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 Oct 2013 Savannah Grace
Showman
I hate nature sometimes.
Like sugar plum fairies
We dance
Around each other
Waiting for something to happen
Over power. Over woman.
Falling to our primal instincts
We are better than that
We are more than that
I hate it.
The way we are stubborn.
We are too busy fighting.
Fighting time
Fighting fear
Fighting death
Fighting each other
The hands of the clock ticks away
Death wraps its warm arms around us
But that I suppose is why we dance
 Oct 2013 Savannah Grace
Showman
I've named him Peter or Paul
I can't pick
Purposefully picking pigeon names is preposterous
It's perfectly possible though
He's my pal
Peter or Paul
We met at the Pantheon
He prattled, pranced
Up toward my position
I wanted to pet my pigeon Peter or Paul
Put him in my pristine apartment
Perhaps Patrick?
 Sep 2013 Savannah Grace
Emily
Your heart
Is something I have fought for
Is something so beautiful
And now that I have it
I'm never letting it go

Your heart
It's so big
Yet so small
Only let certain people in
That really high wall

Your heart
Is so fragile
Love is new to it
It makes you a little hostile
When you experience it

Your heart
Is scared of the possibilities
Is scared of the unknown
But you can trust me
I'll treat it carefully

Your heart
It's like you are hollow in there
You never give it away
But I know better
I've made it through

I've seen the beauty
That resides inside
I've seen the depth
Where your feelings reside
I've seen it all, baby

I love it when you tell me
"Never stop"
"Never stop giving it"
"Never stop coming around"
It's like you need my love so much
Just like I need yours
It's a beautiful reciprocal arrangement
You're my favorite thing to love
Thank you
For opening up
© Peyton 2013
I had forgotten
what it was like to bolt up
at three AM with the want, no,
the undeniable need,
to write
the feeling
you had at that moment
because it was all clear for once
everything made perfect sense
and you needed to take note
or else you’d forget it
forever

I had thought
I couldn’t have feelings
like this anymore
that through
growth and aging
I had become outgrown
or immune
to such strong
forces
and
yet:
here I am,
writing down
this moment of intense clarity
so that I won’t forget
that I am still human
that I am still feeling
that I am still making it
even if I felt lost for
these past few
years.

forgive yourself,
I realized,
and I had to take
note.
Earliest morning, switching all the tracks
that cross the sky from cinder star to star,
        coupling the ends of streets
        to trains of light.

now draw us into daylight in our beds;
and clear away what presses on the brain:
        put out the neon shapes
        that float and swell and glare

down the gray avenue between the eyes
in pinks and yellows, letters and twitching signs.
        Hang-over moons, wane, wane!
        From the window I see

an immense city, carefully revealed,
made delicate by over-workmanship,
        detail upon detail,
        cornice upon facade,

reaching up so languidly up into
a weak white sky, it seems to waver there.
        (Where it has slowly grown
        in skies of water-glass

from fused beads of iron and copper crystals,
the little chemical "garden" in a jar
        trembles and stands again,
        pale blue, blue-green, and brick.)

The sparrows hurriedly begin their play.
Then, in the West, "Boom!" and a cloud of smoke.
        "Boom!" and the exploding ball
        of blossom blooms again.

(And all the employees who work in a plants
where such a sound says "Danger," or once said "Death,"
        turn in their sleep and feel
        the short hairs bristling

on backs of necks.) The cloud of smoke moves off.
A shirt is taken of a threadlike clothes-line.
        Along the street below
        the water-wagon comes

throwing its hissing, snowy fan across
peelings and newspapers.  The water dries
        light-dry, dark-wet, the pattern
        of the cool watermelon.

I hear the day-springs of the morning strike
from stony walls and halls and iron beds,
        scattered or grouped cascades,  
        alarms for the expected:

queer cupids of all persons getting up,
whose evening meal they will prepare all day,
        you will dine well
        on his heart, on his, and his,

so send them about your business affectionately,
dragging in the streets their unique loves.
        Scourge them with roses only,
        be light as helium,

for always to one, or several, morning comes
whose head has fallen over the edge of his bed,
        whose face is turned
        so that the image of

the city grows down into his open eyes
inverted and distorted.  No.  I mean
        distorted and revealed,
        if he sees it at all.
 Mar 2013 Savannah Grace
Ugo
Funny how we woke up in the morning
and pretended that tomorrow never happened—
strutted naked in mirrors celebrating our youth,
laughing, knowing suns and moons couldn’t do the same.

We borrowed our arms from the fridge
and peddled bicycles with bad breath—
trading war stories ‘cause we knew
if we came back alive
life would still be the death of us.
 Mar 2013 Savannah Grace
Tasha
The floor was cold under my bare feet as I crept down the stairs, listening to the noises that the house was making. The kind of noises it made when it thought everyone was asleep – the hum of the refrigerator, occasional clunks, the creaks as the walls warmed up and cooled down. By all rights, I should have been asleep.
Outside, the night was the impenetrable black that you only ever see in the dead of night, in the middle of winter. My face looked ghostly and pale in the glass of the window as I turned the tap, water sluggishly filling my glass. It was a peculiar feeling – like being disconnected from everything around you. Freefalling.

“Bit late, even for you.” I jumped, when I shouldn’t have. I don’t think you ever slept. “Couldn’t sleep?”

“Couldn’t stop thinking.”

“Ah.” Your shadow moved towards me across the room, and I watched your reflection in the frosty window.  “It’s cold.”

“I know.” This was how we worked, this shorthand. For a guy who never shut up, and a girl who never said anything, I suppose it wasn’t unusual.

“Aren’t you cold?”

“I’m not the one who’s half-naked.”

You chuckled, and I turned to look at you. Sweatpants hugging your hips and nothing else.

“Are you allergic to shirts?” I felt compelled to ask.

“I sleep naked. This is dressed up.” You smirked.

My cheeks flushed, and I was so grateful that the dark hid it. Suddenly, I was conscious of my pyjamas. Which was ridiculous – there was nothing wrong with sleepy sheepy.

You were watching me, that slow smile messing with my head.

“What?” I snapped irritably, uncomfortable with the weight of your gaze. “What?”

“Nothing.” You said, shaking your head. “You just look nice” you reached out, caught a wave of my hair, “with your hair down.”

I tugged away, making an impatient noise, and you dropped your hand to my arm. I looked up at you, wild eyed, and you stared back. I didn’t pull away.

For the first time in your life, your eyes weren’t dancing around, constantly distracted. They were still. We were still. We were trapped in that second.

“Are you cold?” I asked, and a part of me congratulated myself. That sounded almost normal, nice one.

You smiled slowly, your pupils huge and diluted. I wanted to tell them to stop, they were swallowing the green and it wasn’t fair.

“Not anymore.”

You reached your spare arm up and cupped the side of my neck, I watched your eyes, and they watched your hand. You tangled your long, pianist’s fingers in my hair, and looked up, into my eyes.

“Can I kiss you?”

Before, when we were dancing and I was so scared that the music was my drug, that I’d come around and know it had been a mistake, I had said no.

But there is nothing hypnotic about standing in a dark kitchen, skin crawling with the memory of shivers and when the soundtrack is the humming of the fridge.

“Yes.”

Your head dipped slowly towards mine, and I counted every second.

One.

I was falling.

Two.

Your breath touched my face, my eyes were closed.

Three.

Maybe you were falling too.

Four.

Your lips brushed mine, a whisper of a kiss, and then deepened. And suddenly we weren’t two, beautiful, broken teenagers with no way out and who were so, so tired. Suddenly, we were a girl in sheep pyjamas and a boy with smiling eyes. Suddenly, we were inconsequential to the grand scheme of things. Suddenly, we were all that mattered.

And when you pulled away, and my eyes opened reluctantly, I saw that you weren’t going to disappear. There was no pounding bass to hide behind and my hair was brushing my the bottom of my shoulder blades.

“Okay?” You said, and I watched the way your eyes sparked, my mind was humming.

“Okay.” I said, and I knew that, for the first time in a while, there would be no nightmares tonight.
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