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Raj Arumugam Oct 2012
so in ancient Rome
Caelius bumps into
his friend in the streets
and he says:
“Hey, Domitius
I thought you were dead”


Domitius laughs and he says:
“Well, you can see I’m alive”

“Yes,” says Caelius, *“but you must be dead
for I had the information
from someone more reliable than you”
Poem based on a joke from a collection of jokes from ancient Rome, brought to light by Mary Beard (see her TV series “Meet the Romans”)…
Raj Arumugam Oct 2012
the barber and the bald man
and the ubiquitous philosopher
are travelling in ancient Rome
Here below the tree at night
they rest and take turns to keep an eye
on their luggage
Now it is the turn of the barber to keep watch
and he gets bored
and he takes out his shaving kit
and he gives the sleeping philosopher
a free shave, so now you have two bald men

And now it’s the philosopher’s watch
and he wakes up
and he feels his smooth head
and he muses to himself:
*“That stupid barber!
He has woken up the bald man
instead of waking up the philosopher!”
Poem based on a joke from a collection of jokes from ancient Rome, brought to light by Mary Beard (see her TV series “Meet the Romans")
Raj Arumugam Oct 2012
now, ladies and gentlemen,
as you can plainly see
I am quite adroit and learned
and this lady quite occupied
I am, let me make it clear,
extremely preoccupied
keeping this lady warm and happy
as she in her turn does ditto for me
Now whether we please ourselves missionary
or front to front
is really no business of yours -
but it’s purely and ****** our business and pleasure
So, most lovely ladies and resourceful gentlemen
you must find yourself a different room each
and leave me to fiddle or ****** as I wish
O shame on you ladies -
do you not lure your men
far enough into your depths?
O shame on you men -
do you not come hard enough on your women?
go you now and find each a body
and go spiritual, ****** or *****
have no guilt, enjoy abandon
love as you wish -
but really, you busybodies,
it’s time for you to relinquish pretense of  surprise
and depart from here, and  
leave one body busy with the other
...this is a sequel to my previous poem: " beauty looking back"...
This poem based on ukiyo-e print, “Lovers Surprised”  by Kanbun Master (fl. c. 1660-1673)
Raj Arumugam Oct 2012
I was at the street shops, seated below the canvas
and drinking my sake
innocent to the world
and lost to my cup
when she walked past
smooth, elegant, slow-time
her eyes straight and her manner modest
O I only had eyes for her
that was all there was, that desire
as she glided through the street
her kimono red and strewn with flowers in bloom
her scent lingering in the air
the gold clips gleaming in her black hair
O the kimono was like a cloud ablaze
that wrapped a Being from the Realm of Desires
and my own being was in chaos and stirring
and then just at the other end
just at the bend
the beauty turned her head
and she cast her eyes on me,
just a flitting look
O the beauty looked back
and it is on me she cast her binding gaze

And now, for me,
as for a madman
there is no looking back
I must go where she beckons
poem based on print “Beauty looking back” by Hishikawa Moronobu (1618-1694)
Raj Arumugam Oct 2012
whether it be day or night
when I am awake
I listen to the silence
and the whispers of the surrounds
to the snarls, the roars and the rage
to the creatures that are about, that may venture
I am attentive to the flowing streams
that laugh with the rocks
and to the mountains in their pensive mood
and the sounds of the house and its wood
and the growing elm, that are rich and green always
and I am witness to the sun,
and the moon and its companion stars
and the day and night
and all shades and transitions
and all presence in the air
and I am witness to the creatures that come close, curious
and so to all quiet, to all activity and all life and movement
to all color and all seasons and all urgings and motion
and when it bids me sing of these
then in that consent, in that concord
I write down these words
I write these books of the surrounds
of these moments
that shall come into your hands
that you too may see, for yourself
....poem based on painting “Writing Books under the Pine Trees”  by **** Meng (王蒙, Wáng Méng; Zi: Shūmíng 叔明, Hao: Xiāngguāng Jūshì 香光居士) (c. 1308 – 1385)...please check out painting
Raj Arumugam Oct 2012
listen you pretty girls
and tormented boys
heed this warning tale
and avoid bloated tummies
and crushed *****


song of Bad Boy Nimko

here below this bridge
each night
I met pretty Akako
And each night I whispered
sweet nothings
and poured myself
into her
But ah, now this same bridge
of pleasure is a bridge of pain
she says she’s pregnant
and makes her claims
And so I must run away
turn my back on the village
and never return
for here is no gain



song of Bad Girl Akako

here below this bridge
each night I met Nimko
and I told him one night
he’s made me pregnant
and he said
he didn’t know about that
And never wanted
to see me again
and he called me a ****
And so I squeezed him tight
and he left with ***** crushed
flat as dumplings
under a carriage wheel




And so
listen you pretty girls
and tormented boys
heed this warning tale
and avoid bloated tummies
and crushed *****
image from Wikipedia; poem based on print: “Man on horseback crossing a bridge” by Utagawa Hiroshige (1797 – October 12, 1858)
Raj Arumugam Oct 2012
you are walking the streets
you do not walk the boards anymore
your trousers are frayed, your shoes dusty
and the hard walkways have worn them out
you are not presented in the glorious costumes
and the stage crowns anymore
the illusion is gone, it’s reality
that’s permanent now
you’re the beggar, the recluse, the plain and shadow
you walk down to the shops
and your speech raises eyebrows
where’d he learn to speak like that?
they ask, in whispers, like conspirators on stage
your actions are too lofty, your manner too distant
it threatens them, they must crush you –
so that’s why you’ve learned to blend in as well as you can
those were the days
when they heard your words, and they felt it resonate
when they noted your pronouncements
and there was acknowledgement
but those were the days, a long time back when they
looked at you, and they knew you, and they looked in awe
now the children sneer at the old man,
and when it’s too cold, your nose runs
and you need to **** more often
and the women notice you hobble,
you leave the art of significance
and you learn the art of the indistinct
and you’ve learned
which practice is more difficult:
acting the prominent, or acting the anonymous

*Go, old man, old actor, every dog has its day;
the new breed eats the bones today
companion picture: "the old actor" by Domenico Fetti (also spelled Feti) (c. 1589 – 1623)
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