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194 · Feb 2019
Salt
you’re telling all I’ve heard before.
ugly bubbles of language,
sentences spool out like half
torn cassette tape.

I’m as salty as the sea,
aubergine bruise drinking my shin,
my phone on 2%
and my watch five minutes slow.

and you go, Mr. Yo-Yo,
leaning in, backing out,
eyes like mucky puddles,
crescent moon split lip.

what a way to trigger
a new age, tobacco kisses
on my skin, mud blotch on my skirt,
Your gift, love you.
Written: February 2019.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
If pink
is the softest colour

I shall bathe in carnations
every morning

the steam from my herbal tea
dancing out the open window
Written: September 2018.
Explanation: The first in a loose series of three small poems with the same title. Each one could have been put together as 'one' piece, but each part also feels standalone to me. It is recommended you read all three. Feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
194 · Mar 2019
Cracked Eggs
apart

two segments
rolling down the hill

little rockets
spurting off heat

I'm cracked eggs
brittle eyeballs

creak in the neck
like a sodden floorboard

splash of blood
off again

blinded by meaningless
droplets of triviality

twist of stomach
tight knot

ice when I type
know it by heart
Written: February/,March 2019.
Explanation: A strange little poem written in my own time over the course of a few weeks. Not sure I will like this much in the future, but never mind. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
193 · Jul 2018
Float
In the delicate early hours,
I am thinking of myself
as a bubble,
or a series of bubbles
with flimsy skins
and hollows that wobble,
while everybody else
feels like concrete,
hard, solid individuals
who stomp about
doing what is necessary,
what is right.
They do not think of bubbles,
objects with brittle bones
or soggy minds.
Instead, they are cohesive,
set to collide head-on
with the like-minded,
faces that match their faces,
bodies with no fissures,
no anorexic cracks.
Written: July 2018.
Explanation: A poem written in my own time. A link to my Facebook writing page can be found on my HP home page. All comments welcome.
193 · Apr 2022
Beyond
so this
is the other side

insignificant
glide among stars

light-flecked
cloud corrugation

as if milk-dipped
slippery finger

land chunks
in mottled tones

erratic flashes
with violet feathers

and I can’t see you
but you’re there

somewhere
on the other side
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
192 · Aug 2022
The Water Lake
I'll hold you in this stillness
where the cusp of the world is a peach
and the distant flickers of chilled water
remind us of existence,          of a pulse.
Written: August 2022.
Explanation: A poem written in my own time. A link to my Facebook writing page and Instagram page can be found on my HP home page.
192 · Apr 2018
Here's To Us
So this is how you
love,

hearts split
and shared -

if half apart,
            half together,

magnets that retract
into place,

the shape of your version
of us.

In a tunnel of darkness
you bring cascades of light,

lipsticked kisses
and your shoulder of choice.

There will be days in bed,
the languid yawn of sun

slithering across your skin,
a glint off the rings,

the shine in your eyes
as bright as the first time.

In your first, second house,
a toothless child wobbles on the carpet,

you’ll say
look what we made.

A son drips out monotone answers,
a daughter with her first serious boy

and you, as parents,
will proffer nuggets of advice,

as if spoon-feeding the tools
you have and they’ll need.

But, all to come.
It is the rise

and fall
of your song,

the hive of desire,
heartbeat buzz,

forever now
your diamond word.

And I, I clasp a glass
and you take what I’ve written -

here’s to us, my love,
our love,


the yesterday and tomorrow,
the painting we will create
.
Written: April 2018.
Explanation: A poem written in my own time, for the marriage of two of my good friends. Feedback welcome, but please understand, this is a personal piece for the newlyweds. A link to my Facebook writing page can be found on my HP home page.
192 · Oct 2019
The Fox
I have spat out these words
so many times I have lost track

enough is what I tell myself
except this is not quite enough

still I stumble and search through it all
like some restless fox in the dark

but the goal one sleeve away
simple to grasp but too far gone
Written: October 2019.
Explanation: A simple poem written in my own time, which is not part of my ongoing 'Alaska' series.
As I am working ******* my university manuscript, there will be few poems until the start of next year. Nevertheless, feedback is welcome. A link to my Facebook writing page can be found on my HP home page.
191 · Apr 2022
Silence The Crowd
the flames
are engaged
in that wicked dance again

licking all spines
with buds that scald
carnival of scars

each shameless twist
gift-wrapped in yellow
every coppery belch

a steaming stench
into rust-daubed sky
its silent gesture

rampage of hollowing
tongue-heavy haemorrhage
laced with ignition
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
189 · Apr 2020
Gamla Stan, Stockholm
Wake up in Östermalm,     south to Gamla Stan.
I walk,
it is a cool day with albumen clouds,
rivers of snow gloss the streets ecru.

- Meet outside the bookstore;
Pippi Långstrump grins at me from behind glass.
The blue and yellow of the Nordic cross
prods out from a shop,     primrose-skin buildings,
streets riddled with syllables,
Västerlånggatan,     Tyska Brinken,
graffiti a ****** siren on the walls.

- ’75 the first time here,     Waterloo a year before,
birth of the famous foursome
to karaoke machines from Södermalm to south Japan.
And again,     new millennium,
a second time in ’16 where love was love
and peace was peace.

- Practise the numbers.     Seven is sju,
my mouth producing rare noise,
a wispy word between show and swear.

- We walk.
Splashes of island and butterscotch-haired teens.
A girl hums a Melfest song.
I toss a Sverigedemokraterna leaflet in the bin.

- The waitress could be Lisbeth and AVICII’s playing
and isn’t it beautiful,     you,     and this,
where we have found ourselves.
NOTE: Each second stanza is supposed to be indented from the right hand side, but HP is not having it. The first stanza should also begin with a dash.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
189 · Aug 2022
Picking
I suppose what I mean to ask is
when will you get it,
when will the cartoon lightbulb
twitch its gift above your heads

so I can pour the little of me
into the many hands you possess
for approval, the scoring
of boxes that do it all for you,

and is it all worth it, I suppose
I should ask. Will you discard
like a bare crisp packet,
tasted and wasted, replaced

by a glossier prospect, the glass
of champagne pricked with bubbles,
and they can pour themselves to you
in a more delicious, refreshing way.
Written: August 2022.
Explanation: A poem written in my own time. A link to my Facebook writing page and Instagram page can be found on my HP home page.
188 · Apr 2022
Tuesday
gives the poem momentum.’
Tuesday afternoon seminars
and your photocopied stanzas
are like ***** shots to me. I don’t
say this, a spaghetti-haired boffin
opposite mentions pentameter
but I almost drool at ‘fizzle of static
the luscious shock, / honey, think
you’d taste like candy canes / waltz
on my tongue, my ruby


Bristol for uni. Last I heard
she’d got a PGCE, cushy position
at an Ofsted-says-good secondary,
good for her. The invite surprised me.
How many years? It’s all careers
and top-floor flats now with
the parquet floors, schamncy fridges,
not villanelles and criticism
meant to be constructive, comments
spiked with jealousy, and

A minute in, a cup of something,
voice long gone among the swill,
thud of a mid-2000s track blaring
obnoxiously through the top-floor flat
of the lad who played midfield
and his glitter-cheeked missus, who,
if I recall, moved from Leeds to

Tuesday.’ A lipsticked smile,
jeans with riotous tears.
Now I know what’s coming, the
pitiful shotput for attention,
the ‘truly marvellous effort
and the use of sibilance (insert
chef’s kiss sound).’ But I dither,
muter than a French mime,
hits me for six and I know
I won’t know you, not now or ever,
there’s never enough time


when I see you in the kitchen,
expelling laughter like it’s almost archaic,
the opportunity, missed, but all right,
it was indie-rock headaches,
cold in goal in the park next to Asda,
not a time to recite my saccharine lines
to a northern delight but I wanted to,
once, then, to know what might’ve been,
if I’d waltz on your tongue.
Written: April 2022.
Explanation: THE TOP LINE SHOULD BE ITALICISED AND THE EXACT LAYOUT OF THIS POEM CAN BE FOUND IN INSTAGRAM. A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
188 · Apr 2022
Blank
awaken
to white shroud

unblemished page
from pregnant sky

sieved silence
in languid waltz

to sigh to glass
punctuate the scrawny

exclamations
of a naked tree

as though a blessing
enamel acceptance
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
188 · Nov 2017
Told You
between one or the other
revelling in the *****
of a moment
that has been well rehearsed
or drowsy in the clasp
of some strange blueness
that coats itself
over my skin
like a viscous
odious paint

there are tricks you know
that I don’t
sleight of hand
misdirection
tell me because I am in a stupor
tripping through the best years
repeating familiarities
friends are ****** in by the shadows
or swallowed up
in the whirlpool of marriage
or trickles of intimacy

I told you it was like this
one eye on the phone
one ear on the words
nothing is shocking
bar a ripple of a shudder
normal service is resumed
but I told you it was like this
didn’t I
oh you went silent
don’t blame you
if you forgot
Written: November 2017.
Explanation: A poem written in my own time - could be better. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in in the near future.
187 · Apr 2021
Tomorrow's Work
Just as Matthew Broderick kisses Mia Sara
I inadvertently spill a blob of wine #2
on the sheets, the alley between
my pyjama-d arm and your **** leg
and it is then I decide I will not go
into work tomorrow, stay home with you
and continue decorating the spare room.
I know it's not relevant now but I ask if
you prefer Nordic Sky or Enchanted Eden;
the former, you say, quizzical.
I nod, smile just a touch, return to the film;
Ferris's dad almost spots him, but not quite.
You don't notice the tiny stain;
I have the best night's sleep in months.
Written: April 2021.
Explanation: A poem written in my own time. Feedback welcome. The paint colours are real and the movie the fictional duo are watching is Ferris Bueller's Day Off. A link to my Facebook writing page can be found on my HP home page.
187 · Apr 2022
Search Engine
WHAT
• Oligarch
• on TV tonight
• minimum wage
• a prime number
• reduce fuel consumption
• might happen in the future

WHERE
• Treasure is
• to watch Euphoria
• hot in April
• next Olympics be held
• in Paris is the Eiffel Tower
• I can find happiness

WHEN
• The clocks change
• we were young
• I grow up
• Internet invented
• it rains it pours
• you wish upon a star

WHY
• Always tired
• feel dizzy
• eye twitching
• hurts to swallow
• I want to work here
• we should hire you

WHO
• My MP
• won the boxing
• Romans
• win Eurovision 2022
• the next James Bond
• Banksy

HOW
• The Queen
• make pancakes
• first human made
• I met your mother
• Earth created
• war end
Written: April 2022.
Explanation: THE EXACT LAYOUT OF THIS PIECE CAN BE SEEN ON INSTAGRAM. A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
forks against turbulent sky
vivid cigarette flicker
like a stifled disturbance

the water holds what's high
fluvial duplicate shivers
in orange and jasmine

and the fog - great belches of it
day’s first gesture of mischief
by the house of power
Written: August 2024.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page and Instagram page can be found on my HP home page. This piece is inspired by Claude Monet's Houses of Parliament paintings, specifically 'Sun Breaking Through The Fog' from 1904.
183 · Nov 2021
A Little Fiction
if a violet sky night
I strive to catch your name in the breeze
hold it like a child
or a half-finished song

the only touch to start
is mental, feel you in my vessels
and let my lungs bathe
in the promise you spoke

is this electric or just
ourselves getting used  
to new furniture, fruit and yé-yé
but Christmas not for months

by twelve we beg
to crackle with anticipation
a tear stain on an open window
one of us sockless, bleary-eyed
Written: August and November 2021.
Explanation: A poem written in my own time, mostly in August but finished in November. Maybe not the most visually strong piece, but I'm actually very content with this. Feedback welcome. A link to my Facebook writing page and my Instagram page can be found on my HP home page.
Спорти́вная
- My first thought is how clean the place is,
how swanky, perhaps that’s the right word.
- This isn’t London or New York that’s for sure,
marble walls that could be made from banoffee pie,
blue and white quadrats for the floor,
patchwork of tiles making up the ceiling.
- Eight hundred rubles for a week, barely a tenner,
Moscow’s take on the Oyster, just cheaper.
- My mate of fifteen years has Henderson on the back,
I’ve come as myself.

- A crew of fans gush out behind us,
- flags made into capes.
- Two own beards, great hedgehog-type beards
taking over, stippled ginger,
another has a drooped trophy slapped on a cheek.
- They are already singing, if you can call it that,
adding that extra syllable, a staple of the patriotic chant,
IN-GUR-LAND.
- The Croatians in their classic tablecloth-type tops,
 (Modrić x2 and Mandžukić x1)
look aghast, probably whisper their own version of plonkers.
- Congested, headache already brewing,
needing fresh air before the Mexican wave.

- Лужники
- My first thought
is that the view isn’t actually that bad.
- We’re fairly high up, middle row,
sandwiched between Brian from Bolton
and a foul-mouthed Mike
from Welwyn-Garden-City, I think,
but I’m getting into the spirit,
my mate already shuttlecocking half-xenophobic jibes
across the pitch, a paper aeroplane or two
gliding, colliding into backs of seats.
- Anthem is maudlin, Croatia’s more jaunty,
and then the players are moving like felt-tipped beetles
across the tongue of grass.

- The free-kick goes in after a while,
cheers a chorus of roars
that zip into the cold Russian air.
- Strangers shoulder-shove, voices sandpaper coarse,
that blasted tune ringing out
from the mouths of a raucous English bunch
in many an old Umbro kit
swamped with sweat and blots of beer.
- My mate can’t believe it, he’s got a tenner
on 2-1 to us, a modest bet.
- Mike from Letchworth Garden City
is bellowing out the scorer’s name
each word croakier than the last,
one hand crushing the lions on his chest.

- дополнительное время
- Our first thought is that penalties
are coming up, our foe, our football swine,
but on 109’, the guy from the back
of that earlier guy’s shirt flicks out a limb,
pokes the ball past our keeper.
- Mate goes ballistic, his face
on the brink of full-blown beetroot,
while Brian from Bolton appears mid-coronary,
too whacked to crank out a sigh.
- A bloke to the right, a few rows down
jokingly mentions Hurst.
- This brand of heartbreak we know well.

- Later, surrounded by smokers named Dmitri,
shots of Smirnoff and the dull ache of knowing
four hours back to Heathrow awaits,
we’ll reflect on the could’ve-beens.
- Mid-sloshed in Red Square, more my mate than me,
(he’s a tenner down after all),
mumbling Qatar in four years under our breaths
while Croatians tumble through
this giant cyst of a city.
NOTE: Each second stanza is supposed to be indented from the right hand side of the page. HP has altered the format again.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
180 · Apr 2018
Married
On the day the first of my friends marries
I am in my father’s car with another friend,
his partner, on a stretch of the A6
between our hometown and the hotel
where the wedding will occur.

It is an uncommonly warm evening in April,
no breeze. I am in a checked shirt
and corduroy trousers, an envelope
in my hand that contains a little something
I wrote just a few days before.

It is less than a decade since school,
sixth-form afternoons, but now my friend
is settling into what is expected of us -
a person to love, nuptials in a room
brimming with those I don’t know,

the obligatory search for a home,
the space between kids and no kids.
Two nights ago we went to the pub,
me and him. We laughed, he fretted
about the speech he hadn’t yet written.

He is a happy man, a ring on the finger.
I will leave them to it, to bask
in the first pumpkin glow of married life.
Tonight is about them, so it should be.
Look at our lives, how we move on.
Written: April 2018.
Explanation: A poem written in my own time - feedback welcome. A link to my Facebook writing page can be found on my HP home page.
180 · Oct 2021
Wearable
oh let me breathe you in
you are not the sort of flimsy thing
to be hung slack behind the cupboard door

but to be worn
even if holes interrupt your skin
or a merlot stain looks like dried blood

on the front
but believe me when I say I might
need this more than what I thought

I might have needed before
so please let me hold this hold you
inhale you from the collar and down

the cosy black sleeves and maybe
that’s enough to keep me breathing in your arms
I want to know a little then a lot and start over again
Written: October 2021.
Explanation: A poem written in my own time. A link to my Facebook writing page and Instagram page can be found on my HP home page. Feedback welcome as always.
178 · Apr 2022
Little Phantom
Ache of an absence,
half gone
and seeing phantoms
in the place you used
to be,

a vacant hook
where a sunny cagoule
would slouch,
handwritten supermarket
reminders

slapped against the fridge.
What it’s like to lose
a limb, dim pulse,
futile scramble
for meaning in the missing,

and the morning’s severed
yolk bathes little but
the wicked iced side
of the bed where a spirit
disrupts your space.
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
177 · Jan 2021
Gaps
Perhaps a new year
only exists to show
the widening gap
between the what was
and what now is

the quiet reminder
that you go in differing directions,
but they all come with fog,
an unease you'll never shake,
a gloat, an unheard word,
a point of view you don't

waste your eyes with.
You are older now,
your youth only a faded,
bitter tang.
Written: January 2021.
Explanation: A poem written fairly quickly in my own time. A link to my Facebook writing page can be found on my HP home page.
177 · Apr 2024
Condensation
You've got yourself a cold one from the fridge when I call.
It's April again and the clocks changed again
didn't they and I haven't heard from them
in months now. I think they're all caught up
in their own personal knots or weeds as the time’s gone, going,
that hour away to the clouds. Those I knew I wouldn't know
now in Marks and Spencer, the multi-storey. Any memories
like puddles, warped. They, too, going to the clouds. It's lighter
in the evenings but much is the same; the chickens
with their sore throats, cheers from a distant football pitch. Something
is different though. Indefinable. Condensation on a window.
I agree, you say, as I hear your wife's muffled
voice in the background.
Written: April 2024.
Explanation: A poem written in my own time. Part of the 2024 escapril challenge. Feedback welcome. A link to my Facebook writing page and Instagram page can be found on my HP home page.
175 · Dec 2019
Buon Natale
I.

cold winter morning
windscreens glazed in silver dust
pavements and grass wet

---

II.

crew of coloured shapes
clamour underneath the tree
concealed for now

---

III.

and the food comes in
steaming green vegetables
spuds like chunks of gold
Written: December 2019.
Explanation: A set of three haikus relating to the Christmas period - not meant to be taken seriously, and a deviation from my normal style of work. This follows a similar set of (fairly samey) haikus written over the past few years - 'Yuletide Trilogy' (2012), 'Stocking Fillers' (2013), 'Christmas Triptych' (2014), ‘Festive Trio’ (2015), ‘Pulling Crackers’ (2016), Joyeux Noël (2017) and Feliz Navidad (2018). The title is Spanish for 'Merry Christmas.' All feedback welcome. A link to my Facebook writing page can be found on my HP home page.
174 · Apr 2022
Tyto Alba
sorting out
the loft
in the fuzzy black
aftermath days

the owl
liquorice eyes
glares at my
torch-in-hand

you remember
the pub
used to have
a fox

mid-skulk
streak immobilised
we wondered
why anybody

would want
a stuffed body
static animal
figure of death

but somehow
handed down
to you
burnt toast wings

on wooden plinth
popped in the loft
‘till now
‘till your departure
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
174 · Sep 2022
Stung
and it says plenty
enough now
placed ahead
of a breathing soul

what odd limbo
to be drenched in
though a *****
of expectation

makes a private
red welt
or silent sinking
for your second best
Written: September 2022.
Explanation: A poem written in my own time. A link to my Facebook writing page and Instagram page can be found on my HP home page.
171 · Aug 2021
White Noise
I must be in one
of those funny moods again
(if funny’s even the right word)
          the images easy enough to pick from
          whether rinsed grey
          or blooming maroon
the sky somebody else took
midnight blue
with stardust pentameter
          I’m thinking of cold water
          you don’t mind bathing in
          somewhere in Scandinavia
a voice, yours or the last album
we listened to drifting to us
as we break the lake’s membrane
          and if not that (you’ll see)
          my indecision hasn’t wavered)
          a dress, a road,
a photographer whose name matters little
in a silent stretch of land
I’m half-dreaming of
          and I wish this isn’t some
          toxic desperation with its ginger sting
          galloping to the fore
but the words already here
collapse like trains of dominoes
in my head you wouldn’t see what I can
Written: August 2021.
Explanation: A poem written in my own time - quite typical of my style these days which is to bundle ideas together in a string of images to create (at least to me) a somewhat coherent whole. Feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
170 · Apr 2020
Rødgrød, Copenhagen
At dinner I am retying my shøelaces
when yøu say ønce møre
gø øn, again
is what I hear
   what the waitress hears
as she dumps
anøther blønd-haired pint
in frønt øf me with a grin that clearly states
she’s telling yøu høw tø say that phrase is she
the three-wørd term
unsayable tø øutsiders

høp step jump
øf a phrase
the language fluvial
like a lake sluicing weeds
cønsønants like dripping water
vøwels that huddle tøgether
as if the cøld is cøming in
the irregular phlegmy intønatiøn

there are candles here
whøse lives expire in silence
a glut øf armchairs
where what cøuld very well be
the wøølly Jumpers expø
før the year cøngregates
triplets øf fingers running
thrøugh their straw-bløøming chins

despite the side-track
I still døn’t knøw why
the ø’s are impaled
my møuth and tøngue
haywire as if tøssed in the wash
the demøn shibbøleth
øffered tø me
and that tablespøøn øf mucus with it
rull grull mel fluøl

the wørds dribble øut
bunch øf slushy søunds
she laughs
says I’m a løst cause øn the matter
and that I’d be better øff with hygge
which is surely the søund made
when løng yawning in the mørning
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
169 · Apr 2022
Body, Gone
You don’t know how long it’s been,
a leftover, how many times
my chalky residue, the what remains
after the batteries run down,
has glided through these rooms,
liquid silk when you’re sleeping.

Pearlescent appendages,
no junction of veins, heart-clunk,
see through what once was
a sac of odd-shaped blobs,
viscous memories gone to condensation
as if fiction, recycled in silence.

No wonder you feel the chill.
An anaemic blur down the stairs
unsurprisingly frightens but know
it’s only my gaseous way
of trying to live, the only way
to breathe to leave ellipses of smoke.
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
169 · Oct 2019
Theory of Love (I)
how I have loved what I have never known

these names that glisten like stars on a blanket of night

it is silly, I know, to swim in such matters

my mind a blizzard of moments splintering

in a million intricate ways impossible to explain

my heart is heavy and my throat clear of all words

and I think of your faces like a blue sky at sunrise

so unblemished so untarnished by my hapless errors

I couldn’t explain with the right expulsion of words

but know I knew how I felt

how right here in a place I am still trying to understand

you were present known and, yes, loved
Written: October 2019.
Explanation: A simple poem written in my own time, having watched the first few episodes of the mini-series adaptation of John Green's 'Looking for Alaska.' There may be a few poems inspired by the series and book, especially as the latter means a great deal to me. This follows the poem immediately before this.
As I am working ******* my university manuscript, there will be few poems until the start of next year. Nevertheless, feedback is welcome. A link to my Facebook writing page can be found on my HP home page.
167 · Oct 2020
I ignore the phone
and it rings, and rings,
each shrill chirrup like a triumph;
your defeat, multiplied.

This is my own unanswerable riposte. A month,
almost, has passed. I know it’s you.
Once, accidentally, in a frantic, slapstick
dash from the bath, I made the blunder
and your voice slipped into my ear.
Your pitiable way of saying it was a mistake.
I presented you silence, gift-wrapped for free,
dripped back to the tub, each wet glyph
another step away from our despicable was.

Still, it rings.
I imagine them as punches to you,
not soft blows but great, leaden thumps,
a ricochet of knuckles on cheeks,
of these rings off from the walls
I deliberately, deliciously ignore.

Every quarter hour, a jolt,
a quick think of is this childish.
After all, at this hour and age,
must I resort to letting this black reptile
hark for my attention, coffees
gone cold, the LPs supermarket-queued
on the table we bought
with your mother's vouchers.

But yes. It rings, again,
I have lost count now the times.
I know it’s you.
The hour hand
pokes ten, the dog twitches
in its pool of sleep.
Still, darling, I provide my answer.
Written: October 2020.
Explanation: A poem written in my own time. Feedback welcome. Not based on real events. A link to my Facebook writing page can be found on my HP home page.
166 · Apr 2022
What Came Before
Then I am eleven
playing Asher,
a cricket-ball-stung
hand, swimming pool
trepidation when
everybody else bounds in
with shouts that rocket
off from the tiles.

Then I am sixteen
and our deputy head,
on the brink of expelling
tears, leaves when we do,
an exercise book graffitied
with wish-you-wells,
faded shirt acrostic
in blue marker.

Then I am eighteen
complimenting a stranger
on their coat (now they
are a poet), stitches
for buses in the place
they demolished,
first attempt at a villanelle
in a room of twenty.

Then I am twenty-six
and a friend starts
to share a life
with a signature, online
ultrasounds, letters from
America, a manuscript,
library-printed, spiral-bound
posted north for a score.

Then I am twenty-nine,
coffee in hand,
reeling off names that haven’t
lined my throat for a decade,
reduced to pixels on a screen,
you doing the same,
wondering where they went,
where we are going.
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
166 · Mar 2019
Puncture
The morning after I killed him
we sat eating breakfast
at the kitchen counter.

The father, pupils
on the tabloid
which would later

leak with the news
of his youngest child's
departure.

The mother, upstairs,
applying the swish
of crimson,

a shade she'll
rename blood of son
before too long.

I won't go into specifics.
But it was simple, really.
The fingers first,

flaccid, then the arms
like sticks of broken chalk,
then the slump,

static, as if a switch
from on to off,
or a plug wrenched out.

Everything was normal.
You did not suspect.
I posted you

his glasses a week after,
wrote the note left-handed.
And yet

you did not suspect
but walked numbly,
shaking hands,

even the hand
of the man
who severed his breaths.
Written: March 2019.
Explanation: A poem written in my own time. Not based on real events. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
166 · May 2018
She
She
And this is who she is,
dancing in the space between shadows,
making squiggles on the windows,
singing when the toast sneezes
out the machine for me,
a bloom of strawberries in her bowl
ready for breakfast.

She calls me on my lunch break,
I ask how the painting’s coming along
and when I come home
she greets me with colourful fingers,
a shout of cherry on her cheek
and a cobalt wrist.

And she is the one
who puts up with repeats on TV,
feigns interest in football
but makes a great cuppa
at halftime, barefoot walking
back to me with a grin.

I know the blueprints of her skin
like my favourite book,
or a song from my youth
on the radio one morning
but I still know all the words.
It sounds good, just like it used to,
like it still does.
Written: May 2018.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
166 · Jan 2019
Tonic Water
these are
the people
we know

used to know
and we
wonder

if they
think of us
now and then

a name
in the breeze
still drifting

years later
but what
would we say

that is
to say
do we care
Written: January 2018.
Explanation: A very simple poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
166 · Sep 2018
September Poem #3
all the places I’ve never been
cannot exist

they are just curls of ink
repeated tens of thousands of times

an image is somebody’s own
slant on the city

the pre-storm sky
bruise of cloud

a second-speck
that cannot be mimicked

I heard you were on the move
again

I gnaw the inside
of my cheek

the letters form
monosyllabic words

you have the real thing
I sleep with a globe
Written: September 2018.
Explanation: A so-so poem written in my own time. Feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
165 · Jun 2020
Roadside
In the space between
the slab of land I am from
and the place you’ve never been

I have tugged the rental car
with its hoary exhaust
to the side of the road

the heat assailing me
like a faceless boxer
with flames for fingers

and I see a trio of vehicles
windows wound down but unfilled
the drivers inside

this tumbledown café
the sort with a plump waitress
gnawing gum and spraying flies

but the drivers, yes
wolfing down a hastily-half-cooked
brekkie and a sand-coloured cuppa

before trekking the countless miles
to whichever terminus
they’ve fed to the sat-nav

and outside I inhale hot air
my lungs leaden somehow
as though you clasp my ribs

from a distance
to let me know you wait
and I am another seventh of the way

to you
in your air-conditioned apartment
with the cupboard teeming with tea
Written: June 2020.
Explanation: A poem written in my own time. Feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
rise early
mist the first murmurings of morning
and the blue
smudged by a finger
to a dusty half-purple
half-nectarine sky where the perfect
blot of post-Christmas sun welcomes us

commas of snow
like the night shedding its skin
a chill coating our throats
but each inhalation a gift
a lungful of life
Written: December 2020.
Explanation: A poem written in my own time inspired by a friend's image of Langsett Reservoir in Yorkshire, Eng;and. Feedback welcome. As always, there is a link to my Facebook writing page on my HP home page.
163 · Apr 2020
Virgin's Apartment, Athens
That’s what they called this place,
flaking crucible,
immemorial immobile figures
gawked at by a deluge of tourists.

A German man sidles past
as we edge towards
the main attraction,
multi-limbed citadel.

I imagine the Propylaea
pricked with stars, the dagger of light
that cracked it open,
awoke the commas of fire.

We circle round.
Like a chalk house.
Here, where Athena,
frame of ivory and gold

surveyed all,
Phidias’s maiden
with Victory shimmering
in the heart of her hand.

Soon we discover
the Theatre of Dionysus,
lemon wedge
of staggered steps,

chipped thrones of marble.
Now, the thrum of many tongues,
the words of Aeschylus, Thespis,
inhaled by the Athenian sky.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
162 · Apr 2020
Wallop
At it for five minutes, maybe six,
and we’re watching them both
from our go-to spot in the King’s Horses
across the street, transfixed
by this unscripted drama unfurling
before our eyes, a right old spat
between, presumably, students
on the lash, straight outta Camden.

I’m clutching my last fifth of pint
as if it’s the final swig I’ll ever savour,
the rest of the pub’s regulars and stragglers
oblivious, minds on the mundane,
such water-cooler coffee-machine gabble,
but we’ve tuned into the action,
silent theatre, much gesticulation,
coatless girls impervious to the chill.

I blink, I turn, a rookie blunder
for in that barely a second speck
you’ve flung the ready salted to one side,
a gasp spilling from your cherry-red mouth
as the chick on the left has arched back,
propelled a fist, thwacked her prey,
one hit and I missed it, the evening’s highlight
unrecorded with no live rewind.

Ten seconds pass. I have birthed a long sigh,
both felines having scarpered,
one nursing their wound, bruise to be.
I let the last, flavourless dreg of Carling
slide past the tonsils before we make to leave,
recover from the unexpected, single wallop
to the chops, Friday night morsel of excitement.
I chuckle about it, privately, as I head for a wazz.
Written: April 2019.
Explanation: A poem written in my own time. Feedback welcome. Please note that 'King's Horses' is a made-up but not unusual name for a pub, Camden refers to the area of London, and Carling to the brand of lager. A link to my Facebook writing page can be found on my HP home page.
162 · Jan 2020
A River Runs Through It
The night descended to that.
You, sunny side up,
queasiness inhabiting you
as if a change of season,
eyes damp with lethargy.

We planned to depart,
myself, a few others,
spilling well-wishes through the door
to your sanctuary,
dreamcatcher holding your reveries,
books like sentences of teeth
on your shelves.

I left, passenger seat,
with my language a glue in the throat.
The episode quite gone,
thunderous concert of silence,
only windchime giggles that filtered
through the dark.

It is what has become customary.
The bullet-point reeling-off of events,
each spark with its own named shade.
My hollow words missing the yolk
of conversation, vacant bottles
lost to the ocean, skin flecked with rust.

I ought to love you more,
this platonic, solid love.
Perhaps I should **** myself free
from the shipwreck, dust off
my catastrophes and breathe,
revel in your odysseys, let you know
my spoke of mishaps,
let us accept each other with clean hands.
Written: January 2020.
Explanation: A poem written in my own time. Feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
162 · Sep 2021
The Hop
Getting back into the car
after buying
cookies from Asda,

a blink-and-you’ll-miss-it
little bundle of brown,
there I say, on the fence.

Marbles for eyes,
tail like a question mark,
hair the shade

of twenty sunsets.
I point it out,
body half-bowed

as if to whisper hello
before bounding away,
swallowed by the leaves.
Written: August 2021.
Explanation: A simple poem written in my own time for display at my local library and also (partly) for the annual Summer Reading Challenge that takes place at English libraries every year. A link to my Facebook writing page can be found on my HP home page.
161 · Apr 2022
You May Be Influenced
The makeup, gifted to your girlfriend, looks
good on you. It’s not the first time. On the carpet,
they have to comment on you, ***** approval
to stay lean, keep you cloud-floating.
                                                                ­ First,
lightly dab the eyelids with azure
stardust, glitter strings like wings out
from the corners. White shirt may look normal
but is designer baby, season’s income
on skin-clinging fabric, enhances
your slathered-on nectarine tan, abs
the Peloton made.
                                 THIS POEM
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                                         The balcony offers
an ideal view for photos, minimum of fifty.
You know it’s like shooting a plasticine movie,
moving your glossy features an inch at a time because
one bad move means one less like, one less
stranger misspelling their admiration.
Each emoji is a pellet of sugar, each five-digit
paycheque another two-page spread in the city’s
many gaudy rags, another slap in the face
to the barista making ends meet.
                                                           Oh who cares
darling? They serve, and so do you. The mirror
salivates at your sight, lips out, stench of wealth
enough to make any gaggle giddy.
Parade your brand of vain for the next-in-line,
Fahrenheit on the rise, the influence
on the ravenous nosebleed-inducing.
Written: April 2022.
Explanation: THE SPECIFIC FORM OF THIS POEM CAN BE SEEN ON INSTAGRAM. A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
Over a year, close to two.
I am passing through for work
and to see a friend,
our communication meagre,
reduced to pixels on a screen.

Rue Sigefroi, one of the city’s arteries.
Clotted cream buildings,
concrete mugs clogged with flowers.
I see French, German,
the country’s own compote of the two,
umlauts sprinkled like confetti.

He has invited me for coffee.
There is a gangly embrace,
smiles blooming on our faces.
Wine bottles, maybe empty
tickle the top shelf,
books half-blotto behind the sofa
where I sit as he orders, my face in the mirror,
all wiry hair and pips of stubble.

The cup comes accompanied
by a dice of brown sugar.
Immediately he invites me for dinner.
A gasp hurdles out of me, stupidly.
I accept. He tells me this is excellent news.
We fill in the spaces
of our ever-growing crossword puzzles.
As you do, a lot is glossed over,
metaphorically kicked under the carpet.
He has no intention of moving back
but his father, he says, is unwell.
His image cabasa-rattles to the front of my mind,
the man who introduced me to Prufrock.

- The meal this evening is pleasant.
His wife plonks a quetschentaart before me,
galaxy of singed plums,
a star in Van Gogh’s view over the Rhone.
An occasional judder of laughter between us.
The evening begins its routine for sleep,
the sky embarrassed with clouds
over the Alzette, our stomachs content,
our friendship granite-solid.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
160 · Nov 2020
Unpeel
Thumb digs in,
removal of skin,
gashes expose closed fist
of moon wedges.

   Tug and tug,
   **** but for a sinewy
   plaque over the shell,
   a balled-up animal, perhaps.

Then the split,
extraction of organs,
furrowed foliage
all the same,

   a little damp
   in your palm,
   pouches of muscle and blood,
   broad, toothless smiles.
Written: November 2020.
Explanation: A short poem written in my own time. A link to my Facebook writing page can be found on my HP home page.
159 · Apr 2022
Zeal Monachorum
There IS nobody to ask, you say,
when we turn our stomachached motor
up another wavy lane, temporarily
rest it as we squint at the AA Big Easy
Read Britain 2022
, locate the B3220
and realise we’re in another
splodge of a town, homes in a hodgepodge,
the obligatory church. A mistake, we know now,
to leave late in the day, another hour ‘till
The Hole in the Wall where they’ll wait,
no doubt sigh, waste time spinning
the beermats as a gaggle of rowdy
just past-the-post teens blot the night
with the guzzling of spirits, their hangovers
like belches of fog come lun - Satnav wasn’t
on the blink, but it is.
Now look, I say,
calmly because tempers can boil over
matters so trivial, if we take the A3124,
wriggle right at Whiddon Down
to the A30, breeze by Exeter, a doddle
down to the coast, we’ll make it by nine.
You know how impatient they are. Ten
minutes won’t hurt, the vehicle grumbling
into action, tired and miffed with our
wonky deviation. It’s then, eking back
the way we came, an image forms - a bronzed,
slippery chalice named Stella, flat cap
of foam on the rim of extinction.
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
158 · Aug 2024
Henry Ford Hospital
baby of rust
bloomed from the womb
tether to the lost

lone orchid
by the too-big bed
memory left red

dream out in tears
odd choir of charms
sing a quiet awful song
Written: August 2024.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page and Instagram page can be found on my HP home page. This piece is inspired by the Frida Kahlo painting of the same name.
158 · Aug 2020
The Departure
After we have sweated the night away
it has come to this, myself, yourself,
a lamppost on the corner of Handler and Wilde
stained with the **** of many a dog.

Your cheeks, rivulets of black,
happy tears you said, your friends
for now and perhaps time to come, dancing,
heels like typewriter keys on the gym floor.

All Macarena-d out, panting
as though a Collie after a sprint in heat,
your found me two-thirds of a diet Coke down,
lopsided bowtie, pentagon hole in the shirt.

No kiss, but small talk. A botched triple jump
into the limo, hands linked, already spooling
back through the hours, the slow dance,
the walls dappled blue, a memory like all before.

Now the kiss. Brief. Nothing more.
This too, a memory. For a second,
marriage and children lucid theatre in my head.
The reality something else. I head home,

you wave and we're gone.
Written: April 2020.
Explanation: A poem written in my own time several months ago that I forgot to upload. Feedback welcome. Please note that 'Macarena' refers to the song of the same name, while 'Handler' and 'Wilde' refer to the writers Daniel Handler and Oscar Wilde.
157 · Mar 15
No. 10 Staples
I remember it, you
not so much. No. 10 staples,
unused, I’ve brought them.
The store is still there. You said,
regularly, you didn’t want
to sell stationery your whole life.
Pencils end up lost, pens run out,
like a lot of things. The inevitability
of it smacks you like a migraine, I got it.

Soon we became stapled, painlessly,
together. The mossy green jumper,
mine, you wore it. Your knitted-by-grandmother
scarf, sunflowers, I wore
sometimes. Routines we made
ourselves, the right shade of tea,
word puzzles before bed.
All falling into place, a quiet click,
seamless.

Then, restless. Fidgety. A classic
different directions situation. Thankfully,
amicable. Just as seamlessly, clicked
apart. Now here, the staples, leftover
silvered remnants. Still boxed. Use them?
I could, but couldn’t. What was reduced
to stationery. Runs out like a lot of things.
Inevitable, I guess, I got it.
Written: March 2025.
Explanation: A poem written in my own time. Feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
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