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Terry Collett Apr 2015
We leave the cinema
after the film
it's getting late

Sophia says
you go to my place?

won't your parents
be there?
I ask

no they out
not be back  
till late
she says
they go to theatre
in London see play
by Polish writer

I see
I say
looking at her
standing there
but it's still late
I say

it not matter
I get you coffee
then maybe see
what happen
she says

I am reluctant to go
to her place
as it's a good walk away
and it means
I'll have to get
a taxi home
and take the risk
her parents aren't
home earlier

Sophia says
I show you
my parent's bedroom
it is good

I look at her
standing there
smiles
blonde hair
neat dress

ok
I say

so we take a taxi
to her parents' place
(save time and effort)
and she takes me
in by the front door
and turns on the lights

see no one here
she says
place to ourselves

she take my coat
and we go
into the lounge

I get coffee?
but wait after yes
we go see
my parents' room

so we go upstairs
and she opens
her parents' bedroom door

she says
they have big crucifix
above bed see
so the Christ can see them
keep them safe
but he has eyes closed
so not see them
doing stuff
she smiles

I look in the room
and there is
the big wooden crucifix
with a plaster Christ
painted with all
the skin and wounds
and such

now I show you
my room
she says

she takes my hand
and we walk along
the landing  
and she opens
the door to her room

what you think
it good yes?

yes it is good
I say
taking in
the single bed
with matching covers
pillows and curtains

but now we can
have coffee
I say

not yet
she says
we have the *** first
and then coffee?

but what if
your parents'
come back early?

they not be back yet
be hours

she is eager
she undresses
as she shuts
the door behind us

I stand there uncertain
fiddling with my tie

come on
she says
not waste time

she is already
down to her underclothes
and she begins
to unbutton my jeans

we have it
you not want?

just as I'm about to reply
we hear a door
open and close
and voices downstairs

she freezes
her unbuttoning
and looks in mid air
as if there was
an answer there

quick get dressed
she says

and she runs
to the light
and switches it off
and puts her clothes on
in the darkness

I look at her outline
shadowy
her Polish curses
fill the air in whispers
razor sharp

I tighten my tie
and prepare
in my mind
to die.
A YOUNG MAN AND A POLISH GIRL AFTER A CINEMA DATE IN 1969.
Terry Collett Apr 2015
Nima stares at the ward.
Nima wants to cause a scene.
She wants to raise hell.

The few nurses on duty
are not busy.
They're stuck in

an office yakking.
If she'd been sick
in the body and not

in the head or wasn't
a druggie they'd
be all over her

like sick of a baby.
Since she's backslided
and got a hit

from some idiot
she's on watch now
and not allowed out

except in the grounds.
She ***** on a cigarette
and inhales on it.

Watches the laughing nurses
in the office.
If she was able

she'd lock
the ******* in.
She walks along

the small area of grass
outside peering in.
She's no one to talk to.

The other patients
**** her off.
Talk nonsense.

She's one of the few
druggies on the ward
the others are mental cases.

Jewel's ok.
She's a manic depressive.
Gives her cigarettes.

Talks to her
in a deepness
she can almost drown in.

On a bad day
Jewel'll not talk at all
but sit staring at a wall

or lay in bed
with a blanket
over her head.

Jewel talks of ECTs.
She sees them take her off
sometimes and then

she's gone sometime
and comes back
dreary eyed and moody.

Nima wants a hit or ***
or something to break
the monotony.

Benedict said he'd come.
She waits for him.
She watches for him

at visitors time.
The few visitors that come
could fill a telephone box.

She wants him to come.
Wants him.
They had a quickie once

in a small room off
the side corridor.
Uncomfortable but good.

She peers in the ward.
A few visitors arrive
and stroll in

and some bring flowers
or chocs or nothing.
Benedict arrives

and sees her outside
and comes out to her.
Wasn't sure if you'd come

she says.
Said I would
he says.

He hands her a packet
of cigarettes
and a Mars bar.

She stuffs them
in the pocket
of her dressing gown.

They talk.
Walk on and around
the small area.

The nurses watch them.
She knows they're
being watched.

It makes her feel
wanted in an odd way.
She kisses him.

They kiss.
Her hand around
his waist her

the other hand
holding a cigarette.
He hugs her close

one hand
touching her behind.
They kiss again.

Clouds darken. Sky fills.
Looks miserable.
Looks like rain.
A GIRL IN A MENTAL WARD IN 1967.
Terry Collett Apr 2015
Yiska waits by the fence. The school's on the other side. Yiska waits for Benny; he is at lunch, she waits impatiently. The playing field is crowded with other kids; some girls sit in groups talking and laughing. Yiska sees boys coming out, Benny not amongst them. She waits arms folded,a face on her. Alma said she'd told her brother about her. Alma was her best friend. That's the boy, Yiska had told Alma. He's my brother, Alma said. Good, you can tell him, I fancy him, Yiska said. Alma had said she told him. Yiska waits; walks along the fence; sees other boys. No Benny. She has visions of things going places. Not that she'd tell Alma that. Some things are best not told. She looks towards the playing field; girls and boys in groups or couples or alone. She looks back towards school. He's there, Benny, walking by the fence, hands in pockets, school tie hanging loose, shirt unbuttoned at the neck. Alma said you wanted to see me, Benny says, looking at Yiska, his eyes hazel, his look, steady. Yes, I did, Yiska says, feeling her nerves beginning to unravel. Rick said you wanted to see me, too,  Benny says. My brother? Yiska says. Yes, the very one, Benny says. They stand by the fence, face to face. Only he said, you fancied the socks off me, Benny says, smiling. I never said. She looks past him. Yiska feels undone. Anyway I'm here, Benny says. Only said I liked you, she says, looking at him now, seeing his hair, the quiff, the smile. He looks her over quickly: eyes, hair, lips, hips, thighs shape of. Shall we go for a walk? Yiska asks. Sure, he says. Where? She asks. Benny shrugs. On the field? She nods. They walk off together, apart. His hands are still in his trouser pockets. She walks hands in front, fingers joined, prayer mode .Cat got your tongue? He says. No, no, just thinking, she says. Of what? Me? My socks? She smiles. She looks at him sideways on. What do you fancy? He asks. Who said I fancied anything? Yiska says, blushing slightly. Rick did, Alma hinted, Benny says, My socks, apparently, he adds. She looks at the playing field. Folds her arms. Stops and looks at him. I never said fancied. So what then? He says. She looks at her shoes: black, dull, unpolished. Maybe, a bit, I do, she says, looking at his shoes: black, scuffed. He takes his hands out of his pockets. Touches her arm, feels along until he reaches a hand. Nice hand, he says. She lets him hold it, feels his hand touching hers. Warm, soft. Taking her hand, they walk on. How much? Benny asks. How much what? Yiska says. Do you fancy me? He says, his thumb rubbing the back of her hand. Fancy's an odd word, she says, interested, more, she adds. O, I see, not fancy me at all, he says. She looks uncertain, the blush spreading. If I were in your bedroom would you fancy me there? He asks. What a question, she says, feeling her pulse increasing, imagining him there, in her room, her bed made-unusual for her- but made up tidy. I'd fancy you anywhere, Benny says, in a nice way of course, not necessarily in your bedroom. She looks at the high fence, the road beyond, traffic passing. He looks at her hair, the way her ears are just visible if she moves her head a small bit; lobes, suckable. Alma didn't say you fancied me, Benny says, but Rick did. *******, Yiska says, just like him. She looks at the wooded area to the left of the playing field. Went there once to fetch a rounders ball that got hit there in P.E, she muses. Could go in there, she says, pointing. Best not, he says, people may get wrong ideas. Think things. He sits on the grass, pulls her down, next to him. Safer here, he says, holding her hand, still. She sits next to him, crosses her legs, pulls her school skirt over her knees. She senses his hand there. Warm, wet, heated. How old are you? He asks. Same age as Alma. Thought so, he says. How old are you? She asks. Fourteen, he says, leave school at Christmas, be fifteen, then. She looks at his hand in hers. Wish I could leave school then, too, she says. I can't wait, he says. No more brain-washing. She looks at his eyes. Hazel, bright. I will dream of him tonight, she thinks, I'll dream of him next to me. His hand in mine. Mine hand in his. Will we kiss? She imagines so. Must not make too much noise though. Mother hears things too well, she thinks, looking at his chin, the jawline. What will you do? She says. When? He asks, looking at her school tie, tied in an untidy knot, her small ******* bulbs. When you leave school? She says. Don't know, want to be a mechanic, maybe car mechanic, he says, wondering what she would be like if she was beside him on her bed or his bed for that matter, but then she'd had have his younger brother there, too. Then you won't be here, she says. No, thank God, he says. I'll miss you being here, she says. Can always visit you weekends if I get a bus, he says, wondering if her bed wouldn't be better as she slept alone. She strokes his hand in her as if it were a cat. He looked past her at the other kids on the grass. Reynard was playing football as was Trevor. That'd be good, she says, I could meet you off the bus, if you came. If you like, he says, watching Trevor almost score a goal. She looks at his hazel eyes, the smile, Elvis like, the quiff of brown hair, his hands, she muses, stroking with her other hand. I don't want to appear forward, she says, but could we kiss? He looks back at her. Kiss? He says, looking at her lips and cheek and forehead. Where? He asks. Here, she says. Where, here? He says, homing in on her lips with his eyes. Not here on the field here, she says, blushing, looking around in case others are watching. Where, then? He asks, looking at her eyes, seeing himself there, small and untidy. Maybe, at school, in a corridor that's empty or in a doorway, she says. Why not here? He asks, no one will care a jot if we do. She bite her lip, releases his hand, looks past him, behind him. What will they say? She asks. Who? He says. Others around, she says, returning her gaze on him. Who gives a monkey, he says. I do, she replies, reddening in the face. He gets up to leave. Look, I am missing a game of football sat here, another time maybe, he says. No, no, don't go, she says, clutching at his hand, being pulled up as she does so. She stands beside him, still holding his hand. I can watch, too, she says. He looks at her, feels her hand in his. OK, he says, if you want. I do, she lies, walking with him towards the boys kicking a ball around. She senses the grass was  a bit wet because she is. She feels it. They stand and watch the boys in their game. She feels uncomfortable. Feels slightly undone, but they watch the game, she unkissed, but watching the boys having fun.
A GIRL AND BOY ON A FIRST DATE IN 1962 AT SCHOOL
Terry Collett Apr 2015
Milka sits in the park.
Milka has a mood.
She stares ahead
with eyes

sharp as razors;
her hands either side
of her on the grass.
I sit beside her.

I look at her
staring ahead.
My hands are
around my knees.

Her eyes are icy;
one could freeze in them.
Nearly caught us
that time,

she says.
Nearly being
the operative word,
I say.

Her words
have an edge to them;
one could slit
a throat on them.

Her mother nearly
caught us at it.
We were in her room.
We were on her bed.

Door opening
and closing down stairs.
Kids ride by
on their bikes.

Small kids
with goofy smiles.
Milka stares at them.
Milka follows them

along the grass
with her icy eyes.
I remember her panic
in her eyes

as we heard the sounds
of her mother in the kitchen.
Milka dressing in haste.
Milka hopping

on one leg.
I dressed in a trance.
Sounds seeming nearer.
A guy walked by

with his dog.
The dog had out
a long pink tongue.
White teeth sharp

as Milka's eyes.
God knows what
if she'd caught us,
Milka says.

Mm-mm,
I say.
Laughter near by.
A group of girls

giggling like geese.
One girl wears jeans.
Her **** holds it well.
Flushed as a slapped face

Milka having dressed
waited for me
at the door of her room.
Sounds from the kitchen.

Her mother busy.
The sun warms us.
White clouds overhead.
I smell her perfume.

She breathes heavy.
Moody as blues.
The girl in tight jeans
has gone into the duck

pond area out of sight.
Milka sighs.
Milka looks at me.
I think she

believed you,
Milka says.
She does you.
Butter wouldn't

she thinks
in your mouth.
Three boys kick ball
across the way.

Milka studies me.
I look at the boys
at their game.
Tidying my room

with me,
Milka says,
she believed that
because of you

and that you said it.
It had been
a close thing.
It had been close.

My pecker stiff
in my jeans
as I spoke to her mother.
Her mother smiled.

Her mother said
it needed tidying.
I liked her mother's smile.
Warm and cosy

as a mother's love.
Cosy and warm
as a hat on a head.
Milka says,

nearly made it
in my single bed.
A BOY AND GIRL IN A SUSSEX PARK IN 1964.
Terry Collett Apr 2015
Yehudit sat on the grass by the pond Benny sat beside her she was looking at the ducks and dragonflies hovering and taking off in a long flight he was thinking of the death of Marilyn Monroe announced on the radio that morning and how he had kissed the photograph he had of her on his wall a small photo he had got through some club it was in black and white and he adored looking at her standing there cant believe shes dead Benny said who? whos dead? Yehudit asked looking around at him Marilyn Monroe on the radio news this morning he said how did she die? they think suicide overdose or something he said she looked away why did she do that? she asked no idea he said Yehudit lay back on the grass put her hands behind her head come lay beside me for a while she said he lay back beside her then turned to face her sideways on he took in her eye looking up at the blue sky blue as blue on blue he thought the flush of her cheek her nose her lips parted just so as to see teeth her ear covered by her brown hair she turned towards him so that both eyes were on him now blue on hazel we can if you want to she said studying him intensely can we? if you want to she said should we? he said and thought of the first time that time in the school gym once midday when the gym was empty and theyd gone in for a quick kiss and well one thing led to another and even though they were risking it they did and even though she had tried to be quiet she let out the moans under her breath and he momentarily on high had uttered yes yes yes and they had only just rearranged clothing when a teacher came in and said you ought not to be in here what were you doing? and Benny said showing her my press-ups and the teacher said they best leave and so they did Yehudit put her hand on his cheek and rubbed it gently and said of course we must if Marilyn can go like that we must take each given moment we have to fulfil our lives and he thought of Marilyn lying on her bed dead and the beauty still there but the spirit fled he leaned in and kissed Yehudit on the lips and she touched him on his thigh and their lips sealed and tongues engaged and moved and his hand felt along her thigh moving it up and down slowly and she closed her eyes and moved towards him and he felt upwards and upwards and touched and began to unbutton then voices came male voices from over the way by the pond-lake Yehudit called it- they broke apart looked around and sat up two men appeared with fishing gear over their shoulders one with a cap the other older balding pushing their way through the bushes on the other side engaged in conversation Yehudit and Benny made their way into the tall grass and lay flat looking through at the approaching men who stood opposite sorting out their fishing gear what they here for? Yehudit asked fishing Benny said I know that but why here why our lake? maybe they dont know its our lake Benny said they watched the two men unload and unpack their rods and seats and nets and then sit down typical Yehudit said now what? Benny reached through the grass and touched her hand we can touch and feel he said she felt his hand in her hand his fingers wrap around hers she moved through the grass and kissed his cheek can they see us? she asked shouldnt think so Benny said we are in the tall grass she turned him around to face her she breathed on him warm and **** and he kissed her and lay his hand on her leg then her high thigh she sighed and breathed warmly out I could have you now she said he lay back taking her in her eyes soft blue her parted lips her tongue risky Benny said what if they see movement of grass from over there? her hands began to unbutton his jeans and search within he stiffened looked at her lips her eyes he moved his hand moved upwards and felt her and closed his eyes cast it further a voice said maybe get something then another voice said do my best caught a good one here last week Yehudit held and rubbed Benny said shall we find some other place? Yehudit released and withdrew her hand why and where? too risky here cant focus he said she buttoned him up and lay on her back he lay beside her the sky was a bright blue birds flew overhead a dragonfly swept over the tall grass a butterfly swooped by voices again loud and deep nearly had one then be patient takes time the other replied Yehudit moved in the tall grass Benny watched as she took off her underwear and lay there got to be patient the man said she said softly Benny moved to her and next to her and felt her and unbuttoned and nearly there one mans voice said bit deeper the other said and laughed Yehudit sighed a shudder a movement an ease a bird flew off over the pond a blackbird sang got a bite a man said pull it slow now the other said Yehudits hands were on Bennys **** Bennys hands were holding her waist and bring it in now the man said steady steady Benny kissed her lips her cheek her eyes Yehudit saw birds in flight a woodpecker peck a duck quacked Benny opened his eyes and o a mouth and rode through a storm she lay there watching a rook in flight over head she was alive and Marilyn was dead.
A BOYA ND GIRL MAKE OUT BY A POND IN AUGUST 1962
Terry Collett Apr 2015
Yochana passed the maths block
along the narrow path
onto the sports field
during lunch time recess

her friend Angela
was in the WC
sorting out
some girl problem

I was sitting on the grass
looking at some boys
play ball nearby

Yochana stood over me  
and said
can I sit here with you?

I looked up
sure why not
where's your girlfriend?

she's not my girlfriend
she's my best friend
she replied
and sat down next to me

I gazed at her hair
smooth and black
and brought back
into two bunches
and her glasses
were thin wire framed

do you smile?

she raised her
thin eyebrows

why? do you only
like girls who smile?

it helps

helps how?

makes them
seem friendlier

she attempted a smile
not successfully

I looked at
the football game

why aren't you playing?
she asked

I'm not much good
they're better off
without me

so there are things
you're not good at?

I nodded
and looked at her
yes but
some things I am
and smiled

she looked away
for a few moments

you have a good profile

she looked
back at me
do I?

yes quite refined
unlike some
of the girls in class
who're like peasant stock
in contrast

she smiled
unkind to them

but true
I said
sometimes truth
will out

she put her hands
in her lap
and looked past me
at the boys
and their ball

your eyes are like
two of my
favourite marbles

she looked back at me
are they?

I nodded
yes I keep them
with me
as my good luck charms

show me

I got out the marbles
from my trouser pocket
and showed them to her
in the palm
of my hand

can I hold them?

sure

so she took them
into her small
thin hand

they're warm

came from a warm place

yes they are
like my eyes' colour

she gave them
back to me
and as she did so
I held her hand briefly
nice hand
I said
and kissed it

she took it back
and looked at it
why'd you kiss my hand?

same reason
I kissed your cheek
the other week

others might
have seen and came up
with ideas

what ideas?

well that there's
something going on
between us

and isn't there?

she sat back
and looked
around her

not like
they might think
she said

and what might
they think?

things going on
between us

what kind of things?

just because
I like you
doesn't mean
we're doing things
she said
keeping her hands
out of reach

that's true
we're not
anyway here comes
your girlfriend Angela

she's not my girlfriend
she's a friend

she got up
and looked at me
and smiled
-she could smile
if she wanted to-

and walked off
and I studied her
narrow frame
the legs
the waist
the neat behind
and thanked God
I wasn't blind.
A BOY AND ******* A SCHOOL PLAYING FIELD IN 1962
Terry Collett Apr 2015
Lizbeth walked home from school in a mood passed shops without looking in the windows as she usually did walked past Mrs Hooley without her usual chat about her cat up the pathway to the cottage into the back door passed her mother in the kitchen who was preparing dinner barely taking note of her mother's words of welcome and criticism about her bedroom and the mess there and up the stairs to her room where she opened the door and closed it behind almost in one motion and throwing her school satchel to the floor lay down on her double bed and stared at the ceiling crossing her legs at the ankles how could he tell her the ****** queen about us in the church and the pew and wanting to have ***? What was he thinking wait until I see him next how could he? She fumed and uncrossed her legs and looked at the curtains moving in the slight wind that came through the open window bringing to mind the girl Jane confronting her in the girl's toilets at school at afternoon break and saying how could you tempt Benedict in a church of all places? Tempt him with what? Lizbeth had asked *** Jane had said blushing as she said the word as if it was too hot for her mouth to stay there too long what do you mean ***? Lizbeth had asked looking at the girl with her brown eyes peering and he dark hair tied back in a ponytail he said you tricked him into going to the church and tempted him with having *** on a pew Jane said standing stiff and if the words had temporarily frozen her Lizbeth had gazed past the girl hoping another girl would enter and end the conversation what's it to you? Lizbeth said did you want him first then? The girl Jane blushed more and looked away then walked out of the toilets tearful Lizbeth put her hands behind her head and looked at the room at the picture of Elvis pinned to the wall-much to her parents' disapproval- at the mirror of the tall boy where she could see herself laying there like another self in parallel world he'd seek out Benedict and have a word with him how could he let that ***** Jane know all the details about them and that day in the church and about the *** bit that was a bit low and what a waste of time it had been anyway all that way on their bikes and he wasn't a bit interested in the idea and she had been so wanting to so warmed up for it and wore her short skirt especially and o how she fumed that day on the way home on her bike it wasn't as if she slept with other boys in fact she hadn't had *** with anyone yet in fact she didn't want *** with just anyone she wanted to have *** the first time with him with Benedict and she was till a ****** still untouched still boiling over especially when she saw him at school or when she cycled to his parent's cottage in the hamlet a few miles away and all he wanted was to show her bird's eggs or nests or butterflies or dead animals bones she sat up on her bed and sighed she'd read the book on *** that the girl at school had lent her with its long words and vivid diagrams and photos she'd read it cover to cover and absorbed the diagrams and photos so well that she could bring them to mind when she felt the time was ripe she moved to the side of her bed and remembered the day she'd managed to get him into her room when her parents were out and still he wouldn't agree to *** even though her bed was there and ready and she had begun to undress before him and still he refused leaving her at boiling point and then her mother had returned early from the shops and well that was it the chance blown and having to pretend to her mother that she was just showing Benedict her record collection-not that she believed- she stood up and took off her school uniform before dinner standing in front of the mirror pretending Benedict was watching her from the bed behind her egging her saying get them off get them off but she knew he never would he'd look out the window or close his eyes and momentarily she stood there gazing at herself standing there in her small bar and underwear wishing he was there behind her on the bed and watching but he wasn't there just her teddy bear laying there disinterestedly gazing into space she took out a blouse from her chest of drawers and a skirt and put them on kicking her school uniform into a corner in a mood hoping he mother wasn't going moan at he rover dinner or her father yak on about his day at work and who he met and who did what and to whom she stood there and gazed at her red hair and few freckles and her eyes staring at her how could he say that to her of all people? That ****** queen? I could have slapped her one I should have done slapped her innocent stare off her ****** face but she liked him liked his hazel eyes that quiff of hair that stare that smile so Elvis like o to have him here to have him in my bed o to have it with him her mother called her for dinner her mother's voice breaking into her thoughts breaking up her desires and wishes like a brick through a window she sighed blew kiss to herself in the mirror and walked down the stairs in her mood wanting *** and Benedict not her mother's company or food.
A GIRL AND HER BAD MOOD AND HER  DAY AT SCHOOL IN 1961.
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