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Terry Collett Apr 2015
John watched Elaine
get off
the school bus
with her sister

he looked to see
if she looked up
at him before
the bus went off

his insides were tight
wondering if
she would
not wanting her

to look away
or ignore him
and the fact
that not long before

she had looked over
from her side
of the bus
and they'd stared

at each other
and she had blushed
for some reason
and he had stared

wondering if
she would turn
and look again
but she didn't

and he kept
looking over
but she didn't
look back

the bus began
to drive away
and at the last moment
she looked up

and she stared at him
and he was sure
she began to smile
but he couldn't be sure

and then
she was gone
and hedgerows came
and fields and houses

and then
just fields
and hedges
and trees

and he looked
at his hands
in his lap
and tried not

to listened
to what Trevor
was saying
about football

and how he nearly
scored at lunch time
John tried to hold on
to her face

at that moment
and the maybe smile
he was sure
he'd seen

and the fields
passed by
all was flowing by
like a sea of green.
A SCHOOL BOY AND A ******* THE BUS HE LIKED.
Terry Collett Apr 2015
Yiska sees Benny
walking by
the tuck shop
in the corridor

she is with her friend
on their way
to Geography
with Mr P

wait
she says
I must talk
with Benny

and follows Benny
a few paces
then says
Benny

he turns
and sees her
where are you going?
she asks

science
he says
some nonsense
about gravity

and falling bodies
or such
wish our bodies
could fall

somewhere together
she says smiling
me too
he says

Yiska's friend
stood a few paces back
arms folded
a bored expression

on her face
what about lunch recess
can we meet?
she asks

sure why not
he replies
she lingers
feeling a kiss

coming on
her body bubbling
where abouts?
she asks

meet by
the maths block
quieter there
at lunch time

she nods
senses he might
go soon
and grabs

his arm
and pulls him
towards her
and kisses him

on the lips
Benny holds her briefly
feels her waist
then they part

the friend over the way
looks down
at the floor
see you later

she says  
he nods
and walks off
in a hurry

to his next class
she watches him go
her body alive
her nerves aglow.
A BOY AND GIRL IN A SCHOOL CORRIDOR IN 1962.
Terry Collett Apr 2015
Jane passed the church, walked past the gravestones of those long dead, smelt the scent of flowers, heard the songs of birds in nearby hedgerows and trees. Benedict said to meet her there the day before while leaving the school van, about midday he had said. She had cycled from the vicarage where she lived with her parents, down through the narrow lanes, passed the water tower by the farm, riding carefully past the cottage where Benedict lived with his parents and siblings, on through narrow lanes until she had reached the church. She was happy to be meeting him again, from the time she had awoken that morning she felt a sense of excitement at seeing him, being in his company. Her mother had asked where she was going and she said to meet Benedict at the church on the other side of the hamlet. Her mother smiled; she liked Benedict, he was trustworthy, unlike some of the boys round about whom she would have felt uneasy about Jane meeting...Benedict sat in the churchyard in the corner away from the nearest grave, where the name and date had worn away over the years until just a few words remained visible. He looked around him, studied the shapes and size of the gravestones, many had become dilapidated over the years, but it was peaceful and he liked it being amongst the dead sensing the feeling of being beyond the here and now. He waited for Jane to come. He had asked her to meet him there the day before. She said she would. He looked forward to seeing her, having her  near him, seeing her eyes looking at him, her dark hair, brown eyes, that shy smile...Jane saw Benedict sitting on the grass in the corner, he was looking at the gravestones, his hands around his knees. He was in blue jeans and white shirt and black shoes. She passed a few graves when he looked up and saw her. A thrill of excitement went through her, her stomach churned, her heart beat fast...There she was, standing not far away, Benedict stood up from the grass and went to her and she smiled at him. Not late am I? she asked, putting a hand out to touch his. No, he said, just on time, looking at the watch on his wrist, feeling her hand touch his, buzzing his nerves with her touch...Jane sensed her tongue becoming stuck in her mouth; her eyes scanned him taking in his eyes, hazel bright, his brown hair with that quiff that she loved, that smile so warm and yet inviting. Her hand was in his, warm, soft, his thumb rubbing her skin...Benedict felt alive; felt so here and now that his heart beat so that it seemed it would crash through his chest. How are you? He asked, rubbing her hand, not wanting to let it go, but not wanting to hold it too long. I'm all right, she said shyly, wanting his hand to stay there, to feel him near her, listening to his every word...Jane looked around at the churchyard, saw the flowers on some of the graves, some dying of neglect, some fresh planted. Shall we look in the church? She said, see  the interior? Yes, he said, why not, not seen inside for ages(although he had a few weeks before when the girl Lizbeth had taken him there and had tried to ****** him inside on one of the pews and he had left and declined)...Jane looked at him, seeking to see if he mentioned the girl Lizbeth whom Jane had heard had taken Benedict there a few weeks before. She trusted him, but needed him to tell her about the girl from their school, thirteen like them, but more forward, more dangerous. I heard you were here with Lizbeth a few weeks ago, Jane said, not wanting him to be unaware that she knew, but wanting him to be honest with her...Benedict blushed and looked at her, releasing her hand reluctantly. Yes, he said, she took me here, or rather we came here.  He didn't know what to say, but he couldn't lie, not keep things back. She came to the cottage and asked me to bring her here because she said she was interested in the architectural aspects of the church, but she just wanted to do things, he said looking at the nearest gravestone, feeling unsettled. Do things? Jane asked, looking at him, seeing his blush still there, wondering what he had done. She wanted me to have *** with her on a pew in the church, he said, but that was after we were in the church and she tricked me...Jane caught her breath, brought her hands together in front of her, trying to make sense of what he was saying. *** with her on a pew? She said, the words soft almost choking her. You didn't did you? She asked, not believing she was asking him. No, of course not, I would never have come here with her had I known that was what she was after, he said, gazing at Jane, unsure of her reaction. She felt her heart beating fast in her breast, her mind was becoming out on a limb. How could she think you would? She asked, not sure what to say or asked any more...Benedict felt the world becoming almost too big for him. He wanted to take Jane and say it hadn't been for real that he had been tricked, that he wanted to be near her not Lizbeth. I don't know, Benedict said, I never encouraged her, thought she was interested in the church, but inside she changed and said we could have *** on one of those pews. Jane sensed an unease enter. And what happened then? She asked, looking at him shyly. Nothing, I left the church and she followed and I cycled back home and she followed me, but them rode off, he said, feeling undone, feeling as if the ground was about to swallow him up...Tears were rising to her eyes, she could sense them. Did you kiss her? She asked, wanting to know, yet not wanting to know. No, nothing at all, he said shaking his head, I wanted none of that. She bit her lower lip, tried to hold back the tears in her eyes. She sensed he hadn't, but she needed to be sure. She had heard about the girl at school, but had he fallen for her charms such as they may have been? Why did she want to have *** with you? She asked, blushing at the word *** in her own mouth. No idea, he said, seems to have this fixation with me and ***. She sensed the tears falling from her eyes and on her cheeks. She wiped them off with the back of her hand. Can I trust you? She asked, the tears making her throat feel sore. Yes, he said, I’d never betray you, never. Not with her or anyone, he added, feeling his world emptying like a fish thrown on dry land. She put a hand on his arm, squeezed it, drew him to her and he embraced her uncertain if it was for real or just a gesture. I trust you, she said, wanting him to hold her close to him, sensing her tears rub on his shoulder, dampening his shirt...Benedict held her tight, not wanting her to go from him, not wanting to lose even this one moment in her closeness. He smelt that naturalness about her, an apple scent, fresh air, purity like new snow, blossoms...She kissed his cheek; lips to skin, not pressured, but there wanting to express how she felt, how her heart felt, not lust like the Lizbeth girl, but love, yes, love for him...Benedict sensed her lips kiss his cheek, warm, soft. He held her tight, feeling her body close to his, sensing her soft ******* against his chest as he held her...Jane put a hand behind his head, drew him closer, her lips kissing his ear, his lobe, his cheek again, then she pulled away a little to look at him. I should not have doubted you or your what you would do or not do, she said softly, her eyes watery, her cheeks damp. I heard about her and her visit to you, but I wasn't sure if it was true or not, but it doesn't matter now, because I trust you, she said...Benedict held her as near as he dare, not wanting her to go from his hold. I would never hurt you. I didn't know what she was after. Jane put a finger on his lips. Hush, she said softly. Let us not give her the benefit of thinking she has undone us. He felt his heart pounding in his chest as if someone was punching him from the inside...Jane turned his head towards her and kissed him on the lips. He kissed her, too, his lips pressing against hers. She put her arms around his waist and hugged him as she had never hugged anyone before, her lips sealing him from breath, from leaving her, from going away...Benedict sensed her body so close now that his heart seemed to beat with hers in a duet of thumping inside. His lips felt as if welded to hers, wet and warm and soft and he sensed himself filling with tears, tears he'd not shown or felt before to this degree...Jane took his hand and they walked past the gravestones into the church and sat in a side pew next to each other. His hand was in hers; he rubbed his thumb against her skin, rubbed it gently. She squeezed his hand, turned and kissed him, then sat back and stared ahead. God's house, she said, she should never had thought you would do anything like that here, not in here...Benedict said, not anywhere with her, certainly not here. He recalled that day here with Lizbeth, how she had suggested they have *** on a pew and he taken aback by such a thing and how she thought it quite possible...Us, Jane said, us and not her, not anything she thought possible. He nodded and looked at the altar where a brass cross stood alone. Do you love me? She asked. He turned and gazed at her, his eyes searching each aspect of her features. Yes, I do, he said, as much as its possible to love. She smiled shyly, wiping tears from her damp cheeks. I love you, too, she said... Benedict closed his eyes. He wanted to capture her and her words and that moment for ever in his mind. He wanted being here with her now to over brush the image of Lizbeth here with him those weeks before, to have that image and words of Jane captured in his mind like a camera snapping it all and holding it in frame and picture for evermore... Jane breathed in and out slowly. He had closed his eyes. His hand was still in hers. His pulse pulsed with hers, a gentle beat, a soft thump, a mixture of one becoming two, an uncertainty going, a truth and love becoming true.
A MEETING AT A CHURCH ONE MIDDAY IN 1961.
Terry Collett Apr 2015
I lie on my back
on the grass
my hands behind
my head

Yehudit is standing
by the lake
-her term
for the pond-
looking over
the water's skin
at the ducks
and dragonflies
skimming the water
and flying off and up

I watch her
standing there
the sun shining down
through the branches
of trees overhead
bird song

I like it here
she says
so peaceful

I take in
her white
and blue flowery dress
the bare legs
the sandalled feet
her hands
behind her back
her hair tied
at the back
by a blue ribbon

do you
like it here?
she asks

yes I like it
in fact I like it
most places

she turns
and looks at me
I mean the scenery
she says smiling

I look at her eyes
the blueness
the flush of cheeks
the smile

how often
do you think
of *** Benny?
she says

pretty much
most of the time
I reply
with a twinkle
in my eye

thought so
she says
shaking her head
and turning away
to gaze at the scene
once more

she thinking
who knows what
but I thinking
of the kissing
and heavy petting
of 10 minutes
before.
A BOY AND GIRL BY A POND IN SUSSEX IN 1962.
Terry Collett Apr 2015
Breakfast time
a school day
Lizbeth sits

poking at
her breakfast
scrambled egg

and sausage
tomato
her parents

sit there too
her mother
looks at her

what is up
with you now?
the mother

asks Lizbeth
nothing's up
Lizbeth says

poking egg
with a fork
I know you

my young girl
you're moody
and poking

at your food
Lizbeth stares
at the lips

moving of
her mother
more moaning

she muses
it's a boy
I expect

her father
interjects
what's a boy?

Mother asks
her bad moods
Father says-

unless he
muses it's
genetics

and she's got
her mother's
moody genes-

what boy's this
Lizbeth dear?
Mother asks

-Lizbeth thinks
of the boy
Benedict

and how she's
attempted
to have hot

*** with him
umpteenth times
without one

successful
episode-
not a boy

Lizbeth says
forking in
scrambled egg

just Monday
and the blues
and I'm on

on what Liz?
Father asks
looking out

over his
newspaper-
on the rag

Auntie's come
periods
bleeding lots

she muses-
Lizbeth stares
at Father

in that way
that she has
and he says

o I see
and looks back
at the big

newspaper
something more
Mother says

more than that
you've not got
pregnant

with a boy
have you Liz?
No I've not

Lizbeth storms
spitting egg
throwing down

her steel fork
on the plate
I've just said

that I'm on
and would I
just have ***

just like that
without you
knowing all

before me?
what about
that Benny

you talk of
he's a boy?
Mother says

Lizbeth sighs
I am still
a ******

innocent
of all crimes
she utters

just moody
Father says
like most girls

Lizbeth picks
up her fork
and eats more

scrambled egg
and thinks of
Benedict

and how she
tried to get
him to have

*** with her
on her bed
some weeks back

but he said
not like this
not just now

we're too young
but Mother
knows there's more

than just moods
and studies
the young girl

as she eats
wondering
if Liz has

with that boy
signs are there
she muses

but deep down
the mother
refuses

to accept
such could be
and sips tea

Lizbeth stares
at her plate
thinks of ***

with Benny
when it comes
if it comes

and what place
it might be
lifts her cup

and sips tea.
A SCHOOL GIRL ONE MONDAY BREAKFAST IN 1961.
Terry Collett Apr 2015
And she wants to know
how I stuck that time
in London
and not the country

and why did I
not want to be
in the countryside
and it is a sunny day

and clouds are so white
it seems as if an artist
has painted them
and as she speaks

I sense her there
beside me
and she talks
about how her father

manages the church
and how she first
remembered the walk
through snow

when she was young
and how her father
carried her
on his shoulders

and she saw
her first sparrowhawk
and how grand
and powerful it seemed

above them
and I want to be near her
to be able to breath
her in as we walk

and maybe hold
her hand
but I can't
bring myself

to reach out
unless she
does so first
not wanting to seem

presumptuous
or too forward  
and we walk
down the lane

beside my parent's cottage
and talk of London
and how there were
street lamps

and the trains moving
over the railway bridge
all night and coal trucks
being shunted

all the time night
and day
and the dust
of the coal

gets everywhere
but one doesn't notice
and she looks at me
and I want to swim

in her eyes
and she says glad
you're here now
and we are here together

and her hand
touches mine
and I want it
to be there always

her hand in mine
and know it won't
but wish it so
and wish I could

carry her
on my shoulders
through knee deep
white snow.
A BOY AND GIRL IN A COUNTRY LANE IN 1961.
Terry Collett Apr 2015
Without God we cannot and without us God will not, Sister Bonaventure, the Italian  said, in R.E  at the school, where Fay sat looking at the nun's plump features and a second chin that lay on the nun's wimple. Cannot what? a girl said from beside Fay, a thin girl whose hand was raised above her head. Others stared in Fay's direction as did the nun. What do you think it means, Gloria? the nun asked, her dark eyes peering at the girl. The girl shrugged her shoulders. Salvezza, the nun said, salvation. Fay took the word and tongued it in her mouth like a boiled sweet. Salvezza. The other girls in the class sat mute; some looked at each and smiled either out of indifference or bewilderment, but Fay sat straight-faced, the words in her mouth, both Italian and English. Salvation? A girl asked, pushing her luck, seeing the nun's features harden like cement on a hot day. To be saved, the nun said, saved from damnation. The girls all Catholic and bought up from the cradle knew this, but it was a hot day and they had lost interest as soon as Sister Bonaventure had entered the class with the ease of a hippo into a muddy swamp. But Fay took the words and packed them away inside her head to **** upon in her nightly hours when she failed to sleep. After school, walking along St George's Road, she saw Benedict standing by the subway waiting for her. He stood with hands in his pockets, his school tie untied, hanging loose, his shirt collar unbuttoned. She smiled when she saw him; her stomach did a somersault; her eyes moved over him like hawks seeking prey. He smiled like Elvis, which he had mastered by studying the photograph in the paper and had cut it out and sellotaped it to his wall. Didn't know you were going to meet me, Fay said, thought you said you were busy. Benedict smiled. Wanted to surprise you, he said. Did you run home from school to get here by this time? No, got the bus, he said. She touched his arm with her thin fingers, felt the cloth of his school blazer. He looked at her; took in her fair hair, straight, but pinned at the sides with hair slides; at her eyes that were as pure as silk; at her features that he wanted to capture in his mind so he could conjure up in bed at night when he found it hard to dream about her. She looked past him, making sure her father-who didn't like Benedict- wasn't around; making sure that her father wasn't amongst the crowd across the way or in a passing bus. They walked back towards the flats together, side by side, hands not touching, but close, near touching. She told him of her day at school, about the Italian nun and the words that she had captured that day in R.E lesson. Salvation? he said, taking the word and moving it around his head and mouth like a puzzle to be solved. Sounds like something you put on if you've got a sore spot, he said. She smiled. It means saving our souls from sin and the consequences of sin, she said. They walked down the subway side by side, the words echoing along the walls. He looked at her as they walked, his hand near touching hers. Sins? What are they when they're at home? he asked, probably knowing the answer, but wanting her to say. Violation of God's will, she said. Violating our relationship with God, she added. He allowed his knuckles to brush against hers gently, letting her words float about his ears. Violate God's will? He said. She nodded. Defy, God's will, she said. Mm-mm, Benedict said, got you. Whether he had or not, Fay had no idea, she sensed his knuckles brush against hers, gentle, soft, skin on skin. They came out into the late afternoon sunlight, on to the New Kent Road, passed the Trocadero cinema, their hands brushing close. Changing the subject, before Fay could venture further into the words, he said, do you anything about periods? She stopped by the entrance to the cinema and gazed at him. Periods of what? History? Geographical times of changes? She said. No idea, a boy at school was talking about it, said his big sister was having her periods and was a dragon when she was, Benedict said, gazing past, Fay, at the photographs in the framed areas inside the cinema walls. She blushed, looked at the photographs, too. How old are you, Benny? She said. Same as you, twelve, he replied, taking in the photo of a cowboy, at how the cowboy had his guns set in his holster. And you don't know? she said, shyly, looking at him, blushing. He tried to copy the cowboy's stance ready to draw his imaginary gun from imaginary holster. No idea, he said, looking at her briefly before gazing at another photo. What do you learn in biology? she asked. O usual ******* about plants and sunlight and butterflies and bees and so on, he said. About butterflies or birds, then? he said, taking in the cowboy's stance again. Yes, she said quickly, not wanting to elaborate further.  They walked on passed the cinema and the used car area and walked over the bomb site towards Meadow Row. So what's the connection between this kid's sister and ****** birds or butterflies and periods? Benedict asked. She shrugged and smiled. Ask your mum, she said, she might know. He smiled, leaned down, picked up a few stones from the bomb site for ammunition for his catapult later, guess so, he added, taking in her blushing features. They paused half way across the bomb site and stared at the the coal wharf where a few stragglers of coal men loaded up the lorries and wagons again for last bit of business. He wanted to kiss her, but didn't want to take the liberty of just plunging his lips on her cheek as he'd seen them do in the cowboy films. She watched the coal men at work. She sensed him beside her, his closeness, his hand brushing against hers, skin on skin, flesh touching flesh, but she didn't want her father to see her touching Benedict's hand, because he'd go mad at her. I  want you to focus on your school work and what the nuns tell you about matters, not gallivanting with the likes of him, he said last time he saw her with Benedict, even though they lived in the same blocks of flats, he downstairs and she upstairs. Likes of him? What did that mean? She mused, looking away from the coal men and taking in Benedict beside her. God knows what her father would say if she kissed Benedict and he saw them. A few years ago he would have spanked her, but nowadays he just threatens her with it. Benedict turned and looked at her. Are you coming to the cinema for Saturday's matinee? Don't know; depends, she said. Depends on what? he asked. My dad and what he's up to and if he'll let me, she said. She paused, looked past Benedict to see if her father might be around. What's wrong with Saturday matinee? Benedict asked. She looked at him. Daddy thinks it's sinful to stare at those kind of films, although he did take us to see the Ten Commandments with Yul Bryner and Charlton Heston  a few years ago, she said. But you've been with me before, Benedict said. I know but only if Daddy's away on business or is away on religious retreat. Benedict raised his eyebrows and pulled a face and pouted his lips. She smiled. See what I can do, she said, looking over at Meadow Row making sure her father wasn't in sight. He wanted to kiss her, but didn't want just to plunge at her as he'd seen them do at the cinema, but what to do? She gazed at him, her body tingling for reasons she couldn't fathom. Best get home I suppose, she said, in case Daddy's there wondering where I've got to. They walked on across the bomb site slowly. Could I? He asked, pausing by the wall of  bombed out house. Could you what? Fay asked. Benedict looked at her. Kiss your cheek? She blushed and looked around her then back at Benedict. Why would you want to kiss my cheek? She asked. I've seen cowboys do it to women in films I just wondered what it was like, he said. Is that all? she said. All what? He said. That reason? She said. No, he said, looking past at the coal wharf, I like you a lot, wanted to show you how by kissing you. She felt out on a limb, beyond her comfort zone, yet something about it seemed satisfying, the gesture, the idea, the reason he wanted to kiss at all. She knew she was blushing, knew that her body was reacting in away unknown to her before. She looked across at Meadow Row, at the people passing over the way. Do I dare? She asked herself. What if Daddy sees? Not here, she said, maybe on the staircase of the flats if no one is around. He nodded, looked at her, touched her right hand, warm, silky soft. He wasn't sure of himself as he usually was; felt as if he were in bandit country and bad cowboys were at large. They walked on down Meadow Row, passed the public house with doors open and the smell of beer and a piano playing out of tune, passed houses and the crossed over by the corner leading into Rockingham Street. Their hands were apart from each other just in case. Her father in her case and other boys seeing, in his case, thinking he was breaking the schoolboy code into cissiness. They walked up the ***** and into the Square and walked towards the block of flats where they lived. She talked about Sister Bonaventure and sin and he talked about the boy's sister's period problem whatever it was. Half way up the second staircase landing they paused. Now? He asked. She looked up the stairs then down. Ok, she said softly. He kissed her cheek, damp, soft. She looked at him, then for reasons she didn't know she drew him to her and kissed his lips, then let him go. What happened to her or him they didn't understand just felt the inner glow.
A BOY AND GIRL IN LONDON IN 1960 AND A KISS.
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