you appear to be real
when you really appear
then I look in your eyes
but you’re not living there
I hold out my hand
and I cling to cool air
I grasp with my mind
a subtle despair
and I glance toward the sunset
at least once a year
to see where you're hiding
because it is you
whom I unfathomably
fear

I was asked today "what
are you really into?"
while I was walking to film
class.

He had changed direction
with a flair of drama
and was walking along,
interrogating me.

I had to think.

I wondered how
I would answer his
question, were it posed
by someone I was interested in.

"I like the smell of hormones
colliding, omnipotent in their
decision to do so and in doing
it."

Could I say that?

"I like to feel like a hormone,"
or
"I like being a hormone."
Were these answers?

"I like patting my contracted
******* against the *****
majora of my partner."

"I like sewing," I might say.

That is, the idea
that if I push
and she opens
both testicles
and ******* may pop inside.

Like a **** needle pulling
a ***** thread
through a tight weave.

I laugh, imagining what the little man
would say, but
he doesn't know why.

"Stitch her up, Doctor!"

I'm
laughing.

He just says "you know, I'm into
chemistry, biology. Just tell me what
you're into."

I've been silent.
Is he still walking with me?

All I think to say is
"music" pointing to the earbuds
dangling over my chest, song
interrupted
by his pedantry.

He says "you've always liked music"
as if we've had this conversation before.
As if we know each other.
And it seems like he will follow me
to class.
And sit by me.
And talk about chemistry
and biology
while we discuss Singin' in the Rain.

Hormones, sewing and music.

Spectrous aberrations of youth
Surround him, embrace him
Leaving him disoriented, dismayed
Amidst sultry belongings
He’s tethered to that pole of vicissitude
Draped by disfavor
Postmarked Valhalla
Addressed to Folkvangr
Teased by irreverent lovers
In pursuit of contentment
His chronicles restart
In an unpublished testament
Bound by leather, cows unfettered
One lifeless body stationary
Crimson streams part chalk-dry lips
As love’s guillotined victim drips
His future’s fortune forsaken
Willingness to triumph in battle
Leaks from this dimension
With each fluxing discharge
Of her stream’s outgoing apathy
And his fluid permeates alluvium
In streambeds near life’s summit

I shouldn’t be drinking coffee.
I shouldn’t be reading the news.
It makes me anxious, and it’s not only the chemical interaction.
Somehow, I associate it with “adulthood”—reading the news,
Drinking coffee—I can’t tell you how many days of the last few
Years have been spent entirely in this fashion. The coffee
Growing cold and the news colder still. I don’t even taste the
black, fluid drops. I don’t hear the screams of people I read
about. I just want to hold on to something—so I raise the glass
to my lips. I can’t say

the shocking words when my mouth’s full; I can’t tell

about my experience, my privilege, when I’m drinking it.


The production of the commodity

creates a line from some equatorial region
to central America, and my mouth.
I think about the Autumn I worked in a corn-seed
sorting facility. What a short experience—
and yet,
something that weighs heavy on my imagination.
I was a temp worker.
I chose to work there out of shame and guilt for having
missed the deadline for college enrollment.
I could have done anything else; but there were people
there who wanted nothing more than a job. They needed
to be
there.
And I think of the people involved in producing coffee beans

in much the same way.
Removed
from the thing they’re making, as the raw materials are shipped
to places you pay workers more.
Why shouldn’t I swallow with difficulty when faced with the pro-
spect of a person supporting their entire family with the type
of work
I did
reflexively, as a choice?

Now I sit here, reading about North African riots,
a region, where coffee is produced—
ARABICA COFFEE— and I think about what’s sitting
in my cup, how I have
spent more money than they make in a day
to buy
one container
…
and sit here
for an afternoon
doing nothing but reading about their families’ misery.

I am a human parasite.

And like the bedbugs that have crawled meticulously
between my mattress and bedframe, hiding in a safe spot
until they can come out, undetected, and **** my potency.

I sit here, in the comfort of an apartment furnished
and paid for by my father who grows corn in a highly-
mechanized, agricultural society. I take more and more,
festering to the size of a blistering, red dot
blinking in the dark, in the form of the record light on
my voice recorder.
I expect so much more from myself, simply because of
this position of luxury.

But I don’t take time to think about my reaction to these
stories or how I am involved in them, in shaping their plots.
I’m even eating more now
as I’ve nearly lost my concern with avoiding certain super-
markets.
I smile at the greeters, make small talk with the cashiers
whom I am openly exploiting. But it’s ok, because
I worked for a month at a cornseed manufacturing
facility
and I read Marxist Ideology,
and I know about the Arab Spring
and I was against American intervention in Libya
and I disdain the air strikes from robotic planes
(unauthorized by congress)
and I disdain congress
and I support gay marriage
(I stopped eating chicken).
I don’t drive to the suburbs of my city.
I walk and ride my bicycle as much as I feel like.
I use public transportation at times.
I try to get to know women.
I practiced safe ***, once.
I write poetry.
I tell my mom I love her.
I bought my nieces birthday presents.
I’m not overly nice to people of different
ethnicities.
I voted for Obama.
I’m trying.
All these things make it seem less bad
to smile at the cashier.
But then I think about my black studies Professor
who used a walker to come to class
because she fell
and spelled the word Amendment “Admendment”
on the board when talking about Reconstruction.
I think about the war in Syria.
I think of people dying from cholera in Haiti, in 2012
A.D.
I think about fracking and oil spills and …
irrevocable damage to Indian reservations.
I think about football coaches molesting children
and people eating fried butter.
I read about people
upset
with a movie
who protest in the streets for days.

It makes me realize I shouldn’t smile at anyone.
I shouldn’t be drinking coffee.
I shouldn’t be reading the news.

The bar was full
               in the basement of my mind
and i read the manual, my buddy hunched over on a
stool beside me.
“it’s a cinch he said”
not really, though, because people don’t speak in dreams.
(i ascribe to them 50‘s slang expressions)
my beer was magically empty
and others were magically full
studying alien life forms
in this book
this manual
and wanting to puke.
dreaming is stressful
and so is life.
where is the best place to hang
a bathrobe?

Why aren’t your eyes--- there?
In two places--- where water should be?
Moldy residue--- absence of vision, tears
From those bullet holes--- you ought to see--- your own ambivalence
Fall down my cheek
Terrifying--- Me, with nothing for both us
Automaton, my weakness
Intellect, disease
You’re my body
Cage
You're my spirit
Doubt
Justice and horror--- within, without

Tell me why it has to be this way. I don’t want to hold on to one side of this conversation and have the other person falling off a ladder. Yeah, down there on the ground. Get up and look at me!
      I wasn’t sleeping, I swear—he said hastily.
Yeah, whatever, buddy. Tell me what you’re doing in my head?
      Repainting. Repainting over the old spots, the worn out spots.
But those are the best spots, the only ones with character. Can you tell me who sent you?
      No sir, I cannot.
Then it is ok. I suppose I’ll have to watch as you put varnish on top of every dream and aspiration I have ever had. Do you know who the girl was that I first loved in the springtime of youth’s blossom?
    It was Ashley, sir.
I believe I did not love her, guest worker. What are you wearing there?
    A pair of overalls, a cape. What’s the difference?
I’m the one who speaks to you first, and don’t be short with me. I don’t like you standing there in an open room with no windows. How is that possible?
    I’m sorry, boss. It’s just, I finished painting over that memory but the paint’s still wet. You loved her very much, I’m afraid.
    Ashley? I never gave her a second thought. Perhaps you are right. I only remember kissing her shyly and asking permission to see her *******. They were the biggest of all.
      Yes sir, I thought so too. She was a sweet girl though.
Sweet? I’ll tell you Mr. Painter; Ashley was the first girl I kissed. I kissed her in my first love’s house, a different girl. I loved Ashley more than that first love and I’m serious. No one can ever make me forget the day we lay on her mother’s sofa in the basement.
      --I’m sorry, sir.
No, say it is impossible. Say you have some form of soap that can make up for your treachery!
     No, I’m only wearing orange overalls and marching on the word from above.
But who sent you!!!? I have to know. I’m crying.
    Justin, it’s ok. It’s Ashley. She said you need to stop crying. She has a family now.
Well, alright. That house. That basement. That unconscious.
    We are worms, sir. Worms, slithering and boundless. Please accept my apologies.
No, it’s quite alright. If you must take every memory of my second love, take my third. And take my fourth and every other woman who crosses my path. It’s not my choice to keep them captive in the imagination of what could have been. You know, it’s been years since I truly cared about someone—
    Since Ashley?
Who’s that?
    Ashley.
Goodbye forever, harlot.
    Sir, you’re being brash.
No, I don’t remember that name and I hold you at an arm’s length in my mind. Please, finish what you’re doing and allow me to rest. What color are you painting the room?
    Green, I’m afraid.
Then so it is. Goodbye, good friend. Goodbye sweet love. Forever, in the spring. Temporal boundaries and endless playlists. Be the verve, be the melody. I love you!
     So it is. Sleep well, sir.

There is a new word describing me
type one, type two, type three
nothing is as it once seemed
brown bandages become red, ******
catheters go up my urethra
when I refuse to take your drug test
by accident.
I'm clean, now, clean and pure
I take Abilify to make sure
and remember that it's all an imbalance
and remember that everyone else is balanced
and remember that the whole ******* world is balanced
on a tether formed by gravity
gravity-- the severity of this situation-- is lost on me
and on that tether we all walk
unbridled by the weight of our bodies
we can shake all that makes us human
and pathologize every thought crime
every idea needs to be cleansed
with a catheter into the brain
we would be able to test it for drugs
and find that all I was high on was existence
and how terrible it is
that we will all die
but that shouldn't bother a doctor at all, now
should it.

I’ve ordered and carried my steaming cup of brown to my table to ignore the falling snow beyond the walls of this box.
My clothes are wrong, my hair as well.
I just cut it, and everyone knows which mistakes I made.
A man sneezes and the song changes.
Better not make eye contact with anyone; I am not in their league, here at the muddy spoon cafe.
Chewing so loudly in the de-creeping silence,
these safe, polite, quiet ones.
I am the creep here. I am different.
My thighs are tense.
Hunching over the paper, arms tense and clutching  a gnarled red pen--
It’s probably self-indulgent to even sign my name.
Someone’s shuffling cards.
I almost forgot.
The awkwardness I’m filled with breathes out a short sigh when I realize
--my part’s over.
“Do you know Sanskrit? Do you know what that is?”
A woman asks another.
I want to choke on the pretension
The tenseness, I adjust my leg to relieve pressure on my ankle.
Why can’t I just enjoy the snow? That’s all I really came here for-- well, and the coffee.
I hear a woman cough with an unaffected tenor, which would convey her gender to an interested party but to me carries no intonation.
I wonder if the girl I recognize from class thinks I’m following her.
I came here for coffee, sweetheart!
Is it yet too hot for me to dare a drink?
I can see it, the steam, rising out of the corner of my eye.
I haven’t looked away from my hand in twenty minutes.
“Who am I?” they may be asking myself for me.
I don’t have a clue.
They can think about that problem
for themselves
while they’re lonely
in their forties.
I’m lonely now and I hope not to live
that long.
Here, we pretend not to see each other’s faces
in the gleaming presence of steaming cups.
“I don’t want to wonder about that.”
I realize there’s nothing I even deem worth writing down.

Hi
I hate you
Bye
I love you

Du warst meine kleine Aufklaerung
Obwohl ich noch lange nicht erwacht bleibe
Ohne dich fuehle ich die Waende
Und dreh mich den Kopf im Kreis
Bevor dich war der Horizont leer
Jetzt *******er unfassbar, so wie die Erinnerung an dir
Und alles ist ok so, weil man sehnt immer nach
Unmoegliches
Unmoegliches bist du
Ich werde immer besessen davon
Besessen von dir


[You were my small Enlightenment
Although I long since remain unawakened
Without you I feel the walls
And turn my head in a circle
Before you was the horizon empty
Now it appears intangible, like the memory of you
And everything is ok this way, because one always longs for the impossible
You are the impossible
With which I will always be obsessed
Obsessed with you]

Yes, mechanical leaf mover,
create the shrillest sounds known to man.
See if it doesn't just slowly make the world a ******* place
by taking away the joy of crunchy leafs,
which gradually become moist, squishy leafs,
then, after a long period, emerging from a snow covering
thaw and lie there, fully exposed, recumbent,
depriving the dormant seed of grass its sunlight, preventing grass,
freeing up water for infrastructure needs more urgent and rational
than supporting the most boring of decorative plants encompassing our lives.

I guess what I'm saying is that, not only are your sounds annoying,
they're just another of the short-sighted endeavors our present society insists on.
You are the "circumcision-for-hygiene-purposes" of our urban planning.

*******, leaf blower. ******* and the excruciating environmental ignorance you represent.

I SAID *******, LEAF BLOWER, YET YOU PERSIST!

You need to let that leafy-******* grow,
covering the shaft of ground.
Rid it of the pleasure-impeding growth of grass!
Let the earth cry out for the sensation of tiny points of pressure
moving delicately along its surface.
Let the ground erupt with wild flowers, or at the very least,
the trampled exuberance of plodded soil
and the desperate levels of human debris that would collect upon it.

Or are you trying to hide our wastefulness from us by removing something
which is nothing, a nothing, invisible barrier?

You've already succeeded in giving my apartment complex the ambience
of an industrial production complex
which I suppose it always was.
Maybe your attempt at concealment
has been a revelation.

Or maybe I just can't think straight,
because there's been a god-**** leaf blower
circling below my window all morning
and now a heavy, riding lawn mower is coming to cut the grass
that hasn't grown since September
but has been watered every day
even though it froze last night
and it's almost November.

I was moving out
Parked my bike down the street
With a cart hinged on the bolt beneath the rusty pole
connected to my seat.
The yard was steep, and the stairs leading down
the front
Vanished each car-
go carrying trip
of dictionaries and travel guides that
could have been lumped together in boxes
separately tossed into the neon
green
synthetic fiber
rain-proof buggy
Connected to my seat.
I ran across the lawn, one last time
Buckling the watch I found from high school
remembering it’s broken and not caring
then I saw men wearing polos beneath
Greek symbols beneath a doorway
and held my breath as they stared at me.
This vacant lot held something which I carried back
to find
my bike was gone, replaced
by a life-sized depiction of a bike saying
“no bikes--” A girl inside, explaining where I could find mine
I walked down the grey spiral of handicapped access ramps
surrounded by aquariums or tvs
which comprised the store's interior.
The last ramp faced an exit and went straight past
refrigerators next to vending machines
In the alley behind this office supply store were two old men
Roasting my bike on a chain beside the others
Disconnected, hung
its tires lying on the ground beside their feet
and the carriage slung aside like a bloodied gazelle's neck.
“What the ****!”
A woman got into my face “don’t use that word”
“****’s a perfectly good word, after all, it’s how we
got here”
One man smiled.
He felt bad.
They helped me put the bike together and I walked it back to my house.
I saw my car down the street.
I thought about the long trip to the interstate and wondered why I’d
rode my bike
Then I went back up the stairs of the blue sided hill,
to see the roommate I hated
and thought about stealing his SNES and stereo
but took only my one possession
and walked past rotting turkey bacon in a plastic pouch
on the top of a table
beside some legos
and left.

Totalitarian menace
refined, tailored pants
bleed malignance and
fear.
What stalks the passage,
normally?
Tear off my clothes, with subordinate cruelty
and tortured fiefdom from the sun
invading damp alleyways
and musty cement corridors
abet you enthroned
on that sidewalk stump.
I curb,
the habit
blindly happenstances about
yore salty ruins
we yodel, indiscriminately.

Periodically I hide myself from the world
Chastising them
Punishing them with my absence
My opinions are like bricks before the throwing
With little compromise, I roll my eyes
Hating them
The ones oblivious
Diesel burners, peaceniks, consumers
Sitting contradictions
Simmering catastrophes, an embodiment of what they’re making me
Powerless, with no resort
My impression on this society will be forever minimal
And I bite my tongue with every syllable
I type
Holding judgment, holding on
To the world I was promised
The world I was conditioned for
A world with angels, untouched by violence, corruption or greed
A world we defiled, without animals
A world achieved
Where grass is preserved in museums
In compartments behind glass
I see my part in the reflection, I hate myself more
My impression of this society will be forever minimal

Finding peace in this life
Takes effort and strain
Feelings of hopelessness
Lead to the place
That it is kept
In a clearing, beneath the sky
Far away from the city
The gravestones
The gravel’s edge
Left behind
And the sun warms your skin
As the rain clouds gather
Dust swirling in anticipation
Plugging your nose
Despite the lovely smell
Your lungs deflate
Reconciled
That is peace

What is it to be free in an unfree world?
Madness, as the only escape, is what I have chosen.
Madness in the sense of unrest,
Disavowal of the properties proscribing my actions
I smoke and drink to put off life
to ensnare nothingness with breath
and feel contingency take its hold on me
I want wine, furies and song to be my epitaph
and grasp at meaninglessness with two sweaty palms

I am not comfortable and never shall be
with this notion of decidedness and squalor of the mind
yet it is I

I know little of the great works and can hardly hold a pencil

This is where I meet myself, a worker, unfit for labor
exposed to existentialism and sick

I shudder, alone forever

Good things given to and wasted on me

I am death encapsulated

A cropped haircut, remembrances of time
The best way to reduce cuticles to bone
And forget what dances behind eyelids
Loosed teardrops and wavering dependability
Useless porch light, shameful gas tank
With shadows which count seconds
Stretching over regrowth
A cropped haircut, remembrances of time

The moments are passing me by now
In the same fashion a hummingbird passes each flower
Until it reaches the one with the sweetest nectar
I am the flower, the days are the hummingbirds
I cannot stop time anymore
Than the clouds can cease to collect above our heads
Then downpour upon us
It is in this way that life is beyond our reach
Because just as the clouds appear solid
So too do our lives appear solid
So too does it seem that we can grasp something
That is innately us although
It is always beyond our reach

Nebraska has over 6 million head of cattle
and is perhaps the largest beef producer in the world.
This is strange, juxtaposed to my neighbors
who are Hindus, from India.
On all sides, I am surrounded by young, attractive,
friendly Indians
living in Nebraska,
studying information systems.
I rarely eat beef, but I joke, for them,
this place must be some kind of sacrilege,
or purgatory
where they go before returning home to join the "growing middle class"
we hear so much about.

They have gatherings, food,
language and ways
of maintaining hegemony among their group
while they are here, in my hallway,
and I am alone.
I have no information to manage,
no home to return to.

They gather in my neighbors’ apartment
talking, late into the night
I once made friends with two of them
who, unlike the others, were both atheists
instead of Hindus.
They told me that Hindu women, like the ones next door
do not have *** before marriage,
but the men do.
This seemed like a paradox, but I believe them to this day.
And when I hear this platonic conversation, muffled by the walls
it sounds like pigeons
cooing
flapping their wings in an alleyway
And having nowhere to go.
The countless, devout Hindu men
visiting my charming neighbors
remind me of adolescence
how I used religion as a cover for my shyness
I admired these men, in their pursuit
of something I was told to be obtainable
and then I remembered all the people
who were not devout
******* the religious girls I tried to flirt with
while I was in high school.
I laugh.
I wish there were a high minded reason I stopped believing in the zombie Christ,
but it was the fact that no one from my church was having *** with me, because
of God and all that, but they were having *** with other people.
**** christians, really, you can have them all.

It’s easier to imagine my neighbors as trapped birds
subtly fighting for scraps
without ****** desire
than to imagine them as people like me,
who know what they want but assume it’s out of reach.
The alternative, to know that they are having ***,
and I am not,
is too upsetting.

I want them to sound like cooing birds,
shy and timid and lost,
because that is how I feel.
But, if their voices, distorted by the walls,
sound like pigeons to me,
what must my silence sound like to them?
How do they want me to seem?

Lonely people, quiet people,
sad people, fending for scraps of trash.
That is not them, but it is me.

I realize it is easier to be a Hindu
than an atheist
in Nebraska,
and it doesn't matter what (or if)
you eat
when you're alone.

The tuba player in a park walking, shouting through an amplified medium of open air.
You are the park, I am the tuba.
Who is the author?
I ask this not to pander or to interest you, but because I honestly do not know.
Why are there so many questions asked these days without the realization that the answer is unobtainable.
Why do we think that by putting a curved line over a period we’ll find the truth.
I am tired of asking and expecting a reply?
I am tired of telling others what I want to hear back “that’s what everybody wants.”
If that’s what you want so much, then stop going to malls.
Stop pumping fossilized plant life into your gas tank.
Stop buying new clothes and cell phones and computers.
Stop telling your parents you love them just because they’re the easy ones to love.
If god so loved the world that he gave his only begotten son, then who's our ******* father?

Run with this cauldron, ladle out soup
To the soldiers of our land
In the field of battle, lay out a cloth
And let them stretch their bloodied limbs as they eat
Their minds are weary, untrusting
Each spoonful less viscous than its predecessor
A succession of leaders repeated in their heads
Every dead soldier, a reason for abdication
The people hate the war they’ve started
The fools!
No matter how much soup I take to them
No matter how watery the broth
Each day they watch me leave the front
Each day I walk alone back to base
And munitions are airlifted daily

Her profile reads “I dance for tips,
                                downtown in Portland.”
Most are looking for the next pair of lips
to kiss
between their legs.
But I'd like to hold
                                her hands
                                behind her back
as she bends over
                                realizes I don't drip ink,
or cash,
                                and wimpers.
A sugar-daddy?
With tattoos? No,
you might get an insurance salesman,
                          or occasional sports equipment re-saler
a single father or two
                         to pay for your tired, old
opinions.
Or you might stop dancing,
                          sell real-estate
your creativity decaying inside a white,
metal box
                         like those bloodied
tampons         janitors were
embarrassed--
ashamed-- to pick up
in junior high bathrooms.
                          She might move back in with her parents
and fly
             like some silken night-robe flapping on a clothesline all day Friday,
all day Saturday. Until lunch on Sunday,
when she pulls it down.
Or she'll flap that way
              for years, on a line in Portland.
Until one day,
                         one day,
that man who won't hold her
                          in the shadows
                          will
                          come
with money,
                     tattoos abounding
and watch her dance
with tears
                  streaming
into the sheath of her time-worn robe
in afternoon sun.

They installed locks
handed you keys.
Hold them, silver, golden,
shaking with dis-ease.

A vision of the Earth outside.

Squinting in a dark hallway,
why not turn the ***,
nudge yourself inside?

Someone paid for you to live here,
a father, mother, or friend.

Your chain of life extends far backwards
but on this side it must end.

You may have felt forever,
trapped with your despair,
between rough crust,
precious residue
floating in air.
Pressure can't hold us
with clouds
and shapes from dreams.

We'll soon be gone, and you will too.
Don't waste your voice with screams.

It, too, is faltering,
our voice,
our atmosphere,
hopes for exploration.
Heaving, chest
uncompensated by oxygen,
raided like sarcophagi
with your timid, spinning brain
having no peddler,
to whom to sell it?

No, your home waits here
on solid ground.
Keep your voice wrapped around you,
not in the heavens, as you'd wish.

Take off both shoes,
sit down.
Patiently inhale.
Feel worlds shifting their weight
skin, becoming pale.
Shake off saw-dust covering
your day-clothes.

Stretched
dissected.
Carpet does this to frame,
taking you through thresholds
and mindsets.

Evaporate,
see no more today.
Rain down until tomorrow
in this never-ending night
given to trees
collecting your purple-pink
and blue
dews.
Leaves bending
with gratitude
holding drops of you
aloft
before
no heat can take you up
and they,
becoming coffins
for you,
weep
and cover your dis-may.

A dashed possibility.

Like a dust moat in the sky,
preventing
a window past your mind,
what you saw standing atop
brittle decrepitude
through saccharine eyes
is shifting, impermanent,
time cannot be mistaken.

Relax.
A tear pulls
the horizon,
lightning
rips your sight.

Breathe as long as it takes
to stop breathing.

Alone, shaking.
Silver, golden.
in this eternal night.

No one re-writes directions to that fixture
out in space, yet near.
But you know it once was twirling
because you followed its light
to here.

Turn the keys they gave you
and look, inside the frame
of consciousness.
There is one artwork you create
with every facile, blinking motion
every extended being,
your thick paints of colors,
never able to be seen.

There once was chaos in man
he wanted so much to scream.
Instead he reconciled to whisper
and laugh.

Open-mouthed, blind and plodding--
there's no one to teach him how to dance--
he falls through space
alone on his rock.

Holding my arms around my knees I gaze out the window toward a horizon interrupted by buildings
I look out at them, as they face me in an un-assuming posture, ambivalent to my existence
On either side are people, scurrying in the glimmering afternoon sunlight. They gather possessions to hide in their closets. And every parcel is an amount of pollution. What if there were fewer of us? Unnecessary ones, incompetent ones.
I suppose there’d be fewer yard sales

Other worlds have hopes,
for plants, for trees and
dogs walking by, panting
soaking in humidity like carp
above water.
Not ours.
Dead ends, parked cars supplanting
serenity with passion, desire
crammed into
row upon row of heartless
dwellings expunging sunglass-wearing
**** suckers
blocking their emptiness from the world
with reverse blindfolds.
I know their eyes still glare at me, scoffing at
them. Walking, I
walk past
their barricaded kennels, under-
construction housing
impersonating natural climes
with sushi and slushy shops.
People like them have admiss-
able drives, hankering after
freedom; they're indoctrinated
to believe admission is
monthly cable bills
wired in beneath concrete slabs
maintained compliance
through lines painted on grass
where overlords can tell livestock
what to do.
Bus chutes form
hillsides, beside lines of
trees which perfume these
feedlots
we call
cities.
**** oozes below streets
walked on, they stared at me
like cows, watching a ranch-hand
suspicion toward anything
beyond bistro fences.
"What the **** are you looking at,
you filthy animal?
Have you no idea which species your greed
feeds?
Do you know where this ends
for you?
Who's tazing your ***,
who's making you sit there?"
Moo, mooo.
Mooooooooooooooooooo.
Receipts, a cudgel on each table,
more cudgels ring
from pockets
telling them what time it is,
where they're to be.
Sunday's almost over,
back to blocks of houses!
Graze on painted grass,
then die,
but not before you stare at me
with empty eyes,
you pathetic, miserable
creatures.

Abandoned baseball fields
and feedlots in my mind'
span the distance between
pastures and filling stations.
Games from childhood,
those small-town diamond-gatherings with pizza-
joint sponsored jerseys
and open outfields where
the ball could roll
                                forever
if you really got a hold of it.

Here, in this other steer-city', once more I play
Though my back is sore, my mind
remembers pushing through an inside-the park
run home.
It rolled and rolled while I tripped on each corner
of those three plastic safe squares.
I saw the tom-boy with short hair behind the dugout
and asked her if she saw--
that night I thought she came to see me--
perhaps she might have known.
I have, not since then.

Shoeless, I meander on this base-path
holding my hands on my sides
to feel the parts my neighbor girl had
told me made the other boys
men; this distinction
what is good and what is not
was presented to me by foolish children, still
trying to become women-- AM I NOT A MAN!

I scream.

Somehow, these parts hang from my body,
supported by my well-toned calves--
My ankles, *****! My ankles are fine with
and without shoes.
Are the friendship bracelets from boys
that you got at camp in Colorado
not tattered by time now?
I have that trim abdomen you asked for
that triangle where my thighs converge with
torso, like you imagined theirs did
in the dark
while they were tasting all the
nothingness
inside you.

I can be like them, in my fantasy
of hitting the ball that rolls out toward yellow, singeing tallgrass
relieved by Summer evening thunderstorms which let me
ride quietly with my parents
in the backseat of our mom's pewter suburban,
with a box of kleenex always part-empty
crumpled beneath the passenger seat I sat behind.
My younger sister looked at the floor
while I saw
through our countryside with clear-gray
thoughtfulness and ease.

Instead of leaving from home, today,
I started on first base, in the park,
where I walked through
the right-field boundary without
consternation.
Look at strangers on the sidewalk,
and call my shot were they to take my things.
I feel my toes dig into dirt where no holes or even
placeholders were left to chance
vandalism or theft, I suppose.
I'm a thief, stealing seconds with my
piroueting-silence--
punctuated by mindless cylinders, pulsating.
Motorcycles are what they have; men.
Now, what she’s looking for, that girl which is
every woman.

(My bike is still there, I notice, taking an imaginary lead.)

A man with work and maybe a sense
of humor
that makes me roll my eyes.
But she thinks he's funny,
because she's simple, and-- after all-- she knows
those knees won't bend that way
                                       forever.
My adult work is walking, haggard, toward third
watching the adolescent couple running scared
from one another, when
minutes before they kissed; I laughed more loudly at them
than the garbage-fed birds who did roughly the same thing.

I walk toward home, where last Fall’s leaves
still loiter on the ground
that’s dug in
the way a timid batter would scrape earth,
cover his feet and wait to walk.
As a catcher, crouching behind a different kind
that afternoon, those older boys, with triangle-
torso-thighs and muscular limbs
came charging through me
and took my place
beside my girlfriend in the stands.

It was his motorbike that got there faster.

This is how home becomes crusted with dirt,
alternating apprehension and collision
must be wiped from the strike zone
Before I can wag fingers between
the legs to show exactly where to put it
in the top half of the ninth.
Those motorcycle-men don't get a whiff
of any pitch
or breezy desert air from down the chalky bluffs. In my hometown,
they may have felt a part in her that I could never be.
Dark drops beneath her sooty tail pipe
shades and forms are all I see.
But when I go inside, I still hear the echo
of car doors from my sister, mom and dad:

--thwack, Thwack. Thwack!

Each strike reverberating in the glove of our garage.
Every flimsy-ankled batter dispersed,
just like the infrequent pinging of our cooling engine
after the key has been removed. Lowering
a barrier, between the boys and men,
I watch wet cement like a warning track
backed by a white,
metal-reinforced plywood fence.
Through plexi-glass, I see that it came down
from the ceiling
the ordering presence of separation
suspended from my father's ceiling beams.
Solitary base-runner, stranded in this
half of the inning;
                            the home team
doesn't need to bat.
Still, she's rolling past me through thick, tall grass,
well-watered by a wetter climate,
in the empty fields at
Elmwood park this Spring.

I want you
                  to know that I forgot
the memory I wanted to expound upon here,
                  the tears I never cried make it difficult to dryly
blot the pages.
                  I suppose you know I never loved you, but
more meaningfully, I hope you now see how trifling and hollow
love is. Like a warm Spring day, love means nothing but the
nearing embrace of a dying star.
                   I want you to know what I'm referring to
in this line. It's called "astronomy." It seems to hold the
attention of other mystics, such as her.
                   But I want you
to know
                    that it's just about gravity and
luminosity and
                    what our star hasn't got, but
others have.
                    The wind blows my page as I'm writing this standing on
my porch, and I fail to
                    Look up. My hand holds down the dry, decaying
tree pulp in an attempt to stabilize the
                    metaphor for
Life
                    your absence has become.
When the dead leaves of last Fall rattle, I can see you there,
running past the chain-link fence containing me and the
tennis surface.
                     It would be weeks before sweat dripped from my nervous
head as we jumped up and down while others slow danced.
                     And then I wake up in my new apartment in a city
you've never been to and remember jumping was only me. It's been seven years, but
I still have my diploma from that early graduation--
it's above my fridge so I can ignore it every time I
reach inside
                      To drink the cool water and
remember the things I should have learned
and the time I ran fast, back
                       to your host parents' so I could use the bathroom
without you knowing, because my stomach was convulsing.
                        And maybe what I meant to say is that the earth's on
its yearly sojourn which brings me to that place-- that group of folding chairs
and the endless line of cows dancing slowly past the podium with nothing
but a piece of paper that tells them "you were once here."
                        It takes me on the highway, past my father's farms to that
man-made reservoir that irrigates them. It amuses Nebraskan farm boys
that the girls that ride along seem to know the way
                        better.
                        But you weren't from Nebraska, and you only knew the way
in water, in the bikini I helped you choose at target-- I don't remember the hue.
                         Your skin looked amazing and warm
                         transplanted, prairie-grass nestled gently on your supple thighs
under my grasping hands which held on firmly yet
were knocked off with the jolt as you spurred our gas-powered sea-horse, laughing
as we both sped off from our island rendezvous and
became oblivious of my self.

"Love, Love is a verb. Love is a doing word.
Fearless on my breath. Gentle impulsion
Shakes me, makes me lighter."
                ~~~
Snipping, mechanical apparatus of air
pushes around, the slightest elements of sound
unknown torment, blowing
leafs strewn through the corridor.
A reverse vacuum, no bag
only the earth
which perpetually maintains
the forceful stream of words
like
"snip" and "blow;"
they are verbs,
just like "love"
only harsher.

Your decisions don't merely impede the flow of days
relocating things that would like to stay
like crunchy leaves, unacknowledged beneath feet
until cries of ecstasy are heard by neighbors
who have nothing to step on.

Those discarded vestigial coverings would,
with a gentler blowing
have turned tepid, flaccid and freed.
Emerging from a snow covering
thawing and lying there, unashamed of their repose
shriveled and fully reclosed, recumbent.
Protecting from rough, sodden clothing, parts that can’t be hidden any other way--
diverging water toward infrastructure needs more urgent and vital
fallen leafs would not only **** grass, but let flowers grow
flowers of intimacy and exuberance
touching the hands of young women.

The sounds escaping mouths of leaf blowers are a demand--
they are a type of love lacking tenderness
myopic utterances of planning committees
who don’t know love is a doing word,
like snip and blow, an impulse, only gentler.
Ordinances are the "circumcision-for-hygiene-purposes" of urban planning,
never seeing that leaving things concealed by Fall
is the best way to see Spring
and experience the joy of new awakening.
They should let each leafy-******* grow,
covering our shaft, our ground.
Prevent the pleasure-impeding growth of grass!
And the earth will continue to cry
out!
Tiny sensations of pressure
moving delicately along its surface,
cause soil to writhe with lost control
then erupt with wild flowers and shrubs.
And if not these, then at the very least,
trampled torsion of plodded soil
covered by desperate human debris, collecting upon it
showing what we try to hide:
our wastefulness and discarding of things we really need
ripping off our closeness sheath
and replacing it with dark, green, translucent barriers
of grass
and blowing machines with blades
their maintenance demands.

Our apartment complexes have ambient
tones of industrial malls
when your procedures are taking place
you cut and snip and blow.
Maybe your attempt at concealment
has been a revelation.
But the fearlessness of love
I feel
is something you thought you could snip
and blow.

Secretly I wish to be eaten by a dinosaur
But I lock my door, counter-intuitively
If it’s the right dinosaur, she’ll rip my roof off
While I’m listening to Sezen Aksu
Coo Coo Cachoo
Self-referencing echo-chamber of doubts
Dinosaurs, mammoths
I **** science

There is a certain art in relinquishing your spirit to emotions quelling from the breast
Stumbling haphazardly through the hallways of an academy surreptitiously pristine
Encountering locked doors, painted walls, lowered eyes and agony
The menial labor of a janitor picking up after the crowd has released every last yelp
And the pain
Of a boy stooped in an empty corner
Old enough to be a man
Helpless as an infant
Too poor to enter, too meek to escape
Trapped in the corridor between sunny landscapes and dimmed memories
Struggling to hoist his frame up from its stupor
Afraid it may just as well falter once restored
And hoping someone may notice
There is a certain art in relinquishing your spirit to emotions quelling from the breast
Sincerity and compassion need not be amongst them
But, just as breath escapes, so do tears
Splashing from the drowning pool in which the soul thrashes
Bending, grabbing and tossing
Discard,
Discard
Stoop
Obtain
Discard
Each day a variation of the past
Unique in subtle differences imperceivable to visitors
You’ve seen the man, the child, the infant
Tear down the fourth wall
Walk in his corridor
I implore you to bend, grab and discard
Your thoughts of superiority
Take your mud stains and apathetic steps
Carry your able body to a place more receptive
More deserving
Less reflective
And gleaming
Remember the path I made for you in my corridor
It mirrors your face, ambivalent

Laurie, it's almost Christmas.
That's why so many quietly desperate people
wear old woolen sweaters, fantasizing about being in
on a joke,
just this once.
Your friends are wildly cackling,
you're not dressed like the others.
I prefer my desperation loud, too.
I'm rather skeptical,
however,
of
forty-year-old Lauries wearing lace tops and wedding rings,
with wet words
sloshing from dank tumblers.

Each seeming mispronunciation evokes
excedingly excessive expectations
in the form of imagined saliva beads extruding
between bottom and top lips.
But they aren't mispronunciations, are they.
It seems that, over time, words have come to sound this way,
for us.
And you've done nothing wrong,
But twenty years ago, you wouldn't have any reason
even to speak to me.
It's fascinating to watch
the canopy of aging shield
youth's shallow perspective
from those rapidly fading stars
of disquieting mortality
which fall, bringing with them
forty years of confused burning
into vision.


How many times have you come to a place,
chatted with a stranger,
and gotten them to leave with you,
in your life?
I've never been able to, myself, but it's different when you're a guy.
I struggle with subtlety, but not as much as you.
There's just no room for ambiguity, were I to brace their lower back,
then casually walk by.
I have no doubt this approach has worked for you.
Only, from my perspective, your effort pulls
that growing chin
further from your forehead,
leaving room for misused eye-
contact with me.

Laurie, I know where you are.
You're in on the joke
outside this bar.
You're still in Nebraska,
as far as bodies go, so am I.
"The Good Life!" you slur,
having never left home,
you never want to go.

Laurie.

Laurie.

Laurie!

Please move.
I'm trying to shoot.
You impede my cue,
thrusting between my fingers.
My actions, words create an un-registering ricochet.
Fine, mock me when I miss.
I am not good at this game,
but I don't want to be.
It's not flirting.

If Nebraska IS the good life
it is the good LIFE, for one.
Like Jesus lived once, so do we, in this room.
He would also agree birthdays are meaningless.
Regardless, I can't be with you here,
because I don't know who is living that one good life,
but it isn't you or I.

I didn't ask about your husband,
I'm left to speculate. Assume.
You'll buy your children presents
and give your husband head he's used to.
Isn't that what rings means this time of year,
or is that only what you used to do?
Did he stop eating like you tell him?
Does he take care of you.
You probably think someone like me
would be willing, know exactly how to.
I can see you touching my arm,
I can feel your friends
rubbing me with their eyes.
My thighs recoil with every shot
as people say their goodbyes.
I know you're ready to leave me behind
and take my body's memory with you
to sleep within your head.

I'll miss you, Laurie.
You remind me that there may be one good life in this state.
Or, at least, someone who wants to **** me without knowing my name.
But the closest thing to a good life I can hope for in Nebraska
is to be noticed by a woman
who will help my imagination
think of a place better than here.
Before I reach your age, Laurie,
I want to find her.

Youth's last call yells loud,
and quells years of chased memories.
I know you can't hear it, Laurie,
but those years are over for you and me.
If you keep the thought of me alive at all,
do this kind and silly thing:
give your children gentle kisses
on their heads before they sleep.
Tell them that they have the one good life
the way my mother lied to me.

Someone’s white golf ball
lies, abandoned
between moist grass and
desolate wanderers through
municipal courses
during Evening on
Father’s Day. Holding my pin, my quill
Frantically stitching point de capitons
between myself and the calm, fair way
I walk with conviction
alone, among firing-
flies toward all fathers
tonight, as swathing sprinklers gush, displacing
***** in-utero, past fences protecting
femme fatales whose unknown aspects
hang off tree rows
protruding from shoulders
sand-like limbs, flexed, stringy biceps
connect to its plastic dimples
through sturdy, wooden
fingers burrowed under grass and
swaying, pink clouds within
my eyes. Beyond hole
nines, red markers markers and ladies’
tee boxes
unacknowledged from
the green.

Rippling blades cede to setting-
star’s sacrimony in
vacant son-rooms, the
porches left of center, gurgling
traffically enveloped by laughter,
disinterested.

For this sight I cut my hair
inside my cozy, beige apartment
complex with a blue shower
curtain-wearing green, graphic
tease
printed by gray palm trees
swoops a hunting eagle, into the ebbing
stencil-tide of late day
orchestrated by man, this occurrence is
vagueary and seductive machinery
programmed by man
producing all, we are.

Waving tufts and leaves fall from
oaks wafting time past my nose with
rhythms out ciccadas, harmonies out
couples pulsating the sky,
ease pressure on vestigial nerves under
their atmospheres, droning vibrations, hollowed-
out and upholding
like arms do, Earth’s giant didgeridoo
We hum beside propulsive kangaroo
Tendons—see!
we’re becoming
taut on
empty bones holding-
black
birds with wings thrown desperately
toward others, panic
aloft in velvety
blue oxygen.

Picturing our streets’ concrete
burst asunder by
metesticized pipes watering formulaic
grounds
unearthing rock
and shrub
I passed the mangled corpses of adults
their kind, sighing.

I know it is as lifeless as his faint,
decomposing golf ball my dad
may have allowed me to
see. Our drowning star swoops
into the ocean
as eagles stamped on chests do,
unknown to time,
and loving shadows
untouched by yellow,
translucent lamp-
glare avoids the fallow structures
built with cement
inside the boudoir
of this day.

We hold these truths to be self-evident, that no man is an island, whole unto himself/herself.

Every person needs to feel safe to express his or her desires in as open and direct manner as is available.

Each person should be told what is expected of them, and what can be done in the case said expectations cannot be met.

Each person should be encouraged to pursue his or her own interests and given the tools necessary to do so.

The striving of each person is as important as the collective aim of all mankind.

We believe in a world which achieves its goals through the focused, deliberate behavior of determined agents.

Any person striving against another’s interest or aim should declare their reasons for doing so.

No person should secretly plot against another.

All motivation for action should be weighed against the public good, and all actors should be held responsible for behavior directly hostile to the betterment of one’s neighbors.

One should act with the mindful awareness of the impacts his or her actions could have on the other.

We are indebted to each other’s needs and desires for our very existence, as it is the movement of the commodity market which ensures our existence and this is dictated to a large extent by real human demands.

We are dependent on one another to use resources wisely and economically, bearing in mind that waste threatens the survival of our species.

Being the bearers of a legacy stretching back to the haze of pre-history, and an even longer biological chain of inheritance, we as humans, are dependent on each other for a collective understanding and appreciation of the world.

Without wasting time, we must acknowledge that it is in our best interest to act deliberately, without giddy outbursts of petulant exasperation, to solve the problems that our mutual dependence creates.

There is no alternative to the necessity of working together to understand and amend the dire circumstances of our existence.

As a child in primary school
curled beneath a black coat
with neon-pink and -yellow zippers, empty pockets
holding my chest
beside two gray recess doors.
I’d pretend it was my living room,
with no visitors.
Watched t.v., mainly, and not talk on the phone.
Drank apple-juice beer from my concocted fridge
on my green recliner chair
until the doors opened and my building fell
apart.

I moved to an apartment
on a busy city street-- no green
recliner:
no beer, no t.v.
Stealing internet from Burmese-jungle refugees
to read about food shortages, and indiscriminate mass killings.
Beside the doors with
zipped zippers, and isolated goosebumps--
Monkey bar plucking, screaming
running and jumping-- trip and fall
in love, dancing haphazardly-- well
until the sound of a bell.

I sometimes look at pictures of this
pornstar
              who
sort of looks
at me the same way as a girl I liked
when I was in elementary school
and middle school
and high school
and
I guess I still kind of like her;
and that’s why I look at pictures of
this pornstar when I *******.
I feel bad, seeing her ***** there--
this person I’ve transposed with
memories.
It reminds me of college vacation
she was jogging and saw me on a hill;
I shouldn’t be seeing this-- I thought.
Still she saw me peek.
And we used to be friends, or something.
When my crush refused my present during
second grade, I gave it to her.
Her voice came as close to touching me
as anything I’ve ever held;
and her eyes were piercing with their
trust and sympathy.
But I’ll never tell her,
that I can’t *******
with her watching me.
And no, it’s not a love story.
I won’t ever tell her-- even if she always
knew.
Remorse looks too much like
blonde women.
And it’s ruining my **** habit.

America-- you’re about as inspiring as vanilla ice cream puddled in the summer sun
a damp dishrag, america, you can’t clean up the mess you are.
Your subjects, or should I say, Objects--
your agency bereft gdp drones--
they hanker, they brood
like a syst; they’re ****** vacuoles: private, malignant, caverns of capital
your pride? starving children, dying cities?
it’s a grand ole’ flag, you pathetic ****.
How about considering this:
The people, inside your prisons?
They’re free.
The people outside?
minions, hackneyed excuse for existence, and pestilence.
the ones who know oppression are free, and the ones oppressing do not know.
that’s why I love you, America.
You are what humanity needs; a slow, painful drain on our existence.
Consciousness slowly being ignited and swallowed, only to be ******* out and flushed away.
You, america, are a popcorn bag popping in the microwave, left on for too long.
You can’t expand any further, and you taste like cancer.
America, you are beautiful, and the death you bring tastes like lime flavored popsicles
that we lick to take away the taste of reality.
Your society is a cattle car, for the mind, and your messages burn the body
when it gets there.

I walked to buy some Marlboro Reds
the kind I always used to smoke when I lived at home
with my parents
"Cowboy Killers"
"Coffin Nails"
My mom would relentlessly criticize my choices.
I tried to drown myself most nights,
but my parents broke the lock on my bathroom door
and stopped me, taking to a country hospital in-patient
facility.
I felt alone, and my shoes were stripped of laces.
But I drew a picture in an art therapy session
of my car driving over a bridge
like the one I'm crossing now,
that spans a creek I don't notice for the first time.
It was a clear day, in my picture, but I had been stripped
of my car keys, as well.

It is a clear day today, too, but it is still Nebraska
and the wind is blowing
and I still want to swerve into traffic, on foot.

My family liked my picture, and made allusions
to helping me cross this metaphorical bridge.
No one asked me about the way I imagined the bridge ending,
how I would fall over the edge and die.
But I successfully crossed the overpass, alone,
my shoes permanently tied.

When I got to the counter, the cashier made me aware
that the prices had gone up since 2006.
I had expected this, but they were already expensive
before
for my body, for my lungs.
I was thirty
pounds overweight back then
and ate mostly fast food, and cheese tortillas,
but the body I carry now seems heavier.

I wear earplugs to combat
the unrelenting flow of traffic
and people going to their houses, families.
I try to fabricate a reason to tell my parents
I won't be there
for Thanksgiving.
But I can't,
I just won't go.

I walk harder now.
The trouble I had breathing
as a fat schmuck
remains
as a skinny schmuck
and I go back inside
to ask for matches at the counter.

I just want to smell the sulfur strike
it reminds me of the chemicals my father used at work
and it is extinguished by the Fall wind, like I knew it would.
But still, I stood behind the gray gas station
the red trim.
I find this oddly exhilarating
this moment,
this fading scent,
from failed matches,
reminds me of when I got a friend to buy me cigarettes
in middle school
and I hid them in my room, until my parents went away.

I took them and the matches, to my parents' porch
and smoked one, imagining my neighbors saw me
imagining they cared.
The crinkle of the foil, the match strike--
these were the experiences I wanted.
And the nicotine.
But I did not want the coffin nails
for the dead cowboys.

I had a lighter with me, though.
I knew I'd have to light one.
I pull it from my pocket and inhale.

I had removed my ear plugs to ask for the matches
and all I hear is wind and vehicles.
I start to walk across the bridge a second time
I spit on the dying grass
that hangs in the dry chill
between the cracking sidewalk
in front of a gas station employee
getting off
her shift.
Her shadow races mine, and I am going to win.

I don't feel the nicotine yet, but I expect it to
kick in
as I listen
for a sign of life, not drowned out by thoughtless travel
for a moment,
I hear some young birds, sqwuaking under the overpass
spanning a creek
no one takes time to look
but I do.
All that collects there is trash.
There was a torn, Tar Heels hat on a rock, in the water, once.

I start to think again. It's working.
I'm open
Enlivened by the sound of hatchlings,

I hear young birds!
But I can not see
an anachronistic Spring
in my step, I am sure
for the first time in weeks.
I imagine having hope
and stride, watching my shadow crash
against the concrete ditch, relentlessly.

Suddenly, I realize,
what I thought were baby chicks
bound to freeze
were clanging coins
in my pocket which
I couldn't distinguish
until I'd passed into a parking lot, away from cars.

My momentum faltered.
The ******* my knee-support lost its velcro hold
and before I knew it
I was under the leaf-less trees
where red berries dangled
and no squirrel felt brave enough to ****** them.
I thought of reaching up and grabbing one,
but I knew no one else would think this seemed brave.

I smoked the cigarette until it burnt my finger,
then put the **** in the receptacle beneath my stairs
and went inside.
Enabled by the substance, inside my body just ten minutes,
to write again
19 times.

(...)
It is perhaps this association between birth and beginning each school year which led me to respect knowledge. The entire month of August tends to fly by, unnoticed, in anticipation of the day I see children forced back into ill-ventilated buildings to emulsify themselves in education, for knowledge. Knowledge, that Moloch of an idea! Hobbies, interests and Summertime activities were heaped on flaming tongues with words in order to illustrate their ultimate insignificance. We hoped to bring out the blessing of wisdom from its mouth. “What matters is the coming Winter, not the frivolous activities of undisciplined youths.” It is as if the leaves of every tree were humanity's hair, and August had pulled back every strand to blow the woodsy breath of Autumn smoke into life’s ear. "You won't be this way forever." I am yet seduced by Fall’s cryptic murmurings and led to believe in endless, Halcyon flight. With arms draped around us from behind, knowledge draws me into oblivion, with unlabeled memories and I throw my desires into Moloch’s mouth. Now that I am burning, my self is the voice of this demigod. My birth certificate is my body, holding a memory to be inscribed on some later form beside some other numbers. Life has only so many Decembers.
(...)

A Monday Poem
I always forget:
Is today the first day of this week,
Or is this week the first week of today?

This subtle reordering reminds me that structures we place on pedestals
And signify through complex rituals
Are banal and meaningless
As traveling for some unknown, still, despised enterprise

And yet:
To ignore the difference between a month, a May
Or more particularly, a week and day
Is offensive,
Punishable, even, if maintained
By being made redundant at a job we hate
In the same way days become weeks
--Or was it the other way?—
We slowly fall into line

Our whole civilization is founded on such times
Delineation between yours and mines
Months and seasons, seasons climes
Climes and seasons, suns and shines
Generations and centuries,
Januaries and Februaries

We maintain our separation
And produce indoctrination
With the idea that Monday is a rhyme
Which ends with giving more than half your time
To the owner who insists
With pleated pants and flinching fists
The difference between week and day
Is a year’s labor
Handing out stock animal’s salaries
To the ones who know the difference between
Week and day.

Nod, vociferous lackey,
Agree that it will end just fine
You raise that hand to me, dying vine behind
Acknowledge every burning sun-drop
Culling and surmounting your radii--
Misled and triumphant
You're half of that.
Vast plantations of regrowth and abysmal
Serendipity in life?
No more;
Cut off-- a world harvest
Of blood, and blue-black poison
In the fields spewed
Once,
Not again
Not there-- again, the stalks
Lay dormant from your careless sickle
Numbers and numbers
Insurmountable

There’s nothing I remember, so I shall invent a life.
It all starts with a dichotomy. Speech, lack of speech.
Logos, preceded by the lack thereof.
A heartbeat, maybe, echoing to form a vowel.
And then a sigh, with inexplicably twisted tongue.
“I”…
I…
I’ll tell you. Raising a finger from my desk.
I’ll tell you how it began. I was in the dark, and decided I had had enough of it.
I flipped on a lamp at my side and began to write.
There weren’t any words yet, but there were symbols for sounds, and that was close enough for now.
I pressed enter, and the message flew to a compatriot.
Or an enemy. This flush dichotomy of forms abounds!
I hold my breath and wait.
Waiting, for a response.
Waiting, to imagine words I’ll never hear.
And the light hums.
I…
What is it, inside that filament
which speaks?
What is every minute morsel of matter telling me about my beginning?
I’m not sure I want to read it, when my phone shakes.
But that’s what that behavior dictates.
A laugh, a cold analysis, a response.
This could go on indefinitely.
I don’t even know where you are in the world.
I’ll never see you.
I think of a more advanced dichotomy, I read about.
It was attributed to Freud.
A baby masters the objective universe through two utterances
in a ball game.
Fort… gone.
Da… there.
For now, these words are silent, but if I were in a crib
You would be the breast I long to devour,
The meaning I would choose to fill my mouth with
Muffled exclamations:
DADADADADADADA!
And I cry. But I don’t know what this all means to you.
Because I haven’t told you with electronic signs.
I’m not sure the word “to cry” carries any meaning.
It just stands in for fear.
Fear of being alone in the world, with the dark,
And no logos.
But I could go on for days reading walls of text on webpages developed by people
who have long since died.
I can summon the likeness of every celebrity onto a screen
rubbing my ***** while I look at them.
I can hear the music—
I CAN HEAR THE MUSIC—
Of all the world, vibrating. Rhythms contracting, like vulvas after birth.
And the silky, black discharge is this emotion in my brain after I think of you.
I created you with my words.
I illuminated my world with the thought of you.
And now I have nothing to say to the creature I created.
I am in horror before you.
Fort, fort, fort, away!
You have left me, without ever being present.
You were here, you were gone, I had no control.
And when I weep, the fear drowns the sun’s luminescence
The clouds hide the sky
The air sculpts my lungs
With emptiness
after words have come out.

I hold in my hand a paper
It is blank, and dark
And shaped like a Sony voice recorder.

I tell it “I always wondered
when entering leaves
and leaving comes in—
where we go when we
begin,
and who says it’s over”


The little black box catches all of my thoughts
and stares blankly ahead
waiting for more.

“Why do we think it matters
that we suffer alone?
Beaches
cliffs
and valleys,
erode time and Other
forces.

Unread letters
dissent
to their homology
of patted matter
and solitary discomfort under
gravity.

Solace in solitude is wonderful.

Only I feel the weight of Earth’s atmosphere
in the sound of a dialtone—remember that?

Yes, the other side of the conversation
waits for connection—but you must choose
the coordinates.”

Hawaii is volcano islands,
but
Rock and sand
Air and breeze
Prairie and trees—
this is the Midwest.


I’m going to sit down
and envelop myself.

When I am done
The poem will have delivered me
to a place in the grass of a prairie
a cave on the side of a cliff
a beach it pebbles for sand
and a steep descent from the
volcano.

When this poem
is read with gathering perspiration
it will cool the still-flowing
lava of Hawaiian islands,
soften the edge
of each pebble;
this poem will hang a cloth in the opening
of mouths
caving in
to protect the traveler
from his shadow.

If you do not hear this poem
of the Earth escaping itself,
trees fighting their way into
its soil,
rocks being worn away to grains
of sand sifting through our fingers
and clouds taking moisture
to a more deserving place,
let the consolation be
a life
full of prosperity
and feigned kindness--
ready-mades,
hollow handshakes,
doors beaten
by little hands
asking about breakfast
on a Saturday
and
selling thin mints
to your neighbors.

I love you, sisters and brothers,
just weather our sod
and air
and water
and fire

--it will find you
when it is ready.

Tomorrow is St. Patrick's Day, again,
and I'm wearing green shoes, green shirt--
overeager as usual. I've never really enjoyed St. Patrick's Day, or any other holiday, for that matter, and I find
it ironic that the more significance we give to a person or
event the more their meaning is deluded. But it's good to have something to look forward to.

Today, in America,
St. Patrick may as well be a naked, red-headed lepperchaun.
People don't care about him as much as me; they don't get out of bed
each day that week wearing green and scoffing at
the timid early-spring sun gazing at the short-sleeved men and
brown-thighed women.
Maybe it matters to them that suntans at the beginning
are only de-tubed relics of an ancient, burning photosynthesis
relinquished to the ground. It matters to me more that
these women think-- even more, know!--
that it is too late in the early spring to cover their legs and
allow the pale, unready skin lie in hibernation.
They want to show the men their defined calves and
undefined dreams. They fain naivety with bright hues, such as Kelly.
And I frown, because I know they have to do this, or
I wouldn't notice them. Waking up and putting green shirts on
the whole week leading up to St. Patrick's day.
Anticipating the Spring, which is already here, they raise their glistening
arms in the air and lean back, smiling, to sing a toast to the short, Irish martyr.
Who wouldn't rub their flesh with dripping tongues for fingers?