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Tim Knight Feb 2013
Scribbled in a pre-*** haste
of hormones and awful
music taste,
your name on the back of a receipt
is no way to treat
a one night stand
that you met at the bar;
held hands with in the street;
and subsequently left when
the night became light and neat,
tidied up in a 10am alarm clock
call.

Could’ve waited until
we were both awake,
that way the alcohol would’ve warn off
and we could take this major issue
for what it was-
excitement;
and much anticipation; and placing into
action every lesson learnt from Nick Hornby books,
or pieces of information tucked
deep within our internet bookmark lists.

At least stay until after
Desert Island Discs
next time,
because then buses shall be running
on time, and you won’t have to risk
the public transport roulette table
that spins around this town,
this great noun in the Anglia east.

Now it's the news, and the news
is you've gone.  For a moment
I slipped back into a sleepy cement,
making for rough fingers-
that last night made the ascent
up to warmer climates.

And now back to lonelier nights
and Nick Hornby books,
afternoon wake-up calls
from Mum, back home,
asking how to download
the latest Google Chrome.
coffeeshoppoems.com
Poetry submission welcome
Tim Knight Feb 2013
Over staffed and under fed
Spanish waiters
rush around with
waistcoats of wisdom
wearing black shoes
of sordid shift-work soles.

They greet and speak to every new
tourist, and regular, as if a
brother, sister, mother, second-cousin-twice-removed
stepmother, yet really they are:

the ephemeral fodder of the
cheap, low-cost-airline,

the flash and it’s gone spine of most cities
on the map,

the ‘Sorry, I left it in a Barcelona Café, could I get it back on insurance?’
baseball cap, that most sightseer marionettes wear, back to front,

the standing in line, waiting to complain,
tourists that know nothing of decorum.

So the Spanish waiter served me my coffee
and whispered in my ear,
Disfrutar de su día senor’,
that was,
'Enjoy your day Sir’.
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Tim Knight Feb 2013
It’s been 5 months
since I walked his grid, they're
precise measurements now
polished, so not to skid.

Past the shop selling grapes
in bags, bunches split apart
for profits sake, when
really it's all a mistake-
as the person they’re intended for
will slowly slip away for sure.

Gangplank corridor, a bridge
across the restaurant. Through
double door vending machine island,
cups of tea- only a fiver.

Haematology is down there
in that extension,
but first the window walk-
double glazing, heat protection
convention.


The architect’s rounded bays to
either side bubble up and out
from the courtyards below. Death
waves from every window, but
curtains drawn so not to show
why, what, who or how.

We wait to be let in the ward;
treading ground so not to drown,
nervous carol singers waiting
to see what audience shall applaud,
airport carousel baggage claim for
luggage from abroad-

“Room 4 on the left” nurse
1 admits, like a lie held
between pale, rose lips.
“Room 4 is open to visitors” both
nurse 2 and 3 say,
*but I’m family, I’m here to stay.
from the Coffee Shop Poems blog.
Tim Knight Feb 2013
She was a dancer,
caught off beat
by a neat little stranger lurking
in the body of the womb,
where once she strayed from danger,
within a motherly costume.

After show drinks, stage
& waits in the green room,
were pipe dreams for this
Mum without a groom.
Yet still, and continuing so,
she provides for two girls,
her blonde Monroe's; be that lifts
to school or another
big shop so the nonstop
keeps from turning blue.

But how up North can you keep from the cold,
when constant frost creates the vignette
to the serviette snow out there?
Cheap beans and even cheaper bread
won't make that meal you read and said to be good,
any better than it is.
But a text, fax, pigeon post fast, to your Mum back home
wipes clean these thoughts of being alone
and underfed,
and instead; restores your faith in everything
and anything you may do in the future,
and what you said-

to me once on that walk;
will stick with me until we next talk
or, maybe quite possibly, drink
until glasses are empty and
the wine bottles clink.

*for the Carters
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Tim Knight Feb 2013
You had tracks on your arms
that led to stations
that didn't exist.

Just a list of lines
falling off and around
your wrists.

Open all hour wounds
on forearm forecourt,
that your parents won’t find out about.

Happy faces never hide
humble beginnings
in a house like that.
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Tim Knight Feb 2013
Tried to decipher
what this couple was
and who they were.

Husband and wife
on an anniversary night?

Girlfriend, boyfriend,
on a first date trend?

Paid woman of the evening,
drinking his cocktails, ignoring his ring?

Well here are the facts,
the things that matter:
she had red hair to match her skirt,
skin coloured boots
(the height of the lights)
that blended in,
smudged in with
her thin skin-tight tights.
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Tim Knight Feb 2013
We could tuck ourselves in a crevice,
between a wall
and view the stones
for what they really are.

Let the light loom over us,
shade us from the heat;
The warmth of a halogen bulb
highlighting the street.

And it’s there we’d kiss,
and spark cigarettes,
and forget why we came here,
and let no one in, let alone near,
and we’d have a private joke,
like small font liner notes,
and for that two minutes,
(more work for the coffee mule)
we would overlook the important
stuff, for
that’s what it is,
another 70, at best, years
of toil and fluff.

*This tableaux love affair
will be omitted in years to come,
filed under the ‘lusts that resulted in
no fun, that night’ folder
in the great green cabinet of bills,
bills, bills again invoices.
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