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Nicholle Justine May 2014
I don't very much like compliments anymore.
Please, please don't call me beautiful.
I'm still trying to cope with the last time
I was called beautiful,
I wouldn't a' ****** ya
if you weren't

How reassuring,
he said it as though my beauty
was the only reason I was graced
with the gift of his ****.
It wasn't the drinking
or the party
or the conversations we held.
Only my beauty.  

Beautiful
is what the men who are
twice, no, three times, my age
nod at me as I walk to work.

Beautiful
is the nickname given to me
by one night stands
who can't seem to remember
my name is Nicholle.

Beautiful
feels like his hands silhouetting
my body after I told him to stop.

Beautiful
just reminds me of how hollow I feel
at the end of the day

Beautiful
is an understatement
for everything I am.

So please, find another way
to compliment me,
a different adjective
to describe me looks.
Or better yet don't
compliment my looks,
I am so much more.
You can compliment
my words
my soul,
the way I make you feel.
Troy Urbalejo  Mar 2012
This Soul
Troy Urbalejo Mar 2012
So right here, some how. Right there, I fell down.
And right here, I smile now. Cause right there a soul I found.
This soul was beuatiful, this soul was fragile.
This soul was so hard to understand.

Right here, one day. Right there, I fell to the ground.
But this soul picked me up, this soul found my hand.
And right here, I'm dreaming. Cause right there, this soul is breathing.
And right here, and somehow. This soul I understand.
René Mutumé Jul 2013
Laggard, the ships drive down
emancipated parts tapping the sea with reasons
to soar back up
like fresh whales and the pieces of meat
falling to floor from human mouths sick of holograms
and trawling and fixing for our debts
ghost rythms, shaving off grissel and time
passing over stuble
the intricate need of each
hair
all of us, using the same tools;
ungendered across our bodies , my hand rubbing the grooves where your **** sat in the grass
all of the words now, slumbersome after a work day, but still able to see
where you sat and I sat
the beuatiful knife that few have, but always will
(needing only one type from one place, to begin)
saying to it, like the mad do, and we do:
‘Good God
blunt again
*****.
how many steaks have I used you on?
come on, where’s your guts – - , oyy… go onnn…’

But it’s alright about the silence
whilst you make a cheap dinner
the walls don’t know that you’re a little mad
they turn around like a house of mirrors made from cards
and say something back.

— The End —