I

We sit on a tailgate pointed toward
the hills, where life ripples down the slopes
gathers in pools of the creek and begins again
to climb up the peaks and tree trunks on the
other side. It colors the breaths we take
green.
Children run here, learn their legs, as stalks
graze their shoulders and block their
view. They get dizzy as rows rush by.
We rein in our bovine friends here, watch
them jump and kick, see them call in
spring

II

We walk between rows of highly stacked cement and exhale smog that drifts
upwards to
join the cloud of soot.
We walk among so many abrasive shoulders. We get
hung up on abrasive personalities.
A gray wave in a black sea we’re vapidly
drifting. Legs move quickly to stay afloat.
swimming. Swimming always. Swimming further.

III

We sit for pictures with clogged eyes and stuffed chests
We coo at portraits of masks and dummies
We write books for laughs and money and friends
We read a little to find the romance and sorrow
and lay cold on the slab while our own pages turn.

IV

We pass out of porcelain faces with their tightly
drawn eyes that cast gazes over shoulders, homes
of last night’s kisses. We pass out of the electrical
current of youth
numbed and still alive
with eyes that look like stained glass windows of the
Church of Holy Suffering.


V

We wait for Sunday night to turn the dial to the Blues. We keep throwing something for an animal to pick up and return.  We string beads and sell them for redemption.

VI

We think of our friends. They’re draped in a future,
warmed with hot blood rushing through their veins,
slamming fists to tables, pronouncing their minds.
ripping off dresses, sharing their madness.
tossing paint to canvas, showing their hearts.
asking questions to startle, proving their love.

VII

We think of our parents.
dead and gone, dead to us, dead by self-proclamation -
Is their blood cold and still in their withered veins?
Have they their fill of slamming fists and ripped dresses and tossed paint and startling questions?

VIII

We are sad.

that boy sitting next to her
with a slender, birdbone frame power
in his Franken-lightning hair, a hungry
edge to his jaw, who stumbles over Bishop
but compresses our breath with his words
undoes me in muted, fraying ways
the cuffs of my favorite sweater
slowly unraveling under years of continuous wear

his smile is clever and **** with drama
kept in the dark alley corner of his mouth,
strong coffee and bruises without origin

I didn't want to know how
under the soft tissue of my liver and spine
there are words that might taste
like a fire escape in Brooklyn
a night on a stranger’s couch
and how compulsory punctuation might be
only an afterthought to others

i'll make mixtapes we can lay down rubber in parking lots call out our joy and anger which are almost the same thing anyway i will cry at night but you will lick the salt like a wild deer pepper me with small bruises drive in our underwear just to feel skin sticking to something make contact with your hair as it billows in and out of the car in and out of sight make contact with the only part of your body that is not warm stop only in small towns that keep their stories close in those towns press silky moonlight to the warm parts of your body like poems like slits of light to let the light in through smoke and eat hanging out of the windows pretend we are leaving crumbs to find our way home with but never come back anyways anyways

Doors slam like Satan himself is
in a fit of rage below us, even if he is
in the deepest level of Hell, I feel the floor
shaking like a 6.0 has just swept us but it
is only a consequence of wood slamming
against wood and fists fighting doorknobs.

Voices rise like the temperature in Arizona
in the summer, abruptly, hot and heavy, so
quickly stifling any chance of relief—
anger is an emotion I am far too familiar with.

Some people live quiet family lives, are never
interrupted in their sleep by screams from a
father who dreams of death and a mother who
carries a scythe of shame as if she is the Reaper,
some people wake up in the morning knowing
there is breakfast waiting on the table, fresh eggs
hot off the stove and orange juice with pulp, but
others wake up and make coffee for themselves,
knowing parents sleep past noon and
we are the ones who are doomed to repeat the
history of abuse and psychological suffering but:
we are the ones who will help to stifle the shouts,
to put a stop to slamming doors and shrill screams,
dysfunctional daily routines and waiting for hope
that never arrives, we have had lives consisting
of always having to act stronger than we feel
when the floorboards seem to be breaking just
beneath the force of our feet, because our
bodies are not just our bodies, we are carrying
burdens that weigh more than our bones and
blood cells combined, so when we step on the
scale the number we're reading is really how
much hurt we have been holding, not how
much food we've been hoarding inside of us.

We are the children of complex family situations,
we are spend-more-time-in-psychologist-offices-than
we-do-in-our-own-roo­ms, we are no-parent-to-tuck
us-in-at-night-read-yourself-a-story-it-builds-­ability.
We are daydreams of escaping like Rapunzel,
we are how do I save myself from a nightmare when
I am already awake? We are years of reading self-help
books in Barnes and Noble until we finally understood
that the only thing to do is to help the world help us:
we are strong. And we understand that family exists,
but for us it is different. We are the children who find
comfort in books and coffee and anything outside
of a house so filled with tension and hatred, and we
have been waiting to fix ourselves for too long.

Regrets, they come in waves and break around his feet
And he begins to wonder who he might have been
Had roads diverged in different woods and fields
Not yellow or yet any colour still unseen
But clearer now by day than windless nights
Still nearer than the objects of his dreams

It'd rained late into the evening, and when the lights were shaded
Around the pool outside and with the windows shuttered
He'd thrown on loose clothes, flicked open an umbrella
While high outside the stars the lightning flashes muttered
Pulled open doors that led to the veranda
And moved outside once more with all his thoughts unuttered

The smoke, from fires on Java lies heavy on his senses
An omen of the time of year and of the past condition
He shrugs, ***** in the acidic nighttime odors
Reviving lives not lived but revealing his admission
That time beyond the present that mirrors every movement
Within, without, and yet again, the flicker of suspicion.

The pistol in his pocket, illegal not unloaded
A symbol of his state of mind and by  his sole discretion
He kneels beside the water, deep-set and in the shadows
Lips forming wordlessly around the last confession
Images of where and what and who and why and whether
A portent of that final action, sensing and impression

The smoke from fires on Java lies heavy on the water
The reek of cordite mixing with the smell of burning grasses
Indignant birds protest the crack of one small set expulsion
The echo round the swimming pool reverberates and passes
Nothing more and nothing less and time and space and matter
Slick red upon the treacherous tiles, the shattered bloodied glasses.

Halcyon grass in absent wind;
your conscience drifts away.

Alone, you watch the rising tide;
above, it ties you in.

Lost, lost, lost;
as you were, among the reeds...

I. Anna Sophia, 1878

Her name unfolds like raw white hands
small zaffre eyes, hair gold against her neck,
while the autumn air wafts flaxen motes
the men return from the boats and fields.
She follows the soft ripple of black birds
taking flight from a great distance.

II.  Annie Axelina, 1901

Her ankles are angry chaffs of red rings
as she circles the harbor, Torhamn pressed
into a pale flower between winter’s pages.
She cuts across the black ice lea
with my stride. She boards a boat, daughter
wrapped in her arms, leaning into the gale.

III. Eleanor Maria, 1921

Her roses are blooming burgundy against
the blue of the house and the kitchen heat
curls wisps of blonde into gnarled vines
under her nursing cap. She sews neat rows
of nursery rhymes into a blanket, leafs through
a green scrapbook of poetry and recipes.

Her name echoes back wings and the yearning
lilt of a language not entirely lost to me.

IV. Elizabeth Marie, 1991