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are we, yet we use our two eyes like canes
tap-tap-tapping the ground of our being
to see by echo-location
what our blind god does not:
differences

for, the non-seeing, ever-feeling, all-surrounding

One
With
Love

has no eyes for anything but
what we are:
sameness
and filters nought, nor
turns away,
nor stumbles about looking for
nothing real
to worship

for, the all-seeing is Love and
the all-feeling is Love and
the all-encompassing is Love and

blind to all else


c. 2017 Roberta Compton Rainwater
we have earned our ways out of this
marriage
the siren song of our love echoes in hollows,
disappears
awakens nothing anymore, except
companionship
shall we enter the echoes as they disappear,
look
for a hand held in softness, a hand held
fondly
a kiss gentled by years    and
tears?    or
shall we stay as we are: prope and still,
awaiting

the Beginning


c. 2017 Roberta Compton Rainwater
Prope is the root of words meaning "close to, near".
you are the illuminated
manuscript
I, the reader
   the lover
   of you

show me your illuminations
your singing arabesques
   the music
   of you

chant your canticle
hidden in the golden calligraphy
   wrapped
   within you

open your pages
to me -- for
I am the reader
   the lover
   of you


c. 2017 Roberta Compton Rainwater
I saw my heart dancing
in the park wood today
She was dark
and lithe
and graceful
She is dark because I am
discovering Her still
and am not completed yet

It's an archeology of the heart
I practice
The inner eye caught
the nuanced landscape
which foretold the fossil
With careful strokes
respectful of the treasures
within me,
I clear away
I clear away
My trowels: feelings
my brushes: tears and laughter

As they are cut away
from ego sediment and stone,
my fossil pieces
fit in place
and lock together the puzzle
that I was
that I was
It is a re-membering I do
because
because
I saw my heart dance
in the park wood today



c. 2009/2017 Roberta Compton Rainwater
eddys

sound eddies around my ears
radio sound
pounding hammer sound
the water of two days ago
eddies in ghostly markings left in the sand
energy eddies around me
camellias of all colors and styles eddy through pine trees
their dead blossoms eddy
amidst the detritus of pine needles and dry branches
the talk of friends, their voices full of wonder,
eddies through the tree branches that reach into the blue
flowing in, inundating, eddyfying
creeping into the lowest spaces
crawling over weirs into emotional wells
churning, then eddying
as the ebb begins dragging everything loose with it
everything unnecessary with it
pulling the teeth out of the mouth of God,
to keep,
to treasure
to remember the eddys
each in turn.

c. Roberta Compton Rainwater, 1998-2009/2017


streams

a dry leaf dances in the stream as it eddies around the stones,
crosses the hilltops, careens off of trees immersed in it.
the stream moves fast and cold after the rain.
I hear it all around me,
the prayersong it composes and decomposes,
recycles and rebirths every moment. It delights
in the light, moves the light across lichened stones,
smoothes it through my hair and across my face.
everything moves with this stream;
there is dance, here is dance,
yonder is dance.
dance and song reverberate
in my heart
as I sit on the rocks in the midst of the stream.
it reaches up and over me, whelming some of me,
cleaning most of me.
above the valley, I am cleaned and Loved into Being.

c. Roberta Compton Rainwater, 2004-2009/2017
sound and movement telling stories
of nectar supped so sweet and golden treasure found
of adventures felt so deep a bee must dance to tell it all
to tell it all
to tell it all
a bee must dance to tell it all
and share the ecstasy of success


c. 2009/2017 Roberta Compton Rainwater
In memoriam G.N.


what is this landscape?

a void so vast
so constant
of a Constancy so deep and all-encompassing
that a sounder reads no depth
that the specific becomes generalized
and the general becomes pointless
like a compass without hands

my heart knows this landscape
has taken readings
and scanned maps
with ineffable instruments
to follow The Way

if I seem to ramble
I do
because this landscape bids me to
it gives no bearings and nor do I

simply: flow

I am the flow-er
the flower
minute among minutae
moving and stilling
in Constancy so vast
it leaves me breathless...
until it doesn't

c. 2009/2017 Roberta Compton Rainwater
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