Uhh..(Yeah2)..I'm feeling this one man,..Uhh..(Yeah man6)..burn up & listen Yeah man..Uhh

/This for (my ****** Disciples2)/2..
Yeah this (for my2) (My ****** Disciple ******3)..
/Yeah This is for (my ****** Disciples *****2)/2
(Yeah This is for my ****** Disciples2).. Yeah. for my ****** Disciples..Yeah..(my ****** Disciples2)..yeah..This is for all of (my ****** Disciple ******3)..yeah..This is (for my ****** Disciples2)..yeah This is (for all of my ****** Disciple ******2)..Yeah (my ****** Disciple ******2)...Uhh
(We mobbing2)..Yeah *****,..(we mobbing4)..Uhh, This is for my ****** Disciple ******,Yeah..(we mobbing4)..Uhh, This is for my ****** Disciple ******, Yeah..(we mobbing3)..Yeah we mobbing.. Yeah ***** (we mobbing3)..(***** we mobbing2)..Yeah
(we mobbing..2)

Yeah ***** we mobbing..we robbing Uncle Sam, for all of his loot homie, forget being a Uncle Tom *** ***** mane,..(we mobbing3)..,Yeah ***** we Thugging, Uhh, we standing tall man, yeah ***** (we mobbing..3)
We doing whatever we want ***** (Yeah2)..for real man,..Uhh..I'm one of the realest rappers that's still here my *****, it seems like all of my real ones getting killed, disappearing, or leaving the game, I guess they time what's up like Kobes, no disrespect to none of the ogs, I gotta give thanks because they all paved the way for a younging like me to rise above all of the fakes..

OFTR we rising up mane, like grass that hasn't been cut for weeks, Aye,..(I'm wit all of my ****** Disciples2) yeah..my ****** Disciple ******, & we disturbing the peace, & killing stages every city we in ..Aye mane..like Al Capone, We just being gangsters yeah,..Like a real gangsta I move in silence my *****, **** having friends,.. I don't talk to nobody, I got too much dope to sell  man..Noo I can't trust too many of these ******* & ****** these days, they all look like snakes dawg.. & They been shedding tryna blend in, but I see right through all of that fake fucc ****..Yeah

I know that these **** boys been plotting to rob me, Ayo they better not rob me, if they know whats best foe em mane..then Yeah they better not try it, Noo, they don't like me, no they don't gotta like me but yall ******* will respect me tho,..& that's Fo sure, Fo sho,..Noo them demons won't stop me, they can't hurt me..,I'm protected by the Grace of Jesus, Thanks,.. Aye..
Why y'all hating,all of you ignorant ******* can learn something from me homie..just (pay attention2)

Don't trust nobody2
Nobody at all mane, because these ***** *** ****** will sacrifice yo *** for the money just like P.Diddy did to Biggie, just like Suge Knight did to Pac mane..Uhh..
I had to take my shades off so I could see clearly , mentally, Uhh, Lyrically, I'm killing thee Occultic wicked ways that has been introduced into hip hop mane, literally, I dugged up some graves & learned from the best,..Aye I'm the best physically..My mentality is helping my ****** out,not just getting to the money forget being selfish when we can all become rich & legends.. Uhh

Aye,Yeah, roll up that dank my ***** & get paid , man money  ain't everything my *****, Ayo I remember I didn't even pay bills, mane I usta to just sit around my mama house imaginating, & rhyme all day, people said I wasn't doing nothing but being lazy *****, people said I wasn't ever gonna amount to nothing *****, but they didn't know Yeah, they didn't know that I had alot dope, ***** that George Jung, Yeah I had that dope,, & I was getting high off of my own supply, choking, that **** was so different & potent, so I always knew that deep down inside  that somebody mind would fall in line wit OFTR AGENDA, Yeah..Uhh

I'm wit my ****** Disciples *****,..(Yeah *****, we mobbing2)..(we mobbing*2)..mobbing, This is for all of my ****** Disciple ******, Yeah, This is for my ****** Disciples *****, Aye, OFTR Yeah we mobbing like the 50s *****, Uhh..(I'm so ready *2)..for whatever..
This is for my ****** Disciples..Yeah
The ****** Disciples my *****.
Let's mob man..Uhh

VERNARTH
Monastic  Cell

Vernarth begins to describe:
"This magnificent monastic complex dominates the island, and the old settlement of Chorá, associated with it, is home to many religious and secular buildings, where the famous pressurization of the inspiring forces of the Beloved Disciple is present, in this place he will reside in the sacred year 95 AD. AD, with his Gospel and the Apocalypse. A monastery dedicated to the "beloved disciple" was founded there in 1088 by Hosios Christodoulos Latrinos and has been a place of Greek Orthodox pilgrimage and teaching ever since.

Spilaion Apokalypseos (Cave of the Apocalypse) Many architectural changes have undergone over 900 years, adapting to changing political and economic circumstances. It has the outward appearance of a polygonal castle with battlements flanked by towers. It also houses a remarkable collection of manuscripts, icons, and liturgical objects and works. The primitive elements, which date back to the 11th century, are the catholicon (main church) of the monastery, the chapel of Panagia and the refectory. The north and west sides of the inner courtyard are surrounded by the white walls of the cells, and on the south side stands the Tzafara, a two-tier arcade in dressed stone, built in 1698. The outer narthex of the catholicon forms the east side. . Halfway up the steep path from Skalá to Chorá is the Cave of the Apocalypse (Spilaion Apokalypseos), where, according to tradition, Saint John dictated the Book of Revelations and his gospel to his disciple Prochoros. This sacred place attracted several small churches, chapels and monastic cells, thus creating an interesting architectural ensemble. ”
They continue in this set of phenomena towards the definitive mediation of the cavern by means of the inspirational illumination of the conduit of the ****** of the hundred doors or church of the hundred doors, declaiming the Panagia with the hermit and his disciple Prochoros, with remarkable whispers of the Blue Cormorant that he brought from La garriga; from a nearby ecoregion with plant formations emerging in the biomes of the Mediterranean forests, to incense all the white walls of the cells where the hermit led them walking together with two monumental candle torches. From here this cormorant will transport all the bioclimatic zones of the ecosystem, to constrain the Tytillinus embryo to be swallowed by it, predominantly to forget about its concept of egg as an oviparous generation of temptation and to be anchored to the plant site as an original species. . This blue cormorant is a superlative factor in the context of changing the cephalization of this demon-monster in the collective consciousness of the grotto and its shed.

They transpose the Tzafara, where the cormorant perches lavishly moving its head like a spasm in its neck to the northern north, illuminating its crimson green eyes. Destining his penances for the narthex as an open portico until the exonarthex, here the multiplied figure of Tytillinus would increase, appearing to be dominant before them, but all remained cohesive and closely united in paleo Christian rosaries, to re-infuse the forces of fear transferred to this invader.

Thus being able to reach the hemisphere of the mound that comes from Skalá, in front of them the Spilaion Apokalypseos grotto in Katapausis. You could see how the crystals of unhappiness turned into high-grade psalms of translucent stained-glass crystals of extremely shameful colors. Vernarth carried in his hand a Sheesham box with purisms and essences of the temple earth that he was building, he carried his magnificent thoughts inside the catholicon tied in his arms of the quarterdeck, where the raw solvents of the past wars as Military Commander oozed.
In front of the cave they all perch. Vernarth will inaugurate the Quadrivium whose four paths; They would group disciplines related to mathematics, geometry, astronomy and music as a study curriculum for the uprising of species and their preservation for centuries and centuries. Linked to the tracks or roads; grouping grammar eloquence and helping to speak, with dialectics to help search for the truth, and rhetoric coloring the words. Thus they understood the grammar, dialectic, rhetoric and its elementary figures and the three Trivium routes attached as a whole on this pilgrimage as they were already in front of the hermitage of the Saint. Raeder, Petrobus and Eurydice move their anxious feet with a few bars of Laziko, thus throwing from the ground with their feet the particles of thousands of years inseminated by the adjacent atmosphere towards the theological philosophical goal of the spirits satisfied to join them in the masses in proportion to the weight of their mobile talents, applying makeup like millennia to each other ..., parading before them.

Orpheons of the lowlands of Patmos were felt entering through the holes of the roof of the cavern, in communion to join them in the compas of this beautiful melody that diverged from all the original immaculate accents of the gifts along with the original of the Holy disciple. The petrified lotophagous mushrooms walked swiftly along the walls through the deviant Trojan ships, towards where the Trinidadian music descended from the roof, bruising the oversized apricots of the candlesticks, dazzling the other walls full of figurative tapestries of conceptual and iconographic images. Vernarth sang the Almara, an insistent retrograde song that invoked the entire community of Skalá and surroundings to join them through the arena sliding down the face-to-face gorge of the Katapausis, imbued in the mega center of the redoubled canticos of their own gorges, cloning the flat voices of the unknown mezzo vocal origin. Saint John only Vernarth allows him to enter his monastic cell, the others remain in the anteroom, pouring holy water and touching the hyper-curled walls of Chytridiomycota mushrooms that became voluminous in the immortal reflections of the vivid glow, to gather them to follow his insistent pastoral voice to a meadow of prominent demarcation step with its dynamic Laziko. Vernarth places in his hands a thick and heavy sacred medal, which will allow him to cease his lamentations and processes of Excessive occultism, before the heavy solitude procreated on his new face in rictus of joy and smiles in rounds of healing, beyond all predictions of his avatars and proselytes.


Vernarth goes on to describe:
A large amount of stress accumulated due to damage to the mitochondria that respond to the DNA that preserved the genetic material niche itself in a different way from that of the nucleus in the cavern, managing to dissipate after auscultating with the Quadrivium, detecting that a large part of the volumes manuscripts and iconographies were reactivated to other books as guests, to make them a living portrait for the tissue of the organism that parasitically inhabited the cavern walls. Inquiring an organized mitoconuclear communication. If they fail to resolve the mitochonuclear mtDNA breaks, before the radiosities of the celestial diaphragm, a dysfunction will be triggered that will affect the cells and tissues of the host, on all manuscripts and iconographies. These mitochondrial genomes will examine their function in the area of organic cellular spatiality, therefore the ideas obtained of incompatibility will remove all the saprophytic material from the rough trails of the demon granule Tytillinus, to exile it to the confines of its eco-region, where it lives unnaturally abandoned.

An evanescent canonical source alluding to this stay in Patmos will reveal to them through the roofs of all the houses of Skalá, mentioning through the mouth of the Eremita: “I, John, your brother and partner in the tribulation, in the kingdom and in the patience of Jesus I was on the island called Patmos because of the word of God and the testimony of Jesus. I was in spirit on Sunday when I heard behind me a great voice like a trumpet saying: '' Write what you see in a book and send it to the seven churches (Rev 1: 9-11). Moist winds licked all the roofs changing the nuances and morning faces, proclaiming the new secular kingdom. ” The most detailed source, continues to deny his parchment although already in late popular event, on his stay in Patmos are the apocryphal Acts of John, attributed to his disciple Prochorus. In them it is told how Juan and his disciple looked for a quiet place with a cave where they spent ten days of fasting. Subsequently, John sent Procorus to buy papyri and ink, and for two days dictated to his disciple the text of the revelation. Later the saint would entrust his disciple with a noble copy on parchment. The Golden Legend makes practically no reference to these moments, except for a mention that "he was entrusted with having confidentially known some arcane and profound things, such as the divinity of Jesus Christ and the end of the world".

The apostle appears on the spot presenting Vernarth with writing as a sacred office, also to commission future parchments for his future prophecies, and ink on a scroll or codex resting on his knees or on a desk. He also boasts showing him the writing tools (calamus, inkwell, rasorius, cornua) that are usually also reflected in considerable detail in the decals of his fingered golden fingers, accompanying the eagle, symbolically within the set of the tetramorphs of the old testament. Here Vernarth takes his face in compassion when he learns that his hermit master acquired the appearance of an octogenarian appearing accompanied by his disciple Prochorus, showing him the streaks, singing to them with the ninety years since he was exiled. It is a subject of late consolidation, very frequent in the late medieval manuscripts that contain this book or fragments of it, especially the books of hours where the image of the saint abounds on the island accompanied by the eagle, allusion to the apocalyptic living, and with much Frequently, of an imp that throws the inkpot or hides the calamus and that many authors have identified with Titivillus, a medieval demon who was credited with spelling errors in books and mistakes in prayers in order to win souls for Lucifer. The first reference that is had of this terrible demon is in the Tractatus of Penitentia of John of Wales, which dates from the year 1285, which will be evidenced in the framework of this stratagem entrenched in Vernarth's career as a Macedonian warrior, and that he would bring with this odeón the detuned song that would rule those who cultivate the art of sound near luminous beings prone to lose faith, as well as those who represent here as Tytillinus, vast evil oppressor of those who look at sacred scriptures affecting their eyes, as a sign of peeling of degraded human eye skin.
The others appearing were outside in a shed, all very close to each other, just waiting for the order to leave. Suddenly they see a brilliant blue waving light, which was coming down on them, it was an eagle coming towards them as a signal to tell them that Vernarth was coming back, to go to go with them to their rooms and continue with their daily tasks.

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