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 Nov 2014 Sierra Earle
Jedd Ong
has died

And tomorrow brings
Forth a helping
Of ham sandwiches
And chorizo rice,

And a cold glass of milk,
And vitamin pills,
And sleepy morning sunlight
Clinging to baby eyelids.

The world unraveling,
Yarn by yarn to reveal
A cracked expanse:

Dingy suburbs alternating
With shiny metal subways,
Flimsy straw huts,
And highways,

Schoolbooks once mandatory
Depicting every one of them.

The bell rings and
Suddenly footsteps seem
To linger if but for a second,
Encasing its victims
In a universe where time stops—
Stood—still

Still enough to wrinkle,
And feel the soft nudging

Of naked wrist against
Wrist-watched wrists,

Breakfast crumbs against
Crumpled lips,

Rotting umbrellas against
Sweating hips,

Oxen straining against
Grass-strewn rifts,

Coal dust against
Swollen lids—

So tolls the bell
And ends
Said Hamlet to Ophelia,
'I'll do a sketch of thee,
What kind of pencil shall I use,
2B or not 2B?'
The sun beams into my eyes, the sounds of clicking horses charge the streets.
I wrap my tiny cot up and slip my hair into a loose braid.
As i stand my gold anklets clatter.
My feet are met with a cold puddle of street water as i walk towards a pile of barrels in a nearby alley.
My rings clank together as i grip my bag and slip it over my shoulder.
My bracelets fall to my upper arm as i grip a stone and pull myself up onto the roof.
The sunlight is crisp.
A thin yellow light is gingerly sneaking over the top of Notre Dame.
A faint smell of bread is released into the morning air.
The bakers take such pride in their creations.
It is such an enchanting place Paris.
The city of dreams.
The city of food.
My stomach howls at the site of a baguette that has been carelessly dropped onto the sidewalk.
I check my bag for a few extra coins.
As usual there are none.
The day will be long, there is not a single cloud in the sky.
The streets begin to come alive.
Women and children crowd the town's square to buy the farmer's crops.
Men wave to their families to begin yet another day of ceaseless grinding.
**This poem will be turned into a short story... when I get around to it...**
they asked me
what did YOU do today to make the world a better place?
i looked down at my feet
embarassed
"i woke up"
i said
"i got out of bed"
they looked at me, puzzled
"i didn't let depression win"
a small smile crept across my face
no, my dear, the world the world
what did you do to make  the world  a better place
i took a deep breath
"i told the girl in the bathroom mirror she was beautiful"
"i told the boys to stop bullying the girl in the hallways though i wonder if they heard me"
"i told the empty hallways i'd be okay"
i told depression i'd bury it
i woke up
i got up
i stood up
and i hit "play"
This little bag I hope will prove
To be not vainly made —
For, if you should a needle want
It will afford you aid.
And as we are about to part
T'will serve another end,
For when you look upon the Bag
You'll recollect your friend.
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping—rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
        Only this and nothing more.”

Ah, distinctly I remember, it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
        Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
    This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping—tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door:—
      Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering,
  fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, “Lenore!”
This I whispered, and an echo murmured back the word, “Lenore!”
      Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon I heard again a tapping, somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment, and this mystery explore;—
    ’Tis the wind and nothing more.”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he: not an instant stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
    Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no
  craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
      Quoth the Raven, “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
      With such name as “Nevermore.”

But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered, “Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before.”
      Then the bird said, “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope the melancholy burden bore
    Of ‘Never—nevermore.’”

But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and
  door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
    Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my *****’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o’er,
      She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath
  sent thee
Respite—respite aad nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!”
      Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
    Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
      Quoth the Raven, “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked,
  upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
    Quoth the Raven, “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
    Shall be lifted—nevermore!
The noon's greygolden meshes make
All night a veil,
The shorelamps in the sleeping lake
Laburnum tendrils trail.

The sly reeds whisper to the night
A name-- her name-
And all my soul is a delight,
A swoon of shame.
 Oct 2014 Sierra Earle
bones
She's an alphabet artist
she paints in words,

from a palette of adjectives,
nouns and verbs,

the landscape she finds
in the folds of her mind

she exhibits in volumes of verse.
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