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I.

blankets of mist douse
the garden with bluish tinge
chilly night again

---

II.

another Christmas
plagued by masks and boosters though
brighter days ahead

---

III.

extraction of gifts
from their jackets of paper
hands at the ready
Written: December 2021.
Explanation: A set of three haikus relating to the Christmas period - not meant to be taken seriously, and a deviation from my normal style of work. This follows a similar set of (fairly samey) haikus written over the past few years - 'Yuletide Trilogy' (2012), 'Stocking Fillers' (2013), 'Christmas Triptych' (2014), ‘Festive Trio’ (2015), ‘Pulling Crackers’ (2016), Joyeux Noël (2017), Feliz Navidad (2018), Buon Natale (2019) and God Jul (2020). The title is Irish for 'Merry Christmas.' All feedback welcome. A link to my Facebook writing page and Instagram page can be found on my HP home page.
Paris, it could be, but for all you know,
London. A hotel room, four-poster, the sheets
clotted cream but for a Fool's Gold lining.
The en-suite, your bare feet
chilled.  A shampoo bottle left open, water blobs
that tiptoe across a grubby mirror. Then the blue eyes
discover yourself, wide and quite alive
but the morning has barely grown up. Teeth brushed,
face scrubbed, mobile on. Messages from all corners,
a yellow smile, a midnight memory
like an unearthed polaroid.  A trilogy of knocks.
The man, whose name you’d like to remember
for next time, brings twenty shades of breakfast.
The phone quivers again. A tanned brioche, little
butter rectangles too fiddly to exhume. You spot
a bruise on your arm, a wonky plum beneath
the surface where there wasn’t one before,
yesterday hits you now, strobe lights, a headache
that cracked as glass across your skull. Now this.
Bad breath, black coffee to blister the tongue.
And the message. Somebody wants you,
it seems, but you won’t want them back.
Written: December 2020, November and December 2021.
Explanation: A poem written in three stages, in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page, as well as some social media pages.
the snow flirts with you better than I can
when we walk back from the bookstore,
where books are discounted for one week only
and we passed recommendations
between the shelves and said
I heard this one’s good.

there’s discarded masks by the subway entrance
like malformed *****, mouthless and obsolete,
a whiff of Korean food that meanders
out from the takeaway
and I offload corny joke after corny joke not even worthy
for the back of a beermat
or graffiti-besieged toilet cubicle but you laugh
anyway out of pity I suspect,

the sack of books (Vonnegut, Glück, Didion) seesawing
by your side, our footprints a transitory
punchline behind us.
Written: November 2021.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page and Instagram page can be found on my HP home page.
if a violet sky night
I strive to catch your name in the breeze
hold it like a child
or a half-finished song

the only touch to start
is mental, feel you in my vessels
and let my lungs bathe
in the promise you spoke

is this electric or just
ourselves getting used  
to new furniture, fruit and yé-yé
but Christmas not for months

by twelve we beg
to crackle with anticipation
a tear stain on an open window
one of us sockless, bleary-eyed
Written: August and November 2021.
Explanation: A poem written in my own time, mostly in August but finished in November. Maybe not the most visually strong piece, but I'm actually very content with this. Feedback welcome. A link to my Facebook writing page and my Instagram page can be found on my HP home page.
oh let me breathe you in
you are not the sort of flimsy thing
to be hung slack behind the cupboard door

but to be worn
even if holes interrupt your skin
or a merlot stain looks like dried blood

on the front
but believe me when I say I might
need this more than what I thought

I might have needed before
so please let me hold this hold you
inhale you from the collar and down

the cosy black sleeves and maybe
that’s enough to keep me breathing in your arms
I want to know a little then a lot and start over again
Written: October 2021.
Explanation: A poem written in my own time. A link to my Facebook writing page and Instagram page can be found on my HP home page. Feedback welcome as always.
Because Mondays are
bulging bowls of satsumas,
first nugget of sunrise
or an apostrophe of flame,

and Tuesdays are
a row of blooming hydrangeas,
tall glasses of blueberry juice
or a last swatch of sky before night,

then Wednesdays are
a chubby lavender bush,
Parma Violet streaked teeth
or punnets of plump plums,

so Thursdays are
a pile of squashed rubber ducks,
frozen smile bananas
or the hemorrhage of an egg,

but Fridays are
a grass clippings mountain range,
eczema-skinned avocados
or skinny grasshopper limbs,

whereas Saturdays are
a ladybird’s speckled coat,
spoonfuls of pomegranate blobs
or a mushroom umbrella,

while Sundays are
a snowman’s **** belly,
globes of vanilla ice-cream
or a candle’s last word.
Written: October 2021.
Explanation: A poem written to mark National Poetry Day 2021. Feedback welcome as always. A link to my Facebook writing page can be found on my HP home page. Please note that Parma Violets are a brand of British sweets.
Atop the barn
a plump flicker
on two legs,

almost rusted
but for a monochrome
wing, a reversing

arrow. As it hops
along the felt,
a glimpse of its

taupe cap,
a sort of chain mail hood,
then a piercing

chirrup, a ripple
of giggles into the air
before the flight departs.
Written: August 2021.
Explanation: A simple poem written in my own time for display at my local library and also (partly) for the annual Summer Reading Challenge that takes place at English libraries every year. A link to my Facebook writing page can be found on my HP home page.
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