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Trevor Gates Sep 2013
Polished nails and faint fingertips
Soothing touch, but quaint red lips
Almond-shaped eyes, hazel iris gleam
Fair skin worthy of the loveliest dream

These words on paper
The very first
Starting the rhyme and verse
With more moments
And stories
All so poetic and stoic
Bleeding ink to fresh paper
Bleeding hearts to woeful ears
Tracing the lines
Of my formative years

Ashy mist skies nestled over
Bleak sleeping mountains
Ghost wood trees likes hands
Reaching from the earth

A girl named Olivia
Sitting in my grade school class
Dark hair woven
Threads of black silk

I never knew her as she grew up
Just an illusory form of a forgotten past
Imagining her as she could be now
I could walk up to her
And say:
      
       “Hello Olivia, It’s been a while
        You changed since being a child
        Your beauty’s been enhanced
        Maybe you’ll give the chance
        To talk and reminisce
        I just can’t resist
        Everything I see and hear
        Has never been so clear
        You make me feel content
        Whole, serene and free
        I just wish this wasn’t a dream.”

All things I wish I could say
To a person I could never forget
Where you simply forgot me
Because I moved away
And you lived your life

Stupid poems of love
Stupid songs of strife
I don’t want these things in here
On here
On these new pages
These quips don’t represent me
The way I want to be recognized
These aren’t the things I want to
Talk about.

Let these crisp pages tell of mutant women
And ******-****** fiends frolicking fiercely
Distorted, cathartic characters collapsing
Rippling, regal rodents ******
And cesspools shaping  
Bubbling, contorting, boiling, simmering
Cow intestines infused with cake batter
Incestuous fairies hopping and dancing to screaming metal
Crunching, chugging riffs and thunder-booming bass lines
Frightening, fulsome, fearsome, ******-up fire starters
Worshiping, boars and their tusks and piling carcasses
Blasting kick-drums and rolls of stomping toms
Orchestra of darkness, Symphony of Hell
Masquerade of puppets and angel witch choirs
Demon women and devil men, swamping
Over bodies and pulling me into the pits
Where the pleasure my body and tear my flesh
Eradicating goodness and lights
With blood, pain, salivating mouths over hardened *****
******* **** and trusting in and out like wild men
In a lake of burning coals  
And sins

I observe these happening(s) in this modern day
So I must write them and you shall read
And in the process
You will be
Shocked, surprised, disgusted, appalled and desired
Your body reacting to these words and phases

    Ever wonder what my voice sounds like?

I do too, at least in your mind

This is my voice.
This is not your own.

Bourgeoisie dinner parties fit for cannibals
White weddings stained with septic blood
Children racing across the burning fields
Chasing the reaper and his friends
rapid heart beats
cold sweating hands
stomach pains churning and squealing
forcible labor to invisible babies
pulling back lips and gums
and retracting teeth
sinking into warm necks
******* and stretching
moans
and beauty through depravity
animistic, egregious
brutal love and subtle kisses
bleeding hearts
and
bleeding pens


This isn’t bad.

I like this

Would Olivia find this mind attractive?
Maybe
Maybe not
It doesn’t matter
These scribbles and dabbles
On these ****** pages
Are the beginnings to something more
All sprouted from the memory
Of a girl.
There are road maps and guidelines to writing. Sometimes, the greatest adventure and experience comes from ditching the map and taking that off-road journey into that never-ending horizon.

I try to think of goals and themes to tackle when composing new poetic compositions, but as I struggle I come to see that nothing seeps through the mind easily when it is forced. Presenting dictation to your thought process is the bare broken mirror to your psyche. Later in life, it can be a useful tool for any artist.

Be honest with yourself, don't try to accomplish just one thing. Never aim to please others and don't conform to rules laid before others.

Breaking away creative spontaneity, discourse and unmeasured wonderment.
Trevor Gates Sep 2013
Vespertine, fatal dream
Mistress conjuring shapes of night
Seventeen little fiends
Elegy for a demon’s plight


Alone in my study, sitting
before a roaring fire
Visions so ******
they churn desire

With the dead of night
summoning hellish zest
They come to incinerate
my corrosive flesh

The hymns of *St. Lazarus
beckon solace
from the cathedral outside
But I linger here in the bowels,
where my ancestral sins reside

Animistic stares gazing through
these dead-soul dreams
Where another horror story is not
always what it seems

Portraits of deceased queens
looked down at me with blackened eyes
Layers of muffled screams
festered while judging my vacant lies

Years before, my grandmother watched
over me as a boy in his bed;
Endless, ambiguous rhymes of prayer
are what she often said.

She promised to ban the spirits
that steadily linger
But dark twisting hands
outreached and took her

The monsters and invisible abominations
have always been here
Following my whereabouts,
watching me year after year

Subtle ghosts keeping my heart
and house cold
I sat and waited for what my
icy breath foretold

The dreams, the demons, the ghosts
all that severed me
From experiencing the love of flesh
I so forever longed to see


Came the hour the church bells rang and tolled


The dread of things to come
The moans and cries had begun

From lissome shadows and corridors
Like Charon beating souls with oars


Creeping evil fled
to the refuge of my home
To reap the sins
that my family had sewn

The rippling, screeching strings
of a malevolent orchestra
Scored and produced themes
worthy of infernal Sumatra

The flames in the fireplace
surged a green incendiary wall
From the hell mouth jaw emerged
a dark figure I saw.

Mother Mephistopheles,
            clad in silvery pieces with a pale face
            Manifesting atrocities, her emerald eyes
            welcoming our embrace

I backed away from the sights in,
my trance lost in her glimmer
But the noises and choir peaked
in a swarming fit for a sinner

In a gush of surrounding ash, Father Selaphiel materialized
The otherworld lovers reunited,
their bond revitalized.

We come unto thee, Son of Faust, heir to Blake.
They said in unison like a choral demon snake

Create a fleshling worthy of a child, of many in one
So the deeds of your family’s sins can be undone.


I stared at the figures with execrable bewilderment
Fearing my sanity had seeped through my temperament

They threaten my eternal existence with continued torment
A living anguish that would solidify my hell-bound descent

What must be done?” I asked these surrogate advisers

And they instructed
A body made from flesh and metal
Of dead and living components
Blessed and cursed
From God and Satan
Men and creature
Using their collected powers
to merge with the night
I swept across the villages
and cities to obtain the materials
Now all these years, I’ve wondered
Why my medical expertise had been put to waste
“Did the demons prevent me?” I pondered
“Or did they aid me?” I concluded in my haste

Innocent or not, I claimed what I needed
To rid myself of the terrors deep-seated.

A steel-woven chest piece
and half-incinerated cadaver
Twenty feet of large intestines;
boys, girls didn’t matter

Shelled-out cranial cavity
with cerebral cortex to match
Mixing bladders and gallbladders
worth its catch

Punctured spleens and insolent creams
Circulatory, digestive, endocrine,

Iron bones, infused tendons mount
Smells and rancid odors spilling out

Guts, pus, worms and maggoty brains
Boiling in holy water with dried remains

Sacks of chain mail and velveteen potions
Seething concoctions conflate emotions

Patches of caustic skin made like adamant leather
Bolted with steel fingered brutally severed

Into gauntlet armor, this mechanized abomination
Personifying my sickened, wailing degradation

I showed Father and Mother my life’s work and creation
A flesh-iron shell waiting, they stood with appreciation

Vespertine…” they called to the collage of my work
They petted its face while the shadows continued to lurk

Seventeen little fiends and creatures
appeared and surround
The moon shined through the glass
and the room around

The Seventeen shadow children became smoke and entered the monster
Now a being both ethereal and corporeal

My sins and demons locked in my own creation
Mother Mephistopheles and Father Selaphiel
Left Vespertine in my care

All that plagued me
All that haunted me

Personified, solidified
And barely alive.

My half-dead servant.

and Halloween child
Trevor Gates Aug 2013
As the crow flies over yonder
Rusted strings beckoning their call
The wind in the weeping willow sings
Redeems those ugly sins longer

Leadbelly played the midnight special
With Roberta dead and gone

Pieces in the trees, except
For her soul which belonged to another

Devils got my woman tonight
Heads twisting and turning in my sleep

Rising flames going south of heaven
Fear bearing fruits of the womb

Boy, he could play
He could make the wood cry
He could sing and howl like that
With scripture and gospels fly

Prodigal of the rising sun
Voices carrying his wings of charm

Playing tunes whispered by fiends
That mistook his woman for some strings

Willie Brown knows the crossroads
Ages ago in the summer day haze

Watching friends like Robert trade their
Fingertips for sliding bottle licks

Hellhounds got my woman
Dealing cards from under her dress
My body whipped and beaten
With worms squirm in ****** mess

There goes the one, the man in black
Tipping his hat to me
The Morning Star approaching, asking
“Do you want to learn from me?”

The crooked tree like the arm of death
The clouds rising over the red sky
Yellow eyes lingering and staring
Weighing my soul for the perfect price

Mud covered my feet
But it hasn’t been raining

Nightmares crawling from my nails
With crows sounding like my momma

Devil strumming with my woman

Devil grinning, with a mouth like a cellar furnace

Hell wanting a piece of me
Sliding bottle licks and singing blues

Under the crossroad tree
A ghostly soul who can play
For the traveling eternity.
If you have ever lived or passed by the American South, then you might have heard legends and urban tales of Bluesmen and their stories. From the infamous Crossroads, where Robert Johnson sold his soul to the Devil to play blues guitar like no one else could, or the eerie folklore spreading like the tune of a hooking melody, the captivation of such music and spirit can be engrossing.

During my time in the South, namely Central Texas and numerous other states, you see bits and pieces to long that unappreciated idiom. Stories told through the words and phases of pain and suffering. The haunted bridges and abandoned houses where I shared my first paranormal encounter.

Evidence of this classic movement can be heard in the work of Robert Johnson, Skip James, Blind Lemon Jefferson, Leadbelly, Honeyboy Williams, Muddy Waters and many more.

This slow moving poem is in dedication to exactly that.
Trevor Gates Jul 2013
The Obsidian Theater XV.



Welcome to my nightmare
Welcome to my show
The audience awaits your praise
And your stage light glow

My, my, it’s been too long.

[Walks across stage; light follows. Curtains pulled]

Where have all of you been?

[Audience laughter]

Oh, forgive me, that’s not the right question
To ask

Where have we been?

That’s more fitting


Where


Sipping Champagne with Bing Crosby among undead poets
With a casket made for two
“Brother can you spare a dime?”
He said,
“Lift me from this tribal paradigm.”

And

For many days I wandered the wilderness in the threads of
My carnivalesque grandfather
Ripping and tearing in the clinging trees
Hands of branches
Groping and pulling the garments off my body

In the middle of the Serbian wilderness was The Manor
Draped in dead trees and blackened ice

The valet stood at the gate in prime condition
Waiting

But for who?

“Why, you sir.” He told me, guiding me through the entrance, to the front door.

And inside were wonders to be held by the
muster of my weakened eyes

Ladybug dancers tossing their legs up to *****-tonk fanfare
Swirling magicians pulling rabbits and naked men from the shadows

Allegorical usurpers coated in a filmy residue of
Herzog dreams
And
Lynch fantasies

Perpetuated by my longing
My lost soul
My parched thirst
My growling stomach
My throbbing manhood
My forgotten affliction
And severed diction

A man slivering into the skin of a woman
A Lady donning the cowl of a man

Skins shivering with afterglow effects

And dreams woven by old witches with intestinal thread

It was eloquent darkness in the belly of the manor
Fit for a King of Devilish glamor

Brothers of Grimm
And
Sisters of Mercy

Told from the pages

From the books

Of frozen Gods
And forgotten Titans

These are the happenings of a great story
Fiction or not
You may tell it
And believe what you will

It doesn’t matter as long as it is strongly retold

From the lips of another

The wandering bard
Or
The pub crawling drunkard
To
The enamored *****
And
Bookworm report
It needs
To be shared
To others
Even impaired
To celebrate
Gasp
Giggle
Scare
Love
Soothe
Disrupt

My impeccable, capable
Hands-down sensational
Tour de force
Troupe
A la mode


Cherries on top of whipped screams and drinks
Juggling heads and animals over coals of fire
Give them a show
Give them a feat
Give them something to remember
Give them something to crawl back to
Give them a performance that will beckon the applause
For years to come
Show your audience
And readers love
And
Sorrow
The likes of which
Cannot be equaled
Or even compared to
Lesser
Congregations
Of silly-billy pud muffins
And their
Street-smart guff

Let the institution of your mind become a corporal being
Teasing and pleasing those eager and waiting eyes
Staring up at you with
Wanting
Drooling
Wanting
Begging
Wanting
Affections

Don’t you want to see a show worth seeing?

[Audience cheers; laughs and applauds]

Watch a movie worth seeing?

Read a book worth reading?

How do you come by this?

Create what you’ve always wanted to see, read, watch and say.

Those performers
Once peasants and beggars

Stood up from the grime and ridicule of the trash and rose above the
Plateau
To conquer their hearts

Look and see!

Those people balancing and singing with fluffy dogs
Magicians and warlocks summoning spirits to dance among stars
Poets on stage reading mixed words to nodding peers
Directors blocking actors on stage with unparalleled enthusiasm
All these creatures of the ubiquitous night
Gather and produce
The whim of their lives

But many of these masters
These

Unknowing

Are

The bus boys cleaning up after your meal
The mother alone at home with the kids
The unsociable man on the park bench
The frigid girl in the corner of the classroom
The nervous boy wandering the circus
The stern librarian in Brooklyn
The blogger in the studio apartment
The hard working abroad student on a farm
The homeless man cradling a dying dog
The celebrity chasing photographer
The undergraduate tutor
The ignored substitute teacher
The bullied Muslim student
The underprivileged south side coach
The Turkish cab driver


More and more

These warrior poets and victims to racial slurs
Commonwealth bigotry
Ghetto endorsements
Faulty criticisms

From hosting countries

And sheltered, over-privileged, disillusioned

Politicians

Bureaucrats

Religious figures

Dogs of War

Angels of retribution

Demons of industry

Ghosts of the hours and days past
To sympathize and cry for the world
Thrown into invisible and subtle chaos
Like an ocean littered with the blades of
Broken glass
The sludge toxic waste mixed in molten lava over craters of dead bodies
Or
The sand dust covering the thousands of bodies in the earth

So



What teams won the World Series?
Which movie star dates who?
What’s the latest trending diet?
What new pop sensation has been manufactured?
What new insult can talk show hosts say?
Is there someone new to blame for all the bad things in the world?

What are the things the media has told you?
And
The things it hasn’t?

It’s a
Bitter sweet symphony

A
Crucible for the faceless grins
Pointing fingers everywhere but themselves


Let’s leave the worries to our kids
I’m sure they’ll figure it out.
Allow me to thank my esteemed colleagues: Meryl Streep’s skeleton, Freddie Mercury’s ghost, Doc Hammer, George C. Scott, Doctor Emmett Brown, Marty McFly, Easter Eggs, internet message board administrators, Robert Redford, Aviator sunglasses, Don Cheadle, The Coen Brothers, the Dukes of Hazzard, Billy *** Thorton, Hammerfall, Saxon, Klaxons, Lou Reed, Spike Jonze, Michael Gondry, Guts, Son Goku, Tinkerball ***** force, the Die Nasties, The Iron Maidens, Judas Priestess, The Runaways
And many more I simply don’t have time to mention.

Now Get out of my theater.
Trevor Gates Jul 2013
A satisfied appetite is a simply joy

Overlooked and simplified

Like a growing urge, a salivating need

That is entrancing and glorified.



Everlasting for moments we call meals

Forgotten in time, lingering above

But the taste, the lonesome lover pushed aside

Gazes afar and near wanting to be enjoyed again



The young lady with a tongue of raspberry delight

And the matured widow with darkened cacao lips

Ripening nectar of a sliced peach center

Halved and topped with mascarpone crème



The man with a skin of caramel glaze

Caressing and savoring

With a fragrance and scent

Of hazelnut coffee indulgence and sin



In the pursuit of a brief love affair

What oral sensation did my taste buds want?

My odyssey of gustatory endeavors await

Through the seas of lined people and waiting staff



Generous portions and humble pies

Decadent desserts so rich you’ll die


Vine cherry tomatoes sliced and sauté

Over al dente rigatoni in a roasted cashew sauce

A robust aroma and savory appeal

Basil leaves with garlic strips

Olive oil to top the surreal


Hubristic meatball aborigine  

Elysian cuisine or many dreams


Teasing the senses, warming the pit

Of flowing pleasures

And tingling fingertips

Without moral measures

And succulent wines

Rotisserie lamb falling of the bone

Seasoned with Sicilian herbs

And paired with broiled asparagus

Drizzled with lemon juice


And a glass of Merlot

Spices I hardly know



Lachrymose apologies beside a bottle of faded sorrows

With love there is pain, passion endured through the names

Thin soups, flavorless and dull, feeding street-thrown bums

Breathing hard against the delicatessen glass


Hickory smoked hams, pepper-seasoned pastrami

Vinegar cultured pickles and hard dried salami


Unpleasured, without measure, at one's leisure.
Forever my endeavor

Blackcurrant tea laced with slivers of gooping honey
Layers of cinnamon hair atop olive skin

red-painted doors with cedar trim
crushed almonds mixed with hazelnut butter cream spread

devilish rounds of crumbling ***-swirl bread

Smells and wonders, tastes so ...

oh god

Divine and sublime.
A little hobby of mine is cooking, so I thoroughly enjoy looking up new recipes sometimes to try. Movies like Babette's Feast, Ratatouille an The Trip. Amusing how we can associate flavors, smells and tastes with more than just culinary customs. We can correlate joyous emotions, moments of sensuality and comfort.
Trevor Gates Jul 2013
The Obsidian Theater XIV




Good evening.

I’m sorry to say we don’t have a show scheduled for tonight.

Too many people didn’t show.

Performers were absent.

The ticket girl is dead

The dancers are downstairs naked and in piles of sweaty flesh


And I’m here,

Talking to you.


It’s just one of those nights

One bottle of wine
And
Three packs of cigarettes later

And the shadows turn to people

The stage lights beam down on you

Like a blinding sun

Prompting you to open your heart
And spill the regretful clots that block relief from your soul

Some time ago

Day in and day out

I was there for another.

A relation of mine who suffered from a disorder of the eyes

Glaucoma

Unusually high pressure
within the eyeball
that leads to damage of the optic disk.

I become the eyes she wished she had.

The valet she wanted
The Grandson she loved.
The only person there who could do anything

Numerous visits and endless prescriptions filled:

Polytrim
Four times a day, left eye;

Atropine
One time a day, left eye;

Prednisolone
Four times a day, right eye;

Travatan
Before bedtime in right eye;

Timolol
Two times a day, right eye;

Brimonidine
Two times a day, right eye;

Dorzolamide
Three times a day, right eye;

All in one day.

Eye drop medications

Bottles with
White tops
Red tops
Pink tops
Turquoise tops
Yellow tops
Purple tops
And orange tops.

Each day of putting someone else before you
Because you love them
And
They did the same for you when you were a child

You’re hopeful those hours in surgery will help

You feel utterly useless waiting for something you cannot control


Imagining what those frail, foggy eyes think of you

When you pull back the pus-crusted eyelid back to administer some relief.

And her moaning in the night matches your fears


And when she speaks you tell her how well you’re doing at work in at school
How you have a lovely girlfriend
And you’re getting along with mother


But these are lies
Lies to lessen the troubles

But I have to work is excruciating

School is put on hold

Girlfriend is non-existent

Replaced with shallow, empty hook-ups in bars

And Mother doesn’t speak often

Only to dispel her constant disappointment

But not Maw-maw

She looks at me as an angel

And good person maintaining a life when she is ill

But I’m not sure it’s all that

Either
My happiness has never been important

It’s always been others I wished who were happier than me

Why?

Because I can make that sacrifice

I can forfeit my happiness for others
Because I saw the world for what it is
And the last thing I want
Is for others to see that side of life

I’ll make the sacrifice
So others don’t have to.

Why?

There a monster from where I came from
It was Hell itself
And it devoured all

My body was slammed and crushed in the underbelly of the immortal beast
Hellbent on ridiculing me
With Toys and whips and
Instruments of merciless pain.

All in the name of “good”
Of “love”
Of “care”
Of “discipline”
Of “God”

Looking up at the framed picture of Christ in my Maw-Maw’s room
I feel so naked

So weak

And afraid

Orbital apparitions of anguish
Hover while I sleep

Wishing just to be in the arms of one person

Who loves and truly cares
And will accept my release
And my tears.






One bottle of wine,
two swigs of self-loathing,
a case of nostalgia
A line of white-lighted prayer
Four packs of cigarettes
And a dying stage light later…

And we have a show.

Look at that

A full house.


I’ll take a bow.
I’ll take this opportunity to thank the doctors and staff at Scott & White medical in Temple, Texas and my Grandmother Betty (Maw-Maw) for the lessons of life and self-experience.  

See you all at the next show.
Trevor Gates Jul 2013
The silent planet of crystallized dreams

Nebula clouds emitting translucency

Nothing is ever what is seems

With God’s touch and delicacy



The song that remains and forever played

Amongst the promised womb before

The mother goddess loved and swayed

While the child watches from the hallway door



“Mother and father copulating with the door open.”

Read the words on the off-white typewriter paper

The boy tedious and tired, working and hoping

His work be acclaimed before meeting his maker



Telling stories of psychopath magicians in Long Island

Or Chicago lawyers fighting underground matches in drag

“A disturbing, fantastic point-of-view, from a ****** man”

Said one critic before nitpicking as reading a greasy pulp mag



Countless images worth their weight in gold

Majestic ballrooms ravishing supple choirs

Groping masked ballerinas with a urge so bold

Witty fops and serving props aiding proper sires

Sir Xavier proclaiming the night as a celebration

Showing sharpened teeth behind his mask

The shadows merging and demonstrating mutilation

With enough wine to soak, bathe and bask



The man breathed in exhaustion. He cracked his fingers and wrote:



“Circles of Blood, of **** and pain.

    Audacious institutions praising the Goat Head of Fame

                    Vicious clowns of chains and leather sought to cleanse the mind

                             The flesh and struggle that was kindled at the discovery of Gabriel’s find

                                      Stiffening, hardening clay over roots and glands

                                      The skin of earth ravaged from birth

                                      Yes men and polished conveyor belt twins

                                      Nodding, prodding and smirking

                                      Evicting and molesting the commonwealth

                                      The taxpayers and voters

                                      The people, new and old

                             Sewing fishing line into us

                   Like strings to puppets

          Severing wings

Denying us flight

          Expecting us to fight

                   With blank expressions

                             And

                   Collective motives

                             Because we should all think the same

                                      While in the jungles of Vietnam

                                                The cities of Korea

                                                          Deserts of Iraq

                                                                   Caves of Afghanistan

                                                                             Or

                                                                   Anyplace our leaders

                                                          Mispronounce

                                                What is to gain if not

                                      Something profitable?

                                                Thieves condemning thieves  

                                                Murders judging murders

                                                Psychopaths killed for killing

                                      Women ***** and thrown into a

    guilt trip for not keeping a child that

    was forced into them, saying the

    will of God is infallible.

    Children without homes suffer for what they are

              While more populate the world with their own

              Before helping the needy


The names of the world

          The foundations built upon on another

The empires envisioned and dreamt

          Destined for glory and prosperity

Then torn down in the cataclysmic volley of change

          Then the cycle, the circle, is repeated again

          This is how the world functions

In the name of one

Or many

Or God

Or even the Gods

The Circles, the rings and arena.”





The man wrote with the typewriter on top of books and clippings

Watching riots outside his window, bottle of liquid fire exploding

Screams of terror, of revolt and damnation drippings

Calling out for all to see, the fury and loathing



What the man wanted to write was a simply story to tell

But his rising emotions took hold of his fingers

Instead, he told a story of malicious passivity in living hell

Where in his room the fumes of gas lingers



What if on other places in space

Where we’ve discovered other Earth-like planets

God Created different forms of humans

And watched how they grew

In their own way

Eliminating one previous flaw from the next

Till there was no conflict



If he did and kept doing that

Till he had the perfect human

Then there would be no more

And just God again.

Mystic moons and puppy dragon tales
Silver oceans with crystal silk sails

Frozen lakes above the stone angel choir

Marble pianos soothed by fingers of fire
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