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Alysha Marie Oct 2011
before i bury myself
in the fallen leaves,
i paint
a golden picture. idolize
unreality. force open a dream
of spring
and what it should mean.
and whenever i see two ready eyes like the
gestation of a new cosmos,
my anxious fingers tinker about;
there are fruit and flower
worth the time it takes to focus upon
like a man who is
worth the time it takes to love--
but romance is not natural
for such an animal
as i have been,
unread, not belonging within, clattering, preparing false wings
to abandon
a family. i grow old and young inside depths
that i cave
in.
attuned to noise, some crazy flute,
i go cacophonous toward the sound of sickness,
calling the name of no one into random abysses;
an abstract heart is precious, the selfish self-hatred however
, a practically biological second nature.
bred. arterial, laced
in a genome.
it has nothing to do with womanhood
god
or area. now by the side of whatever is wrong,
future dies
prematurely.
observe the scolding history
rearticulating itself. how i pressed barely visible
to wrought iron and plexiglass
kneeling to whitecoats, a sinkhole stomach pillfilled,
for extended temporarity a frenzy lent to me,
i drew unintending daggers. there was no defense,
but there was no bravery either.
escape and escape and escape and
claim loyalty and value to
somethings, but i did not follow
to that other end
where light lived.
where they were talking
and talking and talking about me
and shaking my shoulders,
jumping in after me,
i wandered persistently so far
so deep and so dark until
they dared not enter. fascinating strangeness,
still they are afraid of what they do not know
and i continue to be afraid of what i do
know.
miserable as unwanted rain,
lamenting the instability and
inventorying uncontrolled damages.
i have no reliable property, i have no money, i squander potential,
restlessly i change shape at night like a fabled figure,
like my father, like a jeckyll, like a hyde, like an
addict or
adolescent rat.
reclawed, hand out free kisses, rest in forbidden laps,
ashamed at the summit,
with a deceptive shadow, i don
a foiled crown gleaming
and scream into the fabricated storm.
the trees all crack their necks.
by morning i slap myself and untangle my hair and
play with my suitcase.
flipping through pages of what i wish i was,
what many people wish they were.
staring at the washing machine long-motionless,
i have a favorite stained outfit, a few clean shirts.
i will probably learn to anticlimactically dump into the sink the crumbs
that collect at the bottom
of the toaster. i will stop running
and take a time out in a place with no season
or color soon
but before i step further into the same street
godwilling i say something
important.

dwelt,
dwelling,
spend years dwelling in what pools
afterward.
there is my face in blood,
there is my face in ketchup,
there is my face in the grocery store floor,
there is my face in front of a padlocked gate,
there is my face in liquor ambivalent, in *****,
there is my face in ravines unflashlit,
there is my face in a wadded poem,
there is my face
in my hands.
Mateuš Conrad Oct 2015
it was the year of the piñata,
too much wine and beer,
but today i revised myself, bought thirteen quid’s worth
of whiskey and lost my former bias,
and as i read the informational cameo
it dawned on me, it dawned on me to revise it, like so:
uk chief philosophical officers recommend adults do
not regularly exceed -
3 - 4 units of advice as men daily
and 0 - 1 units of advice as women annually.
well give woman everything and she might give just
give you all of what eden isn’t -
and you’ll be up there thinking out why anally speaking
the crucifix was a violin jew of the place he once once
knew, but golgotha isn’t a city or a place,
it’s a crucifix and nothing more.
but as i sip my handy new friend to shake me later
i remember... this story isn’t really about me,
it has a vague resemblance of me included in it,
which means that all that is surrounding this tale
is more about something that’s beyond ‘the guilty me,’
a sort of rasputin oddity of strength,
i wish i could capture body language humour with letters,
but i can’t, all i can say is that when she was near suicidal
taking the advice whispered into the air for her presence
she didn’t slit her wrists but aimed at cutting downstream
aiming of an artery like luke suggested,
and when i was there for three days, i only undressed
in bed on the second night, slept with the window open
and the cold edinburgh late autumn fuzzing up my shortcut hairstyle
into a hoped for meningitis,
while she played a video game talking about
not being able to kills this giant lizard,
with the odd outburst about her brother being dead
and the best *** she had with sam,
while i brought her curry from the mosque (this time not barefoot),
popped one of her anti-depressant pills
and then left speedily on a train i came;
this edinburgh haunted me,
she texted me on the train - ‘why did you leave without
saying the daydreaming goodbye?’
and i replied - ‘ whisper sometimes girl, whisper,
and i’ll give you a cat’s whisker.’
edinburgh haunted me this time - this time i was ready
with the chocolate minstrels upon arrival
but not the ****, odd thing is
i turned a relationship of a few months not even worth
to mention half a year into a writing career;
and if i do it for free for the rest of my life,
i won’t have to think about engaging in gambling
or buying her a nice new floral outfit in the parallelism of imagination.
i’ll be among the ancient greeks thinking about
the stilettos of mahogany tables and trying to find a
stray dog for companion in a jar like diogenes;
but i might come across the whitecoats who will symptomise
everything about me for a 9 to 5 for five days a week’s worth of
bacon eggs and bread.
Lawrence Hall Feb 2021
Lawrence Hall
Mhall46184@aol.com
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                            Follow the Science Down Rabbit Holes

Infections are up and deaths are ‘way down
Or is it that infections are down and deaths are up?
Schools must be closed and the restaurants open
Or schools must be open and restaurants closed

Vaccinations are available, except when they’re not
And are necessary for all, except when they’re not
And masks are necessary, except when they’re not
And Saint Blaise blessed us at some thirty feet 1

The captains and kings 2 and whitecoats falter

And the rest of us

Can only leave all at the foot of the Altar




1 Per the bishop’s order, throats were blessed at a distance in petition to Saint Blaise, with the priest adding, “And we can hope there is a blessing.”

2 Kipling, “Recessional”
A poem is itself.

— The End —