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scully Mar 2018
i talk about leaving in a whisper, like i
shouldn't raise my voice too loud and jolt my
self awake in the process.
in secret, hiding in the corners that you
blocked off in red tape. you dont need
this anymore,
you scribble out pieces and
make me look more like you. you dont need
any of this.
you dont need this. you
have me.

behind closed doors, i try to gather my strength
to break down the frame. i press my palms against
the wood and check the lock.
i talk about walking away and my feet are planted. i tell
everyone that i am moving, but they can see my stillness.
what's taking so long? over and over, like an alarm clock
to my sleeping figure, what are you still doing here?
i talk about leaving, but i can't hear it without freezing.
eyes wide and stunned, i can't hear it without trying to
hide inside of myself.
it's just leaving, but i can't stop my voice from wavering.
it's just leaving, but my fists don't make the door budge.
it's just leaving, but it circles around my brain like a fish
trying not to fall down the drain. trying not to break down
the door.
it's just leaving, they tell me,
i am anchored to my pain.
where would i go? i reply.
scully Feb 2018
and if we happen to
explode like a star that has
held it's breath for just a bit
too long, an exhale of
the memories we press into each other,
i will acknowledge it as less of a cheap shot to
my stomach and more like a tender tide
between the skin and the bed.
i have come this far on the back of
every single mistake,
i had caved into your mouth the second
it collided against mine and
i have let all of this love leak from the
cracks in my skin.
if our feverish and hungry hands
soften into gentle fingertips and
quiet, distracted touches, i will
lull into the way it still feels like you are
coming home every time. when we
get old and we collapse into the safety
of our own walls after one of the long days that
never end, i will take the silence as less of a bitter
absolution and more like a shift into the refuge of
each evening. i have spent my time
wanting, i have spent my time craving and
devouring all of the you that i could get my hands
on. if we kiss each other until our deprived shoulders
slump into acceptance, i will kiss you again and
we can carry each
other through phases like the moon. if we happen to
love each other so much that we do little else, i will
cherish every second that we spend doing nothing.
scully Feb 2018
there is depth to the light that you can't
watch without squinting, without flinching
and moving towards shelter.
it rings true of the body you
are gripping so tightly.
i am the body that i have always been,
dimly lit and shaking like a wet dog,
cornered against faces that are pointed like knives.
i buzz like there are bees inside of my stomach, i harbor
nocturnal animals and bugs in my hair.
the edges of my mouth are not illuminated with
warmth when you touch me. not anymore.
not ever, i wont lie to soften the shadows.
you cover your
eyes with your stupid warm hands and the darkness
clears its throat.
you try to touch me but it doesn't feel holy, it doesn't
feel sacred, and the darkness
clears its throat.
i have never had exalted palms against
my skin. the good ones see the black hole of
my empty space and the bad ones see my
glow as a lack of commitment.
i am containing the twilight, right after
the sun gives up for the day.
if there is a light i will swallow it whole.
if there is a god i am going to make him turn his
head away.
scully Feb 2018
all beauty is
is the beginning of abhorrence,
it is horror that is easy to look at.
when can you twist your body
and turn it ******?
i can do it on command,
i have skilled the viciousness of my mouth to bite
willingly, to tear without reserve.
all poetry is
is running hands over skin,
touching yourself.
i make templates to map out the faults of my words.
i curve my neck towards my blame,
i rehash my faith on repulsion.
this madness has a frame to hold onto
in the middle of the transition
from something digestible
to something noxious.
beauty morphs itself into something
that burns to cover with your palms,
like a child trying to trap light between fingers,
maybe you should learn to keep your hands
to yourself.
all love is
is pressing our soles into the dirt and our
deception into the other side of the bed while we
construct a way out.
if we never love each other,
there is no refuge to fall from,
only towards.
when can i take my love
and make it hurt?
where can i place my lust so
you can watch it burn,
so you can watch it brand the only
body i can still stand to identify?
i can spit this truth from my lips without choking.
i don't care what it looks like while it is lying
dead on the floor.
this is the disgust that is so final, this is
what all beauty mutates into; something holy that
i can't love because i can't recognize.
scully Feb 2018
i cut our dreams from the carcass of someone who didn't know any better.
i slice fresh pieces off of the things you speak into wanting,
a knife in the fist of someone who doesn't know any better;
begging to tinge the skin with devotion in place of disease.
i drain blood from soft and nameless remains, i hand pick silence
from marble statues and posed family photos,
i carve into the stomach of someone who didn't know any better.
i take her lungs and her ribs, i take her bones and
i take her heart and i ring my ***** hands
in a kitchen sink until the red washes down the drain,
chunks of carnality pressed into the palm of someone who doesn't know any better;
devout offerings to the darkness in the corner, to the chains on
the wall. i rip our love from the body of a stranger who didn't know
any better, i'm holding her
chest in my hands and i'm begging her discarded scraps to sink
into my fervor in place of condemnation;
i'm holding her chest in my hands and i'm chanting prayer;
"creatures must fall apart
to gratify the selfish wanting of warm bodies.
there is no creation without devastation;
if not you, me.
if not your flesh, mine."
scully Jan 2018
two people go in circles, one
extending arms, holding a heart in hands,
dripping blood onto tile floor.
and shes asking what you'll do with it,
so it's about time you decide whether
to use your hands or your teeth.
whether to cup your palms and
let her relax her shoulders or dig your
fingernails into the muscle because there is blood
all over the floor and she just wants
to know if you'll go ahead and tear
her apart.
it is a dance that never stops dancing,
indecision thrives on the only defense you
have left. she doesn't stop dancing with you,
arms tired, legs spinning in circles and feet
slipping on the tiles below her and shes
asking you what you'll do with it,
so what's it going to be,
hands or teeth?
scully Dec 2017
IT IS A TESTAMENT TO THE OBEDIENCE OF YOUR HISTORY.
YOU ARE BORN. YOU WILL LOVE SOMETHING NATURAL
UNTIL IT ROTS
AND YOU WILL DIE WHEN IT WITHERS
LIKE YOU HAVE NEVER KNOWN THE SPRINGTIME.
IT IS WHAT YOU DO.
A TRIBUTE TO YOUR ****** HEART,
YOU TAKE WHAT IS BEAUTIFUL
YOU WILL EAT IT UNTIL IT IS JUST THE BONES OF
SOMETHING RAW–
YOU WILL ACHE WITH SOLITUDE
AND SHATTER EMPTY DINNER PLATES.
A EULOGY TO ALL
THE GIRLS THAT BLOOMED FOR YOU
IN THE WINTER,
IT IS NOTHING MORE THAN AN ECHO OF THE BITTERNESS YOU KNOW TOO WELL.
TEACH A MAN TO FEED AND HE WILL
DEVOUR WHAT IS IN SIGHT.
TEACH A MAN TO LOVE AND HE WILL
BREAK HIS KNUCKLES
DIGGING GRAVES INTO THE DIRT.
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