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Said I'd never go back to Texas
But there's something pulling me there
I'll face my destiny in a dusty street -

She's got a gun in her hand and pale lavender hair
fresh tracks into the distance
well past midnight
the streetlight afterimage reflected in pools of
unblemished rainwater
stirs with slow echoes of the night
stirs with the slow echoes of the summer

keepsakes she quickly squirrels away
in the tiny pocket sewn into
her deep blue dress
the tiny pocket where she has a
lock of his hair
a picture of the ship he sailed off to sea on
a note he left her telling her
that he would dream of her

now the keepsakes she puts away
are twigs from a tree
a peice of plastic from a beach
bits of things that her wandering mind
grasped upon with a smiling fancy
on a stormy night September 1932
his ship was lost with all hands

all these years she waits
all these years she keeps vigil by the shore
gathering strands of the world
driftwood of lives cast off like her own
set adrift without particular place to be
and she has been lost
in mind and body
waiting for him to return

fresh tracks into the night
well past midnight
the streetlights image reflected
changes slowly
to show a figure walking carefully up the lane
his steps trying to remember
where they had been once before

was he returning
was he just a shadow or dream
she held her breath in delight and in trepidation

in the first light of day
her empty home lay quiet
 Jul 2013 Sydney Ranson
Chris
I will never tell you that you look beautiful.
I will never tell you that (you) look lovely.
Because those statements hinge on sundresses
and too much time looking in the mirror.
After all, it is just a piece of glass.
And you (are) too,
because I see right through the beaming
reflections on your skin.
And you are deeper than the ocean,
calmer than it too.
As sweet as dripping honey,
and as (soft) as morning dew.
You’re that feel(i)ng at 2 (am), when the Sun
is asleep and somehow I still don’t feel alone.
And you are every gentle raindrop landing
on (quiet) rooftops in late July.
Your roots sink further than lofty White Oaks,
and your reach extends far beyond their branches.
You keep every beam of sunlight,
your eyes like glowing coals,
and every morning the horizon must borrow
from all the splendor that you hold.
They fill books with all your essence,
and it’s still never enough.
So I will call you what you are.
You are lovely.
You are beautiful.
A prism person's
outline, gone
when I turn my head
Perspective’s prison

Countless cycles
wash themselves sterile
in the circular and kidney
shaped lakes of my veins.
Begging, born again

Everyday I see a new sun
my shadow is
thrown on the horizon
and the light looks weightless,
and I am feather blended
effortlessly, a new ray

But my eyes flick and I
move with the motion
of the earth
rotating to a dark day
It keeps a vague sense of newness
Night is a grainy antannae tv
my edges fuzz away in it’s
loud ocean, I am indefinable
in it’s body.

Light penetrates water and
throws a shadow seven ways deep
Me, a stream
streaming like
light through a window
a bay through a dam

I stream in silhouettes too
in the tar black ocean bottom
Flowing under tired tides
pulled under with the moon

Align
and soon
sea becomes a circle
Prisms thrown
back, a retract into
the keep
it is my skull, my chest
my body contains

I find glory in the unity
of myselves
 Jul 2013 Sydney Ranson
BB Tyler
fresh morning dew drop,
suspended like a planet,
appeared over night,
 Jul 2013 Sydney Ranson
Anna Vida
Little pink pills
To help lie about the swiftness of my temper
To inhibit the churning mind
To change what I was born to be.

Little pink pills
That I can't justify taking
Because I don't want to live a lie
Forcibly pretending I'm someone mellow and simple
When there was a storm raging underneath
I remember three things the most.

Of the first, her eyes,
Of the second, her hair,
Of the third, her smile.

Let’s see what’s next.
It seems I didn't make it clear that this is of my 3 loves, not just one...
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