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If hers is a long and lonely climb
Atop her distant perch,
His then was a lengthy trek
Across the endless earth.
Inspired by sunshine and Nickelcreek. Always means always.
You put too much pressure on yourself.*  How often have I heard that, from my parents when I used to rip my hair from my head after softball games and school plays because I felt like I was stupid and incapable? From my therapist when I would continuously tell her how much anxiety I feel on a regular basis, like the world is collapsing on my shoulders and literally pinning me to the ground?  Now, from various teachers telling me I will be fine when I have panic attacks with tears leaving trails on my scarred cheeks and cannot stop shaking because the fear for the future and the terror of letting people down seems to be the hands around my neck, waiting for me to black out? How frequent have those words met my ears since I was five and began to look at myself like I was ugly, or at nine when I felt the need to hide what I ate so I would binge in my room, stuff bags of chips in baggy sweatshirt pockets so no one would see me as I cried about my size, but I continued to eat because it gave me some warped sense of paradoxical comfort?  And then at thirteen, when I felt I needed to do something about it so my stash moved from my bedroom to the bathroom, the place I locked myself alone for hours and stuck an unwilling finger down my throat so that all of these things that made me so not good enough would find their ways out of my limp body?  A good deal of this pressure was self-induced, but it was also learned.  You see, being my daddy's girl, every little child's dream, meant looking the part.  It meant passing on the chocolate cake on my birthday even though I had been waiting for it all year.  It meant being publicly ridiculed in fast food restaurants when I would try to free myself from his totalitarian diet regime and I would immediately be subjected to social homicide no matter who was there as a tactic to force me back into my place.  Maybe that's why I still cringe when people come into my workplace and embarrass their kids over petty things that won't matter to them the next day, but will scar the child for years to come.  It meant being taught that my only goal in life was to look pretty, and that because I am a girl, my voice means nothing.  It means learning to think I deserve the kind of love that tells me I am worthless if I am not a size six.  Being my daddy's girl meant that when the first boy I ever loved called me a fat ugly ******* on a regular basis that it was nothing new to me, he was just more frank about it.  It meant that when my please, don't's and my I don't like this anymore's were silenced by a friend's unwavering desires for power and control, I figured it was because he cared about me because that's what he told me.  After all, being my father's girl meant that I was nothing more than a pretty face, a porcelain doll, who was only good for being someone's *****, even if I was combatting against his advances.  
Being my daddy's girl meant sometimes, as a child, I wanted to be a boy, not because I was transgender, but because I wanted to be something of value that was not solely based on the beauty I did not have. Because of all this, being my daddy's girl meant never being good enough.  If all I could be was attractive, and it became clear that I was not, then what was left?  My sister grew into the skinny robot he wanted her to be.  She was my daddy's girl.  I never was, and I used my voice to speak out against every value he taught me.  He was conservative; I became a raging liberal.  He claims to be Christian; I began to question religion.  He was a sexist, homophobic bigot; I am a feminist and human rights activist.  As in all forms of tyranny, they try to shut you down if you shout the truth from the depths of your being.  But my voice will not stop screaming.  Still, how I felt about my looks began to affect everything else.  My father would try to support me in my activities and in school, but when I looked at him, all I could see was a big glaring manifestation of YOU'RE NOT GOOD ENOUGH staring me straight in the face.  And while this snowball has been rolling and building up for years, I have to stop believing the lies.  I cannot blame all of them on him; society has taught me that I am not a model, therefore I am nothing.  The church has taught me that I must be subservient to some man and that I will never be anything without him.  In case you couldn't figure it out, that will never happen. Overcoming this is not easy, and while my thoughts still panic and franticly bounce about from corner to corner, while my mind still travels to evil, lifeless places, I must crawl through the darkness.  I must proclaim to the world that I am enough, whether I believe it or not.
No Tonka, no Barbie,
No Monopoly game.
Just a pack on my back.
The rest have the same.

We start at age three.
Continue 'til death.
I know I'll have work,
As long as I've breath.

Our families need money.
We're the poorest of poor.
All our older brothers,
Are dead from the war.

From sunup to sunrise,
I carry my pack.
I try to walk fast,
Just in case we're attacked.

I'd complain of my plight,
But who would I tell?
All of my friends
Share the same Hell.

I've heard of a place,
Where kids get to play.
I hope from deep down,
I'll see it some day.

But likely as not,
My kids just as I,
Will carry these packs
'Til the day that we die.
 Oct 2014 Cláudia Cruz
raenona
10/27/2014

making someone smile gives me a fraction of peace because i think that at least people will have something to look back on when i'm dead.

make sure you eat dinner.

the time is falling like the leaves around you. move quickly.

don't let anyone tell you you're not worth it.
 Oct 2014 Cláudia Cruz
Solegrina
I.
Além das árvores, um novo dia:
vejo fractais nos galhos florescentes,
- veias noturnas da ilusão sombria -
ah, deitado nas folhas decadentes...

Tal qual a luz numa caverna fria
faz na água cristais resplandecentes,
tal qual o sol invade uma abadia
por sagrados vitrais iridescentes,

a Aurora, face pálida e iminente
da manhã, é sorvida pelo ouvido
e incendeia o carvão dos meus subsolos.

Meu último suspiro é a nascente
de um brilho mineral recém chovido
nas graminhas que brotam dos tijolos.


II.*
Uma coroa incandescente avisto.
O Sol sobe do ***** mais profundo
aos imponentes edifícios vítreos
preparando a manhã para o seu culto:

brotam seus fogos (dançarinos místicos)
do asfalto e das janelas - nosso mundo
foi abrasado pelo canto rítmico
de um fervor que se expande em absoluto!

Fecho os meus olhos e me entrego às chamas.
Afogam-me as fogueiras e o meu pranto
é abafado entre ressonâncias, raios

e fúnebres azuis. A essência humana
é consumida e ao passar dos anos
sou fuligem em becos solitários.
 Oct 2014 Cláudia Cruz
Solegrina
Once upon a time
a butterfly noticed its own fragility
and submitted itself to the winds

Once upon a time
the wind noticed its own dispersion
and submitted itself to the hills

Once upon a time
a hill noticed its own hardness
and submitted itself to the grasses

Once upon a time
the grass noticed its own dependency
and submitted itself to the earth

Once upon a time
the earth noticed its own monotony
and submitted itself to the flowers

Once upon a time
a flower noticed its own inaction
and submitted itself to the bees

Once upon a time
a bee noticed its own irrationality
and submitted itself to The Queen

Once upon a time
a human could notice her humanity
and thus she beheaded the king.
 Oct 2014 Cláudia Cruz
Solegrina
espero num poste
até que os carros
me deixem atravessar.

meio que atravesso.

deito no asfalto:
as nuvens navegam
sem direção
sem vontade
sem propósito
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