And centaurs play Gato Barbieri tunes full of gleam

And

That sad moment where I wake up in an ***** pit
Below the Broadway theater
And a little Chinese lady scoots me out for new customers
And I stumble out into the streets
And buy a paper
Reading of a stock market crash
and the end of my job

as I fend for life in the jungles of Vietnam
I see friends of mine get their faces shot to pieces
And their brains fall to my lap
And I scream as the Vietcong rush me
Hack my limbs off and leave me for dead
And I wake up in a hospital bed
A quadruple amputee
Falling in love with a nurse I might never see
Again, so I ask her to hold me and let me
Cry into her shoulder
Then I pay a homeless man
to push me off a bridge with him

We fall and hit the water hard and—
He sinks
I don’t
I float up to the surface
And when I emerge I see
myself at the edge of a river
Tossing rocks into the water
I call out to help
But He doesn’t hear me

He stands up and leaves
I crawl up from the river with new arms and legs
Crying with an emotion I cannot describe
For what dreams and past-lives have been here
And there
On this Day of Wrath?

On this beach of trash and rocks?

Where I can see my grand-kids playing
In the southern California dusk

And my wife reminds me of the first time we met
In that hospital
Next to the ***** den
At the end of the world.
Trevor Gates Oct 2013
The world is a Bersinski painting
The rain is a Plath poem
The night is a Fellini film
The day is a Bach cello Suite
Our love is a winter fable
Cold, warm and passing.

The stars are drips of milk
The wind is God breathing
The sky is a floating mirror
The grass is mother earth’s hair
Her ***** is the earth
Shapely, comely and nurturing

French roast coffee is the turning of pages
A scandalous book in a leather bound cover

The Snow outside is the harp strings strumming
Flaking specs falling lightly and patiently

The city is a never-ending waltz
The *** lives are directed by Bertolucci
The homeless vagrants are saints in rags
The People walking are sinners
Each a sphere within a sphere
A world within a world

The theaters are abandoned rib cages
The poets are Russian matryoshka dolls
The painters are lost children
The eyes are broken, stained glass
Your arms and body are home to me
Cradle me, soothe me and touch

Those words won’t do it this time
Sometimes the silence is what I need

And you with me, away from it all
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