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I'm spitting teeth onto the pavement.
Cracked grin cracked across my mouth
like your fist as it splits my lip again.
And again.
And again.
Ribs splitting from the laugh
that is echoing across the bricks
laid psuedo-symetrically like our
best-made plans.

In this corner weighing in at 115 pounds
we have the hopeless romantic.
All featherweight and bones.
All martyrish and faithful.
 Jan 2013 Sarah Writes
EC Pollick
Do you know what it’s like
for me
looking at
a half empty
bottle of wine?

It is
Like it is
for a chain smoker
who sees
Cigarette butts on the ground
That are only half smoked.

It’s like when
The alcoholic
Sees the perfect tumbler
with just the right amount of ice
and with the pristine glass craftsmanship
that makes that
Satisfying “clink”ing sound
Whenever it hits the side table or counter.

I SUFFER
When I see such a sight.
And I wouldn’t call it
Addiction
As much as I call it
Jealousy.

For me, it’s torture
Realizing
That people buy the bottle
To get drunk
Or to have fun
Rather than
To forget
Like I do.
I'm not an alcoholic and this piece is not to make light of addiction. In fact, it's attempting to be perspective for how addiction builds. Hope you enjoy.
some say we should keep personal remorse from the
poem,
stay abstract, and there is some reason in this,
but jezus;
twelve poems gone and I don't keep carbons and you have
my
paintings too, my best ones; its stifling:
are you trying to crush me out like the rest of them?
why didn't you take my money? they usually do
from the sleeping drunken pants sick in the corner.
next time take my left arm or a fifty
but not my poems:
I'm not Shakespeare
but sometime simply
there won't be any more, abstract or otherwise;
there'll always be mony and ****** and drunkards
down to the last bomb,
but as God said,
crossing his legs,
I see where I have made plenty of poets
but not so very much
poetry.
 Jan 2013 Sarah Writes
Chuck
You make hearts feel not well
Tortuous glances send men to Hell
You're the muse of so many poems
Why don't you let us men alone!
Come on girl, please pick up the phone!

We men should ban together
Flee from all of this bad weather
You turned us into insomniacs  
We still love you, we're not brainiacs
Though, when you kissed our friend, we had heart attacks
Baby, forget these guys, please take ME back

I started this poem angry at you
Wanting to hurt your heart too
But you know I will always love you baby
Don't say yes, I'll be happy with maybe
Forget other guys, they're all crazy
They are mean, stupid, and lazy
Was angry at first, now things are hazy
You know I still love you baby

What? I'm a man. I'm weak! It's okay, just love me.
This is to answer To the S.O.B. But I couldn't be as mean to a woman. I feel the men in these type of love poems always cave. Sorry guys.
 Jan 2013 Sarah Writes
M Clement
Here lies X,
Presumptuous isn't it?
A little bit of pomp in lieu of starting a poem
Written for everyone to see;
Nonetheless, here I lie.

This isn't a suicide note
I'm not dying tonight
This is a desire note

A desire to see the man I am die.
This isn't a pity party,
This isn't a threat to me, and please don't worry

This is religious.
I won't claim it as any other.
I wish to see me die.

Me
The "man" who sees a cross
And looks away
For fear of changing what I'm doing
Because, honestly, it makes me feel good.

I look to a crucifix on Sunday
Believe in Transubstantiation
But I still can't get enough of women fornicating on the web.

It hurts to write this down
But to those of you who read it,
I want you to know
I'm drowning

This is struggle.
Day-to-day
Hour-to-Hour
I don't want this
But everything earthly about me does

There needs to be a look
Outside of self
But I'm happy in this cottage
I need to get out
It's burning down
But the fire is what's keeping me warm

I'm not trying to play
Like I'm really ok,
Because fact of the matter:
I'm not

The absolute worst part:
I've said this a million times.
A million and one.
This is what I'm struggling with. I think I'm done, and there I fall again.
I can't play no saxophone
but I can hear it played.
Sometimes it's a lady sighin;
sometimes it's a workin man.
But when it is an orphan cryin
I wish I could hold that child
and play.

I can't hold that child
in these ***** hands of mine.
I can't stop his cryin.
I can hear it way down here
on the sidewalks of the streets he's a child of.
Why, Lord, can I hear that saxophone
but never play?
A way to **** your soul?
Allow it to believe it is half of a whole.
Souls don't always belong to another;
not a father, a mother, a friend or a brother.

Some belong to silence.
Some belong to alliance.
Some **** greedily from the breast of violence.
Souls like money, souls like trades.
Souls like sunny, souls like rain.

Souls pull on everything that may heal you,
All while pushing away everything that may.
They keep your wants and needs away,
All while keeping your fears at bay.

Souls like ***, no matter the meaning;
Contiguity feeds the soul that is leaning.
Leaning into a vacuous space;
Pursuing nothing in an infinite chase.

No one is there, not a soul.
Nothing is there to fill the hole.
Dig and dig as deep as you crave;
But there was never a soul to save.
 Jan 2013 Sarah Writes
Chuck
I
Arose
From ashes
Toasting my life
When I met my love.
College was burning me.
For kicks, I built bonfires,
Searching for love in a bottle
Trying to fill the hole in my heart.
To my love! I thought of this after I commented on how this form can help relay meaning on Something's excellent R. N. thanks for the form idea Something!
I know the Phoenix idea is tired, but it fit so well.
The day you taught me how to cross a street was
the first time I remember my anxiety.
Lungs expanding, mouth shut
and seemingly everlasting.
Pulse rising, brow moist,
too young to know the innuendo.

"Look both ways," you said.
And I did.
At the time I listened to you,
your words; guidance bestowed
upon me, not only because of your
responsibility and obligation,
but because of love.

As time went on,
it was easier to disregard
your words.
I would look both ways,
and after a while I knew
you weren't behind me.

After a while, I was glad
that you weren't.
You never took my training wheels off,
because I had never rode a bike,
but I learned how to cross a street.

I would look both ways,
cross,
setting my own direction.
And when I learned to
ride a bike at twenty-two,
you still weren't behind me,
and I was drunk.

Wind in my face,
eyes closed,
light shining through
my eyelids.

With closed eyes,
you can't look both ways,
or appreciate the innuendo.
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